• Title/Summary/Keyword: 장식성

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Effect of Boundary Conditions on failure Probability of Corrosion Pipeline (부식 배관의 경계조건이 파손확률에 미치는 영향)

  • 이억섭;편장식
    • Proceedings of the Korean Reliability Society Conference
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    • 2002.06a
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    • pp.403-410
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    • 2002
  • This paper presents the effect of internal corrosion, external corrosion, material properties, operation condition, earthquake, traffic load and design thickness in pipeline on the failure prediction using a failure probability model. A nonlinear corrosion is used to represent the loss of pipe wall thickness with time. The effects of environmental, operational, and design random variables such as a pipe diameter, earthquake, fluid pressure, a corrosion rate, a material yield stress and a pipe thickness on the failure probability are systematically investigated using a failure probability model for the corrosion pipeline.

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구조해석 방법을 이용한 사고전동차의 안전성 평가

  • 정종덕;김원경;홍용기;김정국;편장식
    • Proceedings of the Korean Society of Precision Engineering Conference
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    • 2004.05a
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    • pp.108-108
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    • 2004
  • 전동차의 차체는 최대승객하중의 운행조건 하에서 시스템의 기능을 만족하도록 강성 및 강도를 갖도록 되어 있으며, 수직하중 및 수평하중을 지지하는 언더프레임(Under Frame), 측벽의 하중을 지지하는 측면구조틀(Side Frame) 지붕을 구성하는 지붕구조틀(Roof Frame), 끝막이 골조(End Frame)로 구성되어 있다.(중략)

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사고전동차 구조체의 안전진단에 관한 고찰

  • 정종덕;김정국;김원경;홍용기;편장식
    • Proceedings of the Korean Society of Precision Engineering Conference
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    • 2004.05a
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    • pp.70-70
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    • 2004
  • 국내 도시철도차량의 운행이 지속되면서 차량 사고가 발생함에 따라 차량복구의 안전성 확보와 복구보수비용 절감 등에 기여할 수 있는 안전진단 수행체계의 법제화를 통한 도시철도차량의 안전운행 확보가 절실하다. 그러므로 도시철도차량 안전진단은 차량을 복구하기 전 복구 가능여부를 확인하기 위하여 상태평가, 안전성평가 등을 실시하는 것이다.(중략)

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A Study on the determinants of Wedding furniture design in modern period (현대 혼례가구 디자인의 결정 요인에 관한 연구)

  • 김정근
    • Archives of design research
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    • v.13 no.1
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    • pp.149-156
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    • 2000
  • This study focuses on the analyzing the factors that determined Wedding furniture design in Modern period. Final conculusions based of the above mentioned findings are as follows; First, Jangnong has been an essential Wedding furniture item since modern period and little change in the style has been found. Second, Wedding furniture items became more various in kind such as Jangnong, Moon gap, dresser, etc,. The design of these were became bigger in size and more various furniture for storing was included. Third, factors that determired Wedding furniture design were change of family, marriage and Korea's Honsu norms, economic development, industrialization, commercialism, housing and lifestyle. Factors of housing and lifestyle were mainly affected in Wedding furniture design. Fourth, criteria for Wedding furniture design were functionality, fashion, decorativeness, tradition and symbol. But the symbolic importance of Wedding furniture has been weakened as a variety of essential Honsu items. Fifth, it was concluded that a proposed theoretical model of this study was appropriate for analyzing Wedding furniture design.

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An Aesthetic Review on the Traditional Active Sports Wear Design - Focusing on Korean Wrestling Uniform- (전통 국기복 디자인에 관한 미학적 고찰 -씨름복을 중심으로-)

  • Yun, Eul-Yo;Park, Sun-Kyung
    • Archives of design research
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    • v.18 no.3 s.61
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    • pp.105-116
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    • 2005
  • Focusing on costume research to set image of Korean wrestling that has potential power as a traditional and cultural item, the purpose of this research is to systemize Korean wrestling uniform and offer suggestions regarding visualization, and to carry out basic ground research to develop Korean wrestling uniform design. For the basic part, I compared world wrestling and Korean wrestling in an effort to learn more about the history of wrestling uniform along with its transitional changes. And for the practical part, I studied the criterion of the current wresting and its uniform, and classified the aesthetic points of Korean wresting uniform into four categories in the view point of design ground research: tradition and uniqueness, usability and compatibility, symbolism and ornamentation, variety and unification. It is concluded that the most important part in designing Korean wrestling uniform lie in how to consistently visualize it based on the above mentioned aesthetic points. As the theoretical research on aesthetic parts of Korean wrestling uniform, this research finds its meaning in suggesting guideline for design concept and development while planning traditional and cultural costume design which will be materialized in the follow-up research.

