• The Science & Technology
• /
• v.14 no.4 s.143
• /
• pp.33-36
• /
• 1981

• Journal of the Korea Academia-Industrial cooperation Society
• /
• v.15 no.5
• /
• pp.3176-3182
• /
• 2014

In the early 1920s Japan, a new concept of architecture emerged abruptly. Comprised of six new college graduates, Japanese Secessionist Architects, so called Bunriha Kenchikukai, proclaimed that they reject any historical baggage that Japan had so far inherited, and decided to build a brand new way for modern Japanese architecture. Their modernism differed from eclectic measurement done by earlier generations. For them, contemporary modern Japanese architecture was only copious to historic monuments of Western civilization. Bunriha architects' statement not only advocates an escape from nationalist historicism and Westernization, but also intends to resolve the dilemma in that it substitutes a technical syncretism inherent in all avant-garde movements. This paper intends to elucidate that Japanese Secessionist architecture is greatly indebted to German Expressionist architecture in terms of its formal language and avant-garde utopian idealism.

• The Science & Technology
• /
• v.20 no.2 s.213
• /
• pp.45-47
• /
• 1987

• The Science & Technology
• /
• v.9 no.9 s.88
• /
• pp.8-9
• /
• 1976

• The Journal of the Convergence on Culture Technology
• /
• v.9 no.2
• /
• pp.159-169
• /
• 2023

The purpose of this study is, first, to establish a theory about the conflict between sustainable tourism development and the restoration process of modern cultural heritage. Second, a research model is established through literature research, and the difference in perception between the local government (Incheon Jung-gu Office) and the local residents is analyzed. Third, based on the results of the analysis, we will present a conflict management strategy for sustainable tourism development in the modern hotel restoration project. If a conflict management strategy is presented based on the analysis results, first, a procedure to confirm whether the goal of development for sustainable tourism development and local residents is the same before the modern cultural heritage restoration project is necessary. Second, it is necessary to coordinate opinions on priority items among sustainable tourism development indicators during the modern cultural heritage restoration project. Third, in the modern cultural heritage restoration project, priority should be given to the change of awareness of the development subject rather than the change of awareness of the local residents. Fourth, in the modern cultural heritage restoration project, the development entity should attempt continuous dialogue and compromise in an effort to find an alternative that satisfies local residents. Fifth, in the modern cultural heritage restoration project, it would be effective to pay special attention to and focus on the part of 'adjustment of opinions' where the difference of opinion between the developer and the local residents is the largest.

• Journal of the Korea Academia-Industrial cooperation Society
• /
• v.9 no.3
• /
• pp.765-770
• /
• 2008

Ji, Syok-young wrote a book named Sinhaksinseol(新學新說) in 1891, one of the first hygiene books in Korea. There were the conditions of modern housing like lighting, ventilation and dry and fresh air of a housing site in the contents of the book. Because the book was written when the modern hygiene theory had just been accepted, traditional concept of 'Yangseng(養生),' but it dealt the main environmental conditions of hygienic housing at first, which makes it the leader of modern housing discourses through the newspapers, magazines, academic journals or textbooks from 1890s mid to 1910.

• The Journal of the Convergence on Culture Technology
• /
• v.9 no.6
• /
• pp.737-742
• /
• 2023

This paper attempts to analyze how Paris was transformed by Haussman through comparing flaneurs in works by Balzac and Baudelaire. In both writers' works, flâneurs as the emblems of modernity observe Paris, especially architecture. Although representative of modernity, they are ambivalently obsessed with the heritage of the past. Balzac's The Wrong Side of Paris, Godefroid as a male bourgeois, is a flaneur observing antiquated architectures, the heritage of past. In Baudelaire's "The Swan for Victor Hugo" the flaneur passing through the modern Caroussel feels the Old Paris is gone. In "Parisian Dream," illusionary Paris exhibits metopolitan imagery wrought by capitalism led by Napoleon the third. The difference between the two writers demonstrate how Paris was changed by modernity.

• Proceedings of the Korean Institute of Navigation and Port Research Conference
• /
• 2022.11a
• /
• pp.50-52
• /
• 2022

근대화 과정에서 바다에 대한 지식을 가진 국가는 제국을 이루었음을 볼 때, 바다에 대한 지식 획득이 근대화로 가는 중요한 요소임을 알 수 있다. 그러나 조선은 후기에 들어 해방도 작성 등 바다에 대한 나름대로의 지식을 축적하였으나, 서양의 근대 해도 기술의 수용이 부족하여 우리 바다에 대한 지식을 열강과 일본에 빼앗겨 근대화에 실패하였다. 왜 우리는 바다에 대한 지식 획득에 뒤처졌는가에 대한 답을 찾기 위해 바다 지식의 결집체라 할 수 있는 전근대 고지도의 변천 과정을 살펴봄으로써 그 단서에 접근할 수 있을 것이다. 따라서 본 연구에서는 해도의 특성이 포함된 고지도를 해도의 범주로 수용하기 위해 古(고)해도라는 개념을 도입하여, 관련된 기존 연구를 분석하고 그 한계를 파악하고자 한다. 나아가 고해도의 개념과 범주의 틀을 제안하고, 이 틀로 한국의 고해도 분석을 통해 고해도의 연구 전망을 제시하고자 한다.

• 발명특허
• /
• v.5 no.8 s.54
• /
• pp.20-22
• /
• 1980

르네상스 휴머니스트들은 대체로 과학에 무관심하거나 무지했다는 점에서 인문주의자라는 말이 잘 어울린다. 따라서 흔히 근대로 오인되고 있는 르네상스는 실은 근대 이전이라고 해야 옳다. 그런데 여기에 중요한 예외가 한사람 있으니 그가 바로 레오나르도 다 빈치(Leonardo da Vinci, $1452\~1519$이다. 레오나르도 $\lceil$최후의 만찬$\rfloor$과 $\lceil$모나 리자$\rfloor$를 그린 빼어난 화가로 알려져 있지만 발명가, 기술자, 해부학자이기도 했다. 그는 여러 방면에 능했을 뿐 아니라 모든 분야에서 뛰어났다. 그는 르네상스의 모든 찬란한 요소를 자신 속에 담고 있었다.

• The Science & Technology
• /
• v.2 no.4 s.8
• /
• pp.36-40
• /
• 1969