• Proceedings of the Korea Society of Design Studies Conference
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• 1999.10a
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• pp.88-89
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• 1999

오늘날 $\ulcorner$장식적 의미$\lrcorner$ 로서 사물의 성격을 표현하는 디자인 경향이 있다. 가끔 열악한 제조환경이나 기술적 빈곤은 장식의 과다현상으로 나타난다. 하지만 장식은 단순히 디자인자체를 꾸미기 위해 이용되기보다는 재료나 기능에 관련된 의미나 구조로부터 발생되어 진다. 그래서 사물에 적합한 재료와 기능을 반영시킴으로서 디자인의 시작이 가능해 진다. (중략)

• Proceedings of the Costume Culture Conference
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• 2003.09a
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• pp.102-103
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• 2003

의복 장식은 인류 역사와 함께 인간의 표현 욕구를 위한 매개체로서 의복을 보충해 주거나 독립적인 형태로 존재하면서 발전해 왔으며, 인간을 아름답게 하려는 목적으로 피부 및 의복에 부착되는 각종 소도구들로서 기능적인 면에 치중하거나 장식성을 추구하기 위해 사용된다. 현대 복식의 형태는 활동하기 편리하도록 단순화되고, 다목적에 사용되는 경향이 늘어나고 있으므로 의복 장식의 비중은 점차 확대되고 있다. (중략)

• Proceedings of the Costume Culture Conference
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• 2003.04a
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• pp.63-64
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• 2003

의복이란 인간이 생활하기 위해서 필수적인 의ㆍ식ㆍ주 중의 하나로 외부로부터 몸을 보호 해주고 성별, 직업, 신분 등을 나타내주기도 하며 몸을 장식해주는 역할을 한다. 인간은 석기시대 이전부터 자신의 몸을 장식하였으며, 그 수단으로 여러 가지 종류의 장신구가 발달하였는데, 단추도 그러한 장신구 중의 하나이다. 단추는 의복의 일부분이지만 각 시대에 따라 그 사회의 문화를 반영하고 있으며 의복과 마찬가지로 기능성, 장식성과 상징적인 가치를 지니고 있다. (중략)

• Journal of the Daesoon Academy of Sciences
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• v.49
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• pp.229-263
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• 2024

The purpose of this article is to elucidate the origins of the symbolic significance of traditional Korean talismanic ornaments such as dried pollack, bokjori (luck-bringing strainer), silk threads, and sokotture (a nose-block). Previous studies have primarily interpreted the magical meanings of these ornaments based on their shapes or functions, but such approaches are limited due to this likely being an ex-post-facto interpretation. This study argues that the symbolic meanings of these ornaments originated from the socio-economic characteristics of the time. These items were food resources or products closely related to the economic activities of the people of the time, and therefore, could be considered symbols of abundance and fortune. In particular, dried pollack served as an important food resource and commodity during the Late Joseon Dynasty, even functioning as a quasi-currency, and considering that fish are seen as symbols of abundance and fertility in various cultures around the world, its symbolic significance becomes clearer. Bokjori and sokotture acquired the meaning of abundance by being associated with major goods or properties of the time such as rice and cattle, and silk thread was linked to sericulture, a significant source of income for farmers of the time. These economic characteristics form the basis of the symbolism of these ornaments, and the function of these talismans can be seen as a secondary symbolism added in the process of social justification of these customs. This study reveals that economic motives underlie magical-religious customs and suggests that a broad consideration of the cultural and ecological environment of the time is necessary to understand the origins and transformations of cultural phenomena.

• Cartoon and Animation Studies
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• s.33
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• pp.271-291
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• 2013

Cartoons exhibit contents and images and deliver them to readers by repeating frames. Frames embody the cross sectional factors of space-time, and the repetition of frames makes those cross sectional factors into a continuous flow. The gutter, which exists between frames, takes the role to make the continuous flow link smoothly, and at the beginning stage of the gutter, the operating of the gutter was usually passive by the frame meanings. However, the gutter is not just a medium for linking the frames, but is an efficient participation device for creating new expression methods of cartoon organization. By producing new directing methods for cartoon organization, the distinctive functions of the gutter have been kept alive with cartoon history. The distinctive functions of the gutter can be divided largely into transition function, reminiscence function, speech balloon function, pen function, and decorative function. And those functions perform actively as direct expression method of the gutter. When those functional methods are expressed by the author's intention and the frequency of them is generalized according to described contents, using each author's individual differences can suggest direction for new directing organization of cartoons.

