• Journal of the Korean Society of Propulsion Engineers
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• v.10 no.3
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• pp.41-47
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• 2006

Effects of mean flow and nozzle damping on acoustic tuning of a gas-liquid scheme coaxial injector are investigated numerically adopting a linear acoustic analysis. The injector plays a role as a half-wave acoustic resonator for acoustic damping in a combustion chamber of a liquid rocket engine. As Mach number of mean flow in a chamber increases, the resonant frequency of the first tangential mode decreases slightly and the optimum injector tuning length varies negligibly. Nozzle damping affects neither the resonant frequency nor the optimum length. From these numerical results, effects of mean flow and nozzle damping on acoustic tuning of a resonator are negligible. As open area of the injectors increases, the acoustic amplitude decreases, but new injector-coupled modes appear.

• The Journal of the Acoustical Society of Korea
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• v.15 no.4
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• pp.105-112
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• 1996

A linear acoustic analysis for baffled rocket combustion chambers has been developed. This study provides the comprehensive theoretical background for the baffle as one of the stabilizing devices in a liquid rocket propulsion system. Several specific effects of baffles are presented as mechanisms by which baffles eliminate instability. Included are longitudinalization of transverse waves inside baffle compartments, severe restriction of velocity fluctuations near the injector face, and decreased normal mode frequency of the chamber.

• The Journal of the Acoustical Society of Korea
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• v.29 no.4
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• pp.237-242
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• 2010

To do an experimental analysis in this paper, we divided two non-equivalent control groups, such as pre and post test groups for difference listening types by serious game contents. From these test groups, we can achieve the most ability of its activity quotient (ACQ) effect is a phonic type and the next one is an aural type. The purpose of this paper is focused on the quantitative analysis of the human's brain quotient (BQ) derived from serious educational game contents.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 1999.06b
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• pp.75-78
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• 1999

본 논문에서는 멀티미디어 컨텐트 생성을 위한 입체음향 생성 저작도구 개발에 관하여 논의한다. Windows 95/98, Windows NT 환경의 PC 상에서 동작하는 입체음향 생성 저작도구는 일반적인 음향 편집기가 갖는 편집기능 및 음향 효과 기능 이외에 음상정위 기능, 음장제어 기능의 입체음향 기능을 가지고 있으며 스피커를 통하여 입체음향을 청취할 경우 발생하는 크로스톡크를 제거하는 기능도 가지고 있다. 개발된 저작도구를 이용하여 Mono, Stereo 형태로 저장된 음향파일을 순수한 소프트웨어 만으로 가공하여 바이노럴(Binaural) 형태의 입체음향을 생성하여 가상 음원의 위치 및 이동궤적을 정의할 수 있으며 가상공간이 갖는 공간감을 구현할 수 있다 또한 편리한 사용자 인터페이스 환경을 제공하여 GUI를 통하여 3차원 공간 상의 가상음원의 위치 및 이동 궤적과 가상공간을 사용자가 지정할 수 있도록 하였다 입체음향 생성저작도구는 일반 PC 환경에서 사용자가 가공하고자 하는 임의의 오디오 파일을 입체음향으로 생성할 수 있는 GUI 환경을 제공하며, 저비용으로 효과적인 입체음향 컨텐트를 제작할 수 있도록 함으로써, 게임 및 멀티미디어 컨텐트 제작의 고부가가치화와 입체음향 기술의 산업화에 기여할 것으로 기대된다.

• Journal of Broadcast Engineering
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• v.13 no.5
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• pp.602-611
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• 2008

The sound design performed in the production of media contents, such as TV, movie, and CF, have been conducted through the experienced feeling of some experts in the aspect of auditory effects that communicates stories. Also, there have been few studies of the quantitative approach and verification to apply visual and auditory effects felt by users. This study is a non-equivalent control group pretest-posttest design and investigates the difference in communication effects in which the difference in a sound design in the production of media contents that affects users. This study analyzed the brain quotient (BQ) obtained by the measurement of brain waves during the watching of an experiment image (track A) designed by using a 60-second TV CF only and an experiment image (track B) designed by sound effects and music and investigated which sound design represents differences in communication effects for users. The results of this investigation can be summarized as follows: First, in the results of the comparison of the attention quotient (ATQ), which is the BQ of recognition effects, between A and B tracks, the track A showed a higher difference in activation than the track B. It can be analyzed that the sound design based on music showed higher levels in attention and concentration than that of the sound effect design. Second, in the results of the comparison of the emotional quotient (EQ), which is emotional effects, between A and B tracks, the track A represented a higher difference than the track B. It means that the sound design based on music showed higher contribution levels in emotional effects than that of the design based on sound effects. Third, in the results of the comparison of the left and right brain equivalent quotient (ACQ), which is memory activation effects, between A and B tracks, there were no significant differences. In the results of the experiments, although there are some constraints in TV CF based on the conventional theories in which sound effects based design affects strong concentration, and music based design affects emotional feeling, the music based design may present more effects in continued concentration. In addition, it was evident that the music based design showed higher effects in emotional aspects. However, it is necessary to continue the study by increasing the number of subjects for improving the little differences in ACQ. This study is useful to investigate the communication effects of the sound based design in media contents as a quantitative manner through measuring brain waves and expect the results of this study as the basic materials in the fields of sound production.

