• The Journal of the Korea Contents Association
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• v.7 no.6
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• pp.107-118
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• 2007

This study examined the standard how to deal with infringement of copyright legally, by looking at several examples of the infringement of copyright in local video works. When we look at precedents relating to copyrighted motion pictures, there are many times when two works seem quite similar but don't get conformed to the infringement of copyright by deliberating the similarities feebly. Although the Idea seems same, the creative expression is admitted and the substantial similarity is denied. For example, in the case of the soap opera, 'Kareiski', the court presented a standard of judgment by organizing the facts, based on the subjective element, dependence on proof and the objective element, the substantial similarity In the case of 'Fox and the Cotton Candy', the dependence on proof and the substantial similarity were examined as usual but when examining the substantial similarity, it was examined in more specific details. This case is a good reference for solving such a case in the future.

• Journal of the Korean Society for Library and Information Science
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• v.47 no.1
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• pp.249-268
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• 2013

Public Performance in Copyright Law is a wider concept, which people generally think. It includes the presentation of a work to the public by acting, musical playing, singing, narrating as well as even the act of mechanical playing phonogram and cinematographic work. Article 29 in Korean Copyright Act is the restriction of an author's public performance right. It shall be permissible to perform publicly or broadcast a work already made public for nonprofit purposes and without charging any fees to audience, spectators, or third parties, provided that the performers concerned are not paid any remuneration for such performances. Commercial phonograms or cinematographic works may be played back for the public, if no fee is charged to the audience or spectators, except in cases as set forth by Presidential Decree. In recent year, public performance in libraries became a major issue of the Copyright Law. It is a claim that watching cinematographic works in libraries is one of the act that should apply public performance right, thus to use commercial cinematographic works before six months, which was published, need permission to copyright owners. But this claim is unfair because it can make impossible normal library service. Thus there is a need to revise the Copyright Law to understand the difference between act of viewing and public performance in libraries.

• The Journal of the Korea Contents Association
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• v.21 no.6
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• pp.228-236
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• 2021

This research investigates the causes of infringements related to authors' moral rights which has most conflict among moral rights of authorship, through analysis of judicial precedents and compare whether there subsists any differences in viewpoints between judicial precedent trend and those on behind the scene of broadcast production. Copyright is divided into intellectual property and moral rights of authorship. Right to the integrity of the work is part of moral rights of authorship and produce one content and used in various media. When the edit is needed to fit the organization and advertisement time, advanced consultation from the rightful owner or written consent is needed. However, under the time pressure or ignorance of copyright, the arbitrary edits are made and content is used. This infringes the right of the integrity of the work. When we produce and use cinematographic works and other audiovisual works, there are considerable variablilies stemming from authorship, production cost and program staff. Therefore, prior conscent is needed to acquire and use the copyright in a proper manner. However, due to production-oriented environment and low understanding of the copyright protection, we usually depend on the users' work practices rhather than insufficiency of copyright laws in dealing with the infringement of right to the industry. In conclusion, we need to provide meticulous work manual and to focus on systematic eduction of professional copyright manpower.

• The Journal of the Institute of Internet, Broadcasting and Communication
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• v.15 no.3
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• pp.35-41
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• 2015

In order to solve the problems that fingerprinting technologies and image identification technologies for digital music and videos identification scanned have not yet been enough to identify scanned cartoon books, the copyright project granted from the Korea Copyright Commission(Project title: Identification and Copy Protection Technology of Scanned Text/Comic Books) secured basic solutions for scanned cartoon books. The first result of the research project in 2013 was focused on the identification technology applied to abnormally scanned cartoon books. As subsequent research for the project, studies in the year of 2014 has been to provide solutions to identify cartoon books which abnormally scanned and occurred with transformations and distortions and solutions to protect the system from trials to devitalize functions of the identification system through various attacks. This paper is to propose a model for a system for identifying abnormally scanned cartoon books as a way of enhancing the identification rates for identifying abnormal bookscans and transformation attacks.

• Journal of the Korean Society for information Management
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• v.31 no.4
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• pp.179-200
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• 2014

This study investigated the present situation of the use of cinematographic works and the problems of copyright. Surveys were conducted in public and university libraries for these. Also, content analyses were conducted to make sense of copyright problems in libraries. As a result, this study found that problems of copyright had occurred in various aspects related to public performance, lending, digitization and internet services according to the diversity of facilities for watching cinematographic works and library services. Also, the librarians' questions to the copyright were very various from the primary level to specific level. This study suggested that regular courses of study in library schools need to be opened to primitive understanding to copyright law and occupational training programs for librarians need to be opened to complementary education as revisions of copyright law. This study also suggested that the online Q&A services need to be started for librarians who have detailed copyright problems.

