• Title/Summary/Keyword: 경계적 사유

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Convergence of Knowledge and Border Thinking (지식의 융합과 경계적 사유)

  • Park, Man-joon
    • Journal of Korean Philosophical Society
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    • v.116
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    • pp.111-132
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    • 2010
  • While this paper will be of interest to Convergence of Knowledge and Border Thinking, one of my main concerns has been to open the world of mind. Because the convergence of knowledge and border thinking are closely related to the problems of mind. It should be clear from this procedure that the scope of this study is limited. It is not intended to be a definitive account of all problems of mind, bur rather a clear and thorough account of that segment of mind that pertains to an analysis of convergence of knowledge and border thinking. This claim, with their supporting arguments, will be discussed as follow; 1. What our knowledge has been for? 2. Knowledge and convergence of knowledge 3. How is the convergence of knowledge made up? 1) meeting at border 2) mind as a border 3) converging at mind.

Boundaries of Conscious Space in East-Asiatic thoughts (동아시아 사유에 있어 의식 공간의 경계 문제)

  • Rhee, Myung-Su
    • (The)Study of the Eastern Classic
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    • no.62
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    • pp.209-229
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    • 2016
  • This thesis is to discover the meanings of boundary through East Asian thought so as to make rooms for discoursing on it. First of all people have their own boundaries of 'Me', and they make others as persons or objects in their thoughts. Originally boundary has represented nation's frontier, and it indicated the worlds of space in Buddhism of East Asian culture. It is represented by loka or visaya in Sanskrit and region, dominion, boundary, border in English, which means the worlds that people would fancy in their minds over domains of politics, societies, culture, arts ect, not to be simple. Accordingly we must not approach to its meaning simply like 'beyond border'. There are many boundaries, which are similar to the sublime, for us to arrive in our lives. Spiritually there are also many boundaries(regions) that are made by our desires, wills and concepts. In a while there are limit or problem in our recognizing things, for example, of human's five senses that would be, to an extent connected with Buddhistic understanding of boundaries. Boundaries resulted from partiality in understanding of objects must be got rid of eventually. In regard of these matters, this thesis discusses the meanings of boundary, those that are inevitably made by human's consciousness, and negative ones to be got over from recognition systems of person or any groups.

A Quantitative Analysis of Groundwater Flow into Underground Storage Caverns (지하저장공동의 지하수 유입량에 관한 정량적 분석)

  • Chung, Il-Moon;Lee, Jeongwoo;Cho, Woncheol
    • Proceedings of the Korea Water Resources Association Conference
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    • 2004.05b
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    • pp.1062-1066
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    • 2004
  • 암반 내에 공동을 굴착하여 LPG 혹은 원유를 저장하는 경우 공동에서의 지하수 유입량은 공동상부의 수압과 공동내의 가스압과의 관계를 파악할 수 있는 정량적인 지표가 된다. 공동내의 유입량은 되도록 일정하게 유지되는 것이 굴착등의 시공단계와 공동 운영 및 유지관리면에서 유리하며, 유입량의 급증 혹은 급감이 일어나는 경우는 그 원인을 조기에 규명하여야 한다. 이를 위해서는 지하수위, 가스저장압, 수막공 주입압 등에 따른 공동주변의 유동장 해석, 공동내로의 지하수 유입량 해석을 실시해야 한다. 지하저장공동의 유입량 해석에 있어서는 공동의 정확한 형상을 반영하기 위해서 유한요소법이 보편적으로 사유되어 왔으나 한번 설정한 유한요소망으로부터 공동의 설계요소를 변경하는 작업은 수원하지 않아 설계전단계에서 공동 및 수막 시설의 다양한 배치에 따른 모의를 수행하는데는 다소 무리가 있다. 이러한 불편함은 경계부의 형상과 조건만으로 내부점에서의 미지변수 계산을 효과적으로 수행할 수 있는 경계요소법을 도입함으로써 극복할 수 있다. 따라서 본 연구에서는 지하공동으로 배수되는 유입량 산정을 위해 경계요소법을 근간으로 한 2차원 지하수 흐름모형을 구성하였고, 이를 지하저장공동이 위치한 A기지에 적용하여 상부경계조건인 지하수위의 변화, 수막공 주입압 등에 따른 공동내의 유입량과 공동저장압과의 관계를 정량적으로 분석하였다. 분석 결과를 지하저장공동의 운영 및 유지관리에 활용될 수 있도록 수식화하여 제시하였다.

