• Journal of the Korean Geographical Society
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• v.43 no.2
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• pp.188-201
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• 2008

With recent rapid globalization, accurate information for the foreign countries is increasingly important. Errors based on inaccurate information and unequal international relationships complicate the situations. In this article, authors analyzed the Japanese place names which appear on the Google Earth images and place name database of the NGA. Google Earth already becomes a tremendous soft power in internet society; therefore, accurate information on the satellite image is more necessary than ever. This article finds that many types of errors exist in the place names in Google Earth image service. Also many place names are listed with Japanese pronunciation in GNS database as variants. The Japanese place names have not been used in topographic maps published since 1910s and 1930s. Japanese place names were widely used in US military maps published in 1946. 1:250,000 maps published in 1954, however, doesn't seem to use Japanese pronunciation any more.

• 한국공간정보시스템학회:학술대회논문집
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• 2007.06a
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• pp.203-211
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• 2007

세계화의 빠른 진행과 더불어 외국에 대한 정확한 인식은 매우 중요한 문제로 등장하였다. 아직도 사실적 오류와 더불어 국제관계에서의 위치 때문에 많은 오류가 남아 있는 점도 사실이다. 그 가운데 미국의 위성영상서비스 가운데 가장 대표적인 구글사의 검색서비스와 미국지리정보국의 지명데이터베이스에 관한 내용을 분석함으로서 문제의 뿌리가 어디인지를 밝히고자 하였다. 이미 구글에 관련된 논문은 Science Direct 검색결과 69개가 검색되고 있을 만큼 전세계적 문화적 영향력을 가지고 있다. 본고에서는 전 세계의 지명을 영어로 서비스하고 있는 구글사와 미국의 지명 DB내에 있는 오류사례를 찾아내고, 그 유형을 분석하고, 특히 일제의 강점을 당했던 한국과 대만사례를 비교하는 데 있다. 대만 역시 1945년 제2차 세계대전의 종전으로 인해 일본의 영향에서 벗어나게 되었다. 따라서 지명에도 일본의 영향이 크게 남아 있을 것으로 보고 앞서 나온 유형대로 몇 개의 분석을 실시하였다. 그 중 대표적인 것을 들면, 경상남도 남해군 일원의 위성영상을 보면 최소한 3개의 일본식 지명이 나타난다. 우선 해양지명으로 미조만은 Mijo-wan으로 앵강만은 Oko-wan으로 표시되어 있고, 천황산은 Tenno San이라는 지명으로 나타나고 있다. 제주도의 한라산을 지칭하는 표준어는 Halla-san으로 등재되어 있으나 이명으로 소개되어 있는 것이 무려 11개나 등록되어 있는 것으로 파악되었다. Halla-san에 대한 미국의 NGA(National Geospatial-Intelligence Agency)의 지명정보 데이터베이스에서 검색한 결과는 아래와 같다. 앞의 간라산 또는 간다산 등은 일본식 표기임이 확실하며 여기에 오크랜드산(Auckland, Mount)이라고 또한 표기되어 있음을 확인할 수 있다. 대만의 경우 총 1,280개의 산악명과 산맥명이 등재되어 있으니 일본어 표기는 하나도 없으며, 영어로 Central Mountains와 Seaboard Mountains두개만 영문표기 지명이 등재되어 있을 뿐이며, 그 가운데 12개는 한자로 표기되어 있다. 국내의 지명이 모두 영문 알파벳으로 표기된 것과는 달리 대만의 경우 한자지명이 그대로 데이터베이스에 등재되어 있다. 하천의 경우를 분석해보면 1485개의 지명이 등록되어 있으며 이 가운데 24개는 한자지명으로 표기되어 있다. 유형별 분석을 통한 연구결과가 올바른 지명 찾기에 기여하고, 독도와 백두산에 국한된 지명논쟁의 근간을 공고히 하는데 기여할 것으로 사료된다.