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Consolidation and Adhesion of Cellulose Nitrate of Folklore Artifacts in the 19~20th Century (19~20세기 생활민속자료에 사용된 셀룰로오스 나이트레이트의 강화와 접착 연구)

  • Oh, Joon Suk;Lee, Sae Rom;Hwang, Min Young
    • Journal of Conservation Science
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    • v.34 no.6
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    • pp.459-470
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    • 2018
  • Cellulose nitrates were used for folklore artifacts(ornamental beads and pipes in hatstrings, frames of eyeglasses, ornamental eyeglass cases, headband ornaments, and jeogori buttons) between the 19th and 20th centuries; however, they are susceptible to cracking, crazing, embrittlement, and crumbling due to deterioration. To consolidate and adhere deteriorated cellulose nitrate folklore artifacts, water-soluble acrylic emulsion adhesives were investigated. For consolidation, Plextol D 498, which has the lowest viscosity in low concentrations, was used. In adhesive films whose glass transition temperature(Tg) is lower than room temperature, the tensile stress and modulus decreased and the strain increased; therefore, the flexibility was high. The Plextol D 498 and Plextol D 498 and Dispersion K 52 films maintained their adhesiveness and flexibility after artificial-sunlight-accelerated ageing, and Plextol D 498 and Dispersion K 52 films hardly caused yellowing. Plextol D 498 was the most stable for accelerating ageing. A low concentration of Plextol D 498 emulsion resulted in the best permeability on the surface of cellulose nitrate, compared with other acrylic emulsions. To prevent ornamental hatstrings from cracking, crazing, embrittlement, and crumbling, a Plextol D 498 emulsion was used. After applying low concentrations(1%, 3%) of the emulsion to consolidate the fragments and high concentration to adhere the fragments, the ornamental hatstrings were protected from crumbling by deterioration, and their fragments were well-adhered. To preserve it from deterioration by oxygen and humidity, the treated ornament was sealed with an oxygen-barrier film using a low-humidity oxygen scavenger.

A Study on the Tableware Design using Geometric Pattern (기하학적 형태를 활용한 테이블웨어 디자인개발 연구)

  • Ryu, Yu Li
    • Journal of Digital Convergence
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    • v.12 no.8
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    • pp.475-480
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    • 2014
  • They are used as a symbol representing some meaning of an object. Geometric patterns in the formative arts have been recasted by artists and used to express modern images. Simple shapes of geometric patterns create beauty with their outward appearance and decorated patterns. The simpleness of decorated patterns go with restrained, rational, and modern concepts. The patterns decorated with geometric patterns use geometric figures such as octagon, triangle, quadrangle, etc. and they give satisfaction to modern people. They are also regular and simple, so they can create impactive visual effects and three-dimensional space can be created with these dynamic patterns. Therefore, attractiveness of shape which gives enjoyment is also found in tableware design using geometric patterns. Using geometric patterns in tableware design is not based on a chance factor, so it is possible to objectify and reproduce the patterns. These repetitive designs can influence a lot of designers working on tableware and help improve the tableware designs. It is also considered that those designs are able to create new opportunities to produce a high value product in the ceramics industry.

The Style of Romanticism on Fashion(I) (로맨티시즘 복식의 양식(I))

