• 대학교육
• /
• s.110
• /
• pp.86-89
• /
• 2001

• The Korean Publising Journal, Monthly
• /
• s.259
• /
• pp.17-17
• /
• 1999

• 가정의 벗
• /
• v.34 no.11 s.399
• /
• pp.7-7
• /
• 2001

• Korean Architects
• /
• no.10 s.450
• /
• pp.14-15
• /
• 2006

• Cross-Cultural Studies
• /
• v.50
• /
• pp.283-311
• /
• 2018

The Russian poet A. C. Pushkin left more than a hundred self-portraits in his lifetime. These self-portraits are the subject of a special research project. Pushkin liked to sketch himself disguised in various shapes in his manuscripts. Besides Pushkin, many authors have portrayed themselves, but in terms of their quantity and fame, it is difficult to find self-portraits that transcended those which are as detailed and revealing as that of Pushkin's. Focusing on this point, this paper first examines the position of the poet's self-portraits in the context of the tradition of the self-portrait, as a painting genre full of romanticism as manifested and revealed in the 19th century. Subsequently, this article explains the meaning of the Pushkin's typical self-portraits in profile, which were mostly drawn in his manuscripts. Finally, in order to explore the philosophical implications contained in this poet's self-portraits, this paper attempts to read poet's self-portrait in comparison with Rembrandt's self-portrait, and Montaigne's Essais as well for a comprehensive comparison of the three entities.

• Korean Architects
• /
• no.7 s.339
• /
• pp.31-56
• /
• 1997

오늘날 건축계는 정치ㆍ경제ㆍ사회적 혼돈 상황 못지 않게 지난 몇 해 이래 혼란의 와중에서 벗어나지 못하고 있다. 설계시장의 대외개방, 행정개혁에 따른 건축관계법령 정비, 연이은 대형사고에 따른 감리업무 강화 및 건축사의 책임증대, 건설업계의 설계영역 진출 시도, 경기불황에 따른 설계사무소의 경영압박 및 부익부 빈익빈 현상 심화, 과열된 수주경쟁과 건축사의 윤리의식에 대한 논쟁, 전문직으로서의 건축사 역할과 사회 대중적 요구간의 갈등. 이렇듯 혼돈과 혼란의 상황이 계속되고 있는 건축계의 현실을 바라다보는 건축 각 실무분야의 시각 또한 연령과 지역, 사무소의 규모, 작업형태, 개인적 철학이나 건축관 등에 따라 다양할 수 밖에 없을 것이다. 이에 본지는 오늘날 실무건축계가 처한 현실을 재진단하고 나아가 미래의 모습을 함께 생각해 보고자 '97실무건축계의 자화상'이란 주제로 각 실무분야를 배경으로 실질적 관심사항과 실무건축계의 긍정적ㆍ부정적 모습은 물론 해결되어져야 할 문제점, 나아갈 방향 등에 대해 다양하고도 진솔한 목소리를 들어보고자 한다.

• 대학교육
• /
• s.92
• /
• pp.44-51
• /
• 1998

한국 사회가 나아가야 할 역사 지향과 유기적으로 접목되는 선택을 하기 위해서는 미래를 조망하는 장기적 구도를 나름대로 구상하는 것이 긴요하다. 이러한 합리적.거시적 선택이야말로 민족사의 주체로서 부여된 역사적 책무가 아닌가 여겨진다. 이 역사적 책무는 대학생에게 국한되는 것이 아니라, 바로 우리들 지식인에게 더욱 적용되는 문제이다.

• The Journal of Art Theory & Practice
• /
• no.15
• /
• pp.51-79
• /
• 2013

This paper examines the characteristics of post-modern self-portrait photography. Characteristics of postmodernism associated with the "loss of centeredness," such as the death of the author, interdisciplinarity, and intertextuality, brought about a number of changes within the self-portrait. The distinction between post-modern and modern self-portraiture can be characterized by the following qualities: appropriation, the use of photography, and the utilization of the human body as an art. The characteristics of post-modern self-portrait photography can be represented through the works of Cindy Sherman, Orlan, and Morimura Yasumasa. By presenting prototypical women in her works, Cindy Sherman not only represents images of those women, but also exposes her fictitious role in the work. She creates a distance between herself in the works and herself in reality and discloses a paternalistic gaze. Meanwhile, Orlan transforms her face into a distorted image and presents it as an alternative identity that is representative of postmodernism. She corrodes the standard concept of identity through plastic surgery and treats the face not as a place where the identity stays, but as a simple body part or fragment of skin. Orlan's post-human face is malleable according to the artist's desire to raise the issue of what the human face is, and opposes the structure of modernism. Morimura Yasumasa also appropriates images from masterpieces and presents a hybrid identity between Eastern and Western, male and female, original and replica, and subject and object. In order to dissect social prejudice, he puts forth every single structural dichotomy that coexists in his self-portrait and suppresses a strong ego. He also studies the relationship between 'seeing' and being 'seen' by trading the painter's role from that of the subject to that of the object.

• Journal of Gifted/Talented Education
• /
• v.13 no.2
• /
• pp.57-71
• /
• 2003

This study is to examine and compare the preference for occupation, reasons of preference for occupations, and confidence of occupations or future of them by analysing 'self-portraits after 20 years' of science gifted/talented. The level of preference for talent-related occupations of gifted/talented students was merely 29.2, whereas that for medical world was 32.6%(the highest level). 74% of them had confidence of that their own dream or hope come true. Main reasons of selecting occupation for the future were 'service for social-national development', and 'convenience for life'. It is necessary to endeavor nationally, socially, and educationally to develop interest and preference of the science gifted/talented for science-related occupations, and confidence for the future, and contribute talents of them to nation.

• 보건세계
• /
• v.43 no.10 s.482
• /
• pp.14-17
• /
• 1996

6$\cdot$25동란 후 결핵환자는 급증하였고, 가난한 국가재정과 한정된 결핵병상으로는 이들을 감당할 수 없어 장기간 병상을 점유한 환자를 강제 퇴원시켜 여수로 집단이주시켰다. 이름하여 결핵자활촌-오갈데 없는 난치환자들의 처절한 몸부림과 우리 모두가 어려웠던 시절의 가슴아픈 사연들.