• 제목/요약/키워드: 의궤

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조선후기 왕릉 정자각의 풍판부 용어와 구조의 변화 (A Study on the Change of the Terms and the Structure of the Pungpanbu in the T-shaped Wooden Shrines in Royal Tombs in the Later Joseon Period)

  • 이상명
    • 건축역사연구
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    • 제26권1호
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    • pp.105-116
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    • 2017
  • The purpose of this study is to comprehend the change of the terms and the structure of the Pungpanbu in the T-shaped wooden shrines in the later Joseon period through the Salleung-dogamuigwes. Following conclusions have been reached through the study. First, the terms in the Salleung-dogamuigwes were similar to Yeonggeon-dogamuigwes but timing difference was verified. The word about the frame of Pungpanbu was different from the current. Second, in accordance with the extended of Pungpanbu, the members of frame of Pungpanbu had been increased and it had been changed to the lattice. The members of Pungpanbu used as plan dimensions and the size of the members had been gradually increased. Third, the Pungpanbu had been extended to protect the side of T-shaped wooden shrines. At the same time, the range of Chukjungbang had been extended. This was the result of the efforts of the era to reduce the range of plaster. This affected the overall elevation change of T-shaped wooden shrines.

『(인조장렬왕후)가례도감의궤』 노의(露衣) 일습(一襲) 고증 제작 (Historical Investigation and Reconstruction of Noeui (露衣) Set (一襲) of Uigwe for the Royal Wedding Ceremony of King Injo and Queen Jangryeol)

  • 김남희;최연우
    • 한국의류학회지
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    • 제42권2호
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    • pp.360-378
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    • 2018
  • Noeui was a garment used for women's outfits and robes. In the late Joseon Dynasty it was a special garment that could only be worn by the class belonging to the royal family. Noeui was especially prepared as a wedding dress, and was worn by the bride at the Chinyeong ceremony on the day of the wedding ceremony. Until now, Noeui did not have in depth research at the costume history despite its importance as a royal costume in the Joseon Dynasty. Thus, based on Uigwe for the Royal Wedding Ceremony of King Injo and Queen Jangryeol (which is the only material with a diagram of Noeui and its pattern) this study historically investigated and restored the Noeui set of Queen Jangryeol, which was arranged in 1638, when King Injo and Queen Jangryeol were married. This academic study is the first to historically confirm and restore Queen Noeui's set, and rigorously analyze the historical materials as well as provide new comments on the shapes of Noeui's Git and the front side.

진찬의궤를 통하여 본 1887년 조선왕조 궁중 진찬연 중 만경전 익일야연의 상차림에 대한 고찰 (A Study on the Following Day Party and the Following Evening Party Feast Dishes in Jin Chan Eui Gue(1887))

  • 김상보;이성우;박혜원;한복진;황혜성;한복려
    • 동아시아식생활학회지
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    • 제1권3호
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    • pp.217-237
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    • 1991
  • To examine the following day party and the following evening party in the Man Kyong Jeon, the authors studied“Jin Chan Eui Gue”, which is a historical record published in 1887(King Go-Jong). The results obtained from the study were as follows, 1. There were fixed arranging tables(22) and taking-away tables in the dining table of the following day party. 2. There were fixed arranging tables(5) and taking-away tables in the dining table of the following evening party. 3. Food and flowers were distributed to the 390 attendants in the following day party. 4. There were no distribution of food and flowers to the attendants in the following evening party. 5. Arrangements of the following day party and following evening party were the same as those of the main party. 6. The arranged seat of the King, Go-Jong was facing the south. 7. According to the status or class of the attendant, the pattern or size of table settings were differentiated in the kinds of food, table flowers chinaware etc. 8. In the arrangements of table for the King, the heights of food on the dishes were as following levels. 1 dish : 1chok(1척) 6 dishes : 8 chon(8촌) 4 dishes : 7 chon(7촌)

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진찬의궤를 통하여 본 1887년 조선왕조 궁중 진찬연 중 만경전 재익일회작과 만경전재익일 야연의 상차림에 대한 고찰 (A Study on the next Following Day Party and the next Following Evening Party Feast Dishes in Jin Chan Eui Gue)

  • 김상보;이성우;박혜원;한복진;황혜성;한복려
    • 동아시아식생활학회지
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    • 제1권3호
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    • pp.239-257
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    • 1991
  • To examine the next following day party and the next following evening party in the Man Kyong Geon, the authors analyzed“Jin Chan Eui Gue”, which is a historical record, published in 1887(King Go-Jong). The results obtained from the study were as follows, 1. The dining tables of next following day party were composed of two types:fixed arranging tables(22), and taking-away tables. 2. The dinind tables of next following evening party were also composed of two types:fixed arranging tables(6), and taking-away tables. 3. Food and flowers were distributed to the 290 attendants at the next following evening party. 5. According to the status or class of the attendants, the pattern or size of table settings were differentiated in the kinds of food, heights of food, flowers china ware etc. 6. Arrangements of the next following day party and the next following evening party were the same as those of the main party. 7. The arranged seat of the Crown Prince was facing the west. 8. In the arrangements of tables for the Crown Prince, the heights of food on dishes as following levels, 1 dish : 1chok(1척) 6 dishes : 8 chon(8촌) 5 dishes : 7 chon(촌)

