• 한국지구물리탐사학회:학술대회논문집
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• 2008.10a
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• pp.201-206
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• 2008

Determining the coefficient of weathering(CW) for stone heritage plays very important role in investigation and conservation plan. In most case, CW is obtained from the empirical relation, which use the difference between sonic velocities of fresh and weathered rocks. In this paper, we measured sonic velocities for the samples from Iksan, Geochang, Wonju, Goesan and Chungju of which our stone heritages are made. We first investigate the uncertainty of velocity by portable measurement by comparing it to lab measurement. There were small difference, but we conclude that the difference is not major. However, the velocity of fresh rock differs significantly among samples: ranging from 3200 to 4400m/s. This cause a lot of error in CW estimation if we use typical fresh rock velocity as of 5000m/s. Thus accurate measurement of the velocity of fresh rock is crucial to CW estimation.

• Journal of Digital Convergence
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• v.20 no.5
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• pp.77-84
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• 2022

The purpose of this study is to confirm the influence of E-service quality of fresh product quality, logistics quality, and website quality on customer satisfaction and repurchase intentions. For the analysis, we used SPSS 23.0 to perform multiple regression analysis with 284 people who have purchased fresh food from China E-Services. The research results show that the better the E-service quality, the more positive (+) impact it has on customer satisfaction. In the relationship between E-service quality and purchase intention, customer satisfaction has a media effect. Through the analysis of the results, in order to improve customer satisfaction, it is necessary to focus on the quality of fresh food, provide excellent logistics, and allow customers to use convenient websites. This study only studies the general environment of E-services in the fresh food market, and will recommend specific implementation for one company in the future.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.29 no.1
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• pp.90-104
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• 2011

This study identified the scenic characteristics in Gugok and symbolism reflected in titles of the scenery of the season in Gugok from a perspective of Sundoism concentrated on Galeun Gugok in Goisan which is influenced most greatly by Sundoism hermit ideas in Korea, along with Seonyudong-Gugok. In addition, it suggested a measure for arrangement and narrative Storyboard of Galeun Gugok structure corresponding with promotion and propagation of Gugok cultural scenes and educational goals. According to analysis and interpretation of the various Gugoks forming Galeun Gugok in terms of their titles, names engraved in surrounding elements and the coherent symbolic meanings of its scenery and place through comparison with secenery of near Seonyudong-Gugok, the result shows that Galeun Gugok comprises wishes for eternal life in the forms of Taoist hermit-related scenery of the season within the range of stream and old stories based on environmental affordance. In figurative way, it ultimately presents the Wonyung(圓融) idea which seeks a harmonious combination of God and humankind. In particular, consciousness of longevity without problems is deeply inherent in the background of eternalness of plants, divinity of animals and natural homeostasis. Also, 9 Gok Seongukam set up at visual terminal reflect noticeably that a game Go is the amusement of the immortals, which describe 9 ranks of GO figuratively. Galeun Gugok is formed in a unity structure, which is hermit-oriented Sundoism and motif, such as longevity and immortality, divinity and enjoyment of Sundoism hermit rather than used as a method to achieve taste for the arts or ethics. Given the fact, it presents eternal longevity and atmosphere of seclusion in very strong way. Development of spatial Storyboard structure based on this is interpreted as 'Entering the world of hermits(Introduction)'-'Looking the world(Development)'-'Living with hermits(Turn)'-'Becoming hermit(Conclusion).' Finally, the scenery image of Galeun Gugok presented in surface structure is based on beauty of the immortal land scenery as well as beauty of pre-achieved space in Gugokdongcheon and arranged the vertical narrative structure as divine space of 9 ranks of GO. Taking those into account, scenery story board of Galeun Gugok was suggested in accordance with a theme of 6 cuts; Gnagsun(降仙)-Sungyeong(仙境)- Sunyak(仙藥)-Sunhak(仙鶴)-Sunyu(仙遊)-Eunsun(隱仙). It is obvious that hermit which live an eternal life as a representative of Sundoism, should be the main motif of scenery planning in a filed of modem landscaping. Therefore, the most valuable component in designing Korean landscape must be the homeostasis of surrounding landscape which supports the characteristics of invariability and divinity of nature.

• Korean Architects
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• no.2 s.394
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• pp.92-105
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• 2002

• LOGISTICS
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• s.12
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• pp.27-28
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• 2005

• The monthly packaging world
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• s.281
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• pp.54-59
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• 2016

• Bulletin of Food Technology
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• v.11 no.1
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• pp.91-97
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• 1998

• 베이커리
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• no.7 s.456
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• pp.137-140
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• 2006

이번 작품은 인어와 물고기를 독특한 방식으로 표현해 자칫 단순해지기 쉬운 소재에 신선한 느낌을 줬다. 파도를 단순화시켜 표현한 아이디어도 더해져 한층 재미나는 작품이 됐다.

• 건강소식
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• v.35 no.10
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• pp.6-8
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• 2011

• Proceedings of the KSEEG Conference
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• 1999.04a
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• pp.226-229
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• 1999