• Conservation Science in Museum
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• v.12
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• pp.71-76
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• 2011

This study examined characteristics and structure of earthen Janggu that were excavated from Jeollabuk-do and other regions, and it described conservation process of earthen Janggu that were excavated from Samsanyujeok Jeonju. Earthen Janggu that were excavated from Samsanyujeok were destroyed and lost by more than one third, and they were thought to make use of them at living lives. We take an x-ray of center of the Janggu for inspect production technique and, destroyed area of the Janggu was recovered by making recovery frame made by plaster and using epoxy series CDK-520. After recovery, acrylic paint was used to do color matching and to get rid of sense of difference of the area that was recovered and remained.

• Journal of the Korean Institute of Rural Architecture
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• v.10 no.2
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• pp.53-61
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• 2008

There are many ways to know the social and cultural level of each country. Among them, a theme museum are not only the best place to understand the history, the life style and the culture level. This thesis has the purpose to provide the basic material through analyzing the space composition and the visitor circulation of the theme museum and understanding the relativity of them so that the new theme museums can be designed in the right direction. So I chose the independence museum that opened with in recent 10 years, finally middle & small size's theme museum were selected. The results from the case study are as follow. Firstly, according to a result of analyzing the characteristics of space composition with the ratio of each part's area, space composition of each museum is mainly for the exhibition part, but rarely for the education part. Secondly, theme museums in Jeju have the limit of diversity of circulation method because they have not the free circulation method. Thirdly, the characteristics of space composition is divided into basic type, center-hall enter type, around the center-hall type and guidance type. Fourthly, by analyzing the characteristics of space composition and circulation method of traffic line, it's realized that selective circulation method was applied to basic type and center-hall enter type, and guidance circulation method was applied to around the center-hall type and guidance type.

• Korean Association of Arts Management
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• no.49
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• pp.117-147
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• 2019

Many cities are utilizing their cultural capital as a means for urban regeneration and tourist attraction. Museums form an essential component in these culture-based urban regeneration efforts, the Guggenheim Bilbao being a frequently cited example of success. The United Arab Emirates (UAE) has benchmarked the Bilbao case study as they were looking for alternative income-generating industries in the post-oil era, embarking on a city-building project on the Saadiyat Island where resorts and cultural institutions of massive scale are being constructed. The Louvre Abu Dhabi and the Guggenheim Abu Dhabi were pursued under this scheme, aiming at attracting tourism and elevating their status in the region as a cultural capital. This study examines the political, economic, and cultural background behind the Saadiyat city project and the pending issues behind the construction of the Guggenheim Abu Dhabi. This study purports that besides funding and an ambitious plan, social and cultural developments in the region over time will be essential for a successful localization of a Western brand museum in the region.

• KOMUNHWA
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• no.63
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• pp.83-108
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• 2004

Gaegyeong(開經), the capital of the Goryeo Dynasty (918-1392), acted as the hub for producing various potteries for the royal family, governmental offices, temples, and markets in the Gyeonggi and Hwanghae Provineces where consumptions were highly concentra

• KOMUNHWA
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• no.61
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• pp.95-128
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• 2003

Shell middens, so called waste sites, are the remains made by files of wastes after the sources are used from the natural and artificial environment. The relic things, excavated in shell middens are usually found to be broken and hard to recognize the ori

• Conservation Science in Museum
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• v.23
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• pp.91-108
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• 2020

This study conducted non-destructive analyses of the material features of seven gilt-bronze crowns of Baekje Kingdom that were excavated in the Cheonan, Gongju, Seosan, Iksan, Naju, and Hapcheon areas. A typical Baekje gilt-bronze crown has a conical inner crown and an outer crown embellished with vertical ornaments on the front and the back, a tube topped with a hemispherical ornament, and other ornamentation. Diverse designs (e.g., dragon, bonghwang, flowers, and plants) were applied using a range of techniques, including repoussé, chasing, openwork, and engraving. Formal features differ among the crowns according to their period of production and site of excavation. The substrate metal of the crowns is either pure copper or mixed copper with a small amount of lead. The crowns were amalgam-plated on the surface with pure gold or gold with a small amount of silver. The crown from Okjeon Tomb No. 23 in Hapcheon in the ancient Gaya region has a high silver content, which appears to be a regional feature. In addition, this crown from Okjeon Tomb No. 23, which can be categorized as Baekje-style gilt-bronze crown, seems to be plated at most three times, while the gilt-bronze crowns found within Baekje Kingdom territory were plated once or twice.

