• Proceedings of KOSOMES biannual meeting
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• 2017.04a
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• pp.153-153
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• 2017

• Proceedings of the Korea Water Resources Association Conference
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• 2021.06a
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• pp.286-286
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• 2021

벽골제는 전북 김제시에 위치하고 있으며 우리나라의 고대 저수지이다. 벽골제는 고대 농경사회의 대규모 토목사업으로 건설되었다. 약 2.5km의 제방이 현존하고 있다. 축조 시기는 삼국시대 서기 330년이다. 이후 통일신라 원성왕(AD.790)과 고려 현종 및 인종 때 보수되었으며 조선 태종(AD.1415)에 대대적인 보수를 하였다. 세종 2년(AD.1420)에 심한 폭우로 유실되었다. 그 후 일제강점기 1925년에 김제 간선수로로 개조함으로써 원형이 크게 훼손되었다. 벽골제는 우리나라뿐만 아니라 동아시아 고대 저수지로서 중요하다. 벽골제의 축조방식(부엽공법)과 측량기술은 일본 오사카부의 사야마이케(저수지)에 영향을 주었다. 사야마이케는 고대저수지로서 원형이 보존되어 있으며 유네스코 세계 유적으로 등재하기 위한 준비가 충실하게 진행되어 왔다. 본 연구에서는 벽골제가 고대저수지로서 가치를 인정받고 보존하기 위해 발굴되고 있다. 더불어 벽골제의 수공학적 능력 평가가 필요하다고 판단된다. 벽골제 유역을 대상으로 현재 지형과 최근이 수문자료를 이용하여 평가하였다. 발굴된 벽골제를 기준으로 유역을 설정하였다. 벽골제 유역 특성을 토대로 강우 분석을 수행하여 홍수량과 벽골제를 기준으로 수면적과 용적을 산정하였다. 벽골제에는 5개 수문이 있으며 3개는 Sluice Gate 형식(장생거, 중심거, 경장거)이고 2개의 월류형 형식(수여거, 유통거)으로 구성되어 있다. 최근에 수여거는 발굴 중이며 유통거는 미발굴 상태이다. 발굴된 수문의 규모를 토대로 수문 개방 정도에 따라, 웨어의 첨단고에 따라, 제내지의 수위를 조합하여 시나리오를 구성하였다. 시나리오에 따라서 최고수위를 산정하여 벽골제의 능력을 평가하였다. 이를 근거로 벽골제의 붕괴 원인을 추정해 보았다.

• Journal of the East Asian Society of Dietary Life
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• v.7 no.3
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• pp.399-404
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• 1997

우리의 전래 민속주는 중국 둥과 같이 곡류 위주의 양조방식으로 발달하여 고대에는 그 기술이 일본 등에 전수될 정도로 선도하였으나, 조선말을 전후한 역사적인 시련기 속에서 별다른 개발을 보지 못한 가운데 서구적인 문명의 영향을 받아들이게 되면서 민속고유주의 개발 내지 재현보다는 서구적인 양조방식 혹은 외래주류의 모방 및 개발에 역점이 주어지고, 원료면에서 식량자원의 제한에 따라 많은 제약을 받아오면서부터 그 쇠퇴일로를 거듭하였다. 따라서 우리의 전통 민속주류의 올바른 복원과 현실화를 위한 체계적인 연구가 우선 중요한 과제로 대두되고 있다.(중략)

• Korea journal of population studies
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• v.27 no.1
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• pp.171-201
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• 2004

