• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2014.05a
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• pp.525-526
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• 2014

Currently many people are concerned about 'Amusement With Prize(AWP)', together with the starting of Game Rating and Administration Committee (hereafter 'GRAC'). The mature-rated arcade games reproduced in reel game like the sea story in addition to main game and sub-game, causing social confusion in 2006, are waited for the reviewing of 'GRAC'. Although the game is reproduced in poker style as game system, in reel method as game graphic like 'AWP', the Supreme Court's decision is considered as a poker game May 23, 2013 in the past. Moreover, the Supreme Court said that it is not illegal because they decide that game users do not make a great loss in their possessions, without money change. The research tries to find the direction of the reviewing the mature-rated arcade game for guarantee of objectivity and reliability.

• Korea Multimedia Society
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• v.13 no.1
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• pp.34-43
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• 2009

• Communications of the Korean Institute of Information Scientists and Engineers
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• v.15 no.8
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• pp.42-45
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• 1997

• Journal of the Korea Institute of Information and Communication Engineering
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• v.13 no.4
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• pp.828-834
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• 2009

To get a better profit, standalone mobile game market shifts network-based mobile game. Currently, most of the game platform are separated into mobile to mobile, desktop to desktop, and console to console. Multi platform network game has a diverse problems including consistency control, object management technique, and bandwidth inconsistency. n this paper, we will introduce a multi-platform arcade game "Push-Push", which is played on desktop to mobile environment. The game guarantees realtime play between heterogeneous machine users and game item sharing between two platforms. e will focus n the issues of the 3rd generation multi platform games and propose some techniques or solving these problems. Our server database is implemented on MS SQL database, also the desktop programming tool is Visual Basic, and WIPI(Wireless Internet Platform or Interoperability) as a mobile platform.

• Proceedings of the Korea Contents Association Conference
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• 2018.05a
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• pp.241-242
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• 2018

본 연구에서는 대학생들의 모바일게임 어플리케이션 이용 실태에 대한 조사를 연구 범위로 한다. 조사방법론으로는 대전의 한 대학교의 학생들에게 설문을 통하여 모바일게임 어플리케이션 이용 여부와 이용 시간, 유료 어플리케이션 이용 여부, 주요 이용 게임의 장르 등을 파악하는 설문방법을 취한다. 또한 설문 결과에 있어 성별과 학년별 차이가 있는지를 SPSS 20 통계패키지를 이용하여 검증한다. 검증 결과는 97.5%의 학생이 모바일게임을 하고 있으며 일주일에 1시간 이하 이용한다는 응답이 91%에 달했으나 3시간 이상 이용한다는 응답도 8%에 달했다. 가장 많이 이용하는 장르는 아케이드였으며 교육 장르는 단한명의 응답도 없었다.

• Journal of Korea Game Society
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• v.5 no.1
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• pp.3-10
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• 2005

In this paper, we propose an infrared LED tacking system called IRED Gun, which is designed for the game gun interface. The conventional systems are practically restricted by physical environment and are not robust to the measurement variations. We suggest the IRED Gun system to solve theses problems. Unlike conventional systems, our tracking system uses three infrared LED lights attached on monitor. Since the coordinate calibration is designed to regulate the detected target coordinates, more accurate aim position is calculated, which enables a game player to interact with a game more reliably. The experimental results verify the feasibility and validity of the calibration method and the infrared LED tacking system.

• Digital Contents
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• no.2 s.153
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• pp.99-101
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• 2006

몇년전 오락실에 등장한 아케이드용 게임 <컴온베이비>는 누구나 쉽고 간단히 즐길 수 있는 다소 엽기적인 게임이었다. 열심히 버튼을 두들기다 보면 손바닥이 아플 정도였지만 재미만큼은 확실했던 <컴온베이비>가 온라인으로 돌아왔다. 비록 연타의 감동은 느낄 수 없지만 엽기 코믹 레이싱 장르를 표방, 우리에게 즐거움을 선사해주고 자 하는 컴온 베이비의 세계로 빠져보자

• Journal of Korea Game Society
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• v.11 no.5
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• pp.43-52
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• 2011

This study assumed the competitive structure based on genre classification for Korean online game market, and carried out the analysis on the degree and characteristics of the competition that appear differently in each sub market classified according to the genre. Analysis result can be summarized as follows. (1) In the view of the total play time, the proportions of the online games in each genre were appeared in the order of "RPG > FPS/RTS > Sports > Arcade/Poker > Go-stop > Board/Racing". (2) In the view of the shares in the play time, the degree of competition between games in the sub market structure of the online games according to the genre was found in the order of "RTS > Racing > FPS/Sports > Go-stop > Poker > Arcade/Board > RPG". The evaluation and interpretation of the high and low of the competition degree are as follows. As the degree of competition is higher, (RTS > Racing > ${\cdots}$) the royalty and the ratio of reusing of the users for the game is lower, and on the other hand, the tendency of replacing and using appeared higher, so the market entry barrier for a new game can be evaluated to be low. Reversely, as the degree of competition is lower, (${\cdots}$ > Arcade/Board > RPG) the royalty and the ratio of reusing of the users for the game is higher, and on the other hand, the tendency of replacing and using appeared lower, so the market entry barrier for a new game can be evaluated to be high.

• Journal of Digital Convergence
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• v.12 no.1
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• pp.81-88
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• 2014

The patent right is that creators are received the right of monopoly for supporting their creation work perseveringly but sometimes it causes infringement of freedom of creation. In this study, we examine the patent of music game in arcade game field and also examine Konami's, which is a main producer in this field, institutes many lawsuits repeatedly. It brought on diversion of rivals and depression of game market. We examine the abuse of music game patent through the case of Konami. We examine the negative influence through all music game market that creativity blocked by repetitive patent lawsuit institutes from little change of operation device and music game hardware even though it is reasonable for guarantee of new technology patent in game field which is a idea industry. We examine the lawsuit cases of abuse of music game patent in Korea, China and Japan and we analyze market change through the cases. We recommend policy for this industry development.

• Journal of Korea Game Society
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• v.22 no.1
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• pp.77-86
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• 2022

This article argues that electronic entertainment has continued to this day, contrary to the existing view that it has been absorbed by digital games since the 1990s. From a media archaeological point of view, it tracks in what cultural and technical context the electronic entertainment called "Pump It Up", which has been popular since the late 1990s, has been accepted and used by gamers. The big trend of 'Pump' took place through a "performative shift" of gamers' creative game performing, and the rise and fall of the 'Pump' took place through competitions and interactions between imaginaries and practices that each subject surrounded the game had. In conclusion, it suggests the necessity of media archaeological research on various genres of arcade games.