• 좋은식품
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• 통권246호
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• pp.8-11
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• 2015

정식명칭은 베트남 사회주의공화국(Socialist Republic of Vietnam)이다. 북쪽은 중국과, 서쪽은 라오스 및 캄보디아와 접하고 동쪽은 바다를 면하고 있다. 남북으로 긴 해안선은 무려 3,444Km에 달한다. 면적은 33만 $1,210km^2$, 인구는 9,200만 명, 수도는 하노이(Hanoi)이다. 주민은 베트남인이 90% 이상을 차지하고 있으며, 그 밖에 중국인과 53개의 소수민족으로 구성되어 있다. 공용어는 베트남어이며, 종교는 불교가 80％, 가톨릭교가 9％ 등이다. 행정구역은 하노이, 호찌민, 다낭, 하이퐁, 껀터의 5개 직할시(centrally administered city)와 59개의 성(省)으로 이루어져 있다.

• 한국펄프종이공학회:학술대회논문집
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• 한국펄프종이공학회 2007년도 추계학술발표논문집
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• pp.1-5
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• 2007

• 복식
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• 제60권9호
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• pp.41-57
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• 2010

Yunnan, where twenty-six minor ethnics live, is located in Southwest part of China. They have preserved and developed their folk costume, artcraft, music and dance in their peculiar way with natural and cultural surroundings. So, Yunnan is known as a living folk museum. It's worth examining how climate and circumstances change has affected certain differences of dress shape in same ethnic. Research into costumes of minor ethnics can contribute to the study of origin of the trousers, as this group of people have well succeeded the basic form of trousers through their cultural history and everyday life. This study, at first, investigates geographical surroundings of each minor ethnic group, and figures out the style of all trousers by measuring the each size, then compares design color pattern and fabric. The origin of trousers examined by formative characteristics has been classified and comparatively studied. The study materials are twenty-three trousers selected from in Yunnan Folk Museum as well as other relevant literature records. This study suggests that one can examine the type of human culture through the forms of costume which reflects folk custom geography economy etc. This, in turn, can be used as a basic information for other studies, and in particular, for the study of origin and structure of the trousers.

• 한국의상디자인학회지
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• 제22권2호
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• pp.167-180
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• 2020

The purpose of this study is to present the use of traditional culture and the direction of various fashion designs by developing and producing contemporary fashion designs on the Muslim costumes of the Chinese Hui minority. Based on research methods, the cultural background was investigated and the design characteristics were summarized. Based on the results of this survey, 4 sets of women's fashion were designed. The design intent was to feature Muslim traditional costumes and to adopt a functional contemporary design. The conclusions of this study are as follows. First, simple and indecisive clothing shows the innocent and good side of the congregation. In this study, traditional dresses were used to make use of the simple silhouette and color, and to create a contemporary atmosphere, various materials, such as wool, glossy industrial complex, lace, and fur were used to create a modern sense design by adding diversity to the simple silhouette. Second, the biggest feature of the regimented Muslim costume focuses on a head cover and suggests a contemporary sense of hood improvement, and a design that can be used with two sides. These hooded head covers can provide fashion and diversity and can be proposed as functional. Third, contemporary Muslim fashion is gaining global attention and it is possible to develop various fashion designs based on traditional motifs. This study was able to increase the feminine image by changing the solemnity of the communal dress without discarding the foundation of the traditional religious culture based on the daily dress of the people.

• 건축역사연구
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• 제14권1호
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• pp.135-150
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• 2005

Historical study of Korean traditional houses have been carried, mainly, based on the geographical region of Korean peninsula. However, the case of primitive houses can not be researched according to the geographical and racial concept of modern nations. This study aims to examine the primitive houses of ethnic minorities of northeastern China, where the cultural and racial background have been deeply rooted in the history of Korea as well as Korean traditional houses. Through the field research and literary materials, the basic types of primitive houses of the five ethnic minorities could be identified. Among these types, those that have possible relationship with Korean houses, are cone shaped house, underground house, and elevated wooden house. Archeological evidences of underground houses were amply found in Korea already, but above ground evidences could not be found. However, It seems quite certain that the cone shaped houses and elevated wooden houses, too, existed in Korea as one of the earliest housing types, as can be examined in remaining examples in Korean peninsula. With no doubt, the primitive houses of Korea have strong connection with that of the ethnic minorities of northeastern China. This can be verified through the facts that the evidences of cone shaped houses, the similarities of the use of Inner space, the evidences of elevated wooden houses. Also, the combination of wooden floor and ondol, which is known to be one of the strongest characteristic of Korean traditional houses, could be originated from the combination of primitive summer house, the elevated wooden house, and the winter house, the underground house with ondol.

• 복식문화연구
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• 제28권3호
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• pp.356-375
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• 2020

The purpose of this study is to understand the characteristics and cultural values of the headdress among Chinese minorities with diverse ethnic cultures, and to provide various data on the design of clothing accessories. Theoretical considerations about ethnic minorities were addressed through literature and prior research, with data being collected using literature and websites. The results are as follows. First, the most common type of headdress is the horizontal type, which includes the head style, headband, and head scarf. The second most common is the cylinder type, which is a headdress with variations in the shape of a round hat, and has is evident among various minorities. Third, the pagoda type is decorated with ornaments mounted on top of a round shape. Fourth, the square crown type is a piece of wood as a material for a form of the material and for a variety of jewelry and the production of up to meet the women's head of the jewelry. Fifth, head belt-type ornaments consist of a headband and fancy bead ornaments from the bottom of the head. Mongol women usually wear an exaggerated form of this type. Sixth, the head cover type is a head decoration influenced by the dress code of Muslim women. Seventh is the disc type of crown shape worn by the Dai. Next, the ogival type is a cone-shaped headdress hat most commonly seen as head ornament hat among the Dai. Lastly, the sailboat type is the most exaggerated form of hair ornaments found among ethnic minorities.