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조선시대 연화대무 동기복식 고증 및 재현 (The Costume of Young Girls Damcers is Yon Wha Dae Moo of Chosun Dynasty)

  • 김경실
    • 복식
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    • 제52권6호
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    • pp.1-13
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    • 2002
  • This paper investigated the costumes of young girl dancers in Yon wha dae moo(연화대무: Lotus Stage dance) which were documented on the Ak-hak-guae-bum(악학궤범: Protocol of music) and the Jin-yeon-eui-guae(진연의궤: Archives of Royal Feast). The fashion of the costumes can be changed into three phases, based mainly on the changes of Hap-rip(합립: silk hat), Dan-eui(단의: long jacket) and Sang(상: apron type skirt). In the first phase the costume consisted of Hap-rip, round neck-line Dan-eui and tiered skirt decorated with pleat and Yu-so(유소: decorated cords). In the second phase. it consisted of Hap-rip, v-shape neck-line Dan-eui and skirt without pleat. In the third phase, it consisted of Yeon-wha-gwan(연화관: Lotus shape cap), round neck-line Dan-eui of later era and skirt with pleat and Yu-so. Yon-wha-dae dance appears to be adopted from Ja-ji-mu( 자지무: chinese dance) that originated in West and Central Asia. In both dances. young girl dancers danced mainly jump and spin. The costume of round neck-line Dan-eui seems to have been affected by the fashion in Dang Dynasty when young girls loved to wear Dan-ryung(단령: male coat with round neckline). And it satisfied the need of mobility for the dance which was Performed mainly with jump.

"정조국장도감의궤"를 중심으로 한 염습의대 고찰 (Study on Burial Dressing of King based on "Jeong-jo Gukjang Dogam Euigwe")

  • 고영
    • 복식
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    • 제61권5호
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    • pp.147-163
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    • 2011
  • King Jeong-jo (正祖) was the 22nd king of Joseon dynasty (朝鮮王朝), who led the golden age of Korean culture during his ruling. This study is on the burial dressing of King Jeong-jo based on the publications during his ruling; such as "Gukjo Sangrye Bopyeon (國朝喪禮補編)", "Chungwan Tonggo (春官通考)", Jeong-jo "Gukjang Dogam Euigwe (國葬都監儀軌)", "Jeongjo Binjeon Honjeon Dogam Euigwe (正祖殯殿魂殿都監儀軌)" and "Jeong-jo Sillok (正祖實錄)", "Gukjo Sangrye Bopyeon (國朝喪禮補編)" was published in 1758. It compiled the funeral protocols of royal court, complementing the shortcomings of protocol documents published till then. "Chungwan Tonggo" was published in 1788, compiling all the protocols and customs practiced during Joseon dynasty in an organized manner. "Jeong-jo Gukjang Dogam Euigwe" and "Jeongjo Binjeon Honjeon Dogam Euigwe", record the burial dressing and the state funeral of King Jeong-jo in detail based on the contents of above protocol publications. In addition, the 'Daeryeom Euidae ', 'Soryeom Euidae', 'Seup Euidae' and 'Mokyok Euidae' that had been actually practiced were studied in detail based on the records in June/July, 1800 in Book 54 'Jeong-jo' of The Annals of the Joseon Dynasty. The timing of King Jeong-jo's state funeral was when the most elaborated and complete protocol books of Joseon dynasty had been published. Therefore, it was possible to explore the solemn and magnificent funeral culture and King's burial dressing in late Joseon dynasty by way of King Jeong-jo's burial dressing.

조선시대 숙실과(熟實果)의 종류 및 조리방법에 대한 문헌적 고찰 - 의궤와 고문헌을 중심으로 - (A Literature Review on the Type and Cooking Methods for Suksilkwa during the Joseon Dynasty, with a focus on Euigwe and old literature)

  • 오순덕
    • 한국식생활문화학회지
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    • 제28권2호
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    • pp.115-124
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    • 2013
  • This article examines the types and cooking methods of Suksilkwa as recorded in 14 royal palace studies and 10 old literature texts of the Joseon dynasty (1392-1909). The types of Suksilkwa during the Joseon dynasty were Joran (棗卵), Yulran (栗卵), and Gangran (薑卵). The frequency of the Suksilkwa types during the Joseon dynasty in order were: Gangran (35.4%), Joran (32.3%), and Yulran (32.3%). Prior to 185 years ago, "Junghae-Jungraeeuigwe (丁亥整禮儀軌)" (1827), Joran (棗卵), Yulran (栗卵), and Gangran (薑卵) were called Samsaegran (三色卵). Nearly 144 years ago, "Mujin-Jinchaneuigwe (戊辰進饌儀軌)" (1868) recalled sulsilgwa (熟實果). "Imjin-Jinchaneuigwe (壬辰進饌儀軌)" (1892) first recalled assorted-sulsilgwa (各色熟實果), in which sansabyeong were added in the sulsilgwa. "Sinchuk-Jinyeoneuigwe (辛丑進宴儀軌)" (July 1901), "Imin-Jinchaneuigwe (壬寅進饌儀軌)" (April 1902), "Imin-Jinyeoneuigwe (壬寅進宴儀軌)" (November 1902) described assorted-sulsilgwa (各色熟實果) in which ohmijabyeong were added to the sulsilgwa. Further study will be conducted on recipes and ingredients recorded in these Euigwe and old books in order to develop a standardized recipe to make Suksilkwa appealing to a global palate.