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Political Characteristics in the Historical Novels, "Lim Kkeokjeong" ("임거정(林巨正)"에 나타난 정치성 연구)

  • Eum, Yeong-Cheol
    • Proceedings of the Korea Contents Association Conference
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    • 2014.11a
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    • pp.343-344
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    • 2014
  • 본 연구는 홍명희의 "임거정(林巨正)"에 나타난 정치성을 연구한 것이다. 주된 논의는 랑시에르의 이론을 원용하여 크게 네 가지 방향에서 이루어졌다. 핵심 키워드는 탈봉건적 민중언어, 평등사상, 서사의 확장, 반시대적 자유인을 들 수 있다. 랑시에르가 지적했듯이 예술을 통한 감성의 분할은 사유의 특권을 가진 집합의 경계를 무너뜨릴 수 있기에, 기존 체제에 '불화'와 '불일치'를 가져온 실존 인물을 다룬 "임거정(林巨正)" 이에 적합한 텍스트로 볼 수 있을 것이다.

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Stimme aus der Seinsquelle Hölderlins Gedicht >Andeoken< und Philosophische Hermeneutik (존재원천의 소리 - 횔덜린의 시 '회상'과 철학적 해석학 -)

  • Lee, Kyeong-bae
    • Journal of Korean Philosophical Society
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    • v.117
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    • pp.223-247
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    • 2011
  • In der vorliegenden Arbeit geht es um das Primat des Seins und die Ereignisontologie, denen der Diskurshorizont zwischen der Ontologie der philosophischen Hermeneutik und der dichterischen $Repr{\ddot{a}}sentation$ der Seinsquelle in $H{\ddot{o}}lderlins$ spekulativem Gedicht, >Andenken<, das die spekulative Philsophie als eine Philosophie ${\ddot{u}}ber$ das Wissen um Ursein vor dem Denken darstellt, zugrunde liegt. $H{\ddot{o}}lderlins$ und Hermeneutische Ontologie nimmt erstens das Ursein, das die ontologische Voraussetzung des Denkens sei, als die nicht nur logische, sondern auch temporale Quelle auf Grund der Kritik an der reflexiven Struktur des modernen Denkens an. Zweitens suchen beide die $Gesinnungsm{\ddot{o}}glichkeit$ des Urseins, das niemals ein begreifbarer Gegenstand des Denkens war, deshalb immer schon ${\ddot{u}}ber$ das Denken ${\ddot{u}}bertrefflich$ ist, auf der ontologischen Seite aus der selbstnegierenden Bewegung des Seins, auf der erkenntnistheoretischen Seite aus dem sprachlichen Ausdruck des Seins: Insofern das reflexive Denken die analytische Unterscheidung zwn Prinzip hat, ist das Ursein deshalb der logische Ursprung des analytischen Denkens, weil das Unterschiedene aus dem Einen geteilt wird. Und das Ursein ist deshalb auch die geschichtsphilosophische Arsche, weil das Viele die geschichtliche Selbstentwicklung des Einen ist. Aus dessen Grund $l{\ddot{a}}sst$ das Sein, das allem vorausgeht, mit seiner geschichtlichen Selbsterscheinung als negativer $Selbstverkl{\ddot{a}}rung$ und darnit zugleich mit dem sprachlichen Ausdruck als der epischen Symbolisierung solcher Ereignissen sich selbst als etwas sein. Das Wort des Verstandes, das nur die Negationsbewegung der Analyse ist, kategorisch einbegrenzt ist, kann daher nicht das Verweilen bei dem Geschehen der $urspr{\ddot{u}}nglichen$ Seinsquelle sein. Das dichterische Wort, das der Stimme aus der Seinsquelle $zugeh{\ddot{o}}rig$ ist, ${\ddot{u}}bersetzt$ die Selbstbewegung des Urseins auf den hermeneutischen Sinnhorizont, in dessen Spielraum das Ursein sich selbst aussagt. $Schlie{\ss}lich$ hoffe ich damit, in dieser Arbeit davon ${\ddot{u}}berzeugend$ vorderseite zu legen, dass $H{\ddot{o}}lderlins$ Gedicht, >Andenken< nicht nur die poetische Gesinnung auf die Seinsquelle, sondern auch die hermeneutische Ontologie der Seinsquelle ist.

