• 복식문화연구
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• 제21권2호
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• pp.234-245
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• 2013

The modern fashion was developed the basis on the western dress structure and its historical flow was continued until today. Particularly, the Britain has coexised the unique cultural identity in the aristocratic high culture and rebellious tendency of the subculture so it is necessary to the consideration about whole culture in order to grasp the British fashion identity. The purpose of this study was shown the methodological framework of the culture identity research of one country through the background of this formation of culture and process high culture and subculture study by analysis the culture identity in the today's Britain. Also, the purpose of this study that it draws whether the feature of the British fashion shows up as any aspect in this culture identity. The range of this study subdivides and considers with the imperialism, industrial revolution, aristocratism, union nations, and geographical aspect as the island country into the economy, politics, society, and natural characteristic about the Englishness and the notion of British culture then it draws the dichotomy of the British fashion through the culture identity formed in this society cultural background with both sides in the high culture and subculture aspect.

• 디지털융복합연구
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• 제18권12호
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• pp.549-563
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• 2020

본 연구는 들뢰즈의 신체 미학을 바탕으로 탈영토화의 관점에서 분석하고 현대 패션디자인의 작품 속에 내재되어있는 시각화특징이 히스테리, 형상화. 신체분해, 동물-되기 등 4가지 특성으로 신체 개조, 즉 패션조형화, 예술화 됨을 심층적으로 검토하였다. 첫째, 히스테리는 패션 디자인에서 의상의 변형과 과장이 주는 강렬한 시각적인 효과를 보여준다. 둘째, 형상화가 패션에서의 표현은 가면이 얼굴을 제거하거나 의상구조 등은 얼굴을 희미하게 해주는 두 가지 분야다. 이는 신원의 약화와 의상 및 신체를 돋보이게 한다. 셋째, 신체 분화는 의상의 구조 해체와 재구성을 의미하며 새로운 사고방식을 표현한다. 넷째, 동물-되기는 동물 그림의 활용과 사람과 동물 사이의 이질적인 연결에 따른 형체 돌연변이를 보여줌으로써 신체를 다시 생각할 수 있는 가능성을 보여준다.

• 패션정보와 기술
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• 제8권
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• pp.60-67
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• 2011

• 한국의상디자인학회지
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• 제6권3호
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• pp.97-109
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• 2004

As lifestyle changes, consumer behavior becomes emotional. And fashion brands are responding the behavior. The brands reflect changes of the needs and the values of consumers. This study analyzed the renovation strategies of the British traditional fashion brands through a literature survey. The common renovation strategies of the British traditional fashion brands were the renovations in the design which harmonized traditional elements with modem elements which is the key, and the renovations in the promotion and the distribution of commodities. The most effective renovation strategy is to combine the three renovations.

• 디자인학연구
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• 16호
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• pp.161-170
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• 1996

현대사회는 정보사회이다. 오늘날의 패션산업은 정보의 산물이라고 이를 정도로 라디오, 텔레비젼 그리고 신문이나 잡지와 같은 다양한 정보매체에 의하여 전파되고 있다. 패션저널리즘이란 저널리즘의 한 분야로서 출판이나 방송 등 정보매체를 통해 패션에 관한 정보나 의견을 대중들에게 전달하는 활동을 이른다.1) 이미 영국과 같은 유럽 패션 선진국에서는 오래 전부터 패션저널리즘이 저널리즘의 한 분야로 정착되기 시작하였고 10년 전부터는 의상디자인 학과 내에 패션저널리즘 전공프로그램이 설정되어 신문, 잡지 등 저널리즘에 종사하는 패션저널리스트를 배출하는데 큰 몫을 담당하고 있으며 아울러 실무에 종사하고 있는 기자들의 재교육 프로그램으로도 활용되고 있다. 우리 나라의 여성잡지는 패션정보의 공급원으로서의 역할을 수행해 왔다 할 수 있으며 패션화보 기사를 처음 다룬$\boxDr$여원$\boxUl$을 효시로 하여 그 역사가 40년에 이른다. 본 연구는 우리 나라 패션저널리즘을 체계화할 필요성에서 시작되었으며 일반 대중을 대상으로 한 우리 나라의 패션관련잡지의 성향과 구성내용을 분석 하므로써 패션저널리즘의 동향을 파악하여 우리 나라 패션저널리즘의 틀을 구축하고자 하였다. 연구 방법은 최근 간행된 패션관련잡지에 실린 패션기사를 대상으로 하여 패션기사 량, 패션이미지, 패션기사의 성격을 정량적, 정성 적으로 비교 분석하고 잡지의 제호 변경이 패션 기사내용에 미치는 영향을 분석하였다. 연구 결과 여성지의 패션기사는 패션저널리즘의 역사적 발전 과정에서 점차 그 위치를 확고히 구축해 가고 있는 것이 발견되었는데, 결론적으로 우리 나라 패션저널리즘은 정보의 전문화, 독자 연령층의 하향화, 외국잡지의 국내 정착화의 과정에 놓여 있는 것이 뚜렷이 발견되고 있었다. 본 논문은 의상브랜드의 브랜드 포지션 닝을 통해서 패션저널리즘의 동향을 대상연령층과 패션이미지의 상관 관계로 정립해보고자 시도해 본 적이며 패션저널리즘 교육의 전문화와 패션저널리즘에 대한 지속적이고 심층적인 연구가 필요하다고 본다.

