• Proceedings of the Korean Society of Computer Information Conference
• /
• 2009.01a
• /
• pp.423-427
• /
• 2009

웹 2.0시대를 맞이하여 사용자가 콘텐츠 및 동영상을 직접 만들어 참여하고 공유하는 방향으로 바뀌었고 각종 포털사이트에서도 동영상 사이트를 제공함으로써 동영상 UCC가 대중화될 수 있는 계기가 되었다. 본 논문에서는 동영상 UCC를 만들기 위해 제작, 편집, 등 프로그램 특성에 따라 효율적인 효과를 거둘 수 있을지 몇 가지 프로그램에 관해 편집 편리성, 제작 파일의 크기, 렌더링 소요 시간, 등을 사진 콘텐츠를 이용하여 비디오 전환 효과, 비디오 효과, 사운드 등을 이용하여 프로그램에 따른 장단점을 비교하였다. 프로그램 별로 실험 성능 평가 및 분석한 결과 무비메이커와 베가스 프로그램들이 비 전문가로서 전문가 못지않은 손쉽게 동영상 콘텐츠제작 및 동영상 UCC를 만들 수 있는 좋은 프로그램으로 여러 장점들을 갖고 있음을 나타내었다.

• Journal of Broadcast Engineering
• /
• v.9 no.4 s.25
• /
• pp.402-410
• /
• 2004

Recently, there has been much interest in realistic broadcasting that is a new field following HDTV and 3DTV. In general. the realistic broadcasting is composed of diverse components such as aquisition, authoring, compression, transmission and display, posing many challenging tasks. It is necessary that the types of realistic contents need to be defined prior to the development of realistic broadcasting systems. Based upon them, other components need to be designed and developed. In this paper, we propose some realistic contents suitable to the realistic broadcasting as well as techniques of generating them. Our proposed contents consist of stereoscopic multiview sequences, object-based stereoscopic images, depth map-based image compositing and the composition of stereoscopic real and graphics images. Content generation techniques and their associated software modules are presented with realistic images produced from our experiments. Those contents are produced to deliver stereoscopic perception, immersion and realism to the users as shown in our experimental results.

• Journal of Digital Contents Society
• /
• v.16 no.2
• /
• pp.291-298
• /
• 2015

In a fast-paced information technology environment, consumption of video content is changing from one-way television viewing to VOD (Video on Demand) playing anywhere, anytime, on any device. This video-watching trend gives additional importance to videos with fine-speed-control, in addition to the strength of the digital video signal. Currently, many video players provide a fine-speed-control function which can speed up the video to skip a boring part, or slow it down to focus on an exciting scene. The audio information is just as important as the visual information for understanding the content of the speed-controlled video. Thus, a number of algorithms for fine-speed-control video-playing technologies have been proposed to solve the pitch distortion in the audio-processing area. In this study, well-known techniques for prosodic modification of speech signals, WSOLA (Waveform-Similarity-Based Overlap-Add), have been applied to analyze users' needs for fine-speed-control video playing. By surveying the users' preferred speeds on categorized video content and analyzing the results, this paper proposes that various fine-speed adjustments are needed to accommodate users' preferred video consumption.

• Smart Media Journal
• /
• v.1 no.1
• /
• pp.10-16
• /
• 2012

Stereo and multi-view cameras have been used to capture the three-dimensional (3D) scene for 3D contents generation. Besides, depth sensors are frequently used to obtain 3D information of the captured scene in real time. In order to generate 3D contents from captured images, we need several preprocessing operations to reduce noises and distortions in the images. 3D contents are considered as the basic media for realistic broadcasting that provides photo-realistic and immersive feeling to users. In this paper, we show technical trends of 3D image capturing and contents generation, and explain some core techniques for 3D image processing for realistic 3DTV broadcasting.

• Journal of Digital Convergence
• /
• v.14 no.2
• /
• pp.389-396
• /
• 2016

This study analyzes factors that influence use diversity or usage of mobile video services. This study conducts multiple regression analysis to draw the major factors that affect use diversity or usage of mobile video services. The major findings of this study are as follows. First, IPTV membership status, DMB watching status, and TV contents broadcasting status affect the use diversity of mobile video services. Second, TV contents broadcasting status and video streaming quality affect the usage of mobile video services. This study provides some implications that TV contents broadcasting is a core element in mobile video services. The future research is discussed.