• 한국의상디자인학회지
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• 제23권3호
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• pp.23-42
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• 2021

The purpose of this study is to analyze the characteristics of the Chinese Miao people's Batik patterns and provide data in the field of fashion design for the utilization of the traditional patterns. This study investigated and analyzed the regional characteristics of Batik dyeing, which was listed on China's national intangible cultural heritage list; Danzhai, Anshun, Huangping, and Gonghyeon. The expressive characteristics were classified into four categories: symbolism, abstraction, decorativeness, and playfulness. The results are as follows. First, symbolism can be classified into the origins of the Miao, symbols of faith, history of migration, and the symbols of status with Batik patterns from different regions, seemingly involving various symbolic implications. Due to the absence of letters, Miao people expressed their emotions and history in the design patterns. A series of developments in recent years has led to incorporating the temperament of the Miao people, history of migration, expression of emotions, and ideal hopes in Batik dyed design patterns and the symbolic functions have been significantly emphasized. Second, the decorativeness is mainly characterized by repeated patterns of the Miao Batik dyeing design. The overall patterns demonstrate design features characterized by regularization and simplification, along with a sense of rhythm with the unique arrangement of patterns. Third, the abstractness of the Batik dyeing design patterns is often found in plant and animal patterns, properly delivering new designs created by Miao women by extracting and rearranging various elements, including dots, lines, and faces shown in natural images. Fourth, playfulness is expressed by the transformation and distortion of Miao Batik patterns, and were created by applying patterns or other elements to original forms to express animal or plant patterns in a playful way.

• 복식문화연구
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• 제29권4호
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• pp.585-602
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• 2021

The purpose of this study is twofold: First, to develop new sustainable design methods (aligned with ethnic elements and traditional culture) combined with three-dimensional digital clothing technology throughout the design process, which can be presented as guideline materials for various fashion designs to be developed in contemporary sensibilities. Second, it is the intention to produce creative fashion designs by incorporating the characteristics and methods of Miao's Huangping batik dyeing technique and to present various possibilities in the fashion design field. The overall design characteristics sought by Miao minority are in line with the complex terrain and the ecological and climatic conditions. Miaoist batik dyeing (registered as part of Chinese national intangible cultural heritage) features unique production methods and patterns. The study results are as follows. First, this attempt has enabled understanding of the national costume culture as Chinese Miao's traditional cultural heritage to be promoted, while the direction of contemporary design development using traditional elements has been presented. Second, the study demonstrated new and innovative expressions and styles relying on three-dimensional digital contouring technology and identified the possibility of developing various designs. Third, it was confirmed that the dyed batik pattern design created by the three-dimensional digital contouring technology could be recombined or expanded as digital printing to express the traditional ethnic designs in a practical manner utilizing digital printing techniques based on traditional characteristics.

• 한국지역지리학회지
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• 제8권1호
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• pp.1-19
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• 2002

문화대혁명은 현대 중국을 이해하는 데 있어서 매우 중요한 의미를 갖는 정치운동이다. 그간 문화대혁명에 대한 연구는 정치적 음모 내지는 노선투쟁에 집중하고 있었기 때문에, 그것이 지닌 정치지리학적인 측면에 대해서는 주목하지 않았다. 이 글은 적어도 소수민족지구에서 진행된 문화대혁명에 대한 연구는 정치지리학적인 견지에서 보다 실체에 접근한 결과를 얻을 수 있다는 전제에서 출발한다. 내몽고자치구와 어룬춘자치기에서의 문화대혁명의 전개과정을 살펴본 결과 중국 지도부에게 변강 혹은 민족자치지방은 '지역' 내지 '공간'으로서 중요한 것이지, '민족'이 중요한 것은 아니라는 점을 발견할 수 있었다. 특히 문화대혁명 기간 중 혁명지도부는 '민족'을 이용하여 '공간'을 조작하거나, '공간'을 이용하여 '민족'을 조작하는 경향이 있었다. 따라서 민족자치구역에서 문화대혁명은 '민족'을 '계급'으로 해체하고, '자치구역'이라는 '공간'을 일반적인 의미에서의 '지방'으로 분해시키면서, '인민'과 국토'로 통합시키는 과정의 일부였다고 할 수 있다.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2008년도 춘계 종합학술대회 논문집
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• pp.377-381
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• 2008

조선족문화지도는 아시아전자문화지도 구현을 위한 첫 단계로 기획된 프로토타입 전자문화지도이다. 조선족은 조선어와 한어를 함께 사용하며 한민족 고유의 유 무형 전통문화와 중국의 문화를 융합된 형태로 지닌 소수민족 특유의 문화특징을 보여주며, 이러한 소수민족적 특징은 다민족적이고 다문화적인 아시아 문화를 이해하고 표현하는데 있어 중요한 요소중 하나이다. 본 논문에서는 조선족 문화지도 설계를 위해 관련 자료의 수집 분류, 키워드추출, 유사항목 분류, 문화지도요소 추출, 전자문화지도 기술요소 추출 및 프로토타입 설계, 전자문화지도의 구현 등 아시아전자문화지도 전체에 적용될 설계방법론을 제시하고 있다.