• Proceedings of the KAIS Fall Conference
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• 2009.05a
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• pp.550-553
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• 2009

본 연구에서는 천연염색 실크직물의 배색 시스템을 활용하여 배색 감성에 기반한 패션의류 제품을 개발하고자 하는 목적으로 천연염색 업계에서 즉시 활용 가능한 국내외 시판용 천연염재를 대상으로 균일화된 기계화 염색 공정을 통해 의류용 실크직물에 다양한 천연염색 색채를 발현한 후 대표 단색군을 선별하여 동일톤과 유사톤의 원리를 이용한 3배색 데이터 베이스를 구축하였다. 나아가 현대적이면서 한국적인 텍스타일 모티브를 개발하여 3배색 데이터를 적용한 배색 디자인을 제시하고, 이들 모티브와 배색 디자인이 적용된 패션 의류 아이템들을 제작하여 천연염색을 활용한 실크직물의 배색 감성을 적용한 현대적 하이-프리미엄 패션의류제품을 제안하였다.

• 한국패션뷰티학회:학술대회논문집
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• 2006.05a
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• pp.27-28
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• 2006

• Korean Architects
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• no.6 s.171
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• pp.16-21
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• 1983

• Korean Architects
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• no.7 s.125
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• pp.8-12
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• 1979

• Proceedings of the Korean Society for Emotion and Sensibility Conference
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• 2012.05a
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• pp.126-127
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• 2012

• Proceedings of the Korean Society for Emotion and Sensibility Conference
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• 2002.11a
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• pp.74-78
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• 2002

소비의 패턴이 이성소비에서 감성소비로 전환되면서 오감이 중요한 마케팅 요소로 등장하고 있다. 특히 시각적 요소는 인간이 사물을 인지하는데 있어서 83%정도의 영향력을 발휘하기 때문에 매우 중요하게 고려된다. 따라서 본 연구는 Color Code를 토대로 사용자의 성격을 분류하고 동시에 사용자가 선호하는 색상을 이용하여 색채배색을 제안하는 방법을 설명하고 있는데 성격을 RED, BLUE, WHITE, YELLOW의 4개의 컬러코드로 분류하기 위해서 ‘The Hartman Color Code Personality Profil’을 이용하였다. 조사결과 사용자의 컬러코드 중 가장 많은 코드는 BLUE코드였으며 선호도도 가장 높았다. 이러한 BLUE 코드의 특징 중 색채와 대응할 수 있는 감성어휘를 중심으로 색채배색안을 제시하고 이를 주택상품의 컬러마케팅에 이용하고자 하는 것이 본 연구의 목표이다.

• The Journal of the Convergence on Culture Technology
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• v.8 no.6
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• pp.801-806
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• 2022

In the modern era, the necessity of color capability in the digital era is the demand of the era, and research on improving color practice on the subdivided digital four areas that are not in the existing practice is needed. For digital majors who are difficult to solve in existing paint color practice, classes in digital color practice in four more specialized areas are needed, and the use of efficient artificial intelligence was studied for classes in digitized color and color sense. In this paper, we tried to show the expansion of the color practice area by suggesting digital color practice and color matching method based on Photoshop artificial intelligence and big data technology that existing color and color matching were practice that only CMYK could do. In addition, based on the color quantification data of individual users provided by the latest Adobe Sceney program artificial intelligence, the purpose of the practice was to improve learners' predictions of actual color combinations and random colors using filter effects. In conclusion, it is a study on the use of programs that eliminate ambiguity in the mixing process of existing paint practice, secure digital color details, and propose a practical method that can provide effective learning methods for beginners and intermediates to develop their senses through artificial intelligence support. The Adobe program practice method necessary for coloration and main color through theoretical consideration and improvement of teaching skills that are better than existing paint practice were presented.

• Korean Institute of Interior Design Journal
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• v.16 no.6
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• pp.240-249
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• 2007

The purpose of this paper is to produce color harmony code based on color harmony prototype in terms of environmental color design. This paper proposes ways of categorizing more accurate color harmony prototype through digital image processing by the computer program called the Color Syntax. The method of analysis adopted in this paper is pixel based color image processing. The study suggests color harmony prototype which are categorized by a color harmony angles. These angles represented internal relations between colors. This study describes development processes of color harmony prototype which is a basis for creating color harmony codes. Development processes of color harmony schema consists of color analysis, color codes generation and color selection. Also, how to analyze color images and to chose suitable harmony color codes among various codes are main research issues. As a final result, 109 color harmony codes have been obtained. These code numbers are suggested through rotating 2 color pairs in a 360-degree arc in the same color harmony angles, the codes which is applicable to the color harmony schema previously developed. This color harmony codes will produce better color environment in a sense that it will help designers to maximally reduce their time consumption, and the results of their designs will also be related to the use of proper color for regional environments.

• Journal of the Korea Convergence Society
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• v.10 no.6
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• pp.121-128
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• 2019

Fashion display is a part of fashion brand marketing strategy. Today, due to the improvement of consumers' aesthetics, consumers' requirements for display and decoration in fashion stores are also increasing. And color design plays an important psychological role in the display. In this study, the color design of the display is taken as the center, and the status quo, emotional characteristics, psychological and physiological functions of the color design of the display are taken care of. After analyzing specific examples through previous studies, the methods and rules of color design are explored on the basis of these studies, and the principles of color matching beauty are studied to prompt the color design that follows in the display. First, there should be some emphasis on the overall color allocation. Second, the structure of the store needs to be considered. Third, we need to emphasize scientific and reasonable color matching sequence. To sum up, judging this research is of positive significance to the later research on color design.

• Journal of the Korean Institute of Intelligent Systems
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• v.7 no.3
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• pp.55-64
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• 1997

In this paper, a fuzzy set based decision support system is designed for the color planning, that uses the linguistic image words of the space to be colored and progressively recommend the harmoneous colors for each objects in the space. The linguistic image words denotes various emotional effects of the colored space represented as the adjectives like 'romantic', 'beautiful', and so on. The search for object color should not destroy the overall image of the colored space and should be harmoneous with the previously determined object colors. The developed color planning system is composed of five subsystems; two dimentional graphic tools to draw the color space, the input system to receive the linguistic image words, the system to determine and recommend the main colcrs, the system to determine the harmonious colors and the system to adjust the determined wlor objects. We expect that the system can help designers and the persons who are not good at color design, and it can be applied to various color design such as interior, fashions, and product design.