• Proceedings of the Korean Society of Computer Information Conference
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• 2020.07a
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• pp.53-54
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• 2020

본 논문에서는 작은 크기의 한글 디지털 글자디자인의 형태 개발을 위한 기초 연구를 제안한다. 이 제안은 모든 디지털 디바이스에서 사용하고 있는 작은 크기의 한글 디지털 글자디자인의 판독성(Legibility)과 가독성(Readability) 향상시킨다. 또한, 디지털 디바이스에서 작은 크기의 한글을 읽을 때 우리 눈의 피로도를 덜어주고 보기 편안한 글자디자인의 기본 방향을 제시한다. 본 논문에서는 제안하는 한글 디지털 폰트는 기존 구글 폰트인 Noto Sans Korean 디지털 폰트를 기반으로 작은 크기 한글 글자디자인을 제안하였다. 작은 크기의 글자디자인 연구의 결과는 다음과 같다. 기존 한글 디지털 폰트의 비례보다 첫째, 제안하는 글자의 비례가 넓어지고. 둘째, 글자의 획 두께가 두꺼워지며, 셋째, 글자 돌기의 크기가 증가하고, 넷째, 글자의 여백이 증가해야 한다.

• Proceedings of the Korean Society of Computer Information Conference
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• 2021.07a
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• pp.123-124
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• 2021

본 논문은 기존 폰트 디자인을 고찰하여 한글과 라틴 알파벳 디자인의 형태 유사성을 향상시키기 위한 기초 자료를 제공한다. 고찰을 위해 윤디자인 대표 폰트 20종을 선정하였다. 형태적 관점에서 글자 디자인적 유사성을 찾기 위해 낱자, 낱글자, 낱말, 문장을 기준으로 고찰하였다. 윤디자인 대표 폰트 20종의 한글과 라틴 알파벳 글자 디자인의 결과는 다음과 같다. 첫째, 낱자(자소) 디자인은 동일한 형태이지만, 크기와 비례가 변화할 수 있다. 둘째, 낱글자(음절) 디자인은 낱글자 전체의 디자인을 위해 부분적으로 다른 형태를 디자인할 수 있다. 셋째, 낱말(단어) 디자인은 낱말의 우월효과를 고려하여야 한다. 넷째, 문장의 디자인은 글줄의 흐름을 고려하여 글자의 크기, 비례와 기준선을 디자인하여야 한다.

• Annual Conference on Human and Language Technology
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• 1994.11a
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• pp.217-222
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• 1994

한글 글꼴을 새롭게 만들려면 지금까지는 기본 글자인 자소를 디자인하든지 아니면 완성된 글자 전체를 디자인해야 했다. 조합형의 글자디자인의 경우, 전체 글자가 아니라 부분적인 한글 전자사전은 많은 양의 데이타를 저장할 수 있어야 하며, 빠른 검색 속도를 제공해야 한다. 기존의 트라이는 공통접두사만을 압축하기 때문에 사전의 크기가 방대하다는 단점이 있다. 본 논문에서는 DAWG(Directed Acyclic Word Graph)를 이용하여 공통접미사까지 압축하였고, 검색과 기억장소의 효율을 위하여, 링크드리스트 구조의 DAWG를 유형별 배열 구조로 바꾸었다. 전국의 각 학교 이름들을 대상으로 실험한 결과, 본 논문에서 제안한 DAWG를 이용한 배열 구조의 사전은 트라이와 비교하여 볼 때, 검색 연산의 성능은 동일하게 유지하면서 기억 장소의 효율과 압축율에서 효과적이었다. 또한, 트라이보다 주기억장치와 보조기억장치와의 블록 입출력횟수를 줄임으로써 전체 검색 시간을 낮출 수 있었다.소를 디자인하기 때문에 전체 글자의 모양이 좋지 않다는 단점이 있었고 완성형의 경우 완성된 글자 전체를 모두 디자인해야하는 단점이 있었다. 본 논문에서는 한글 글꼴 개발의 한 방법으로 제한된 글자의 디자인에 의한 전체 글꼴 생성에 관한 한 방법을 제시한다. 이 방법은 표준으로 설정된 몇 글자를 디자인하면 그 글자를 분석하여 자소들을 위한 글꼴 화일이 만들어지고 자소 글꼴 화일로부터 다른 모든 글자를 만들어 낸다.

• Journal of the Korea Society of Computer and Information
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• v.28 no.10
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• pp.17-25
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• 2023

In this paper, we propose a lightweight deep learning architecture tailored for efficient text detection in fashion design sketch images. Given the increasing prominence of Digital Transformation in the fashion industry, there is a growing emphasis on harnessing digital tools for creating fashion design sketches. As digitization becomes more pervasive in the fashion design process, the initial stages of text detection and recognition take on pivotal roles. In this study, a lightweight network was designed by building upon existing text detection deep learning models, taking into consideration the unique characteristics of apparel design drawings. Additionally, a separately collected dataset of apparel design drawings was added to train the deep learning model. Experimental results underscore the superior performance of our proposed deep learning model, outperforming existing text detection models by approximately 20% when applied to fashion design sketch images. As a result, this paper is expected to contribute to the Digital Transformation in the field of clothing design by means of research on optimizing deep learning models and detecting specialized text information.

