• Digital Contents
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• no.11 s.126
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• pp.72-73
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• 2003

미취학 아동 대상의 교육용 웹 콘텐츠는 수없이 많다. 많은 교육 콘텐츠 개발업체 중에서 살아 남으려면 킬러 콘텐츠가 필요하다. 때문에 업체들을 킬러 콘텐츠를 개발하기 위해서 아이디어를 짜내고, 시장 조사를 통해 콘텐츠를 개발하고 시장에 내 놓는다. 하지만 수많은 콘텐츠 중 주목받는 몇몇을 제외하고는 소리없이 시장에서 사라지는 경우가 허다하다. 아이페이퍼즈는 e-비즈니스와 감성적 지식 사회를 창조하기 위해 디자인과 기술정보를 결합해 인간의 가치를 구현하는 휴먼웨어(Humanware)를 추구하는 회사로, 상호작용성을 고려한 새롭고 창조적인 다지인으로 디지털 멀티미디어 콘텐츠를 제공하는 기업이다. 주요 사업으로는 캐릭터 디자인, 교육용 콘텐츠 개발, 디지털 영상 편집, 웹 디자인 등이 있다.

• Journal of Practical Engineering Education
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• v.14 no.3
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• pp.523-533
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• 2022

During the COVID-19 pandemic, the use of video classes and real-time online education has increased, but the lack of interaction between instructors and learners remains a challenging problem to be resolved. This paper designs and implements a learning support system that utilizes a digital human to improve faculty-student interaction, which plays an important role in increasing the educational effect and satisfaction of real-time online classes. In this paper, a digital human participates in a class as a virtual learner and asks questions raised by other learners through an anonymous chat system to the instructor on behalf of the learners. In addition, as a class facilitator, the digital human analyzes the lecturer's speech in real time and provides it to the learner in the form of a summary of the class, thereby facilitating faculty-student interaction. In order to confirm that the proposed system can be used in actual online real-time classes, we apply our system to Zoom classes. Experimental results show that facilitated Q&A and real-time class summaries are successfully provided through our digital human-based learning support system.

• Electronics and Telecommunications Trends
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• v.27 no.3
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• pp.32-42
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• 2012

본고에서는 디지털 홀로그래피 기술을 디지털 콘텐츠 관점에서 다룰 수 있는 연구 개발 결과를 다루었다. 디지털 홀로그래피(DH: Digital Holographic) 기술을 디지털 홀로그래픽 콘텐츠 관점으로 접근하기 위한 기반 기술 분야로서 DH 콘텐츠 저작도구 기술, 매니지먼트 기술, 공간 인식 기반 인터랙션 기술, 화질 평가 및 휴먼팩터 기술 및 응용 콘텐츠 제작 기술 등으로 분류하여 기술하였다. 또한 디지털 홀로그래픽 콘텐츠 제작을 위한 연구 개발 결과로서 3차원 영상정보 획득, 홀로그래픽 프린지 데이터 생성과 DH 콘텐츠의 광학적 수치적 복원 및 DH 콘텐츠의 운용 테스트베드 등의 구현 결과를 제시하였다. 본고에서 제시한 디지털 홀로그래픽 콘텐츠 제작을 위한 기반 기술을 향후 실용화될 디지털 홀로그램의 광학적 복원 장치와 접목한다면 새로운 형태의 홀로그래픽 실감형 콘텐츠가 활성화될 수 있을 것으로 예상된다.

• Journal of Popular Narrative
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• v.27 no.3
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• pp.95-124
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• 2021

As the symbolic images of girls besides its definition have varied according to the age and society, a posthuman girl character recently appears in the digital cinema. This study aims to analyze its cinematic representations and the social contexts in which they are created. For this purpose, the study focuses on what extent the society allows its imagined figurations as a future female body and the meanings revolving around the image of 'technologically body-enhanced female fighter'. Current digital visualization technology has developed to the extent any imaged future humans can be represented, but posthuman girls' representations have its limitation that only a human-like figuration can be allowed in accord with the traditionally idolized image of girls. It is because of the representation logic in which digital cinema is visualized based on perceptual realism that values audiences' experiences. Despite such less critical figuration which does not dare to cross the boundary between the image of human and inhuman, the posthuman girl characters create a new category of the 'dangerous girls' who are both void of sexual femininity and independent of motherhood and heterosexual romance narrative. Of course, they support the modern human-centered belief that humans can take entire control of technology with their moral behaviors and dispel the fear about the negative impact the nature of technology may have on society at large by showing their child-like figuration protecting ethical values. However, the new character of 'unruly girl' exerts her subversive act that seeks to fight against the human-centered liberal humanistic values and melancholic feeling and vulnerability that the neoliberalism and technocracy enforce. When posthuman girl characters are considered to be a marker through which we can see how different social forces are intervening and competing each other in the upcoming posthuman age, the limited figuration of the posthuman girl characters in South Korean movies illustrates the opinionated thoughts toward the instrumentalism in technology but their bloodshed struggles reveal how the corporate or state-governed techno-biopower has oppressively treated and appropriated the human body as the technology-object and also provide a meaningful opportunity to rethink its unethical violence.

• Digital Contents
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• no.7 s.110
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• pp.37-37
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• 2002

1998년 출시된 스타크래프트는 경제, 문화 등 사회전반에 걸쳐 각종 파급효과를 거뒀으며, RPG라는 장르로 많은 인기를 모았던 디아블로는 전 세계 약 500만장의 판매고를 올리며 현재까지도 액션 RPG의 기준으로 자리잡고 있다. 워크래프트3는 2002년 최고의 기대작으로 오크, 휴먼, 언데드, 나이트 앨프 등 4개의 개성있는 종족이 미지의 아제로스 대륙에서 펼치는 끝없는 전쟁을 다룬 전략 시뮬레이션 게임이다.

