• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2009.10a
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• pp.635-638
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• 2009

The latest, Digital art is attempt new field's Art, that is utilize variously digital media image, sound, simulation, 3D holography. A large number of Digital Art is contact with the audiance in pavilion(limit place and limit period). However, It will be possible, If Digital Art can use place digital form media even there are indoor, outdoor, anywhere. This paper analyze reciprocal action for utilize Digital Art in indoor space design, and this paper study expression about indoor design base of interactive.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 1999.05a
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• pp.104-108
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• 1999

It is presented many effect that represented by implicated one image more than each images with a fragment meaning. ‘Mosaic’ is technique be applied at this situation. ‘Mosaic’ is created by complicated one new image which by multi image be eliminated overlap region. This research is development for mosaic system by multi image. The system is divided that shot segmentation and mosaic image creation. Shot segmentation divided that merge with respect to similarity images which video data of moving picture in sequence time and mosaic image creation is composed of one image with which all frames in segmented shot.

• Journal of the Institute of Electronics and Information Engineers
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• v.52 no.5
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• pp.136-146
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• 2015

The active control of a vehicle based on vehicle recognition is one of key technologies for the intelligent vehicle, and the part-based image representation is necessary to recognize vehicles with only partial shapes of vehicles especially in urban scene where occlusions frequently occur. In this paper, we implemented a part-based image representation scheme using non-negative tensor factorization(NTF) and realized a robust vehicle recognition system using the NTF feature. The result shows that the proposed method gives more intuitive part-based representation and more robust recognition in urban scene.

• Journal of Digital Contents Society
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• v.9 no.2
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• pp.187-192
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• 2008

This study carried out researches on the techniques which are applicable to express sense of depth in the process of producing lofty image contents, and it's verification. Techniques for expression of sense of depth are how to use highlight and shadow, how to use depth of field and lenses, and how to use camera motion, zoom and dolly. For the practical application in all cases, I examine the preference frequency, and most of the pictures that techniques are adapted are selected. As a result we can verify the way of using lenses is the most convenient way in the expression of 'sense of depth'.

• 한국HCI학회:학술대회논문집
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• 2008.02b
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• pp.446-450
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• 2008

Due to the advancement of technology, there are many attempts trying to extend ways of expressing for using digital media, even in traditional theater. In the performances that were created before '미키쥐의 죽음' directors used videos only for the background, however, in 'A Death of Mickey Rat', trying to avoid the same patterns as the ones from the past creators realized an interactive performance with the balancing combination of videos, performer and sounds. As a result, the theater suggested a possibility of a new progress in creating theater by making a created space called the stage gain more reality and adding the power of interactivity between the media and the performer.

• Journal of Korea Multimedia Society
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• v.7 no.11
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• pp.1531-1539
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• 2004

In this paper, we propose an efficient method for locating human lips. Based on Point Distribution Model and Principle Component Analysis, a lip shape model is built. Lip boundary model is represented based on the concatenated gray level distribution model. We calculate the distribution of shape parameters using Gaussian mixture. The problem to locate lip is simplified as the minimization problem of matching object function. The Down Hill Simplex Algorithm is used for the minimization with Gaussian Mixture for setting initial condition and refining estimate of lip shape parameter, which can refrain iteration from converging to local minima. The experiments have been performed for many images, and show very encouraging result.

• Proceedings of the IEEK Conference
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• 2001.06c
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• pp.129-131
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• 2001

오류 제어 부호화(ECC : Error Control Coding) 의 기법을 이용한 이진 영상의 강인한 워터마킹에 관하여 다룬다. 워터마크를 채널 부호화법을 이용하여 부호화하고, 매입할 대상 영상을 DCT변환을 하여 주파수 영역으로 표현한 후, 부호화된 워터마크를 저전력 영역과 고전력 영역에 매입한다. 이러한 과정을 거친 워터마크된 영상은 외부의 다양한 공격에 대해 강인함을 실험을 통하여 보인다.

• Proceedings of the IEEK Conference
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• 2000.09a
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• pp.367-370
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• 2000

본 논문에서는 영상에서의 칼라 정보를 위한 히스토그램과 단순 히스토그램만을 이용하는 데서 오는 공간정보 부족을 각 칼라 빈 (bin) 의 분포특성을 대표할 수 있는 공간분포좌표를 이용하여 표현하고 또한 이러한 빈 들의 상대적인 위치 정보를 색인 함으로써 영상의 회전이나 이동에 대해서도 강건한 영상색인 및 검색 알고리즘에 대해 기술한다.

• Proceedings of the Korea Multimedia Society Conference
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• 2003.11a
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• pp.69-72
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• 2003

스테가노그라피는 송/수신자간에 비밀 통신을 할 때 제3자가 기밀 정보를 인식하지 못하도록 디지털화된 각종 미디어에 몰래 숨겨서 통신을 한 수 있는 데이터 은닉의 한 분야이다. 특히 흑/백으로만 구성된 이진 영상 및 색상의 표현이 제한된 다치 영상 등에서 비시각적으로 기밀정보를 숨긴다는 것이 일반 컬러 영상에 비해 많은 어려움을 수반한다. 본 제안방식은 시각적인 영향을 작게 주는 패턴에만 기밀 데이터를 삽입하는 방식으로 기밀 데이터를 은닉시킨 후에도 화질의 열화가 거의 발생하지 않아 시각적으로 인지하기 어렵도록 개선한 방식이다.

• 한국정보통신설비학회:학술대회논문집
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• 2006.08a
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• pp.274-279
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• 2006

대부분의 컬러 영상들은 코드북의 일부분만으로 표현할 수 있는 영상의 영역이 상당히 크므로 이러한 특징을 이용하는 효율적인 Reversible 워터마킹 기법을 제안한다. 팔레트(컬러맵) 영상에서의 워터마킹 기술에 대한 연구는 많이 있지만 Reversibility에 대한 관심은 상대적으로 낮았다. 제안하는 기법은 가상적으로 확장한 코드북에 의한 압축 영역에서 동작한다. 확장된 코드북은 높은 Payload 용량을 가진다. Reversibility를 구현하면서 왜곡(Distortion)과 삽입용량(Embedding capacity)사이의 절충점을 실험을 통해 보인다.