• Korean Architects
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• no.11 s.415
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• pp.100-107
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• 2003

건축공간에 대해 막연히 동경하며, 좋은 건축공간을 만들기 위해 노력한 시간을 기억해본다. 그다지 손에 잡히는 것이 없어 보인다. 어찌보면 건축주의 요구와 구조, 기능, 설비, 건축비의 문제에 매달려 좋은 건축공간이 가져야할 모습을 마지막까지 지키지 못한 경우가 많다. 그러나 건축가에게 꿈같은 것은 이 세상에 존재해본 적이 없는 나만이 만들어낸 건축공간일 것이다. 그것은 영원한 건축가의 꿈이며, 누가 뭐라고 하더라도 건축인이 건축적 삶을 사는 근거를 만들어 주는 것이다. 근래, 건축공간에 우선하여 형태적 유희나 재료의 표현, 프로덕션의 즐거움 자체에 의미를 두는 경향이 보여지기도 하지만, 건축이 존재하는 고유한 영역은 결국 공간이라는 것에 모두 공감하리라고 생각된다. 젊은 시절 건축공간에 대한 향수를 달래며, 잊혀져가는 건축공간의 가치를 새롭게 일으키고자 공간클럽이라는 이름으로 건축공간에 대한 이런 저런 얘기를 던지려고 한다. 더러는 일반적인 이야기도 있겠지만, 소주제를 통해 건축공간을 전혀 새롭게 볼 수 있는 시각의 존재를 드러낼 수 있을 것으로 생각한다.

• Korean Architects
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• no.7 s.411
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• pp.68-73
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• 2003

건축공간에 대해 막연히 동경하며, 좋은 건축공간을 만들기 위해 노력한 시간을 기억해본다. 그다지 손에 잡히는 것이 없어 보인다. 어찌보면 건축주의 요구와 구조, 기능, 설비, 건축비의 문제에 매달려 좋은 건축공간이 가져야할 모습을 마지막까지 지키지 못한 경우가 많다. 그러나 건축가에게 꿈같은 것은 이 세상에 존재해본 적이 없는 나만이 만들어낸 건축공간일 것이다. 그것은 영원한 건축가의 꿈이며, 누가 뭐라고 하더라도 건축인이 건축적 삶을 사는 근거를 만들어 주는 것이다. 근래, 건축공간에 우선하여 형태적 유희나 재료의 표현, 프로덕션의 즐거움 자체에 의미를 두는 경향이 보여지기도 하지만, 건축이 존재하는 고유한 영역은 결국 공간이라는 것에 모두 공감하리라고 생각된다. 젊은 시절 건축공간에 대한 향수를 달래며, 잊혀져가는 건축공간의 가치를 새롭게 일으키고자 공간클럽이라는 이름으로 건축공간에 대한 이런 저런 얘기를 던지려고 한다. 더러는 일반적인 이야기도 있겠지만, 소주제를 통해 건축공간을 전혀 새롭게 볼 수 있는 시각의 존재를 드러낼 수 있을 것으로 생각한다.

• The Journal of the Convergence on Culture Technology
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• v.7 no.1
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• pp.369-376
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• 2021

3D architectural visualization animation has become more important in architectural presentations due to the rapid development of digital technology. Unlike games and movies, architectural visualization animation most focuses on delivering visual information, and aims to express the sense of space that viewers feel in an architectural space, rather than simply providing an image of viewing buildings. The sense of space is affected not only by physical elements of architecture, but also by immaterial elements such as light, time, and human actions, and it is more advantageous to express it in animations that can contain temporality compared to a fixed image. Therefore, the purpose of this study is to search for elements to effectively convey a sense of space in architectural visualization animation. To this end, the works of renowned architectural visualization artists that are open to the public were selected and observed to search for elements to effectively convey a sense of space to viewers. The elements that convey the sense of space that are common to the investigated architectural animations can be classified into the movement and manipulation of the camera, the movement of surrounding objects, the change of the light environment, the change of the weather, the control of time, and the insertion of a surreal scene. It will be followed by a discussion on the immersion of architectural contents.

• The Journal of the Korea Contents Association
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• v.17 no.1
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• pp.157-165
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• 2017

Even though the importance of emotional aspects in design has been discussed and researched actively, researches mainly focusing on the emotional aspects expressed through architectural materials have been rare. Thus, Previous researches were investigated to draw typical categories to express emotional characteristics through architectural materiality. Case study shows Zumthor's practical methodologies in these state: tectonic expression with creative tectonic methods and local residents' voluntary-participation in construction; enhancement of intimate emotional ties with the local heritage through the usage of local materials and traditional construction techniques; coexistence of past and present materials, and showing the change of materiality via weathering; activation of synesthesia by touching multiple senses; sustainability by using environment friendly materials and construction methods. The results can be hopefully helpful to future researches related to emotional aspects on spatial design.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.23 no.9
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• pp.1104-1109
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• 2019

Business utilization of holograms is widely used as a similar hologram. The use of holograms has been proposed in many cases. In this paper, we present an outline of similar holograms using up to 3 or 4 facets, and express the similar holograms using the results produced by 3D modeling for a building from dealing with the representation of buildings from hololens to pseudo-hologram by using 3D modeling results. In addition, to reflect the real image of the disadvantage of modeling, we propose a method to enhance the 3D expression of the object by reflecting the actual building surface on the 3D model through photographing. Virtual building seen by the human eye can be virtually shown in space through a hologram among various methods shown in a virtual space such as AR / VR / MR. Through this study, it will be possible to express holograms of various materials such as buildings or cultural properties with enhanced realism.