• Journal of Korean Society of Forest Science
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• v.94 no.6
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• pp.362-369
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• 2005

Readability, an indicator measuring the easiness of reading letters, is an important element that determines the communicative effectiveness of self-guided signs. This study examined how the letter design elements of self-guided signs influence on readability to provide basic information for more effective sign designs. Data were collected from August to November of 2003 at a self-guided trail of Naejangsan National Park, Korea. A total of 375 subjects participated in the questionnaire survey, and 94.7% of them were used for data analysis. Among the total of 19 attributes, five attributes such as number of letters, number of type styles, ratio of picture area on the signs, space between letters, type size influenced on readability. These five attributes explained 50.0% of the variation in readability. The number of letters was the most influential attributes on readability, followed by the number of type styles, ratio of picture area on the signs, space between letters, and type size. The effectiveness of signs may be efficiently increased by managing these five major attributes with more concern.

• 프린팅코리아
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• s.15
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• pp.80-85
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• 2003

법적인 보호장치 미비로 복제에 대해 무방비 상태에 머물된 인쇄용 글자꼴(Typeface)에 대한 보호가 이루어진다. 특허청은 하나의 글자꼴 개발을 위해 상당한 연구와 시간, 비용이 들어감에도 불구하고 그동안 글자꼴이 아무런 대가 없이 컴퓨터 등에 의해 손쉽게 모방, 복사되어 사용됨에 따라 '의장(Design)법'에 의한 개발자의 재산권을 보호하기로 했다. 특허청은 이를 위해 지난 7월 23일 서울 역삼동 한국지식재산센터에서 경희대 이상정 교수, 서울여대 디자인 학부 한재준 교수 등이 참가한 가운데 '의장법 개정 공청회'를 갖고 전문가 등의 의견을 들었다. 다음은 이날 발표된 경희대 법대 이상정 교수의 주제 발표 내용을 정리했다.

• The Journal of the Korea Contents Association
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• v.12 no.7
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• pp.102-113
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• 2012

Hangeul is growing as cultural icon representing Korea. And Hangeul is scientific and is too systematics for words as the guide of modern design. First it can make the variable and beautiful foams like dot, line and plane. It also has the basic design principles like symmetry and repetition. The purpose of this study is to develop textile designs using the formative characteristics of Hangeul. So in this study it was chosen 'ㄱ, ㄹ, ㅁ, ㅂ, ㅅ, ㅇ, ㅍ' of Hangeul's consonants and 'ㅑ, ㅕ' of Hangeul's vowels as the subject materials of textile designs development to develop textile designs expressed the geometrical shapes and formative beauty of Hangeul. Those are designed by using a variety of motifs that recast the shapes of Hangeul. So six textile designs for necktie and scarf were developed. Through this study it will be offered to the possibility of products that was based on Hangeul.

• The Journal of The Korea Institute of Intelligent Transport Systems
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• v.8 no.5
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• pp.128-137
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• 2009

This research aimed at providing the direction for future improvement of broadcast subtitle design by identifying the user perception on broadcast subtitles of Terrestrial DMB. First, we contemplated on the existing research about broadcast subtitles. As a result, we found out that broadcast subtitle plays an essential role when watching a program and that the minimization of letters, clear fonts and color arrangement, rearrangement of components were identified as main factors that increase readability. However, the terrestrial DMB user evaluation on image quality, composition, color and brightness was not that positive. In addition, the evaluation on the readability of broadcast subtitle, information transmission, subtitle composition, letter font, number and size of letter was more negative. Developing a subtitle design which considers user convenience and suits terrestrial DMB screens in aspects of broadcast subtitle form and composition, limit of information, clearness and size of the letter is required.

• Journal of Korean Society of Forest Science
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• v.95 no.1
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• pp.12-22
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• 2006

Understanding the readability of texts in signs is necessary to enhance the communication effectiveness of the self-guided interpretive signs. This study compared signs' readability by different text attributes. A total of 1391 respondents participated in the questionnaire survey at the 'Neodeolgeong' area in Mudeung-Mountain Provincial Park during September-November of 2004. This study found that 'Hy Gyunmyungjo' in letter style, 'both-side' in letter justification, 190% (HWP 2002) in space between lines, 10 (HWP 2002) in space between letters, and 25 in the number of letters in a line showed the highest readability in text size 58 point, respectively. This study illustrated an example of an interpretive sign made up by combing the five text attributes which show the highest readability. This study also discussed the interpretive signs' text design and future research questions.

• Archives of design research
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• v.13 no.1
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• pp.103-110
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• 2000

Hangul came to life as part of the East Asian culture of the Chinese ideograph. Korean letter-culture is starkly different from that of Western letter-culture. In the Orient, letters were sacred and incantory; they were objects of awe, which incorporated elements of the majestic, mysterious, and of ritual. Here we had cultural tradition that acknowledged the intrinsic value of the letters. And it was in this context that Hangul was born as a completely phonetic system of writing. However, the characteristics of Hangul are quite different from those of Chinese ideographs, which are designed to convey a certain meaning. Despite the fact that Hangul is phonetic, its roots lie most definitely in the image of Chinese ideographs. This is something that contrasts with the roots of the Latin alphabet, which have been lost in its long journey of evolution. As a phonetic writing system, a notable characteristic of Hangul is that it has this and the attributes of image. In other words, in that Hangul is a compound, it shares some of the same attributes as Chinese ideographs, but also in that it is a phonetic writing system it is dose to the Latin alphabet. Hangul is definitely a visual writing system that has its origins in the visual culture of Chinese characters as well as being functionally a highly developed phonetic writing system. In short, Hangul has both of these attributes in one writing system. These characteristics of Hangul, for us living in the era of the image, are parts that awaken us to the meaning of existence in our visual culture. Unique among the world's writing systems, the identity of Hangul typography will become none other than the essence of our visual culture.