• KOMUNHWA
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• no.56
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• pp.59-91
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• 2000

The iron culture have been studied mainly about the initial aspect and the growth of polity grossly on the level of the south Korea or the Yeungnam province. But the iron culture is necessary to study by diachronic and regional approach about the artifact

• Korean Journal of Heritage: History & Science
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• v.45 no.2
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• pp.54-71
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• 2012

This paper investigates Buddhist sculptures of the Gulsan-sa School of Seon Buddhism, which was established by the priest Beomil(梵日) at Myeongju(溟州), present-day Gangneung(江陵) area, and prospered until the late Goryeo period. There are very few surviving Buddhist images at Gulsan2 temple-site showing the Buddhist art when Beomil or his disciples, Gaecheong(開淸) and Haengjeok(行寂), were active, except a set of huge stone pillars for temple-banners and a stone monk stupa. It is therefore necessary to focus on pieces of artworks in Gangneung and nearby areas to explore the characteristics of Buddhist art of Gulsan-sa from the late Silla to early Goryeo period. For example, the stone relief seated Buddha image, one of Four Buddhas of Four Directions, and a stone relief of standing Guardian King both from the stone pagoda at Mujin temple-site(無盡寺址) can be compared with stupa reliefs at the capital Gyeongju area in their high quality of carving. The stone octagonal base showing seven lions on each of seven sides at Boheon-sa(普賢寺) demonstrates that it was made as a part of an octagonal lotus pedestal for a Vairocana Buddha now lost. Since Boheon-sa was erected by Gaechung, a disciple of Beomil as a branch of Gulsan-sa, it is fair to assume that the Vairocana image at Boheon-sa might have been closely related to the Buddhist images at Gulsan-sa in its style and iconography. The stone seated Bodhisattva from Hansong temple-site(寒松寺址) displays a benign face, exquisite necklace, and exotic iconography in its hand gesture and high cylindrical crown. The stone seated Buddha at Cheonghak-sa(靑鶴寺), brought from a temple-site where fragments of roof-tiles with the inscription of Heukam-sa(黑岩寺) were discovered, displays the late Silla and early Goryeo period. Heukam-sa seems to have been related to Gulsan-sa or have been one of the branches of Gulsan-sa. Extant fragments of artworks at Myeongju implicate the high quality of Buddhist art of Gulsan-sa in its iconography and style as well as unique features of Gulsan-sa Seon School.

• 지역과문화
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• v.6 no.2
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• pp.49-76
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• 2019

The purpose of this paper is to reorganize the role of ecomuseum which establishes the identity of local communities and preserve the tangible and intangible inheritance and relics of the region, and to propose the sustainable development measures of the ecomuseum. Therefore, in this paper, three factors for the continuous development of the ecomuseum are as follows: First, establishment of an ecomuseum centering on local communities. Second, research on the program development for voluntary participation of local people. Third, we proposed the construction of ecomuseum network that can help to manage and publicize the ecomuseum. Therefore, the program of the ecomuseum presented in this paper can be useful for the concrete development of the ecomuseum which is suitable for domestic reality.

• KOMUNHWA
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• no.66
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• pp.5-35
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• 2005

본 고는 매우 복잡 다양하게 출토되고 있는 선사시대 토기 중 굽다리토기에 대한 연구이다. 특수한 기형의 이 토기는 분류조차 제대로 이루어지지 않은 채 의례용으로 인식되어져 왔으며, 그 명칭 또한 무분별하게 사용되어져 왔다. 따라서 충분히 객관적이고도 적절한 정립이 필요한 상황이다. 이 토기는 저부와 신부의 상대크기에 따라 대부형(Ⅰ형)과 대각형(Ⅱ)으로의 세부기종 설정이 가능하고 세부기종별 속성분석을 통하여 6형식의 형식분류가 이루어졌다. 무문토기시대 전기 주거지유적에서 공렬 및 각형토기와 공반하는 1·2·3·4형식의 토기(북한→강원영동→경기중부·충청서해안지역)는 점토대토기문화가 도래하면서 생활, 분묘, 생산, 폐기 그리고 의례관련유구에서 출토되는 5·6형식 토기(경기중부·충청서해안→호남·영남지역)로의 변화를 보이면서 전개된다. 즉 점토대토기문화가 도래하는 시점에서 굽다리토기의 형식도 변화·확대되고 있다. 또한 출토맥락, 형식조합, 제작기술 등의 관점에서 공렬 및 각형토기와 공반하는 1·2·3·4형식은 일상 생활용기로의 상정이 가능한 반면 점토대토기와 조합을 이루는 5·6형식 토기는 의례관련유구와 분묘유구에서 다량 출토되고 있어 기원이나 소원과 관련된 의례용기, 그리고 부장용으로의 기능분화가 관찰된다. 〔주제어〕: 굽다리토기, 공렬토기, 각형토기, 점토대토기문화, 기술유형, 시공적 전개, 기능분화