조선왕릉의 가정자각에 관한 연구 - 규범화 과정을 중심으로 - (A Study on the Ga-Jungjagak(temporary T-shaped house) in Royal Tombs of the Joseon Dynasty - Focus on the Process of Norms -)

  • 홍석주
    • 한국디지털건축인테리어학회논문집
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    • 제13권4호
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    • pp.77-86
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    • 2013
  • Uigwe is official reports of the Joseon dynasty. They published from early Joseon but remain from 17C. We can search many hidden informations in them. Ga-Jungjagak (temporary T-shaped house) is one of them. It is unique architecture of the Joseon dynasty but it doesn't exist now at all. We can see many drawings describing Ga-Jungjagak (temporary T-shaped house) located next to Jungjagak in Uigwe. Jungjagak (T-shaped house) was built in royal tombs for sacrifice. Ga-Jungjagak was built in royal tombs for sacrifice as Jungjagak but existed temporarily. In this study, I want to find the process of norms Ga-Jungjagak in old records, official reports and annals of the Joseon Dynasty. Results are as follows: Ga-Jungjagak is the sacrifice space for queens in royal tombs. It is need to avoid sacrifice of delight and sorrow at the same time. They sacrifice to represent sorrow after the death of kings and queens for three years. After three year, they sacrifice to represent delight for kings and queens became ancestral gods. Ga-Jungjagak was destroyed three years later to combined sacrifices. The shape of Ga-Jungjagak is similar to Jungjagak in the same tomb. But dimensions of Ga-Jungjagak are equal or smaller than Jungjagak and decorations are abstemious.

불국사(佛國寺) 진입(進入) 석조계단(石造階段)의 공간분할적(空間分割的) 의미(意味) (A Study on Space-Divisional Meaning of Stone Entrance Stairs in Bulguksa)

  • 염중섭
    • 건축역사연구
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    • 제16권4호
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    • pp.57-75
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    • 2007
  • Bulguk Temple, one of the national temples, sublimated the high formalism and symbolism into lovely art, and thus be called the pinnacle of Korean architecture. Of many characteristic structures of Bulguk Temple, the stone stereobate and stairs have a great importance in that we can read out the purpose of the architect through their relics. Especially, the stone stairs are noteworthy for they structuralize the intentional space division. The objects of this observation are Yeonwhagyo and Chilbogyo bridges at the entrance of Keungnakjeon precinct, and Cheongwoongyo and Baekwoongyo stairs at the entrance of Daewoongjun precinct. All these relics are the structures that divide the precinct areas on the basis of Buddhist theory and have strong symbolic meanings as well. Although the diverse studies have made on the structures, there are many insufficient aspects for the manifestation of the meanings. In this study, I considered the Buddhist dogmatic meanings of the structures in the formalistic view of the Buddhist architecture. The study was proceeded in the way that the establishments of former studies were fully reflected in it. Through the study, I could confirm that the objects of consideration have the double formalistic meanings and they are strongly structuralizing the symbolism.

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조선후기 왕릉 부석처(浮石處)의 선정 과정과 부석처 조계동 (A Study on the Selection Process of Quarry and the Quarry Jogyedong in Royal Tombs in the Late Joseon Period)

  • 이상명
    • 건축역사연구
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    • 제26권3호
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    • pp.51-62
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    • 2017
  • The purpose of this study was to comprehend the selection process of quarry and the quarry Jogyedong through the Salleung-uigwes in royal tombs constructions in the late Joseon period. Especially, it is to comprehend about the effect by difference of use of stone between Daebuseokso and Sobuseokso. Following conclusions have been reached through the study. First, the quarry of Daebuseokso had been selected very carefully through the quality check process. Second, the quarry of royal tombs around the capital was located at Mt. Bulam in the east and Mt. Bukhan in the west. This is because the nature of the procurement of stone, which is important for transportation, is that it is necessary to prepare the mountains close to the royal tombs. Third, the locations of quarry of between Daebuseokso and Sobuseokso were differently selected. The quarry of Daebuseokso was located at a distance of three times distant from Sobuseokso. Forth, the epigraph related to quarry is located in Sareung construction in the valley of Jogyedong. This is a very important data to confirm the location of royal tombs construction.