• Journal of Digital Convergence
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• v.17 no.10
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• pp.427-432
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• 2019

The purpose of this study is to explore the characteristics of spatial expression in the works of Terunobu Fujimori, Japan's leading eco-friendly architect, in line with the contemporary background on environmental issues. As a method of research, we will select five representative multi-room spaces from the 1990s to the present and explore the characteristics of expression in the space through literature research. As a result of the analysis, we were actively using the strategy of using natural materials to finish the space and introduce plants into the building. Japan's strategy of borrowing traditional methods was to use them as a way of expressing space, a way of expressing fantasy and deviance. We expect that the demands of modern people seeking novelty in this era and the eco-friendly building plan of feasible alternatives can be presented as another methodology for spatial design.

• Journal of The Korean Digital Architecture Interior Association
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• v.5 no.1
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• pp.17-23
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• 2005

To begin with, this research arranged this concepts by analyzing paper a reference paper. So, the theory was arranged by approaching the ideal, formative and contemporary side. In order to type characteristics expression of organic design, after year 2000 printed in "Interiors" journal analyzed the contents based on interior works. 1. A type of metaphorical expression, order and the imitations of animals and plants. 2. A type of non liner, and dynamical balance and irregularity. 3. A type of mass of indeterminate form. 4. A type of fluidity by a curved line and a curved surface.

• Korean Institute of Interior Design Journal
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• no.29
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• pp.19-26
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• 2001

The aim of this study is to forecast characteristics of dynamic expression in the architecture design by analyzing characteristics and trends in dynamic expressions of the architecture classified by period. The various architectural trends, even in the transition of new paradigm after collapse of the CIAM, consistently expresses dynamics of architecture. In this study, it regards the inherent characteristics of the architecture design as expression of space organization and modelling and it views dynamic expression is important element of the architecture design. The case study shows that the architecture of passed 50 years, the key element of the dynamic expressions are expression of new technology and expression of one's experience. Also, it shows that the dynamic expressions of architecture in 1990's are expression of new technology which consists of lightness, fragmentation, and symbolism that reflects the trend of arts in 1990's.

• Korean Institute of Interior Design Journal
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• v.20 no.5
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• pp.87-95
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• 2011

최근의 현대 건축에서는 재료의 물성과 구축성이 두드러지는 프로젝트를 많이 발견할 수 있다. 이러한 경향의 배경에는 사양한 요인들이 있을 수 있다. 그 중에서도 공간성(性)에 대한 근본적이고 회귀가 중요한 바탕이라고 할 수 있다. 피터 줌터의 건축은 현란한 조형적 효과, 표현만을 위한 기술적 장식을 사용하지 않는다. 대신 그의 건축은 장소와의 관계, 문화적 context 상에서의 맥락, 그리고 공간의 근원적인 경험을 주요한 매체로 사용한다. 그리고 이러한 특수성은 대체적으로 빛과 재료의 고유한 적용으로 나타난다. 이는 장소와 문화의 특성을 관습적인 형태나 화려한 표현으로 재현하는 것이 아니라 '공간감'의 구현으로 구축하는 방식이다. 본 논문은 피터 줌터의 건축에 나타나는 빛과 재료의 구축 방식, 그리고 공간의 경험에 대하여 살펴본다. 그의 건축 구축 방식은 일견 간단해 보일 수도 있으나 실제로는 프로젝트마다 고유한 빛과 재료의 적용과 텍토닉(tectonic)이 내재되어 있다. 본 연구의 목적은 이러한 점들을 자세히 살펴보고 그러한 구축방식이 궁극적으로 어떻게 공간의 경험과 관계를 하는지 고찰하는 것에 있다. 구체적인 사례는 Bruder Klaus Chapel과 Kolumba Museum으로 한정된다. 프로그램은 다르지만 빛을 사용하여 관람자의 공간경험과 공간인지가 어떻게 형성되는지를 다루면서 결론 맺는다.

• Archives of design research
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• v.19 no.1 s.63
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• pp.49-58
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• 2006

This study is on the general characteristics of 'Monolithic' architecture. The intentions of monolithic architecture can be assumed as an attempt to replace the formal looseness or difficulties of understanding formal complexity of modern architecture, or a trial to react against contemporary avant-garde architectural tendency typically characterized as unstableness, uncertainty, fluidity, and articulation to reestablish autonomy of architecture. Buildings in this category coincide in their extreme economy and simplicity of overall form and consistency of external appearance while showing great expressional capacity with very limited formal means. Even though monolithic architecture still seems a little unstable and ambiguous in historical aspects, it can be considered as strikingly shaped objects or autonomous forms with identities, logics, and representation that promote recognition. Using architectural techniques of scale, colors, materials and finishes, monolithic architecture shows strategically invested surfaces that mediate between the inside and the outside, and shows unexpected and mysterious autonomy. This kind of monolithic approach is also found in interior space as a separate objects that contain functional space inside, or as formal elements that overflow the boundaries of conventional architecture by eliminating the distinction between floor, wall, and ceiling.