• Proceedings of the Korean Institute of Interior Design Conference
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• 2006.11a
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• pp.197-198
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• 2006

The latest university makes the use of exhibition hall bring into relief a specific character and identity. This purpose of this design is to induce interest the exhibition plan, that is useful to appreciation of audience according to space structure. The concept of this design is to design continual circulation plan and to give correctness Information of the exhibit. Because to this exhibition hall is too small space, this design focus is continual circulation plan. The exhibit is classified to according to the character of that, which is distinguished according to the colour plan. The center of the hall is main image hall of university. The right space of the main hail is university history exhibition hall and the left space of the hall is a founder memorial hall. The main colour is light cream. An image object colour plan is point colou, which is bluish green colour.

• Review of Culture and Economy
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• v.17 no.2
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• pp.161-184
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• 2014

The dramatic rise of experience space using cultural heritage in modern architecture has been generally acknowledged in recent literature. The present study aims to investigate effective ways to enhance competitiveness in local experience space, with an emphasis on the use of cultural heritage in modern architecture. Using the case of the Sam-Rae Arts Village in Wanju-gun, Jeollabuk, this study analyzes the characteristics of the 4Es in experience economy theory. In order to arrive at findings that represent the variety of perspectives found in this context, qualitative interviews were conducted with three groups: public officials, maintenance staff in the experience center, and field experts. The results of this study revealed that the Visual Media Art Museum and Book Wooks were used for entertainment, the Corpentry Shop for education, the Book Museum for escapism, and the Design Museum Culture $Caf{\acute{e}}$ The O's for aestheticism. Additionally, depending on the commercial potential of the respective experience space, the Corpentry Shop, Book Wooks, and the Culture $Caf{\acute{e}}$ The O's were used for profit purposes while the Design Museum and the Visual Media Art Museum for non-profit. Based on the findings of the present study, effective ways to enhance competitiveness in the local experience space are suggested. First, the public nature of cultural enjoyment may be realized in a field that bears non-profit characteristics. In exhibiting works, the experience space could suggest the extra demonstration. Second, in the for-profit experience hall, the securing of tourists may help to maximize profit. In so doing, a variety of experience programs and activity spaces could be provided internally, while advertisement marketing through mobile and SNS could be reinforced externally.

• The Inventors News
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• no.20
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• pp.5-6
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• 2004

종이 아닌 헝겊으로 출력하는 사진 탄생 - 의장심사 완전 전산화로 민원인들 편의 돕는다 - 측우기 진짜 발명가는 장영실 아닌 문종(文宗)? - 특허청 홈페이지 한글로도 접속 가능해져 - 노하우와 발명 - 한국산업기술진흥협회, 기술혁신체계 전면 손질 - 건강에 좋은 반신욕(半身浴) 상품 불티나게 팔린다 - 삼성전기 사료전시관 오픈, 전자부품 30년 역사 한눈에!

• Journal of the Korea Convergence Society
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• v.9 no.12
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• pp.169-174
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• 2018

The museum, run by the archives, should show historical facts about the president through objective records that are not fully evaluated. The wartime atmosphere should maintain solemnity to highlight the evidential value of records about history, but include an interesting element that allows visitors to come comfortably. It would be possible to accommodate 360 viewers at the same time, and it would be an option to limit the number of visitors considering the operation of weekend events and the donor honor hall. In this study, we established and presented an image integration plan centered on the color plan and the signature plan. Although the real image integration plan is a case study that starts with symbols and logos and is conducted through an integrated and systematic system through the basic design and application design system, it is considered to be a meaningful study in terms of practical use.

• Journal of the Speleological Society of Korea
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• no.53
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• pp.15-24
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• 1998

여가 및 레저에 대한 의식구조의 변화와 가족 중심의 여가활동의 비중이 증가하면서 자연학습장으로서, 지구과학 전시관으로서의 역할을 하고 있는 동굴이 이동을 전제로 한 가족 단위 관광객들의 관광 대상지로서 주목받고 있다. 이에 본 연구에서는 관광자원으로서의 동굴의 특성을 살펴보고, 그 중에서도 개발 역사가 오랜 성류굴의 관광적 특성을 살펴보았다. 그 결과는 다음과 같다. 동굴은 지형 ·지질작용과 관계가 깊은 자원이지만 지하의 신비적 경관이 관광자원으로 활용되고, 그 구조의 특성에 따라 산업적 ·군사적 또는 학술적 연구의 이용에 크게 기여하는 등 다기능적 복합성을 띠고 있기 때문에 본 연구에서는 동굴을 ‘복합 관광자원’이라 분류한다. 이런 동굴 중에서 성류굴은 오랜 역사를 지닌 관광자원으로서 구전 전설의 주인공이라는 ‘문화 · 역사적인 특성’, 다양한 볼거리를 제공하는 ‘지형적인 특성’, 도로와 철도를 이용한 ‘교통접근성’ 등의 관광적 특성을 지니고 있다.