• Journal of KIISE:Computer Systems and Theory
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• v.26 no.6
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• pp.662-669
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• 1999

Digital watermarking이란 영상이나 비디오, 오디오, 텍스트 등의 저작물에 잘 식별되지 않는 표시를 삽입하여 저작권을 보호하는 방법으로 소유권자의 동의없이 저작물을 배포, 복사되는 것을 방지하는 법이다. 본 논문은 watermark를 삽입하기 위해서 sin과 cos 함수를 이용한 Fourier 급수전개를 이용하였다. 우선 , 원 이미지를 주파수 영역으로 변환한 다음 watermark를 삽입할 위치를 M $\times$Nro의 Random Sequence를 발생하여 결정하였으며, M개의 파형을 가장 직교성이 좋다고 하는 sin 함수와 cos 함수를 이용하여 Fourier 급수전개를 하였다. 이 때, sin과 cos의 n의 고조파 역시 Random Sequence를 발생하여 결정하였다. 제안한 알고리즘은 이와 같이 Fourier 급수전개를 했을 때 각 항의 Fourier 계수를 산출하여 이 Fourier 계수에 watermark를 삽입하였다. 실험 결과 JPEG 압축, Blurring, 노이즈삽입 등의 이미지 왜곡에 대하여 watermark 상관관계가 최소 0.1979에서 최대 0.9732까지의 견고성(robustness)을 보였다.

• Proceedings of the Korea Multimedia Society Conference
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• 2003.05b
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• pp.832-835
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• 2003

전자책이란 저작물의 내용을 디지털 데이터로 CD-ROM, DVD 등 기록매체 또는 저장장치에 수록, 유·무선 통신망을 통해 전용 단말기나 컴퓨터로 이용할 수 있는 출판물을 의미한다. 전자책은 다양한 형태로(HTML, PDF, XML) 제작돼 표준이 없어 별도의 단말기를 개발 보급해야하는 문제와 함께 전자책 산업의 중복투자를 발생시켜 활성화에 어려움을 겪어왔다. 2002년 산업자원부 기술표준원은 이러한 문제를 해결하기 위해 상호운용성 등이 뛰어난 XML에 기반한 전자책 문서 표준(EBKS 1.0)안을 국가표준으로 제정하였다. 교육인적자원부에서도 2002년 '교과용 도서에 관한 규정' 을 개정, 주교재와 보완교재의 구분을 폐지해 음반이나 영상, 전자저작물 등을 활용한 전자교과서 및 지도서를 제작할 수 있도록 했다. 이러한 시대흐름에 발맞추어 본 연구에서는 XML Schema를 활용한 중학교 컴퓨터 과목의 전자교과서 문서 표준을 개발해 보고자 한다. EBKS를 비롯한 기존 연구의 대부분은 XML DTD를 이용한 표준 개발이 중심이었으나 DTD가 가진 제한점들로 인해 이미 XML Schema의 사용이 권고되고 있다.

• Journal of the Institute of Electronics Engineers of Korea TE
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• v.39 no.3
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• pp.21-27
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• 2002

The digital watermarking methods have been proposed as a solution for solving the illegal copying and proof of ownership problems in the context of multimedia data. But it is still difficult to have been overcame the problem of the protection of property to multimedia data, such as digital images, digital video, and digital audio. This paper describes a watermarking algorithm that embeds non-linearly audio logo watermark data which is converted from audio signal of the ownership in the components of pixel intensities in an original image and that insists of ownership by hearing the audio signal transformed from the extracted audio logo through the speaker. Experimental results show that our algorithm using audio logo proposed in this paper is robust against attacks such as particularly lossy JPEG image compression. 

• The KIPS Transactions:PartB
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• v.8B no.5
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• pp.579-586
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• 2001

Digital watermarking is to embed imperceptible mark into image, video, audio, and text data to prevent the illegal copy of multimedia data. arbitrary modification, and also illegal sales of the copies without agreement of copyright ownership. In this paper, we study for the embedding and extraction of watermark key using wavelet in the luminance signal in order to implement the system to protect the copyright for image MPEG. First, the original image is analyzed into frequency domain by discrete wavelet transform. The RSA(Rivest, Shamir, Aldeman) public key of the coded target is RUN parameter of VLD(variable length coding). Because the high relationship among the adjacent RUN parameters effect the whole image, it prevents non-authorizer not to possess private key from behaving illegally. The Results show that the proposed method provides better moving picture and the distortion more key of insert than direct coded method on low-frequency domain based DCT.

• Journal of Digital Convergence
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• v.12 no.12
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• pp.357-364
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• 2014

There are lots of limits on preventing illegal transaction of digital contents by existing DRM(Digital Right Management) methods because of illegal download and share of contents, which is resulted from advanced information technologies, development of cloud services, and smart instruments. In the other hand, the number of creators based on one person, in the area of music, webtoon, digital magazine and video, is increasing. As a result, it is needed that the necessities of digital contents transaction under the condition of convenience and efficiency through licence and management of contents to protect copyright of contents and to increase the transaction of digital contents. Therefore how to promote the transaction of digital contents should be studied by way of research analysis of contents market through interviewing experts in business.