• The Journal of the Korea Contents Association
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• v.8 no.3
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• pp.55-66
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• 2008

A DMB in an ubiquitous age means that every one can share informations anytime anywhere through 'his own TV' or 'TV in his own hands'. A DMB of digital broadcastings makes the most use of informations through ubiquitous. But it has several problems just owing to retransferring existing broadcast programs in contents. So hereafter, DMB broadcasting must be produced with contents suiting its properties. After all, it is important to analyze exactly properties and service fields of medium of DMB to make an establish production direction of its contents. This paper analyzes such properties and presents overall image-contents production direction. This includes appropriate program developments and visual expressions through proper running time, camera angle and walking. The contents harmonized with its properties will give more familiarities to DMB users and it will be a new culture. In the end, it is expected that a share of DMB audience will be more higher.

• The Journal of the Korea Contents Association
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• v.10 no.4
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• pp.157-164
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• 2010

Figure that make image contents of movie, animation, game etc. by base is one of representative industry of OSMU (One Source Multi Use). Figure that is culturally continuous as industrial while is growing scientific study that is lacking in many way consider. With amusement to the center as a preceding study about this and offered preceding research about theories that several scholars advocate, and divide into commerce, industry, imagination and amusement about characteristics of figure based on image contents and investigated. Investigated amusement characteristics of figure that is center of this study because do comparative analysis with insistence of Roger Caillois- Agon, Alea, Mimicry, Ilinks that classify to meaning that is four amusement characteristics competitions, fortune, conspiracy, dizziness - that is representative scholar of play theory and France's thinker. According to this study, we can know that there is close connection with amusement characteristics of four plays that Roger Caillois advocates in amusements of figure.

• Journal of Conservation Science
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• v.25 no.2
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• pp.115-130
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• 2009

This study was focused on digital restoration and structural stability evaluation applying 3D scanning system of five-storied Magoksa temple stone pagoda in Gongju. For these, the digital restoration of the pagoda was completed using laser scan data which is measured 16 directions and data processing program of 7 stages. As a result of digital restoration, the overall height and width of stone properties showed a little difference in directions and the width of roof stones appeared very high difference of each floor. The width of pagoda body become smaller to the fifth floor, but gradual decrease rate showed irregular characteristics. Also, as result of 3D image analysis for structural stability evaluation, the displacement occurred toward northwest in second body stone to upper final stone except for central axis of the first body stone which inclines toward southwest. Such 3D image analysis is required quantification of survey method and should be applied to various field such as quantitative damage maps in order to utilize a conservation of stone cultural heritages, continuously.

• Journal of Conservation Science
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• v.32 no.4
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• pp.561-570
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• 2016

This research was a technical case study for the authentic restoration of the seven-storied Simgoksa stone pagoda after disassembly and reconstruction using three-dimensional image analysis. During disassembly and reconstruction, the pagoda's properties were analyzed in terms of the overall modification and displacement of the pagoda. Distortion was minimized by ensuring structural stability during the reconstruction process. Also, the original site of the pagoda was examined in order to utilize it fully during rebuilding. Before reconstruction of the pagoda, moss and lichen on the stone surfaces were removed by scientific surface cleaning. The foundation of the pagoda was reinforced with rammed earth than was similar to the original foundation using a mixture of soil and quicklime. The results are expected to provide valuable data for the reconstruction of other stone pagodas.

• Journal of the Economic Geographical Society of Korea
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• v.19 no.2
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• pp.189-208
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• 2016

This research aims to discuss the impact of on regional development as a place brand and glocal heritage. Based on understanding of the changes and influences of local heritages in the globalization era as a key component of place branding, this study explores how is used to develop a place branding strategy for Lijiang. The research methods are both a literature review and a field research related to Lijiang and its culture. Also, the resources from news, internet, and YouTube are used to analyze the impact of . The performance has been attracting tourists from both Chineses and foreigners and contributed to increase the economic profits of local tourism industry as one of the representative identities of Lijiang. Also, in the process of preservation and recreation of cultural heritages of Lijiang such as , the participation of local residents and on-going interactions between the residents and global tourists highly influence on a transition from place marketing to place branding. By applying local cultural heritages to place branding strategies, the regional values of Lijiang strengthen its place identity from a place of preserving a minority's heritage to that of flourishing cultural exchanges and hybridization from the world.