Boundary Ambiguity and Family Functioning in Remarriage (재혼가족의 가족경계모호성과 가족기능에 관한 연구)

  • Kim, Yoon-Ok
    • Korean Journal of Social Welfare
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    • v.64 no.3
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    • pp.183-202
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    • 2012
  • Remarriages constitute an increasing proportion of all marriage in Korea. In 2010, 21.9% of marriage were remarriages for one or both partners. In spite of such increasing of remarriage, not much attentions were given the issues of remarriage in the academic circle of social welfare in Korea. This study is conducted to understand the nature of remarriage, the family structure in remarriage, the relationship between the boundary ambiguity and the family functioning in remarriage. Although boundary ambiguity is believed to be more problematic for remarriage families than first-marriage families and as such has been the topic of research in the U.S.A and other countries, few studies have focused on this topic in Korea. This study examined degree of boundary ambiguity of 125 samples of remerried women and their family functioning. Also, the study examined the relationship between the boundary ambiguity and the family functioning in remarriage. This study conceptualized boundary ambiguity as an incongruence between physical and psychological presence or absence of family members. The findings indicated that the majority of respondents(67.6%) were categorized as having both no psychological and no physical ambiguity. 19.8% of respondents were categorized as having physical ambiguity, 9.9% as having psychological ambiguity, and 2.7% as having both psychological and physical ambiguity. Statistically significant differences of family functioning in remarriage were found among four groups having different type of boundary ambiguity.

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Vegetation Structure and Distribution of Forested Wetland at Public and Private Forests in Daegu City (대구지역 공.사유림 내 산림습원의 식생구조와 분포)

  • Jeong, Hye-Ran;Kim, Hyun-Ji;Choi, Kyung;Park, Gwang-Woo;Kang, Dong-Jin
    • Journal of agriculture & life science
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    • v.46 no.4
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    • pp.69-84
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    • 2012
  • To provide the basic information on the excavation, conservation, and systematic management plan for preservation of valuable forested wetlands, a field survey was analyzed at public and private forests in Daegu city, 2010. The expected points of FGIS were identified, and buffer zones for the protection of forested wetlands were derived. According to the results from the 11 points of forested wetland, the flora of wetlands in Daegu city were consisted of a total of 169 taxa; 63 families, 131 genera, 148 species, 2 subspecies, 14 varieties, and 5 forms. The species diversity of shrubs in forest wetlands was highest at 1.560, and the evenness was highest in shrub trees at 0.913. Considering the type of wetland, topography, etc., the buffer zone was set at 20~50m from the core area boundary.

홀로그램과 예술 -과학문화와 새로운 감수성-

  • Jin, Ik-Song
    • Information and Communications Magazine
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    • v.34 no.2
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    • pp.83-87
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    • 2017
  • 오늘날의 예술은 과거보다는 그 경계를 넓혀 점점 더 빠르게 과학정신에 가까워져가고 과학에 의한 기술과 그 발전이 예술창작에 중요한 매개(Medium)로 작용하여, 과학기술에 의한 인류문명의 격변을 예고하고 있다. 이에 예술가들은 과학기술을 하나의 '새로운 감수성'으로 받아들여 포스트 휴먼(Post human)시대에 인류가 꿈꾸어왔던 새로운 문화를 창조해 인류의 정체성(正體性)을 재정립시킬 것으로 여겨진다. 나는 순수 예술가로서 홀로그램 기술을 응용한 현대예술(회화)을 실험하는 과정에 있으며, 과학적 실험실에 예술적 감수성을 버무려'새로운 패러다임의 예술적 감수성'을 증명하고자 실험하는 작가이다. 이것은 과학과 예술의 융합을 통해 하나의 사회적 공동체로서 함께 인류문명에 기여할 수 있는 어떤 사유(思惟)의 형상화이며, 과학과 그 기술이 예술과 더불어 인류의 미래를 이끄는 혜안(慧眼)이 되어주길 바라는 기대이기도 하다.