• Journal of Digital Convergence
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• v.13 no.11
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• pp.493-507
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• 2015

This study conducted research on the actual condition of multicultural education in universities and multicultural competence among university students. The overall results are discussed by two sections as follows: The average score of multicultural competence is 3.49, above moderate. The students who rate their multicultural competence high are those who have been abroad, lived in aborad, had foreign friends, or had communicative ability in foreign languages. There were significant differences in multicultural competence among students based on gender and major. Based on the overall results of the study, the several suggestions were made by the researcher as follows: Universities should support students' overseas volunteer program and encourage students to participate in domestic volunteer program for multicultural background groups.

• The Research Journal of the Costume Culture
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• v.29 no.3
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• pp.374-387
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• 2021

The purpose of this study is to develop up-cycling fashion design methods centered on discarded denim material for the study of original up-cycling design methods. Up-cycling fashion design work was developed using digital clothing technology. This is a recent hot topic among sustainable fashion design methods. Up-cycling fashion design expression methods (categorized as dismantlement, collages, dépaysement, grafting, weaving, and tearing) were centered on design methods. These methods create various three-dimensional modeling effects in planar forms, whereby five pieces can be applied to the fabric and digitally produced. The results are as follows: First, the use of discarded denim fabric for the development of up-cycling fashion design pieces enabled the recycling of existing resources, provided solutions to environmental pollution problems, and provided expansion opportunities for design processes for sustainable fashion products that expand the design value of denim products and their utility. Second, new eco-friendly fashion designs that attempt to achieve diversity in modern fashion trends could be presented through formative contemporary fashion produced by up-cycling work products. Third, up-cycling fashion design work is expected to provide opportunities for eco-friendly fashion design methods. This will expand the value of sustainable fashion design by recycling simple waste materials through the use of three-dimensional digital clothing technology and further through the presentation of expanded life cycles that extend product planning, production, and life cycles.

• The Research Journal of the Costume Culture
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• v.29 no.2
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• pp.289-306
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• 2021

The study aims to define the Korean Wave as global attention to Korea's unique culture and consider the specificity of traditional Korean fashion images in Korean Wave content. The research method of this study is a case study through literature research. In order to collect Korean Wave content on YouTube, 24 channels with the highest number of views were selected from among content uploaded from 2018 to the present through keyword search, and up to two channels with high views showing traditional Korean fashion images. As a result of selecting the analysis target, 41 Korean Wave videos and 368 costumes were selected and analyzed based on fashion style elements, including item, color, detail, motif, styling, silhouette, and accessory. As a result of the study, music, broadcast, fashion, and other content were found in the Korean Wave content fields in which Korean fashion style appeared, and the characteristics of each field were derived. Music content was characterized by fashion style excluding stereotypes about traditional Korean costume, broadcast and fashion content was characterized by fashion style inherited from traditional costume, and other content was characterized by symbolic fashion style of traditional culture. This study is meaningful in revealing the formative characteristics of traditional Korean design elements recently shared online through the study of Korean traditional fashion images in Korean Wave content.

• Journal of Korean Philosophical Society
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• v.145
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• pp.45-69
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• 2018

This is an attempt to reflect on humanity in the post-human era. Here, I think that the question of future human beings should be critically raised in the following two meanings. First, can post-humans recover the body, emotions, nature and women's voices suppressed by modern enlightened subjects? Second, can post-humans preserve humanity by fighting inhumanity without presupposing human essence or immutable foundations? In answer to these questions, I will have a dialogue with M. Heidegger(1889-1976), W. Benjamin(1892-1940), Th. W Adorno(1903-1969). The three philosophers looked at the inhuman world situation brought about by modern subjects and technology, and found the possibility of new human beings. The three philosophers' new human image are the three possible models of post-humanism, 'a human being as ek-sistence' (Heidegger, Chapter 2), 'the man who restored the similarity with the other through innervation' (Benjamin, Chapter 3), 'A human being who negates the inhuman society' (Adorno, Chapter 4), and examines the current status of each. In conclusion, as long as the fourth industrial revolution is developed as a system of digital capitalism that controls the world as a whole from human senses, impulses, and unconsciousness, the necessity of the post-human era is aesthetic authenticity.

• Proceedings of the Korea Information Processing Society Conference
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• 2021.11a
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• pp.499-502
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• 2021

정부는 '한국판 뉴딜 1.0'(2020.7)과 '한국판 뉴딜 2.0'(2021.7)을 발표하여 국가의 새로운 미래를 설계하고자 디지털뉴딜, 그린 뉴딜, 휴먼 뉴딜, 지역균형 뉴딜 분야에 집중 지원 중이다. 이 중 디지털 뉴딜은 사회, 경제 전반에 걸친 디지털화의 확산 및 디지털 신사업 육성이 목표이다. 본 논문에서는 디지털 뉴딜과 관련해 인공지능(AI)과 이동통신(5G) 분야에 대해 국가R&D 지원 현황 등을 분석하였다. 분석 데이터는 2015년부터 2020년까지 NTIS에서 서비스하는 총 61,356건 과제와 총 198,355건 성과정보를 키워드 추출을 통하여 수집하였다. 데이터 분석 결과 각 분야의 과제와 연구비, 논문 성과는 지속적으로 증가하고 있으나, 특허 성과는 최근 소폭 감소하는 것을 알 수 있었다. 정부가 추진하는 한국판 뉴딜 정책의 혁신성장 성과분야에 대해 이용자가 바로 파악할 수 있도록 다양한 분석을 통하여 향후 NTIS에서 서비스할 계획이다.