• 패션비즈니스
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• 제4권4호
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• pp.71-82
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• 2000

The purpose of this thesis is how to find the way of activating Korean fashion industry, by reviewing the accomplishments of British young designers, Hussein Chalayan, who are contributors to the present peak activities of British fashion. Some results come over this depressive state of Korean fashion might be proposed. Firstly, Korean government should try to direct the Korean fashion associated group to make the unified and effective results in an organized way. Secondly, Korean fashion industries and university-level fashion school should have more intimate relationship and be closely communicated with each other. Also the fashion school should watch their curriculum. and change it gradually to the up-todate one. Thirdly, the Korean new generation designers should do effort to have the highest tailoring technique and artistic good sense. Finally, the designer should have broad range of knowledge for their design. In conclusion, the government, university-level fashion schools, fashion industries and fashion designers should be positively changed and cooperated to do the best and activate Korean fashion.

• 패션비즈니스
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• 제2권3호
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• pp.43-54
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• 1998

In recent years, the influences of Korean fashion industry have slowly declined and numerous clothing-associated industry have come to be bankrupt, due to a national economic crisis. The purpose of this thesis is how to find the way of activating our fashion industry, by reviewing the accomplishments of British young designers, who are contributors to the present peak activities of British fashion. Some results come over this depressive state of Korean fashion might be proposed. Firstly, Korean government should try to direct the Korean fashion associated group to make the unified and effective results in an organized way. Secondly, Korean fashion industries and university-level fashion school should have more intimate relationship and be closely communicated with each other. Thirdly, the designers should do effort to have the highest tailoring technique and artistic good sense. In conclusion, the government, university-level fashion schools, fashion industries and fashion designers should be positively changed and cooperated to do the best and activate Korean fashion.

• 패션비즈니스
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• 제8권2호
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• pp.69-90
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• 2004

The purpose of this study is to find the recognition of Korean image fashion design by U.K fashion specialists. U.K is one of the important countries in design field including fashion design since 1960. For this purpose, literature research and focus individual interview research were carried. First, through the researches precedent, it was found that a national image is related with it's design industry and what is Korean image fashion design, were studied. Second, for individual interviews to 13 U.K fashion specialists, who are teaching and researching in University that has postgraduate course over M.A and had industrial experiences from 7years to 22years, were progressed using open questions and visual image stimulus. The open questions were consisted with four parts : personal educational and industrial background, recognitions about oriental fashion, recognitions about Korean image and Korean fashion design before seeing the visual stimulus, recognition about Korean image fashion design and the characteristics of Korean after seeing the visual stimulus. The results are as follows; First, the 12 U.K specialists have recognized 'oriental fashion' is one of important fashion trends now a days. Japan and Japanese designers are recognized as a represented nation and designer in oriental fashion by them. Two of the specialists referred to need changing the term 'oriental' because the term has been used in the sights of western from colonial age and Japanese is not included the oriental any more. Secondly, 11 interviews have recognized nothing about the Korean national image some of them has negative image due to political situation in Korean Peninsula. However 2 interviews who had been Korea before has positive image. In the questions about Korean fashion and Korean fashion designers, 10 of 13 interviews have nothing and negative recognitions. So it was founded that Korean fashion design was recognized as a lower level by U. K. fashion specialists. Thirdly, in the questions about Korean fashion image and the design characteristics of Korean fashion after seeing the visual stimulus, the response was represented two directions. One is about over decorative image through ethnic design and the other is about simple image differ from Japanese. The 13 interviews felt the Korean Image fashion design such like traditional, decorative, opulent, flat cutting, fresh proportion, loose, layering, natural, simplicity, complicate, adventure, easy, stylish, soft, feminine, young image, adult sexy image. The images were analyzed five image groups : adult sexy image, adult ethnic image, natural image, young avant-garde image, young simple casual image. No one preferred the adult sexy image, adult ethnic image and natural image. However 10 interviews preferred young avant-garde group and 13 interviews preferred the young simple casual image. So this group can be understanded and useful informed as one of competitive power in global fashion industry.

• 한국의류학회지
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• 제42권4호
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• pp.571-583
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• 2018

'Dress of the Year' by the UK Fashion Museum in Bath suggested an ideal role for a fashion museum and created fashion history along with the development of fashion journalism. A case study and literature research identified the characteristics of this scheme in terms of roles and functions for a fashion museum and defined them as: suggestion of collection cases, data construction for fashion research, and contribution to fashion critique. First, it suggested a good case of collection process. The 'Dress of the Year' creates a museum identity with a collection selected by designated journalist reviewer every year in order to maintain and strengthen a virtuous cycle. Second, it contributed to the accumulation of data for fashion research. The vast amount of data accumulated for more than 50 years became a fashion history that shows the change of fashion trends with a value of public confidence. It presented the possibilities of fashion research in various perspectives. Third, it contributed to the development of fashion criticism. The development of fashion journalism was conducted on the initiative of 'Dress of the Year' as well as contributed to the birth and growth of fashion journalists.

• 복식문화연구
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• 제28권5호
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• pp.652-668
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• 2020

The purpose of this study was to analyze trends in sustainable fashion research and to guide its the development by examining previous research projects conducted by the UK Centre for Sustainable Fashion. A literature review and case studies were conducted from which the following results were identified. It was shown that the CSF has cooperated with fashion, arts and technology businesses and other external organizations. The CSF has contributed to improving the economic durability of the fashion industry, the convergence of both local and the international fashion communities, and the development of cultural sustainability. Moreover, it incorporates various academic fields into its research and has developed advanced researching methods for sustainable fashion. The CSF has embraced the new perspectives by utilizing student ideas for the development of sustainable fashion. The conclusions of this study are as follows. First, the CSF studied the sustainability of fashion from a more organic perspective through multidisciplinary research. Second, it has expanded the possibility of sustainable fashion research through research formats, research fields and research operations. Finally, it has evoked values and responsibilities that the fashion industry should pursue in modern society and has become an exemplary case of sustainable fashion research, providing creative studies for sustainable fashion research in the future.