• Korean Architects
• /
• no.3 s.275
• /
• pp.54-61
• /
• 1992

• Korean Architects
• /
• s.612
• /
• pp.20-21
• /
• 2020

• Korean Architects
• /
• no.5 s.123
• /
• pp.64-68
• /
• 1979

• Korean Architects
• /
• no.6 s.147
• /
• pp.45-57
• /
• 1981

• Korean Architects
• /
• s.612
• /
• pp.22-24
• /
• 2020

• Korean Architects
• /
• s.653
• /
• pp.117-119
• /
• 2023

• Korean Journal of Construction Engineering and Management
• /
• v.13 no.5
• /
• pp.64-75
• /
• 2012

Today organizations are making considerable efforts in order to maintain excellent talent, and in particular, they are focusing on understanding their intentions of changing jobs which are most highly correlated with job turnover. In the case of architectural design firms, its intensity of work is very high unlike industrial settings, and it not only takes much time to cultivate new men of talent and but also is characteristic that employees can change livery easily because of the flexible labor market. The turnover rated by National Statistical Office indicates that specialized, scientific and technical service industry including the architectural design firm has a relatively high turnover rate compared to the average of the turnover rate of the overall industries. However, studies on intentions of changing jobs until now were conducted focused on employees engaged in other industrial areas, and it is true that studies regarding intentions of changing jobs of practitioners of architectural design firms are very insufficient. In this context, the present study aimed to draw determinants affecting intentions of changing jobs of practitioners of architectural design firms, to objectively understand the practitioners' intentions of changing jobs through importance analysis by each factor based on this and to make a comparative analysis of differences between the large scale architectural design firms and the small and medium sized architectural design firms.

• Construction Engineering and Management
• /
• v.22 no.2
• /
• pp.26-31
• /
• 2021

• Korean Architects
• /
• no.12 s.225
• /
• pp.64-69
• /
• 1987

우리는 석굴암에서 기능을 수용하는 건축물의 완전한 전형으로서 공간과 그 공간에 합치되는 내용물의 이상적인 결합을 보게되는 바, 그러한 이상적 공간이 인간들의 자파세계가 아닌 신들의 세계 즉 극락정토임은 합당한 일이다. 필자는 여기서 제작자가 단지 시공방법만을 고분에서 모방한 것이 아니라, 사후의 기대 공간인 극락정토의 이미지를 의도적으로 결합하고자 시도한 것이라 짐작한다.

• Journal of the Korean Institute of Rural Architecture
• /
• v.22 no.3
• /
• pp.25-32
• /
• 2020

The purpose of this study is to understand what Le Corbuiser has intended on a panoramic landscape view through his modern architectural design. This paper is willing to improve that he considered both natural and local landscape scenery, when he designed architecture with drawing images. He designed various ways to see outside scenery and community culture through ribbon windows, piloti, architectural promenade, picture frame, and rooftop garden as the angle of view inside the building, 'designed landscape panorama' from his architecture. Therefore the contents of the study include the analysis of the local landscapes shown through his architecture by photograph, drawing of a real scenery, and his sketches with biology to find what he has intended. The following conclusions have three points. First, Le Corbuiser has a basic idea to bear a natural and local scenery from his architecture through five points of new architecture. Second, pilotis, ribbon windows, and roof garden with picture frame and architectural promenade are pathways of his architecture to see 'designed landscape panorama'. Third, it comes from his early architecture like Villa Savoye in 1920s to Couvent de Sainte Marie de la Tourette in 1950s, but Ronchamp church converts his idea on previous thoughts.