• Korea Information Communication Reporters Association
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• s.9
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• pp.18-21
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• 2004

• Journal of Korea Game Society
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• v.20 no.2
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• pp.163-182
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• 2020

In this research we attempt to observe the creative and cultural liberal translation for 'Hearthstone'. Also we examine the reaction of the game players when they face the translated expressions. At first, we consider the free translation methods. Then, we contemplate how the translating skills are employed. Next, the response of the game users is weighed through the questionnaires survey. Based on the results the players prefer the closeness between the original and the altered text. Otherwise, they tend to grant the freely translated terms without finding the proper terms.

• Proceedings of the Korean Society of Computer Information Conference
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• 2017.01a
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• pp.155-156
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• 2017

본 논문에서는 블리자드 회사에서 제작한 게임 중 하나인 오버워치(Overwatch)에서 게임의 간접정보를 학습하여 플레이어에게 유리한 영웅 캐릭터를 추천해주는 인공신경망 기반 영웅 캐릭터 추천 방법을 제안한다. 오버워치에서 게임 맵별로 적군 캐릭터와 아군 캐릭터가 선정되었을 때 플레이어가 어떤 영웅캐릭터를 선정하면 승률에 좋은지를 알기가 어렵다. 본 논문에서는 플레이어의 영웅캐릭터 선정을 도와주기위하여 오버워치 게임의 간접정보를 기반으로 학습데이터를 만들어 인공신경망을 학습한 후 학습한 인공신경망을 이용하여 영웅캐릭터를 추천한다. 실험결과 인공신경망이 추천하는 영웅캐릭터가 적절한 캐릭터임을 확인하였다.

• Journal of Digital Convergence
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• v.15 no.12
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• pp.489-494
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• 2017

In spite of lots of differences in the production process of film animation, the animating method through computer is not much different between game animation and film animation. It is because the principles of film animation are also emphasized for the production of game animation. This study aims to consider the line of action showing the direction of movement and flow of energy among many considerations for the character pose work in case when producing game animation. Starting from the basic theory of drawing, the line of action plays a role of bible in the pose work including cell animation and 3D animation. After examining the theoretical background through preceding researches in order to understand the application of the line of action to the pose work of game characters, the poses of hero characters of a 3D online game 'Over Watch' were collected and then lines were directly drawn to analyze them. And as a result, the pose of characters with simple and clear 'Line of action' was good. This study aimed to consider the expression techniques of character pose in the production of game animation, which is expected to be used as an important reference for game animators at work.