• Proceedings of the Korean Association of Geographic Inforamtion Studies Conference
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• 2008.06a
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• pp.530-535
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• 2008

현재 서울시 내에는 수많은 공공조형예술품들이 있다. 하지만 시민들은 그것들이 어디에 위치하고 있는지 쉽게 파악 할 수 없는 실정이며, 그에 따라 공공조형예술품들을 즐길 기회 또한 잃고 있다. 그래서 Web2.0 및 Mash-Up을 활용한 Web Portal Site를 구축하여 그것들에 대한 위치정보를 제공해 줄 뿐만 아니라, 시인들의 의견을 수렴하여 관리 및 유지보수 측면 등의 의사결정에 직접적으로 참여할 수 있는 Web 공간을 구축하였다. 기본적으로 서울시에서 파악하고 있는 공공조형예술품들에 대한 DB를 제공하고 또한 사용자가 정보를 입력하는 인터페이스를 통하여 기존 DB에 없는 정보를 추가함으로써 관리자 및 사용자가 쌍방향으로 DB를 구축하게 된다. DB를 바탕으로 Naver Map 및 Google Map 을 활용한 공공조형예술품들의 위치를 나타내는 지도를 제공한다. 그리고 입력된 DB를 바탕으로 예술품들의 행정구역별 수량 및 각 예술품 종류별 수량 등의 통계적 자료를 추출하여 제시하고, 사용자는 입력되어 있는 예술품들에 대한 평가 및 관리 보수 등의 의견을 제시하여 서울시 내의 공공조형예술품에 관한 의사결정에 의견을 제시할 수 있다. 본 연구물의 결과로 기대 할 수 있는 효과는 도시 재생 및 도시 계획 재정립에 있어 사용자 참여 유도 및 참고적 역할을 할 수 있고, 도시 내 조형예술품들에 대한 정보 제공의 기점 역할을 하여, 관광객 유치 및 도시 문화사업의 도움이 될 수 있다.

• Journal of the Korea Convergence Society
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• v.9 no.10
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• pp.209-215
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• 2018

The level of cultural enjoyment in Korea has improved every year, but the culture that the general public possesses artworks has not developed so much. Most artwork trading systems, from traditional ones to the latest blockchain-based ones, are designed for expensive artwork trading and are hardly accessible to the general public. In this paper, we propose a blockchain-based artwork trading system that can improve the culture of the general public's art collection and contribute to the popularization of fine art. The proposed system consists of three interacted blockchains for identification, artwork registration and smart contract. The proposed system utilizes the advantages of the blockchain system for users to provide trust to each other, and introduces the concept of art notebook for artists to build trust in their own artwork. Since the proposed system builds a trust system through participants rather than experts or external organizations, it can reduce the cost of trading and deal with artworks that can be owned by the general public.

• Asia-pacific Journal of Multimedia Services Convergent with Art, Humanities, and Sociology
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• v.9 no.1
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• pp.457-466
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• 2019

The study was to improve the right to the enjoyment of culture of persons with visual impairment by increasing the accessibility to art exhibitions and exploring assistive measures through needs assessment survey of persons with visual impairment on arts exhibition. We used total 83 responses collected through an online survey. The result are as follows. First, watching movies at a teather was the most frequent leisure activity among persons with visual impairment, while respondents reported attending art exhibitions as the least frequent activity. Yet, 71.1% included attending art exhibitions as one of their top 5 culture and leisure activities. Most of the respondents reported the purpose of attending art exhibitions as fun. However, a primarily visual atmosphere prevented them from visiting the exhibition. Second, persons with visual impairment preferred approaching the art to have a closer look. More than about 50% of the respondents used their residual vision. Most of the respondents reported to use more than two senses when appreciating the exhibits. Moreover, respondents reported that devices/services for multi-sensory experiences would be helpful to appreciate the art. The findings imply that the consideration of the characteristics and needs of persons with visual impairment is required for establishing the environment of art exhibitions. This could further contribute to the improvement of the right to the enjoyment of leisure and culture of persons with visual impairment and lead to the realization of social integration.