Modern sciences in the West are deeply rooted in the Greek and Roman cultural heritage. Consequently, the academic achievements accomplished by the scholars of the Arabs including Persian world, the profound thoughts developed in the Indian subcontinent, and the excellent works made by the East Asian scholars have mostly been neglected in the past. This paper attempts to compare the thoughts and theories on population developed by the Western scholars with those of East Asian scolars, in chronological order, ancient, mediaeval, and modern period before Malthus. The thesis that excessive population growth may reduce output per worker, depress levels of living for the masses and engender strife is of great antiquity. In fact, overpopulation in East Asia, especially in China, goes back to very ancient times, most Confucian scholars maintained the notion of a numerical balance between population and environment. They also looked for means to check the increase in numbers. The foundations of a theory of optimum population level, fully developed in the twentieth century, can be found in their writings. Although early population thoughts in China had not advanced far in the analysis of the significance of population size and growth, it had taken only a few steps forward. At some times and to some observers, populousness appeared desirable; at other times and to other observers, it seemed all too evident that the number of people could become too great. These viewpoints foreshowed some of the later developments. The early population literatures reviewed here seem to consist of a number of quite isolated contributions. In fact, however, there may have been a greater continuity of thought than now appears, for many of the contributions may have been lost and there are many gaps in the record. An intensive review on comparing two works, those of Malthus' and Hong, Liang-chi's, are presented in this paper. Only five years before Malthus published his famous work, An Essay on the Principle of Population, Hong published his theories on population. Some of them, Hong insisted, are very similar to the Malthusian concepts of geometrical increase, natural and artificial checks of population. Despite the excellent works in the ancient period, this paper concludes with an investigation of the reasons why modem achievements in scientific areas in the East Asia have been far behind that of the West.

• Journal of architectural history
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• v.20 no.5
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• pp.7-29
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• 2011

This research was to suggest the types according to structural system of the pagoda in ancient East-Asia and analyze the pagoda to the west of Mireuksaji temple site by these types. It will be possible to understand consistently the relation of the various form of the pagoda. The results of this research were described separately as follows. 1. The Buddhist pagodas founded in the ancient East Asia can be categorized according to their structural system, which provide us with insight to understand the interrelationship of categories. The pagoda is mainly classified into three categories. The first consists of two structures, an internal and an external structure. The second exposes its internal structure to the outside, and the third has the external components changing into the internal ones. 2. Although the pagoda to the west of Mireuksaji Temple Site have an internal and an external structures, it actually solves the structural problem by adopting the masonry structure in the outside as well as in the inside. Especially in this structural consideration can be found in the stylobate and the foundation structure of the pillar. The plan of the pagoda to the west of Mireuksaji Temple Site was intended to reveal the plane of the post-lintel layered construction which has a member, a main pillar, and the inner space in the cube with stones.

• Korean Institute of Interior Design Journal
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• v.19 no.3
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• pp.111-118
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• 2010

The Buddhist reliquaries of these 6 Reliquaries(松林寺, 感恩寺, 法門寺, 慶山寺, 唐招提寺, 法隆寺 玉蟲廚子), when compared with those of China, Japan and Korea in the same period, they worshiped the Buddhist reliquary as a Buddhist God itself and put them as a part of the architectural decoration, being installed in the construction forms. In the form and the composition of the architecture, we can see those having been designed with very detailed and brightly decorated form. The Buddhist reliquaries in the Song-Lim-Sa, Kam-Eun-Sa, Famensi, Qingshansi, Toshodaiji, and the Horyuji Tamamushi Zushi, the most important ones in this research, were in the precious tent and the inner and outer Coffins shapes having completely the altar part, interior space part, and the ceiling part, which inform us the whole structure of the architecture in details. After all these researches, we conclude that the Buddhist reliquaries in form of the Treasure-architecture represented the architectural style of the same period as a form of industrial arts and we can see that they tried to use all of their highly skilled and talented methods to describe the Buddhist Pure Land.

• Korean Journal of Heritage: History & Science
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• v.46 no.1
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• pp.32-75
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• 2013

