• Journal of the Korea Construction Safety Engineering Association
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• s.50
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• pp.42-47
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• 2009

1910년대부터 조성된 전주시 전통한옥은 민족정신이 생생히 살아 숨쉬는 격조 높은 문화 유적으로 연간 80만명이 즐겨찾는 전북의 명소로 자리매김하였다. 대통령 자문 '건설기술 건축문화선진화위원회'(위원장 : 김진애)에 건축환경문화로 '전주 한옥마을'을 선정된 바 있는 전주시 교동과 풍남동 일대에 위치한 '전주 한옥마을'을 소개한다.

• Journal of the Korea Institute of Building Construction
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• v.20 no.5
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• pp.425-432
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• 2020

The appearance of Korean traditional roof tiles is beautiful and excellent in water resistance, fire resistance and durability, but a high sintering temperature of 1,200℃ or higher is required. Therefore, due to the economical and heavy weight problem, the current trend is to use different roof finishing materials than Korean traditional roof tiles. By adding nanoaluminosilicate to clay and kaolin, which are the materials of the clay roof tiles, the sintering temperature is sintered at a low temperature of 1,000℃ or less, and the optimal mixing and material process is designed to satisfy the characteristics required as a Korean traditional roof tile. The results of this study again demonstrate the superiority of Korean traditional tiles with roof finishing materials using nanoaluminate. The properties of Korean traditional roof tiles that satisfy the criteria of KS F 3510 by applying fire resistance of natural minerals and nanoparticle technology to flexural strength of 2800N, Bulk specific gravity of 2.0g/㎤ and absorption rate of less than 10.0%, through which and researched materials development.

• The Korean Publising Journal, Monthly
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• s.350
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• pp.48-49
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• 2005

• The Korean Publising Journal, Monthly
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• s.335
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• pp.29-31
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• 2003

• Proceedings of the Korea Society of Design Studies Conference
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• 2001.05a
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• pp.12-13
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• 2001

• The Magazine of the Society of Air-Conditioning and Refrigerating Engineers of Korea
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• v.34 no.4
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• pp.49-55
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• 2005

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2008.10a
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• pp.58-61
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• 2008

• The Safety technology
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• no.164
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• pp.54-57
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• 2011

• Korean Architects
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• s.646
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• pp.18-25
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• 2023

1월 13일, 건축사회관 2층 김순하홀에서 목조건축 활성화를 주제로 월간 건축사 좌담회가 진행됐다. 참석자들은 탄소저감, 친환경 등 글로벌 이슈로 떠오르기 시작한 목조건축 활성화 과제가 이제 더는 미룰 수 없는 주제라는 데 공감하고, 경제적·환경적 가치를 창출할 수 있는 목조건축의 방향성에 관해 논의했다. 현재 목재는 과거의 한계를 넘어 원하는 대로 구현할 수 있는 기술력을 갖추고 있다. 이날 좌담회에서는 목조건축 활성화를 위해 전통적인 목재 또는 목조 건축을 떠올리는 과거 시선에서 벗어나, 사양 중심이 아닌 성능을 중심으로 한 섬세한 기준의 제도개선과 그러한 제도가 뒷받침되는 정부 차원에서의 프로젝트가 필요하고, 또 건축사들의 적극적인 도전이 필요하다는 의견이 제시됐다.

• Journal of the Architectural Institute of Korea Planning & Design
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• v.36 no.4
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• pp.113-121
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• 2020

The Chinese Architect Wangshu, who won the Pritzker Architecture Prize at 2012, is the first and only winner in China. This study focused on the expression of his unique architectural ideas. Especially with a high interest in Chinese traditional calligraphy and landscape painting, Wangshu tried to use its traditional features to form his own architectural way. First this study looked at the features of calligraphy and landscape painting. Second this research studied the expression of Wangshu's architectural practice in calligraphy's way. Lastly this study furthered study of Wangshu's architecture combined with landscape paintings' features. The results state these following. 1) For calligraphy, he used the "modular composition" of Chinese characters to architectural composition, which included architectural form and materials. The "similarities" and "space creation" of calligraphy are respectively applied to architectural spatial details and site planning. 2) For landscape painting, Wangshu borrows its elements to compose his architecture with "gardening consciousness". The "view method" of paintings was used to his architectural pedestrian flows, and Wangshu also based on the "space creation" of landscape painting to do architectural space design with creating the similar atmosphere.