• The Journal of the Convergence on Culture Technology
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• v.6 no.4
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• pp.219-224
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• 2020

One of the main reasons for the commercial failure of various early blockchain-based art trade platforms, including Maecenas, is the lack of clear ways for owners to fully restore ownership of artworks. In this paper, we proposed a procedure for the owner of the artwork to rebuy shares and restore his or her entire ownership in the blockchain system. Using the proposed procedure, we can find a balanced price between the owner and investors, and then restore ownership through a public purchase of the stake. The balanced price can be induced by penalizing the owner for proposing unreasonably low price, and by rewarding investors for deciding reasonable prices. The proposed procedure of restoring ownership is expected to be utilized not only on the block chain-based art trading platform but also on the block chain-based trade platform in other applications.

• The Optical Journal
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• s.174
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• pp.30-31
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• 2019

유럽핵물리입자연구소, CERN은 대형강입자가속기(LHC)가 작동할 때 얻을 수 있는 순간의 장면을 스냅샷으로 남기기 위해 충분한 민감도와 동작 범위를 가진 탐지기가 필요했다. 이렇게 개발된 방사선 탐지기술은 유럽우주국 ESA에 의해 우주로 날아갔다. 그리고 이제는 역사적인 예술품을 분석하고, 위조품을 발견하는 데 사용되고 있다.

• Korean Association of Arts Management
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• no.51
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• pp.191-219
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• 2019

Adoption of applicable law for the international trade of artworks is closely related to the results of lawsuits. Recently, starting with New York, the hub of the international artworks market, a modern, mixed-law is gradually being adopted more. It is difficult to designate an applicable law of an international trade of artworks through private laws regulations of relevant countries, and the public laws regulations must also be considered in relation to individual benefits and the public benefits to the relevant countries. With regards to the foreign relations issues, Korea's private international law embraces a so-called public order theory, and according to the Section 7 of the Act on the Private International Law and its enactment history, the compulsory provision, which seems appropriate for application to the corresponding matter, applies without regards to the selection of the applicable law. The Civil Act of Korea acknowledges bona fide acquisition of a cultural asset, in principle, if the Cultural Heritage Protection Act is not applicable. Moreover, a lost artwork is also a subject of bona fide acquisition; however, if the relevant artwork is either stolen or lost, the original owner has the right to demand the return of that artwork within 2 years of being stolen or lost according to the Section 250 of the Civil Act. Also, if the buyer purchased from a distributor specializing in the artworks, such as auction, open market or gallery, the buyer could request a compensation of the purchase price from the original owner, and if the buyer purchased through a private transaction, the buyer cannot demand a compensation of the purchase price and must return the artwork.

• Journal of the Korea Convergence Society
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• v.11 no.2
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• pp.109-116
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• 2020

Social media is growing rapidly as a means of promoting artists' artworks and a channel for sales. However, since social media is not fundamentally a platform designed for trading, it has various limitations that make it difficult to ensure trust and security in carrying out transactions. In this paper, it is proposed interoperability between social media and blockchain-based smart contract system that can record and preserve the artist's profile, information related to artworks and details of the contract on the blockchain. The proposed interoperability allows artwork trading participants on social media to maintain mutual trust and to conduct the contract transparently. Also, the proposed interoperability consists of an API provided by the social media developer or an open source API without having to modify existing social media. This study is expected to contribute to the growth of the art trading market on social media by complementing the art trading practices on social media.

• Proceedings of the Korea Contents Association Conference
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• 2010.05a
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• pp.497-499
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• 2010

도시의 문화 속성은 도시의 말전수전을 대표할 수 있다.한 도시에 풍부한 창의 및 대표적인 공공 예술과 대중들이 참여하는 상대적으로 광범한 예술의 분위기가 있는지, 그리고 적당한 비율의 예술의 분위기로 가득 찬 문화의 교류 및 심미 및 휴가를 보내고 오락을 즐기는 공공공간이 있는지는 이미 한 도시의 문화품질의 높고 낮음을 측정하는 중요한 지표로 되었다. 이 연구는 사례 연구를 통해서 공공예술품의 예술 특성은 도시 브랜드의 가치를 향상시킬 수 있다고 증명한다.

• KLA journal
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• v.27 no.3
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• pp.10-30
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• 1986

• The Safety technology
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• no.39
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• pp.50-50
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• 2001