도성은 왕권이 존재하는 것뿐만 아니라 왕권을 지지하는 지배계층이 모여 거주하는 곳이다. 그리고 중앙집권적 통일지배를 실현하기 위한 정치 의례의 장으로서 전근대 동아시아 세계에 공통적으로 건설되었다. 그 기원은 중국에서 유래하며, 일본은 율령제(律令制)를 바탕으로 하는 천황제 고대국가가 실현되는 7세기 말 '藤原京(후지와라쿄)'에서 처음으로 지상에 출현한다. 7세기 말부터 거의 1세기 간 복도제(複都制)가 채택되었기에 '등원경(藤原京)' 이후 도성은 여러 곳에 건설되었고, 때로는 천도되었다. 그러나 8세기 말 '長岡京(나가오카쿄)'에서는 복도제(複都制)를 지양했고, '平安京(헤이안쿄)'에 도읍을 정한 이후, 중세 근세를 거쳐 근대에 이르기까지 헤이안쿄-교토에는 1100년에 걸쳐 왕권이 지속적으로 존재하여 지금의 '京都市'(교토시)에 이르게 된다. '등원경(藤原京)'가 고대 일본 최초의 도성이었다면, '평안경(平安京)'는 마지막 도성임과 동시에 중세 도시로 변모해 가는 전환점에 위치하고 있다. '등원경(藤原京)'이래 남북축선에 대한 선대칭 구조를 의식해 도성이 축조 되었고, '평안경(平安京)'에서는 이러한 구조가 가장 강하게 표현되었지만, 9세기 초 천황과 관인들의 의식 정무의 동선이나 좌석 배치에 있어서 동서방향이 채용되게 되었고, 이에 더해 9세기 말에는 천황의 거소가 도성의 축선에서 벗어나게 된다. 또한 10세기 중반 경 '平安宮(헤이안큐)'에서는 '內裏(다이리)'를 중심으로 한 잦은 화재가 발생해 천황은 궁외로 거소를 옮기게 되었다. 이후 천황이 궁 바깥에 거주하는 것이 일반화 되었고, '평안궁(平安宮)'는 의식을 행하는 장소로서 한정적으로 유지 수리가 될 뿐이었으나 결국에는 그것마저 어려워져 폐쇄에 이르게 된다. 한편 귀족의 저택도 7세기 이래의 남북축선에 대해서 동서의 선대칭 구조로 부터, '寢殿造(신덴즈쿠리)'라고 불리는 건물배치도 공간구성도 비대칭인 건물양식이 주류를 이루어 갔다. 이상과 같이 일본의 고대 도성의 특징을 잘 가지고 있었던 최후의 도성 '평안경(平安京)'는 남북을 축선으로 하는 선대칭 구조가 가장 뚜렷하게 나타났으나, 9세기 '평안궁(平安宮)'의 변화를 시작으로 11~12세기에 크게 변모해갔다. 이처럼 고대국가의 도성이 가지고 있었던 남북을 축으로 하는 구조를 버리고 동서방향으로 동선을 취한 움직임은 고대국가의 이념을 탈피하여 다음 시대로 전환하는 중요한 한 걸음이었다고 생각된다.

• Proceedings of the Korea Contents Association Conference
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• 2017.05a
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• pp.433-434
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• 2017

한 중 일(韓中日)은 동아시아 문화권에 속한다. 오랜기간 삼국 사이에 문화는 상호 영향을 주고 받았으며 그 중 도자기는 한 중 일 교류의 중요한 역사이다. 자기 제조는 중국에서 고대 조선으로 전해져 들어간 후에 또 조선 및 중국에서 일본으로 전해져 들어갔다. 그리고 각 나라마다 자기예술은 각각의 특성에 맞게 발전하였다. 한국, 중국, 일본 도자기의 역사, 형태, 재질, 도안 등 비교 연구를 통하며 현대에 이르러 뚜렸한 특징과 차이점이 아직도 존재함을 발견하였고 점차 디자인의 차이가 줄어들고 있음을 연구를 통해 알 수 있었다.

• Journal of Science and Technology Studies
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• v.12 no.2
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• pp.159-183
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• 2012

In order to create a desirable science culture needed in our society, it is necessary to overcome the foreignness of science and technology and to overcome severance from tradition. In this context, this article attempts to understand the characteristics of our traditional science and to explore the possibility of forming a desirable science culture through astronomy, which is an example of traditional science. Thus, this article examined the general characteristics of astronomy that had appeared first in ancient civilization. It also focused on the fact that each civilization has its own unique cultural elements together with astronomical knowledge as a field of science in traditional astronomy. Calendar and lifa(曆法), which are considered science of time, are closely connected with people's daily lives and reveal cultural differences clearly among the subfields of astronomy. In all ancient civilizations, time was represented based on the movements of the sun and the moon, but how time should be concretely represented varied, depending on different cultures. As a result, various calendar system emerged. Throughout East Asia, including our country, the luni-solar calendar was used. The calendar in East Asia, unlike that in the West, was the one derived from the lifa, which was very complex and elaborate astronomical work. The characteristics of the luni-solar calendar can be clearly found in the seasonal customs that represent people's daily lives well; however, lots of so-called superstition are also included in the seasonal customs. For this reason, it is easy to misunderstand that our calendar system is unscientific, or to suspect that our overall traditional science lacks scientific aspects. However, proper understanding of the calendar and the lifa of East Asia can confirm that scientific aspects certainly existed in our tradition. This will be the vital link to tradition that will help overcome the foreignness of today's science and technology.

