• Proceedings of the Korea Contents Association Conference
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• 2019.05a
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• pp.101-102
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• 2019

열린 결말은 예술 영화에서는 물론, 상업 영화에서도 부각되고 있는 결말의 형식이다. 이러한 형식은 '수용자의 참여'를 유도함으로써 다양한 해석의 가능성과 함께 작품이 회자되는 긍정적 효과를 거두고 있다. 특히 범죄영화에서 열린 결말은 영화의 소재에 대한 해석의 폭을 넓힘으로써 작품성을 제고하고 있다. 이에 연구자는 범죄 영화에서의 열린 결말에 대한 분류와 연구를 통해 범죄영화의 제작과 해석에 기여하고자 한다.

• Proceedings of the Korea Contents Association Conference
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• 2014.11a
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• pp.89-90
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• 2014

This paper is the music director Miklos Rozsa participated crime To infer the narrative around two classic movie The study of musical functions. Two films are Double indemnity, 1946 and The Killers, 1948. The main theme was used in the movie Keywords that appear only after analyzing crime scenes film Possible inference of narrative musical expression around the room Examine the law. In the case of a crime movie theme music Indicate the start and development progress, planned steps and proceed only Through the proactive behavior of the system behavior and the final results after the acts To commit a criminal act represents lesson. Music maneu Can be inferred by the narrative of the crime and the crime film To progress in the music scene, and combine with effects The maximum tension over.

• The Journal of the Korea Contents Association
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• v.10 no.6
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• pp.236-248
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• 2010

Through this thesis, I analyzed Coen brothers's directing style centering around Crime movies: Blood simple, Barton Fink, Fargo, The man who wasn't thers, No country for old man. About directing style of Coen brothers, plot is an epic depiction, habitual use of narration, refusal of happy ending. They concern subject matters about human original nature and tragedy by greed. And as motifs, they often use misunderstanding, crossing over, chase. Also they likes characters of ordinary people who is destroyed by greed. How about their technical style? They usually use steady-cam and wide lens in camera, and in his early crime movies he used expressionistic lights, but after that they usually used realistic natural lights. About sound, they likes more sound effects than music. Also they directed realistic acting and emphasized actor's personality. Coen brothers has been directed many crime movies and comedy films. But their unique directing style was particularly outstanding in the crime movies

• The Journal of the Korea Contents Association
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• v.15 no.3
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• pp.48-56
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• 2015

The film music in the 1940s is characteristic of its functional role of afterward crime movie and for expressed theme of scene to causing tension by encompassing the situational description of the scenes as well as psychological struggles of characters within the realm of musical techniques. This study demonstrates the process of change of theme music that expresses time-dependent plot development in Double Indemnity in which Miklos Rozsa participated as a music director and the result verifies the hypothesis that stimulate the senses and induces increased for the absorbed in the scene musical elements can be adopted as a symbolic means to emotions in movies.

• TTA Journal
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• s.173
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• pp.58-59
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• 2017

영화 <마이너리티 리포트>가 점점 현실화되고 있다. '빅데이터'를 기반으로 한 범죄 예측 지도가 만들어지고, 미국에서는 이를 활용한 '헌치램' 같은 범죄 예측 시스템이 이미 실용화되고 있다. 다음 범죄가 어디서 일어날지 예측해 영리하게 대처하는 빅데이터 세계를 들여다보자.

• Cross-Cultural Studies
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• v.44
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• pp.191-209
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• 2016

This article aims to analyze the perception of Korean-Chinese in South Korea to understand the mentality of South Korean people in a multicultural society through exploring Korean films in which Korean-Chinese characters have been represented since 2000. For this purpose, Korean-Chinese characters represented in Korean Films are divided into male and female. It could be said that South Koreans are biased against Korean-Chinese, who are considered 'others' under the economic and cultural hierarchy. Female characters are presented as 'pure' and 'frail' in the migration narrative while male characters are 'indecent' and 'brutal' individuals in crime narrative films. Meanwhile, Haemoo [Sea fog] is a story about economically weak Koreans and Korean-Chinese who were in economical conflict with each other, but were victims of the economical restructuring systems under neo-liberalism.

• The Journal of the Korea Contents Association
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• v.13 no.6
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• pp.125-136
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• 2013

Director Choi Donghoon is the most famous director in Korea as a box office successor, especially (2102) has gained No. 1 box office attraction in Korean film history. However some critics have criticised the works of Dr. Choi because of their plebeianness. This paper focused on the reason of interaction with audiences through the theory of carnival of Mikhail M. Bakhtin. Because the theory of carnival is not only the adapted method to account for the power of popular culture to M. Baktin but also the useful method to understand the keys of interaction of Dr. Choi's films. It's not difficult to find the esthetic elements of carnival theory example for 'dethronement & coronation', 'overturn & ridicule', 'image of feast', 'language of square' in the films of Choi which are The Big Swindle(2004), Tazza: The High Rollers(2006), Woochi(2009), The Thieves(2012). Therefore this paper has endeavored that the box office attraction and success of communication with audiences is due to the realistic attitude and social reflection of Choi's films.

• The Journal of the Convergence on Culture Technology
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• v.9 no.2
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• pp.389-397
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• 2023

This study examines how macro-economic conditions, fashion momentum, and inter-genre competition affect movie genre's popularity, thus shaping fashion trends in the feature film market in Korea. Using panel data analysis of genre-specific audience sizes with 6 genre cateories and 132 monthly time points, we found that favorable economic conditions generate the fashion trend in the action/crime genre, while the deterioration of the economic conditions leads to the decline of action/crime genre. The finding implies that economic situations influence cultural consumers' psychological states, which in turn shape the fashion trend in certain direction. Furthermore, we found that the action/crime genre has a greater fashion momentum and its competitive power is stronger than other genres, suggesting that this genre has longer fashion cycle even if other genres rise to the top in their popularity. We argue that such enlengthened fahion cycle and competitive stength of the action/crime genre are associated with its breadth of niche width and audience loyalty. Scholarly and practical implications are discussed.

• Broadcasting and Media Magazine
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• v.20 no.3
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• pp.67-75
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• 2015

최근 범죄 예방을 위해 감시영상에서 폭력행위 검출에 대한 영상 분석 기술의 요구가 증가하고 있지만 지금까지의 폭력행위 검출 기술은 영화 또는 YouTube의 폭력장면 검출에 초점이 맞추어져 있다. 영화에서 촬영된 폭력 장면에는 주로 피를 흘리는 모습들이 자주 등장하기 때문에 색상 특징을 이용한 알고리즘을 많이 사용하였다. 하지만 실제 CCTV에서 촬영된 폭력행위는 피가 묻은 장면이 자주 발생하지 않기 때문에 영화 속 폭력장면 검출 알고리즘과는 차별성이 있어야 한다. 본 고에서는 국내외 폭력 행동 분석에 대한 기술 동향을 살펴보고 감시영상에서의 폭력 행동 검출하는 기술에 대해 살펴보고자 한다.

• The Korean Publising Journal, Monthly
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• s.205
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• pp.5-5
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• 1997

90년대 들어 사회학의 연구주제는 대중매체, 영화나 오락, 일상생활, 성 등 다양한 형태의 사회현상들에 주목하고 있다. 일상성의 문제는 한국사회를 이해하기 위해 범죄나 종교생활 등의 문제에도 접근이 필요하다. 세계화.정보화와 관련한 체계적인 연구도 활발해질 것으로 보인다.