A Study on Needs of 'Strolling (Yu)' at the Fine Arts Education - Focused on Oriental Painting - (미술교육에 있어서 '노닐음(遊)'에 대한 필요성 연구 - 동양화를 중심으로 -)

  • Jeong, Gyeong-Cheol
    • Journal of Science of Art and Design
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    • v.12
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    • pp.97-124
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    • 2007
  • The paper examined whether the fine arts education needed concept of 'Yu' that was suggested by, 'Soyoyu' of Jangja, a representative philosopher of Doka. At first, the paper defined concept of 'Yu' of Jangja as well as background and needs of the fine arts education, and investigated values of 'Yu' of the Oriental painting in aesthetic way to examine whether today's Yu concept can be applied to modern Oriental fine arts education to express. Chapter 2 examined concept and thought of 'strolling (Yu)', and Chapter 3 did background and needs of the fine arts education. Chapter 4 examined an access to practical technique education of the Oriental painting through 'strolling (Yu)': At first, the chapter investigated 'Heosil' of space concept that was researched at Chapter 2, 'Pilmuk' of expression technique, and 'Saeui' of state of spiritual canvas of painters. The findings were as follow: Firstly, when relation between Yu and Oriental paintings was investigated based on formative idea, 'Heo' reminded appreciators of association of ideas, hint and imagination, etc by, 'Sil' that other objects disclosed intrinsic attributes so that it indicated border of positive forgetfulness expressed by artists to have same border between 'Heo' and 'Yu'. Therefore, both 'Heo' and 'Sil' could build up expression as well as appreciation ability by experiencing formative idea to develop creativity and to build emotion and to cognize needs of the fine arts education. Secondly, the artistic state of 'Shin', 'Ki (Simjae)', 'Jeonshin' and, Saeui', etc could be expressed with strength and weakness of both Yin and Yang of Pilmuk. Therefore, the Pilmuk were linked even with creation of both Hyeongsa and artistic form of Saeui. Therefore, freedom at border of spiritual 'strolling' could produce creative power being expressed by thinking, natural appreciation ability, and education that could judge values of aesthetic culture. Therefore, cultivation of aesthetic eye, development of creativity, build up of formative ability and education of human nature, etc could keep identity of the Oriental fine arts education at various modern fine arts.

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East-Asiatic thoughts on Symbiotic Multiculturalism (다문화적 공생 사유의 동아시아적 전개 - 장자의 사물 인식과 최한기의 운화론을 중심으로 -)

  • Rhee, Myung-Su
    • The Journal of Korean Philosophical History
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    • no.41
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    • pp.247-270
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    • 2014
  • Multiculturalism may be deeply connected with the diversities of cultures and enlightenment discussed in the context that we live together with the specification of cultures derived from any spatial conditions overtly and covertly. People live on their own customs compatible with their space and the time, and they make their boundaries of races, nations, and national memories. In such a way each of them treats each other exclusively and is inclined not to recognize being of the others. Also people are apt to recognize the others unessentially and overlook the others's value and way of life. As a result they might destroy the foundation of symbiotic livings conditions on their own. On the other hand they pretend to search for the cultural diversities of the others and include them under their own universalities, resulting in conflicts. Hence it is required that we should make an efforts to prepare the fields for living together through getting over the problem of the recognition of matters and affairs before us. From the above-told critical mind this thesis seeks the multicultural relativities and more arrives at the relationalities discussed by East-Asiatic philosophers of Chuang Tzu and Ch'oe Han-gi. Especially by gazing at the idea of the interconnectedness which means activities, changeabilities and mobilities, appeared on the idea of Ch'oe Han-Gi's revolving transformation, it is stressed that the communications of the local with each other in the various aspects of, e.g. materials, regions and cultures should be achieved.