• The Journal of the Convergence on Culture Technology
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• v.10 no.3
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• pp.901-907
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• 2024

The desire to be beautiful naturally focuses on aesthetics, and the beauty industry is growing significantly accordingly. Among them, art makeup is developing in the beauty field as a creative and experimental art field that breaks away from the fixed framework centered on color and expression. Art makeup is a field that requires research on a new artistic form of art makeup that applies formative principles through design ideas based on integrated arts such as fashion, architecture, and art according to formative principles. Formative principles were classified into balance, unity, emphasis, and rhythm, and practical cases based on his applied integrated arts were divided into landscaping, architecture, flowers, painting, fashion, and interior design, and art makeup design using formative principles was analyzed. Accordingly, we aim to contribute to the development of new designs by explaining how makeup design forms that apply formative principles are being applied in the field of art makeup, exploring expansion into creative areas, and providing academic theoretical foundations and basic materials for the development of art makeup.

• Journal of the Korea Convergence Society
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• v.8 no.3
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• pp.275-282
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• 2017

Customers who visit nail shops need creative and unique designs, but at present nail artists remain at the level of design imitation, new nail art designs should be developed to satisfy customers. Therefore, this study presented convergent nail art designs using formative art principles which are the basis of all design with the aim of contributing to creative nail art designs. For this purpose, this study investigated specialized books, Internet data and previous studies on the subject, analysed concepts and cases of formative art principles, and the concept of nail art and related expressive techniques to create six convergent nail art designs. As nail art techniques, this study used hand painting, marbling, see-through, etching, embossing, patching and objet. As a result, this study presented unique and creative nail art designs using formative art principles and found the possibility of creating new nail art designs. This study has meaning in that the results of this study are significant as basic data to enhance the design capabilities of nail artists.

• Journal of the Korean Society for Precision Engineering
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• v.22 no.10 s.175
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• pp.7-16
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• 2005

• Archives of design research
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• v.17 no.3
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• pp.393-402
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• 2004

The Gifts that Freobel devised in 1837 were the first instructional media using concrete and systematic toys as materials for early childhood education. The shapes of hexahedrons, cylinders and balls and conception of point, line, plane and six colors shown in the forms of Freobel's Gifts are the basics of formative elements in modem design. However, the Gifts, or educational toys, which were presented to practice Freobel's educational ideas actually in the educational fields were hardly examined or analyzed from the viewpoint of design. In this study, the structural principles, which were applied to the plastic formation of the Gifts under the influence of Freobel's educational philosophy, are examined by analyzing the visual formative characteristics of Freobel's Gifts. Accordingly, through an analysis on the formative principles of the Gifts, it is studied how a system of abstract and philosophical thought was visually applied to forms. This study is a probing research on the formative characteristics presented in the Gifts and is an investigation of formation theory about geomatrice forms. The effects and problems of the formative features of teaching materials for little children are also examined from the viewpoint of design in this study.

• Proceedings of the Korea Society of Design Studies Conference
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• 1995.04a
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• pp.58-59
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• 1995

• Journal for History of Mathematics
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• v.10 no.2
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• pp.72-81
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• 1997

황금비는 이집트의 고왕국시대 혹은 더욱 그 이전으로 올라 갈 수가 있으나, 이 비율이 특히 고고학자나 미학자들 사이에서 학문적으로 중시 된 것은 르네상스 시대 이래의 현상이며, 황금비의 이름을 붙이게 된 것은 근세에 들어와서의 일이다. 이 황금비는 가장 조화가 잡힌 비로소 건축, 조각, 회화, 공예 등 조형예술의 분야에서는 다양한 통일의 하나의 원리로서 널리 활용되고 있다. 본고에서는 황금분할의 수학적 내용과 조형예술 분야에 미친 영향과 활용성을 살펴보았고, 그리고 황금비의 수리는 정연하고 신비적이기 때문에, 그것이 항상 아름답고 바람직할 것이라고 하는, 일종의 예측을 역사적으로 행해 왔던 젓임을 알 수 있었다.

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2003.03a
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• pp.84-88
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• 2003

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2021.10a
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• pp.5-6
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• 2021

• Science of Emotion and Sensibility
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• v.12 no.1
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• pp.97-108
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• 2009

In the process of product design, shaping is the process of making a substantive existence, and ultimately it generates the outcome. The process of shaping is generally led by designer's initiative work, and in this process, various formative elements are used to generate the outcome. In this research, the basic purposes are to figure out the differences of elements which generated by the differences of consumer's and designer's view in the process of shaping of the product, and the characteristics of the affective responses caused by those differences. Also, it will examine how the consumers can directly participate in the process of the shaping of the consumer-participated product, and the feasible guidelines of design in which consumers' needs can be reflected more efficiently to the process of shaping. As a result, consumers and designers have certain degree of difference of view-point about the formative element of the shape. The difference was due to subjective common ideas of design in case of designers, and in case of consumers, it was due to their immature visual understanding. There is another experiment of affective response about the shape of the product. First, I established the sensible image vocabulary based on the shape of the product. And based on the vocabulary, I carried out the same experiments to the consumers and designers.

• Transactions of Materials Processing
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• v.14 no.3 s.75
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• pp.187-199
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• 2005