• Journal of Digital Convergence
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• v.12 no.10
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• pp.525-530
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• 2014

Unique and variety designs are required in the contemporary society as the design has predominant power. National character and identity of traditional culture support it, and it is far more important to reinterpret, succeed and develop unique traditional beauty as the contemporary continues globalization and informatization. Among the accessories of women in Joseon, hair accessories accounted for the majority, and hair style and hair accessories were developed by their status and social hierarchy. But, due to social norm, they were reserved for luxurious accessories and expressed their aesthetic desire with refined and simple accessories. The current period requires cultural identity. In this sense, this study is expected to give a new awareness of our unique identity, new concept of the traditional culture and spreading beauty of Korea by means of new conceptual accessories that can be connected with the preference of the contemporary with the creation of Korean style image.

• Journal of Navigation and Port Research
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• v.28 no.10 s.96
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• pp.843-850
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• 2004

This study introduces a new cruise ship design model with residence concept by carrying out a specific design procedure on the regionally and culturally characterized cruise model. Cruise ship design requires a combined approach with architectural design skills, shipbuilding techniques and even the knowledge of business management. Contrary to the traditional cargo ship design in which the design of residence area on the top of cruise ship is performed first and then the lower part of the ship structure is determined as a final step, a top-down procedure for the conceptual ship design is adopted.

• Proceedings of the Korea Contents Association Conference
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• 2012.05a
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• pp.223-224
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• 2012

본 연구에서는 조선 시대 흉배(胸背)의 학(鶴)무늬를 응용하여, 비보이 의상을 제작했다. '비보이를 사랑한 발레리나'의 비보이가 표현하는 순수함과 사랑의 진정성, 그리고 무대에서의 비무(飛舞)의 의미를 함축하는 '학 문양'을 활용했고 한복의 기능성을 부각시켜 무대에서 착용하기 용이하도록 제작했다.

• Proceedings of the Korea Fashion and Costume Design Association Conference
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• 2004.06a
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• pp.53-55
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• 2004

문학은 사회의 표현이라 하여, 문학과 사회와의 밀접한 관계를 말해 주는 것으로서, 시대적 상황, 사회상, 사상적인 특성을 문학을 통해 연구 분석할 수 있는 자료로서의 가치성을 말해주고 있다고 본다. 특히 이중에서도 판소리 문학을 보자면 조선후기 정치, 경제, 사회, 문화 등 전반적인 사회구조의 변혁과 궤를 같이 하여 대두된 서민문학의 하나로서, 17세기 말경에 형성되어 전승, 변모 되어 오며 일반서민들의 애호를 받아왔다.(중략)

• Proceedings of the Costume Culture Conference
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• 2003.09a
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• pp.51-52
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• 2003

2000년이라는 유구한 우리의 복식문화는 서양복식의 출현으로 불과 100년 만에 정복당해 버리고 말았다. 그러나 다시 국제화 시대의 도래로 한국적이면서 전통적인 요소가 요구되고 있다. 이러한 시대적 흐름에 발맞추어 우리의 디자이너들도 코리아의 아름다움을 알리기 위해 세계시장으로 속속 뛰어들고 있다. 복식전반에서 “전통과 현대의 만남”은 국제무대에서도 주목받고 있으며 전통적 요소와 소재개발에 많은 관심을 기울이고 있어 개발과 연구 또한 시급하다. (중략)

• 한국HCI학회:학술대회논문집
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• 2007.02b
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• pp.381-386
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• 2007

휴대용 게임기의 조작 인터페이스는 처음 등장한 이래로 지금까지 별다른 변화가 없었다. 이렇게 고정된 조작 인터페이스는 는 휴대용 게임기를 통한 사용자의 조작 경험을 제한시켰다. 우리는 이러한 전형적인 조작 방식에서 벗어나 보다 다채로운 상호작용을 할 수 있는 휴대용 게임기의 조작 인터페이스를 디자인했다. 사례 조사와 사용자 조사를 통해 동작 인식 인터페이스를 휴대용 게임기에 도입할 경우 발생할 수 있는 문제점으로는 크게 1. 화면의 가시성 2. 게임 요소의 동작 지각 3. 낯선 인터페이스에 대한 거부감 4. 주위의 시선이 신경 쓰임 5. 무게 등이 제시되었다. 이에 우리는 본체로부터 조작부와 화면부를 분리함으로써 이러한 문제를 해결할 수 있는 디자인을 제안했다. 사용자는 조작 장치를 본체로부터 분리하여 한 손에 들고 쥔 채 상하좌우로 움직이면, 조작 장치에 내장된 가속도 센서가 움직이는 방향과 속도를 인식, 본체의 처리 장치로 전달한다. 사용자는 나머지 한 손에 본체를 들고 화면을 보면서 게임을 사용할 수 있다. 프로토타입을 통해 사용자 시험을 실시한 결과 예상했던 문제점을 해결할 수 있는 가능성을 볼 수 있었다.