• Proceedings of the Korean Society for Emotion and Sensibility Conference
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• 1999.11a
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• pp.197-201
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• 1999

본 논문에서는 한국전자통신연구원 가상현실연구개발센터에서 개발한 MPEC-2 비트스트림 편집 시스템인 솔거(Solger)를 중심으로 기술하였다. 압축 영역인 비트스트림의 편집은 저장공간의 절약, 신속한 편집 및 비트스트림 화질의 열화를 방지할 수 있는 장점이 있다. 본 논문에서는 디지털 컨텐트의 효율적인 이용을 위한 필수 기술인 디지털 컨텐트 비선형 편집 기술에 관련된 편집, 시각특수효과, 전환효과,MPEG-2codec, 음향효과, 영상합성, 타이틀링 등에 대하여 살펴보기로 한다.

• Proceedings of the Korean Society of Propulsion Engineers Conference
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• 2011.04a
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• pp.35-38
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• 2011

Damping characteristic according to acoustic cavity's geometries was investigated to control the high frequency combustion instability occurring in the Liquid Rocket Combustion Chamber by experimental test and linear analysis. Its diameter was determined as a design parameter and its orifice length and diameter were appointed as fixed parameter in this study. Result shows that the damping capacity has been almost constant through all the experiments despite using the same orifice and helmholtz resonators which have different volume.

• Proceedings of the Acoustical Society of Korea Conference
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• autumn
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• pp.213-216
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• 1999

완벽한 가상 현실을 재현하려면 사람의 오감을 실제 세계 수준으로 정교하게 재현해야 한다. 현재 시각 효과는 상당히 발전해 있으나, 청각적, 음향적 부분은 아직도 발전 정도가 상대적으로 낮다. 가상 현실을 위한 음향은 크게 HRTF등을 이용한 음상 정위와, 음장 재현으로 나눌 수 있다. 본 논문에서는 가상 현실 체험자의 이동에 따라 효과적으로 음장을 재현하는 방법에 대해 논하고자 한다. 본 논문에서 제안하는 시스템은 크게 전처리 부분과 실시간 처리 부분으로 구성되어 있으며 전처리 과정에서 음장을 계산하여 실시간 처리 부분에서 체험자의 위치를 추적하여 음장을 재현한다.

• Journal of the Korean Society for Aeronautical & Space Sciences
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• v.34 no.8
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• pp.79-86
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• 2006

Swirl injector with adjustable backhole length was analyzed to suppress high-frequency combustion instability in Liquid Rocket Engines. In order to analyze the effect of variable backhole injector as an acoustic absorber, backhole injector was regarded as a quarter-wave resonator. As a result of theoretical approaches and acoustic tests, backhole injector with adjustable length could decrease the unstable modes of combustion chamber. And the damping efficiency was estimated by measuring damping rates experimentally.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 1996.10a
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• pp.84-90
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• 1996

일반적으로 차실 음향 공동과 차체 팬널이 연성이 되는 계에 대한 소음 연성해석을 위한 해석 모델은 팬널과 공동이 직접적으로 연성이 되는 것으로 모델링되었다. 그러나 루프와 같은 팬널이 차실과 연성이 되는 경우, 루프의 진동은 차실에 직접적으로 전달되지 않고 루프 하단에 존재하는 갭과 내장판을 통하여 차실 소음에 영향을 미친다. 루프와 내장재 사이에 있는 갭의 매질은 주로 공기 도는 흡음재이다. 본 논문에서는 이러한 음향 구조 연성계를 이론적으로 해석 가능한 1차원 모델로 근사화하여 갭의 간격, 갭의 매질 특성, 내장재의 물성치 등의 변화에 따른 공동 내의 음향 응답 특성을 알아보고자 한다. 또한 위 결과를 에어갭을 고려한 3차원 차실 모델에 적용하고, 1/2 차실 모델에 대한 실험을 통하여 에어갭과 내장재의 효과를 검증한다.