• Proceedings of the Costume Culture Conference
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• 2003.09a
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• pp.68-69
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• 2003

현대인은 복식활동에서 개성이 강하게 표현되기를 원하며 웨딩드레스에서도 차별화 된 다양한 디자인을 요구한다. 복식의 한 분야인 웨딩드레스는 복식의 흐름에 동조하면서, 디자인 개발보다는 복식사적 틀 속에서 재현되어 왔다. 본 연구에서는 신부들의 개성과 다양한 요구에 부응할 수 있는 디자인 개발과 표면적인 재질감의 표현에 있어 예술성 및 가치부여를 비즈장식 기법을 응용한 웨딩드레스와 웨딩예복을 개발하는데 목적이 있다. (중략)

• The Research Journal of the Costume Culture
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• v.20 no.3
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• pp.363-377
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• 2012

Most of the wedding shops in the domestic market are more focusing on simply copying the designs of foreign wedding dress designers than making their own designs. Beyond the purpose of how to improve the wedding dress designs which is what other previous studies were aiming, this study goes deeper than that, concentrating on separate designing of dress for a wedding celebration and a rehearsal with photo shoots. Add to this, the study also differentiates itself from others in the past, investigating how to make a gown that hides a bride's physical shortcomings. For this study, the researcher studied the literature in terms of theoretical review, and conducted the empirical research through the photo analysis of 2,725 wedding dresses which brides really wore according to domestic brides' body shapes, their images, and situations. The researcher designed 8 wedding dresses for wedding ceremony and rehearsal shooting for brides with thick arms or wide shoulder under the concept of 'Romantic Story in Your Heart'. The wedding dress's image types for photo analysis were limited to the romantic type, the elegance type, the modern type, and the classic type. The researcher applied the empire-silhouette, the one-shoulder neckline, the raglan sleeves, the cap sleeves, and the shoulder accessories to the wedding dress designs judged as effectively making up defects in body shape and making nice images as well as other design factors seen from the analysis result.

• Proceedings of the Costume Culture Conference
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• 2003.04a
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• pp.83-84
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• 2003

오늘날 한국 패션산업은 개화기 이후 우리의 복식 생활 자체가 서양화되면서 외국 문물의 무분별한 도입과 함께 단절되었던 전통성을 복원하여 현대의 시점에서 재창조 해야한다는 당위성을 안고 있다. 이에 현대에는 주체의식을 가지고 전통요소를 응용한 디자인 연구가 많이 시도되고 있으나, 현대 복식의 한 분야인 웨딩드레스에서는 이러한 시도가 이제 시작되는 단계로 연구가 미비한 실정이다. (중략)

• Journal of the Korea Fashion and Costume Design Association
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• v.20 no.2
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• pp.1-16
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• 2018

Recently people are trying to lead their life with meaning and value, and people are oriented to value consumption as the values they pursue can be realized through consumption. Consumer demand on value consumption had an effect on Korean wedding culture and 'value consumption wedding culture' which emphasizes the value of marriage, is on the rise as a new wedding custom. Accordingly, Korean wedding market is more segmented and diversified for individual customization to create value. Especially, wedding dress evidently reflects the tendency of value consumption as it gives special meaning for brides. As a result, suggestion and development of detailed design elements of wedding dress to meet the various needs of customers are needed. Therefore, this study has the purpose of investigating the required value of wedding dress aligned with the characteristics of value consumption wedding culture through in-depth interviews and how the intrinsic value of consumers is shown up to a particular design element through investigating on the relationships between design elements. In addition, the study provides a direction for specialized and high-valued wedding dress design development by suggesting wedding dress design aligned with the new trend based on the analysis of detailed design elements that reflects the value.

• The Research Journal of the Costume Culture
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• v.29 no.2
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• pp.240-251
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• 2021

The purpose of this study is to establish the relationship between wedding companies and wedding planners and understand the influence of relationship factors on the relationship performance and relationship continuation intention of wedding companies. We conducted an online survey from June to July 2017, and collected 201 responses which were used during analysis. Statistical analysis, including technical statistical analysis, factor analysis, reliability analysis, and regression analysis, was undertaken using SPSS 23. This study shows that among the relationship factors affecting the wedding planner and the wedding company, the computational tie-up has a significant impact on both the financial and non-financial performance of the wedding company, while emotional tie-ups have a significant impact on the non-financial performance of the wedding company, but not on financial performance. As for the effects of relationship commitment to wedding planners on wedding shops' relationship continuation intention, each factor for relationship commitment significantly affected wedding shops' relationship continuation intention. Regarding the effects of wedding shops' relational performance on relationship continuation intention, each factor of performance significantly affected relationship continuation intention. Therefore, wedding companies should make continuous efforts to maintain this relationship and recognize the need for robust relationships with wedding planners as a sure and important competitive tool for attracting customer and generating revenue.

