• 한국산학기술학회:학술대회논문집
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• 한국산학기술학회 2010년도 춘계학술발표논문집 2부
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• pp.641-644
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• 2010

리차드 모리스 헌트(Richard Morris Hunt)는 19세기 미국의 대표적인 건축가로서 1855년까지 프랑스의 에콜 드 보자르에서 수학하고 미국으로 돌아와서 당시 미국의 대표적인 건축물을 설계하였다. 그는 그 자신의 작품적 특징보다 미국 건축을 절충주의적 경향으로 가도록 이끈 점이 그의 큰 역할로서 여겨진다. 당시의 미국 건축은 유럽의 전통에 비해 새로운 자유와 동시에 영향력 아래에 있었다고 볼 수 있는데 리차드 모리스 헌트는 이러한 신대륙의 건축의 성향을 이끈 대표적인 인물 가운데 한 사람이라 할 수 있겠다. 절충주의의 경향인 외관과 어울리는 실내디자인의 조합은 현대 실내디자인의 출발과도 같은 개념으로서 이러한 절충주의를 대표할 수 있는 리차드 모리스 헌트를 통해 미국건축의 절충 주의를 살펴보고자 한다.

• 한국실내디자인학회논문집
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• 제20권4호
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• pp.21-28
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• 2011

As people have paid much attention to their health along with increased interest in high quality of living, they have managed their health in organized manners. Space is a physical field which directly and indirectly interacts with human life, there is a little research on its therapeutic aspect and it is only negatively applied for development of products and alternative medicine. This study aims to identify research trends and flows targeting previous research on therapeutic approaches in domestic space design and present basic materials on space design approaches in a therapeutic view, which will be helpful in ultimate development of space design in theories and practices. As a result, it was discovered that there were only a few papers which were searched with direct key words on curative environment, which indicates that specific studies as therapeutic approaches are insufficient. When the studies were analysed according to annual publications, research on residential welfare and medical space was active, and research on design methodology, design techniques, and design plans was active, but research on psychology, behaviors, laws and institutions was relatively insufficient, which indicates studies on physical and psychological aspects of space design are necessary. In conclusion, it is suggested that further studies on therapeutic environment for direct and specific persons should be defined and classified although there have been relevant studies in various fields.

• 디자인학연구
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• 18호
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• pp.15-23
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• 1996

실내 공간은 공간의 특수성으로 인하여 질료로서 결정되는 허공간으로 이 공간이 쓰임새가 가치를 결정한다. 따라서 실내가 형성하는 공간의 추상성과 각 요소들이 연합하여 하나의 공간을 이루는 특이성 있는 공간을 형성한다. 그러므로 표현되는 어휘와 상징체계는 다분히 전체성의 특징을 갖는다. 본 연구는 포스트모더니즘 경향의 실내를 언어의 과학성을 기초로 하여 상징체계를 전체성으로 분석함에 있다. 내용은 크게 3부분으로 나뉘어진다. 제 1장에서는 서론 부분, 제 2장에서는 실내디자인의 특징, 제 3에서는 어휘와 코드의 정의, 어휘가 가지고 있는 상징성과 포스트모더니즘 실내를 성격 짓는 언어학적 은유의 내용을 고찰하였으며, 제 4장에서는 포스트모더니즘 실내디자인의 일반적인 특성과 이 특징을 이루고 있는 실내요소들 중에 근간을 이루는 전통성과 장식성 대중성을 이루는 데 필요한 실내 어휘들의 언어 성을 어휘, 코드, 은유를 중심으로 분류하였다. 끝으로 제 5장에서는 찰스 젱크스(Charles Jencks)의 시 메틱 하우스(Thematic House)서재 실내 공간을 하나의 모델로 선정하여 언어학적 분석하였다.

• 한국콘텐츠학회논문지
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• 제11권12호
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• pp.700-710
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• 2011

본 연구는 세계적인 크루즈 선박들의 거주구역 실내 공간의 일반적 특성과 경향을 분석하고자 하였다. 또한 한중일을 중심으로 하는 아시아권 크루즈 선박의 공용공간과 객실공간에 대해 각 실별로 구체적으로 디자인 특성을 파악하여 크루즈 선박의 공간 디자인을 위한 기초 자료를 제공하고, 추후 나아가야 할 방향을 제안하였다. 연구결과, 한중일을 운항하는 두 선박은 각 선사 고유의 컨셉을 바탕으로 모던과 하이테크 스타일이 주를 이루고 있다. 두 선박은 공용공간에서 개방감을 표현하는 방법에 있어서 시각적, 심리적으로 표현하는 방법과 공간적으로 표현하는 방법으로 확연하게 나뉘어졌다. 컬러의 대비를 통해 공간의 볼륨감을 주고 외부의 빛이 들어 오는듯한 효과를 주어 공간의 개방감을 표현하였다. 본 연구는 세계적인 크루즈 선박의 거주 공간의 실내디자인 특성을 이해하고, 추후 크루즈 선박 실내 디자인 개발을 위한 유용한 기초 자료를 제공할 것으로 기대한다.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2008년도 춘계학술발표대회 논문집
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• pp.163-168
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• 2008