• Smart Media Journal
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• v.12 no.5
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• pp.111-121
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• 2023

The purpose of this study is to find methods for logo renewal design according to the brand life cycle, considering the logo as an important visual tool that represents the brand identity in terms of brand management. This study was conducted through literature study on brand life cycle and brand renewal strategy, an expert survey on logo renewal design, and logo analysis of 35 food and beverage brands with statistical data to determine brand life cycle. The results of the study are three. First, the four stages(introduction, growth, maturity, and decline) of brand life cycle characteristics and renewal strategies were derived. Second, four brand renewal strategies(partial change, total change, repositioning, new image creation) and methods for logo renewal design were proposed based on the life cycle of the brand. Based on this, renewal characteristics for each life cycle were proposed. Third, visual elements of identity that are important depending on the brand life cycle and brand renewal strategy were found. It was found that the addition and subtraction of graphic elements and change of color tone are important in the partial change strategy of the growth period and maturity period, and that the change of signature color is important in the repositioning strategy and the creation of the new image.

• The Research Journal of the Costume Culture
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• v.21 no.5
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• pp.655-670
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• 2013

The purpose of this study is to identify the figurative characteristics and symbolic meanings of the patterns of royal families in the late Joseon Dynasty based on the theoretical examination as well as the overall characteristics of the colors based on the quantitative analysis of colors. This study focused on the costumes of King Young royal families in the late Joseon Dynasty which is the last costume of Joseon Dynasty and classified 129 relics under preservation for the analysis. This study analyzed the colors using the digital data in the picture brochure as the previous studies did and presented the color palette. Based on this, a variety of textile designs that are developed by using the traditional patterns and colors could be applied to the modern fashion designs. For Patterns used in costumes of King Young royal families, the five pattern categories include animals, plants, letters, and geometric patterns and the final category of other types. The features of color in the costume were v tone of Y color and lt and p tones of Y color. The implication of this study is to develop textile designs which reflects conversion of past and modern cultures and cultural identity by applying the traditional cultural elements through literature review and empirical study and theses developed 8 textile designs could be applied to the various modesrn fashion designs.

• Journal of the Korea Fashion and Costume Design Association
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• v.20 no.4
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• pp.105-115
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• 2018

This paper presents an investigation into Cheollik based on 288 records about it at the homepage of The Annals of the Joseon Dynasty on the Internet. Cheollik was called in diverse names and worn by various social classes from kings to common people, but it was solidified as clothes for military officers toward the latter half of Joseon. Not only did it serve the purpose of clothes, but it also was used for a royal grant, diplomacy, shrouding a corpse, and royal coffin. It served the diplomatic purposes a lot especially during the reign of King Sejo and King Seongjong. Cheollik was usually made of cotton, hemp, silk, and mixed fabric with silk used most. Its major colors include white, green, red, blue, black, purple, grey, and yellow with white used most. The fabrics and colors of Cheollik became simplified toward the latter half of Joseon. Silk was most used in Cheollik for a royal grant, shrouding a corpse, and royal coffin. White was most used in Cheollik for kings' visit to royal tombs or their participation in ancestral rites. There were limitations with the selection of materials according to the social status and situations. It was stipulated that only Sa and Ju were used to make Cheollik for Dangsangguan and Danghaguan. Cheollik made of silk was banned for country residents and merchants. The color of Cheollik for Danghaguan was changed to blue and then red. Of military officers, only those who had a Gonsu title or higher were allowed to wear Cheollik made of silk in various colors. In the end, Cheollik was abolished for its low convenience and efficiency during the rule of King Gojong.

• Journal of the Korea Fashion and Costume Design Association
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• v.21 no.1
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• pp.87-101
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• 2019

The sleeve is closely connected with activity in terms of costume. As a kind of overcoat, Dap-ho of the Joseon Dynasty is short-sleeved or sleeveless. Dap-ho, with simple sleeves is convenient for layering and taking off and since it is easily adjustable using a gusset, a slit, or coat string, and this can be applied to layered look-related designs. This study aims to suggest a design item, which sustains the existence of traditional costumes and facilitates diverse layered looks and co-ordination, using the formative elements of Dap-ho. For this study, theoretical backgrounds and relics of Dap-ho of the Joseon Dynasty were analyzed, based on the previous studies, ancient literature, "The Annals of the Joseon Dynasty", and relics preserved in museums. The analysis targeted nine relics that show the birth and death years and the constructive changes in shapes, colors, materials of Dap-ho. Formative elements of Dap-ho were applied to the designing and the manufacturing of clothes for middle-aged women in their fifties and the research conclusions are as follows. First, from a morphological perspective, the silhouette, gusset, slit, and the indirectly attached coat string of Dap-ho are good to be used as various design items for covering the body shapes of middle-aged women, and the short-sleeved or sleeveless type is convenient to be layered. Second, when it comes to the material, it is possible to emphasize a traditional image and practicality at the same time by mixing and matching the Hanbok cloth and cotton. Third, in relation to the colors, the coexistence-based color arrangement method considering the theory of Yin and Yang can be applied to modern clothes and this makes it possible to express a traditional image in a harmonious way.