• Electric Engineers Magazine
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• s.133
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• pp.14-17
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• 1993

대전 엑스포는 우리나라뿐만 아니라 전세계 인류에게 크나 큰 축제이다. 지난 8월 7일부터 오는 11월 7일까지 93일간 펼쳐질 엑스포행사는 참가국만 해도 112개국이고, 28개 국제기구가 참가, 역대 전문 엑스포 사상 최다 국가가 참여하고 관람객 역시 천만명을 넘을 것으로 예상되는 최대규모의 행사이다. 이에 $\ulcorner$전기기사$\lrcorner$지는 대전 엑스포 ''93을 맞이하여 엑스포에 대한 유래와 역사, 의의 등과 박람회장 내 주요 전시관의 전기설비 개요를 개괄적으로 소개함으로써 회원들에게 엑스포에 대한 인식을 제고시키고자 특집으로 꾸며보았다.

• Journal of architectural history
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• v.17 no.6
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• pp.67-86
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• 2008

Main theme of this paper is the evaluation of the historical significance of Luciano Baldessari's exhibition works mainly during the Fifties. In order to understand the formal and logical basis of those project, his relationship with the historical Avant-gardes and the consequences expressed in his pavilion projects for the Breda Industrial Company are analyzed. The first part focuses on the influence of Italian Futurism, German Expressionism and Italian Rationalism on the formation and experience of Baldessari during the interwar years. The encounter with these movements determine the interest but also the principles along which Baldessari represents his idea of object, space and place. Specially his professional activities during Fascism would determine his attitude toward political power and the necessity of autonomy in artistic sphere. In the second part, different themes that Baldessari affronted in each project of Breda Pavilions is analyzed. Another important issue regard the historiography of the contemporary architecture. Often, many important works that lies in the threshold of the disciplines such as painting and sculpture and media art were excluded in the history of architecture just because they do not deal with the architectural object. Recently, many elements such as theatrical project and temporary objects are considered as part of urban reality and architecture with acknowledgment of their capacity to create event and situations. Along this thought, not just the reconfiguration on the territory of architecture in present but also the criterion to evaluate the past history of architecture is changing drastically. This study on the pavilions of Baldessari intends to contribute indirectly on the current issue of dominion of architecture, but also to evaluate objectively recent architecture. Consequently, architectural protagonists such as Baldessari and their ephemeral projects would be evaluated compressively in their multiplicity of significance.

• Archives of design research
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• v.16 no.4
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• pp.267-276
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• 2003

In these days, each local administrative organizations and residents have made constant efforts to achieve unique regional identity and its publicity as a strategy for 'Place Marketing'. Developing a proper symbolic regional theme for the area can bring the economic and cultural vitality to the local areas. The purpose of this study is to investigate and to analyze the contents of theme and expression methods of local theme museums of Japan for last 20years. The types of regional themes appeared as 'Physical' part like topography/ecology, relics and manmade facilities, and 'Social ＆ Cultural' part like industry, culture, people or historic events. The cases of expression methods such as Representation, Metaphor, Symbol and Metonymy could be also found. There was an increasing tendency applying and expressing the symbolic regional theme more impressively as the time passed.

• Journal of architectural history
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• v.13 no.4 s.40
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• pp.75-88
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• 2004

The German Werkbund, which was founded in 1907, played an important role in the history of modern architecture. Its exhibition 1914 in Cologne is estimated as a meaningful event in the development of modern architecture. Especially two examples, among which were built at that time, are worthy of notice. The one is the 'Modelfactory' by Walter Gropius and the other 'Glashaus' by Bruno Taut. Generally in the Textbook on the history of modern architecture, the Taut's Glashaus is rarely mentioned or described as a early example of some expressionistic architecture, while the Modelfactory by Gropius is regarded as an essential workpiece in the early stage of modern movement. the time of searching alternative not only from rationalistic modernism but also postmodernism and today in the time of plurality, Taut's Glashaus could bring us more interesting and meaningful aspects in architectural design. Through investigating the background in the planning stage and analysing the composition of space, construction, circulation etc. it is to try to understand the building as really as what it was. Furthermore, historical meanings of the building in the modern architecture is reinterpreted in the following aspects; what should be reflected in architecture and how could 'Zeitgeist' be architecturally adopted?

• Proceedings of the Speleological Society Conference
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• 1993.07a
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• pp.129-145
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• 1993

상근에 있는 자연과학관으로 3층건물이다. 1층은 관광코너로 자연의 아름다움과 이 풍부한 상근의 관광자원을 슬라이드 사진등으로 전시하고 있으며 하이킹코오스 기념사진관코너등을 마련하고 있다. 1층의 관광코너는 전시장에 있는데 하쯔네 화산의 함원과 지질, 암석, 온천등의 전시와 지질관측의 실제상황을 설명하고 있다. 이층 전시장에는 상근의 지형과 모든 지리적인 분포등을 알 수 있는 종합모형, 기상관측과 지구의 역사의 모습 등이 전시되고 있다. 한편 3층에는 생물사회 즉, 삼림과 습지. 계곡 그 부근에 있는 소, 호의 모습과 이들의 고장에서 서식하는 동식물의 모습을 입체적으로 전시하고 있는데 물론 박제품들로 전시되고 있다. 이 자연과학관은 최근에 설립된 것으로 부토산 소, 호를 한눈으로 전망할 수 있는 곳에 세워진 수학여행, 자연관찰, 임간학교등의 관찰코오스로서 가장 적당하다.(중략)