• Journal of Digital Contents Society
• /
• v.8 no.4
• /
• pp.531-539
• /
• 2007

An advance in digital technologies and an introduction of HDTV contents production systems have made innovative changes in a TV broadcasting program and video production environment. The role of HD contents production experts is particularly getting more important to have a competitiveness in digital video production. It is necessary to develop a professional training and reeducation program that is based upon the perception of production experts. In this paper, we ed the perception of video production professionals and analyzed their requirements. With a DACUM job analysis method, 9 job duties and 71 tasks were retrieved to establish a research model. Then the performing frequency, importance, and difficulty in video editor's duties were analyzed and discussed.

• Journal of Digital Convergence
• /
• v.18 no.3
• /
• pp.311-316
• /
• 2020

is a mobile application based SNS video platform that launched its service in China in 2016. At the beginning of the service, TikTok is a music video content platform, and later, it evolved into a social platform that provides a wide variety of contents, and the process of creating, producing, and editing videos was easily provided. Since started its service, it has analyzed various social phenomena that have appeared to young people and the types and characteristics of video content popular in this app. The demand for vertical video content in the form of short clip is on the rise rapidly, which can be expected to improve the quality of video content in accordance with the development of mobile-based imaging technology. Useful for mobile based on the creative video producers through this study data are to be used to.

• The Journal of the Korea Contents Association
• /
• v.12 no.4
• /
• pp.186-197
• /
• 2012

The purpose of the thesis is to answer the question on how the visual image content, being the original content, should be adapted to and represented as a spatial content. The thesis focuses on adaptation as the key in the conversion process of visual image content to a themed space. There are many published studies dealing with storytelling, adaptation from books to movies and TV shows, or from movies to games and vice versa. On the contrary, when it comes to adaptation from visual image content to spatial content, noticeably few studies were done on the method, and fewer studies view adaptation as the prior step of storytelling. This study first defines adaptation, and then applies the methods of Gianetty and Dudley which is further incorporated into the conversion of visual image content into a themed space. It then turns the attention to the characteristics of themed spaces. A case study highlights that a themed space is a spatial representation of the story, image and action in the visual image content, and analyze the type of adaptation made. The study results draws two conclusions; adaptation must be carried out prior to the storytelling of the spatial content; and opposed to a third-person view of the visual image content, the main factor in a themed space is first-hand experience. Thus, the thesis suggests that conversion from visual image content to themed spaces are not merely imitative but is a full range of recreation of a new content. It is expected that more detailed analyses on the particulars will lead to feasible outcome on implementing various methods of adaptation and bring about effective conversions between the visual image contents and themed spaces.

• Proceedings of the Korean Society of Computer Information Conference
• /
• 2014.07a
• /
• pp.273-274
• /
• 2014

본 논문에서는 비디오 콘텐츠 제작에서 비디오 영상의 합성 효과에 대해서 제안한다. 비디오는 동화상으로 정지 영상에 움직임을 주어 동화상으로 나타낸다. 즉 프레임의 움직임으로 영화는 24 프레임을 TV는 30프레임으로 영상을 전송한다. 영상은 비디오카메라나 여러 광학 렌즈를 통하여 촬영하여 영상을 얻게 되는데 자연 현상을 촬영하여 영상을 얻거나 목적과 필요에 따라 다양한 편집 방법과 효과로 영상을 얻게 된다. 촬영한 영상은 자연 그대로의 메시지를 가지고 있지만 영상의 효과를 주기 위해서 다양한 비디오 효과나 합성을 통하여 새로운 영상을 얻게 된다. 따라서 이러한 영상은 시각 효과가 크고, 메시지 전달의 효과를 갖는다. 본 연구에서는 비디오 영상을 보다 효과적으로 나타내기 위해서 합성을 적용하며, 정지 영상 기법과 동영상 기법의 적용하여 효과에 대한 비교를 나타낸다.

• 한국IT서비스학회:학술대회논문집
• /
• 2010.05a
• /
• pp.463-468
• /
• 2010

이러닝 체제를 관리하는 기존의 LMS/LCMS는 동영상의 콘텐츠 운영시 교수 학습간에 학습자의 정확한 진도율 측정이 힘들고, 교수자와 학습자간 사이에 실시간성이 부족하며, 콘텐츠 내 다양한 인터랙티브 요소의 제공에 한계가 있다. 이 논문에서는 이러한 이러닝의 한계를 극복하기 위해 실시간 동영상 콘텐츠를 지원하는 학습관리 시스템으로 콘텐츠 연계를 위한 기술을 분석 설계하여 콘텐츠간의 연계기술을 제안하고 동영상 콘텐츠 운영을 위한 플랫폼을 제시하여 기존의 단점을 보완한다. 이를 바탕으로 한 LCM/LCMS 기반기술은 시간 공간적 제약을 극복해 실시간 상호작용이 원활한 사이버 학습도구로 마련될 것이다.