• Journal of the Korean Institute of Landscape Architecture
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• v.41 no.6
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• pp.1-19
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• 2013

This study tries to review 'Sakuteiki(作庭記)', the Book of Garden Making, compiled at the end of the 11th Century during the Heian Period of Japan, from the East-Asian perspective. 'Sakuteiki' is a Garden Theory Book, the oldest in the world as well as in Asia, and it contains the traditional knowledge of Japanese ancient garden culture, which originated from the continent(Korea and China). Traditional knowledge related to East-Asian garden culture reviewed in this paper is "Fungsu Theory"(風水, Asian traditional ecology: Fengshui in Chinese; Fusui in Japanese), stemmed from the culture to seek sound and blessed places to live in. Viewed from modern landscape architecture, the Fungsu Theory corresponds to ecology(science). The Fungsu Theory was established around the Han Dynasty of China together with the Yinyangwuxing(陰陽五行) Theory and widely used for making human residences including gardens. It was transmitted to Japan via Korea as well as through direct transaction between Japan and China. This study reinterprets garden design principles represented in Sakuteiki, which were selected in 5 key words according to the Fungsu Theory. The 5 key words for the Fungsu Theory are "the place in harmony of four guardian gods(四神相應地)", "planting trees in the four cardinal directions", "flow of Chi(氣)", "curved line and asymmetry", and "mountain is the king, water is the people". Garden design principles of "the place in harmony of four guardian gods(四神相應地)" and "planting trees in the four cardinal directions" are corresponding to "Myeongdang-ron(明堂論, Theory of propitious site)". The place in harmony of four guardian gods mentioned in Sakuteiki is a landform surrounded by the flow of water to the east, the great path to the west, the pond to the south, and the hill to the north. And the Theory originated from Zhaijing(宅經, Classic of dwelling Sites) of China. According to this principle, the city was planned and as a miniature model, the residence of the aristocrat during the Heian period was made. At the residence the location of the garden surrounded by the four gods(the flow of water, the great path, the pond, and the hill) is the Myeongdang(明堂, the propitious site: Mingtang in Chinese; Meido in Japanese). Sakuteiki explains how to substitute for the four gods by planting trees in the four cardinal directions when they were not given by nature. This way of planting originated from Zhaijing(宅經) and also goes back to Qiminyaoshu (齊民要術), compiled in the 6th Century of China. In this way of planting, the number of trees suggested in Sakuteiki is related to Hetu(河圖) and Luoshu(洛書), which are iconography of Yi(易), the philosophy of change, in ancient China. Such way of planting corresponds to that of Yongdoseo(龍圖墅, the villa based on the principle of Hetu) presented in Sanrimgyeongje (山林經濟), an encyclopedia on agriculture and living in the 17th Century of Korea. And garden design principles of "the flow of Chi(氣)", "curved line and asymmetry" is connected to "Saenggi Theory(生氣論, Theory of vitality)". Sakuteiki explains the right flow of Chi(氣) through the proper flow and the reverse flow of the garden stream and also suggests the curved line of the garden stream, asymmetric arrangement of bridges and stones in the garden, and indented shape of pond edges, which are ways of accumulating Chi(氣) and therefore lead to "Saenggi Theory" of the Fungsu Theory. The last design principle, "mountain is the king, water is the people", is related to "Hyeongguk Theory(形局論, Theory of form)" of the Fungsu Theory. Sakuteiki explains the meaning of garden through a metaphor, which views mountain as king, water as the people, and stones as king's retainers. It compares the situation in which the king governs the people with the help of his retainers to the ecological phenomena in which mountain(earth) controls water with the help of stones. This principle befits "Hyeongguk Theory(形局論, Theory of form)" of the Fungsu Theory which explains landform on the analogy of social systems, people, animals and things. As above, major garden design principles represented in Sakuteiki can be interpreted in the context of the Fungsu Theory, the traditional knowledge system in East Asia. Therefore, we can find the significance of Sakuteiki in that the wisdom of ancient garden culture in East-Asia was integrated in it, although it described the knowhow of a specific garden style in a specific period of Japan.