• Journal of the Korean earth science society
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• v.30 no.7
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• pp.897-908
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• 2009

Inscriptions are integral parts of the current science textbooks, and become medium that makes sense of scientific concepts effectively. This study analyzed the inscriptions from five science textbooks at the secondary level in terms of its type, function, and structures. Analyzing types of inscriptions resulted that the ratio of frequently used photographs and illustrations were much higher than that of graphs and tables used. In case of function analysis, illustrative and complementary functions were dominant in terms of frequency and ratio, whereas explanatory, decorative and inquisitive functions were relatively rare. Inscriptions of single structure was much more than multiple structure. Multiple structure of pair and series were mainly used for representing contrast and sequence, respectively. The proportion of inscriptions in type, function and structure across the textbooks was significantly different. Based on the results, it was suggested that semiotic study about the function and the structure of inscriptions need to be carried out in earth science area to better understand the pedagogical implications of inscriptions in school science.

• The Journal of the Korea Contents Association
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• v.7 no.9
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• pp.62-71
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• 2007

Man kind has been doing a human body ornament as a expression of desire for beauty from the earliest times. The ornament might assume expression for the human body earlier than clothes it has protected human body from the exterior such as dishonor, cold weather and hot weather etc. because ornament has been excavated compare than clothes. for example. The aborigine's clothes and tools seem to be more splendid ornament than natural function. The ornament has been development with variety such as bone from the animals, Feather from the primitive ages to high technology new materials in the modern society. In this research contribute that development of jewelry contents industries through the vernacular of tradition korean jewelry.

• Journal of the Korean Society of Clothing and Textiles
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• v.32 no.10
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• pp.1608-1618
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• 2008

This research was conducted to define the different conventional meanings of face painting, we can come across easily in recent days, in different times and different cultures. The conclusions of the research are as followed. First, the face painting was mainly done for the symbolic function. Second, in un-cultivated groups, face painting was one way of body art expression and in some cases, the color and the pattern was the tool to give a symbolic massage that was more powerful than a language. The characteristics of the patterning was that they adopted wide range of patterns include geriatrics, abstract, animals, plants and especially the abstract patterns have the groups unique symbolic meanings such as specific pattern appears guard god which was the effort of having a wholeness with the pattern. Third, it is known that in un-cultivated cultures, face painting has a symbolic function whereas in modern society, there is an emphasis on a decorative function. Lastly, the various expressions of modern body decorations are seen as a result of social/cultural states of the settlement ethnic culture and the modern life style of the people who want to have direct and active opinions and individualize and differentiate themselves.

• Journal of Digital Convergence
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• v.15 no.12
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• pp.495-502
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• 2017

Modern ceramics is exploring the expansion of the area with various expression techniques. The silhouette technique among various expressive decoration techniques is a representative expression technique of object form expression. This emphasizes the outline of the form and expresses it and omits the inner form. It gives simplicity and intensity, and awakens aesthetic sensibility and imagination. Therefore, the researcher designed the material related to the core image of the story by designing it as a silhouette technique by using the "Acorn Story" as a subject and then making the transfer paper by using the vector graphic. The transferred paper was expressed on a ceramic plate by transferring technique. Therefore, I hope that this research, beyond the merely decorative function of ceramic expression, will become a ceramic design that will awaken imagination and aesthetic sensibility in digital information age.

• Journal of The Korean Association of Information Education
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• v.26 no.5
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• pp.317-325
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• 2022

In textbooks, illustrations are used to easily explain concepts and guide the exploration process. Therefore, the illustration should be presented accurately and easily. However, as a result of analyzing previous studies, it was confirmed that there was no research related to illustration analysis at all in the case of the elementary school 'software education' unit. Therefore, among the six practical textbooks developed according to the 2015 revised curriculum, the illustration of the 'software education' unit was analyzed in terms of type, function, and use, and provided guidelines for the adoption of textbooks, curriculum research, and next textbook development. As a result of analyzing six practical textbooks, all textbooks used more than one illustration per page, and the types of illustrations were used in the order of screen capture, picture, picture, table, illustration, illustrative function, and use.