• Proceedings of the Korea Contents Association Conference
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• 2009.05a
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• pp.1026-1030
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• 2009

Western wedding ceremony is generalized and it has been focused on bride's wedding dress and jewelry design as coming in western culture in Korea. Especially, metal design has developed a lot as enlarging the scale of jewelry market but study of gem cutting design is insufficient really. To meet demands of consumers of the 21th century we try fancy not standardizing style gems by using new faceting technique to maximize brilliance as wedding jewelry. In this thesis, we use popular and moderate priced synthetic cubic zirconia(CZ) which is able to alternate expensive diamond and natural gems to make easy approach of consumer as main gem material of wedding jewelry. And we develop various gem cutting design that is used synthetic cubic zirconia(CZ). We will contribute to development of new wedding jewelry design proposing various gems cutting style fitted for gem setting technique of wedding jewelry.

• Journal of Digital Convergence
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• v.12 no.10
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• pp.493-499
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• 2014

Jewelry in the US economy, which has the largest influence over the world, is more than 10 times in size in comparison to the Korean market. For that reason, the author examined the US jewelry market and compared Tiffany & Co, the world-renowned luxury jewelry brand with wedding jewelry of the Korean brand Golden Dew, in order to propose a direction for developing customer trend in the Korean market. And, to develop as a wedding jewelry brand and grow the Korean jewelry market, design development must be the primary focus, while also expanding consumers' choices through quality management and diverse designs. Golden Dew must build its own design through patents to satisfy consumers' desire and grow as a powerful brand in the global wedding jewelry trend.

• 프린팅코리아
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• v.8 no.6
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• pp.58-63
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• 2009

대표적인 소량다품종인쇄물인 웨딩인쇄물 시장에 변화의 바람이 불고 있다. 대부분의 고객이 $3{\sim}500$장 내외로 인쇄하는 경우가 많은 청첩장인쇄는 예전부터 기성카드에 마스터인쇄를 해서 제작하는 경우가 일반적이었다. 물량이 상대적으로 소량이어서 오프셋인쇄로 작업할 수 없었기 때문에 마스터인쇄사의 대표적인 일감의 하나로 불렸다. 그러나 최근 들어서 개성을 중시하는 결혼식과 청첩장을 차별화하고 싶다는 경향이 소비자를 중심으로 활발하게 일어나는가 하면 디지털인쇄기의 본격적인 보급으로 소량다품종 인쇄를 지원하기 시작했으며 다양한 후가공 작업을 쉽게 진행할 수 있게 되어 맞춤형 및 고급형 청첩장 인쇄시장이 지속적인 성장을 거듭하고 있다. 물론 아직까지 기성카드사의 제품을 사용하는 청첩장 인쇄가 제일 많다. 그렇지만 예전과 달리 청첩장의 종류가 수백, 수천가지에 달하기 때문에 개성을 최대한으로 살리는 선택을 하는 것이 가능하기 때문에 어떤 면에서는 맞춤형 청첩장인쇄와 다름없다는 주장과 평가도 나오고 있다. 현재 청첩장을 비롯한 결혼과 관련된 인쇄물은 대체적으로 카드업체를 중심으로 하는 기성품시장, 개별 단가는 매우 높지만 아직까지 시장의 수요는 일부 계층에 국한되어 있는 고급형 맞춤 청첩장을 비롯, 디지털인쇄기를 이용해 포토청첩장 등 특별한 디자인의 청첩장을 수주하는 인쇄업체 등으로 크게 분류되어 있다. 한편 지난 2007년을 기준으로 $3{\sim}500$억원 대에 달하는 웨딩인쇄물 시장은 결코 큰 시장이라고 할 수는 없으나 꾸준한 성장세를 보인다. 청첩장이 어떤 의미에서 볼 때 작은 소품의 기능을 갖는다는 것을 보면 상당히 큰 시장이라고도 볼 수 있을 것이다. 최근 진행되고 있는 웨딩 인쇄물 시장의 변화와 현황을 살펴본다.

• The Research Journal of the Costume Culture
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• v.14 no.4
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• pp.625-634
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• 2006

The purpose of this study is to preview artistic presentation, factors of designing and ornamentation, to provide useful information to the wedding dress industry in developing consumer-oriented design of wedding dress. Also, this study is to investigate relativity between individual characteristics, such as demographic character and body figures, and preference of consumers, in order to learn if there is any pattern of consumers decision making, and to help consumers by giving tips for their wedding dress shopping. According to this study, I can see that when modern South-Korean adult women choose their wedding dress, they consider many factors just like silhouette, detail, fabric material and so on, then they select their own best dress by grasping their body characteristics.

• The Research Journal of the Costume Culture
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• v.11 no.5
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• pp.657-670
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• 2003

It is quite common today for bride to wear white-colored wedding-dress in wedding ceremony. When does the color date back to? What does the “white” mean? Which other colors had been used for wedding dress and why? This research paper aims to answer those historical questions through literature review. It is found here that the “white” began to be generally accepted for a wedding dress color in the 18th century, and that the color became an official one since the marriage of Queen Victoria's (i.e. 1840). Prior to that, other colors were taken rather than the “white”. In ancient Greece and Roma, “Red” and “Yellow” were used to remove devils or to bring fortune. In medieval society, luxurious wedding dresses were popular and various colors were adopted in order to show up family power among leading classes. The “White” has meant purity of bride since the 18th century. However, two world wars in the 20th century happened to lead some brides in economic difficulty wear “black” colored wedding dress for a practical reason. After the world wars, some light colors such as white, beige, ivory are to be used in wedding dress.