In a today, our concerns have been changed from a single material to relation, communication and time. The human life made up of science, technology, philosophy and art of the modern society can decide whoerness by connecting or replacing a comprehensive and many kinds. This one is exhibited in interior actively. The space of the pluralistic world is sustained by not simple and fixed relation but complex and flexible relation. And it is shown as an undecided phenomenon by effecting and modifying each other. In here, the boundary has a phase of undecided relation but at the same time it can make possibility to be abundant to infinity. The purpose of our study with considering the uncertainty of the boundary is to solve the discord of between division and unify of modern architecture space and suggest new way to be mediation and to occupy independent area.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2005년도 추계 학술발표대회 논문집
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• pp.90-91
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• 2005

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2006년도 추계학술발표대회 논문집
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• pp.105-108
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• 2006

The 21 century has entered a stage of innovation with current globalization. The technical development of science has changed more rapidly than any other era and through this change, design will control the world. For this reason, I consider that researching Philippe Starck's - one of most active designers in the world- philosophies and traits of his work can be the key to understanding 21st century's design characters and main trends. Furthermore this research will also help to predict future design. Philippe Starck has diverse traits but this study would like to focus on his trait of Surrealism. First I have arranged all his design backgrounds including periodic circumstance which influenced his works. Secondly I researched and analyzed how his design philosophy has expressed his works. Phillppe Starck defines Surrealism as an expression of a dream and unconsciousness showing an indoor view and he expresses his characteristic wit and humor by presenting completely different and exceptional space from what people have usually seen.

• 한국실내디자인학회논문집
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• 제15권1호
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• pp.39-46
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• 2006

There lies more subjectivity in the methods and process of showing the Koreaness, and design methods cannot be defined with only one answer key, which is probable to cause much difficulty. Until now, the traditional Korean features have been tried by quite a few designers whose approaches deserves for the reference to understand the trends of expressing the Koreaness and develop the ways of its expression. Therefore, this study first considers the trial processes of design methods in reconsidering the Koreaness done by many artists in terms of previous studies and researches. Then this tries to make a frame to analyze the Koreaness theoretically after studying the approaches knowledge about traditional architecture designs widely used as design concepts, and to examine specific cases which reflects them in their interior architecture. All of these studies are aimed at get the understandings on trends and methods demonstrating the Koreaness in modern interior design. This study ranges from the artists, who have made efforts to express Koreaness in 1990s and after, to their artworks. As study methods, pre-study and reference researches had been done to examine the knowledge factors on the ground of the theory of D.G Jansson, to give a theory to the understanding of its methods and tendencies, and to build the frame for case analysis. As a result, in traditional architecture, spacial design gets the prominent priority and other factors are not far from different. In formative approachesthe expression inclination on material factor is outstanding. Consequently, these two approaches have analytic elements in difference but spacial design and materiality have prominently in common to express the Koreaness.

• 한국실내디자인학회논문집
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• 제13호
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• pp.224-230
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• 1997

The introduction to this study of the technology for contemporary Architecture give us the opportunity to state what we consider to be the two essentials to adopt as guiding principle behind the current debate on Architecture and Technology. Technology dealing with scientific and industrial methods and their practical use in practical science for the human being. There are several aspects of the application of technology in Architecture. This study analyzed the formal expression of Technology in Korean-contemporary Architecture by the actual expreimentatiov. Therefore a study of Technology is essential in order to find potential possibility of Korean Achitecture and Interior Desigv.

• 한국실내디자인학회논문집
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• 제28호
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• pp.11-16
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• 2001

All vague and constructions of contemporary cultural environment have been reorganized and the relationship between people and culture can't follow development speed of rapid material civilization development and being informationalized. Because of the circumstances, physical environment is changing into other cultural environment, existence of human being is at a crisis. Physical value precedes mental value and rapid changing causes culture lag. Modernism design of 20th century suggested standard, simplicity and mass production methods, but nowaday, as human being complexity is increasing, information-media are needed to satisfy that. Namely usual design thoughts have to be changed because our life is surrounded by many kinds of powerful media sings and various mixed cultural circumstances. People predict that the characteristics of new ages are 'Immateriality', 'Sensoriality', 'multimedia'. Amongst them, medial spatial characteristics will be eventually remarkable in commercial space which is coincided with economic logic and multilateral culture. This study is a focus on commercial space which emphasis contemporary medial characteristics and observes medial meaning and various technique through some experimental works in Korea. Also this study's purpose is to examine design directions which correspond with contemporary Korea culture.