• (The) Research of the performance art and culture
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• no.33
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• pp.223-242
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• 2016

The Korean $taeg{\breve{u}}m$, a horizontal bamboo flute, is considered a representative wind instrument of Korean traditional music. Symbolized by its unique timbre and diverse techniques, this instrument transmits the beauty of Korea, and has become acknowledged even in international music scenes. Being a $taeg{\breve{u}}m$ player, composer, and ethnomusicology researcher, I have developed creative collaborations with musicians from Asian, electro-acoustic, jazz, and Western art music traditions developed outside my country of origin and tried to overcome musical boundaries through the 'intercultural performances' (after Turner 1988). Zooming in one collaboration, I detail the process of music creation and performance, collaborating with prominent Korean composer Kim $Taes{\breve{o}}ng$ (b.1967), who was commissioned by myself to write two compositions for the $taeg{\breve{u}}m$ and Western art music. The purpose is twofold: firstly, the modernization and appropriation of the Korean flute is briefly tracked down within the context of Western Art music. Secondly, a performance project is illustrated with the support of technical apparatuses such as DVD and CD recordings and delves further into the question of the 'cultural relativism' (Michael Tenzer, 2006: 7) through the interactive process. The performance-as-research, as a tool 'actualizing' (Richard Schechner 2003: 32) the hybridity, touches on critical domains in Ethnomusicology. The corresponding two parts discover, as Alan Merriam's(1964) 'tripartite model' suggests, the 'context' of Korean and Western cultures, the 'behaviour' of collaborating and performing and the 'sound' of improvised and composed productions in the course of music making.

• The Journal of the Korea Contents Association
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• v.19 no.8
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• pp.399-411
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• 2019

TV Broadcasting is an undeniable cultural medium. TV Broadcasting Station needs a long-term perspective that suits cultural media and an aggressive cultural and artistic program development strategy that matches rapidly changing culture and technology. Of course, production staff should be composed of experts in the field as well as cultural artists. This paper is researching the promotion strategy of TV Arts programs by substituting the three keywords - the U.S., the public broadcasting station(TV) and Arts programs. And through case studies and analyses of PBS TV's "Art in the 21st Century" series, the way the public TV broadcasting station shares cultural arts with viewers is extracted. It raises the question of how the U.S. TV public broadcaster's cultural and artistic programs are different from South KOREA's. Through the above research, let's find a clue to the future direction of how the new media, now represented as Korea's blacklist, should recognize, foster, educate and strategize Fine Arts.

• (The) Research of the performance art and culture
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• no.39
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• pp.863-901
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• 2019

This paper deals with the process of developing a traditional culture content based on the historical spread of Jajimu, an ethnic dance of ancient Tashkent(Chach), to Tang China and then to Goryeo in Korean peninsula. Jajimu as a solo dance form was a very enegetic dance form that reflects the dynamic nature of namadic life, and it enjoyed high popularity in Tang China due to its exotic style after the 8th century A.D. Later, it gave a birth to a derivative duet dance form called Ssangjaji or Guljaji, an highly sophisticated elegant court dance item that reflects the aesthetic taste of Tang China. Further, the Ssangjaji was flowed into Georyeo around in the 11th century or earlier, and was transformed into a Korean court dance while renaming it as Yeonhwadae that means 'lotus pedestal'. I tried the production of a special performance which displys those three dance forms on same stage to demonstrate the historical connection of ancient Asian dance. It was not easy to restore the music, dance and costume of Jajimu and Ssangjaji because of limited historical materials whereas those of Korean Yeonhwadae have been well preserved and transmitted owing to old dance and music notation system. A large amount of audio, visual materials were collected and analysed to overcome those limits, and its result was utilized efficiently for the production. The final performance was the culmination of long preparation process for 11 months in 2015. In spite of some limits, this project has a historical meaning in the point that it was the first trial of same kind in the world.