• The Journal of the Acoustical Society of Korea
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• v.24 no.1
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• pp.21-28
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• 2005

In this Paper, the effect of stage ceiling height on the acoustic characteristics of rectangular concert halls are investigated. To find out the acoustic properties of audience area, A simple Boston Symphony Hall(BSH) model which is typically rectangular shaped was applied for computer simulation. A newly built rectangular concert hall with 400 seats was also chosen for a scale model $(1.2m{\times}0.68m{\times}0.31m)$ study and its computer simulation varing the stage ceiling height and the volume. The results show that RT increased as the stage ceiling was lowered and the difference rate of RT by its variance is from -0.09 to -0.06[sec/m].

• The Journal of the Acoustical Society of Korea
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• v.37 no.5
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• pp.356-362
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• 2018

Stage in classical shoebox type concert hall is placed and occupy one side of the hall and have much early reflections from surrounded walls and ceiling nearby. On the other hand stage in vinyard terrace concert hall, which is surrounded by terrace seats instead of walls and ceiling, has lack of early reflections which may cause lack of communications among the players. Vinyard hall stage is enclosed with terrace seats front walls, while the players located on the stage riser keep the walls off as the walls have limited heights. Ensemble reflector installed above the stage is an effective way for the players to monitor the sound produced on the stage. That may help achieving a good ensemble of the performance. Ensemble reflector over the stage of a large vinyard terrace hall of 2,000 seats was designed with the variables of the location, the shape and the area. The effectiveness of the ensemble reflector is verified with the parameter of stage support.

• The Journal of the Acoustical Society of Korea
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• v.42 no.3
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• pp.189-202
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• 2023

In this study, the acoustic performance was analyzed by architectural shapes of the hall. There are four architectural shapes of halls. They are rectangular, horseshoe, surround, and fan-shape. Eight acoustic parameters were used to determine the acoustic performance. These are RT₆₀, EDT, C₈₀, BQI, LF, G_mid, G₁₂₅ and ITDG. First, measurement data of famous concert halls around the world were analyzed. The correlation coefficient R was obtained by regression analysis of the relationship between the subjective ranking of the halls and the acoustic parameters. It was found that BQI, G, and ITDG have higher correlation coefficients R. Also the average of acoustic parameters for each architectural shape were obtained. The total acoustic performance for each shape was calculated by using the correlation coefficient R as a weight for each acoustic parameters. As a result, rectangular halls and horseshoe halls showed good acoustical performances. Second, 3D models of each architectural shape were created and acoustic simulation had been performed. The simulation was performed by creating 3D models of each four shapes of concert halls with the same volume and sound absorption coefficient. Listening test was carried out using the sound source which is created from impulse responses of 3D model. As a result, rectangular hall and horseshoe hall showed the best performance however surround hall and fan-shaped hall showed relatively poor performance.