  • 이경아;전혜정
    • Journal of the Korean Society of Costume
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    • v.54 no.1
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    • pp.141-157
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    • 2004
  • The purpose of this study is to clarify the style of romanticism in fashion. Romanticism is advocating the conception called the respect of diversity and individuality in the modern society dominated by postmodernism trying to accept the various values.. In this study, the characteristics of romanticism are examined through the bibliographies on philosophy, aesthetics, architecture and art. In fashion. 19C is based on the costume history books and pictures. The characteristics of romanticism in literature and art which are applied to fashion are sensuality, ornament, exoticism and complexity. On the basis of these characteristics, the 19C fashion of romanticism are analyzed as follows. ㆍ Sensuality to emphasize sexual region of woman's body and to make ‘X’ silhouette is through exaggeration and exposure. This is the characteristic to relieve femininity. ㆍ Ornamentation is expressed in the gorgeous color and the varied material. details and trimming to add the fantastic mood, and the accessory to express the aristocratic elegance. This is a very important characteristic that produces the fantastic and romantic mood. ㆍExoticism to express aspiration for East is expressed either in items or accessories imported from the East. or in exotic material and pattern. This is the characteristic of fashion to express the desire to escape from the reality in the mysterious mood. ㆍMingler is expressed, contrasting or harmonizing the various patterns, color, material in a fashion by the textile with the rich color and print of the various feeling and many trimming. This is the external characteristic of the romanticism fashion combined the experimental mind of the technical progress with the romantic trend in those days. These characteristics of romanticism fashion in the 19th century presented with the various phenomena by working complexly rather than independently.

A Study on the Formative Characteristics and the Aesthetic Characteristics in Denim Fashion - Women's Collections Since 2001 - (현대 데님 패션에 나타난 조형적 특징과 미적 특성 연구 - 2001년 이후 여성 컬렉션을 중심으로 -)

  • Kim, Jeong-Mee
    • Journal of the Korea Fashion and Costume Design Association
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    • v.16 no.1
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    • pp.27-39
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    • 2014
  • The purpose of this study is to investigate the formative characteristics and the aesthetic values of denim dresses from the 19th century until the $20^{th}$ century and analyze those changes shown in Paris Milan London New York collections from 2001 S/S to 2013/14 F/W. The results of this study are as follows; 1) In the mid-$19^{th}$ century, the denim pants were working suits. In the 1920's, they started to be recognized as ordinary clothing and they were supplied to women in World War II. In the 1950's, denim pants stood for youth and resistance, and they became popular among teenagers. In the 1960's, hippies who protested against the Vietnamese War would wear worn-out denim pants symbolizing peace and freedom. As they became more common in the 1970's, people all around the world wore the clothes. In the 1980's~90's, the waves of high class brand fashions brought in sensualism, extravagance, reactionary tendency, and so forth. Consequently, the aesthetic values of denim dresses have connotations of practicality, resistibility, ornamentation and femininity. 2) Practicality in recent collections is represented in classic fashion which features typical details and raw denim and modern fashion which is made with glossy denim and minimized details. Resistibility is represented in avant-garde fashion which features deformed or over-layered jackets and pants with damaged denim and vintage fashion which is made with wash-out and wild stone denim. Ornamentation is represented in ethnic fashion which is made with wash-out denim and ethnic prints and romantic fashion which features details such as ruffle, frill and shirring as well as lace and flowery decorations. Femininity is represented in sexy fashion which designs to expose or to focus in women's body and elegant fashion which is made with soft and glossy denim and hourglass silhouette.

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A Study on the Characteristics of Maximalism in Men's wear (남성복에 나타난 맥시멀리즘의 표현 특성 연구)

  • Kim, Ji Hye;Yoo, Youngsun
    • Journal of the Korean Society of Costume
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    • v.65 no.5
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    • pp.1-13
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    • 2015
  • The purpose of this study is to make a contribution to men's fashion by analyzing changes related to excessive and decorative expressions of latest men's wear design in the viewpoint of Maximalism, and using the results to develop a new fashion style. Results of the study are as follows: The characteristics of Maximalism in men's wear collection in the last 5 years can be classified as 'Fusion Maximalism, 'Decorative Maximalism', 'Exaggerative Maximalism', 'Humorous Maximalism', and 'Duplicative Maximalism'. The characteristics of each type of Maximalism can be summarized as follows: First, Fusion Maximalism creates new men's fashion style by fusing designs from different cultures in clothing items as well as dismantling gender boundaries in clothing design, and by having designs which transcends time and space. Second, Decorative Maximalism expresses ambiguous decadence by implementing feminine decoration that applies handicraft technique, as well as exaggeratedly using details and trimmings of contrasting images, and applying women's clothing items. Third, Exaggerative Maximalism represents extreme avant-garde that changes the idea of fashion design by changing the styling or the exaggerated silhouette. Fourth, Humorous Maximalism expresses not only the creation of new men's fashion look, but also expresses humanism with exaggerative enjoyment and pleasant ideas. Fifth, Duplicative Maximalism expresses creative design by implementing vivid images of different period and culture, and reproducing successful images of the past into modern fashion.