• 한국실내디자인학회논문집
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• 제23권2호
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• pp.117-124
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• 2014

As the contemporary times entered, the attention focused on the 'human's perception on a space' as much as on that a space's physical structure, so the meaning of a space became defined depending on how a person thought over and behaved in the space. As this age is the times of consilience and integration, a space accepts new technologies beyond being defined simply based on the space's structure and its shape and tries to provide different, 'strange experiences' from tho se felt by the human until now. Recently in the filed of space design, it can be seen that the spae design's connection with various technologies affects on considerable influence on the all fields of culture and arts like space marketings, media arts, exhibitions and performances as well as the buildings. Especially. the fusion of digital images and architecture is actively developed. Images possessing the moving light's attributes shine a city night and day and a building changes a city's appearance itself by adding new materials on the surface of building. It is the purpose of this study to study what new experiences the human gets and creates from his interaction with spaces based on such technological fusion. By studying some cases that used the digital media as a mediating instrument as the way presenting spatial experiences to the human, this study intended to identify what design factors were applied and to find appropriate directions for space desig in relation to what new trials can be done.

• 한국실내디자인학회논문집
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• 제21권4호
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• pp.31-39
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• 2012

Ecosystem and environment have been a serious challenge facing the modern society. It's been the new paradigm from ecological view of the world and the alternative based on Orientalism. From the Oriental standpoint, ecological aesthetics and sustainable architecture are no longer new, which then servers the background of this study. The nature and the space, the life where the human is harmonized and integrated and the wish to make the balance through that life are the basic philosophy which the Orientalism has pursued. Based on such a basic concept, the study is intended to review the connectivity, expression approach and the features in Korean traditional residential space based on previous studies on ecological aesthetics and sustainable architecture. Such attempt is meaningful in seeking the possibility of presenting the new frame as well as forming the various views to the traditional space and spatial recognition. The nature was categorized into tangible element and intangible element and also direct approach and indirect approach before evaluating the characteristics. Sustainable architecture is not the concept to simply maintain or sustain the environment, but plays more important role in economical aspect. Traditional space accommodates the nature and circulation principle and the circulation in the nature controls the energy and enhances the efficiency, playing significant role. The nature itself serves the alternative energy and has the aesthetic element in such a way of concealing itself. This study is intended to analyze the Byulseo Jeongwon which formed many relations with the nature and the residential space, thereby identifying the expression characteristics of eco-aesthetic sustainable architect. This study offers the answers with regard to the coexistence of the expression characteristics of sustainable architecture with the nature, space and the human from eco aesthetic viewpoint as well as the solution in dealing with the ecological and environmental challenges. Furthermore, it suggested the possibility that the traditional space would possibly be succeedable in new and creative way and sought the way for coexistence among the nature, space and human and eco aesthetics, and finally paved the pivotal foundation as the sustainable design alternative in future.

• 디자인학연구
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• 제18권4호
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• pp.297-302
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• 2005

몸을 건강하게 하고 정신을 자유롭게 하는 집이란 디자인 기능의 효율성과 물리적 합리성의 측면을 넘어 인간의 육체와 정신에 관계되는 커뮤니케이션과 몸의 근본이라고 하는 기(氣)의 순환을 고려한 집으로서 사람을 활(活)하게 할 수 있는 집을 말한다. 한옥에서의 집이란 인간의 행위와 감정 및 이성의 모든 정신을 담는 형태가 없는 가변적 형태이며, 다양한 삶의 행위들을 이끌어 스스로의 삶을 생성하고 창출해 나가는 통합된 전체였다. 이러한 의미에서 동양인에게 좋은 집이란 몸을 편리하게 하기보다는 건강하게 하는 기능을 가져야 했고 그러기 위해서 끊임없이 변화하고 운동하며 기를 생성하여 통하게 하는 생명과 같은 역할을 해야 했다. 본 논문은 인간에 대해 거주공간이 건강한 육체와 자유로운 정신의 공간으로 실천되기 위하여 기(氣)의 순환을 중심적으로 고려한 주택 설계안을 연구한 것이다. 이에 기(氣)를 정신과 육체의 두 가지 측면으로 보고 이들의 순환을 이루는 집이 인간의 삶 속에서 생명을 가진 것처럼 기운생동(氣運生動)하게 하는 방법을 고려하여 설계된 중암의 설계 과정을 사례로 제시한다.

• 한국실내디자인학회논문집
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• 제19권6호
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• pp.59-66
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• 2010

The purpose of this study is to examine how the perception of lives and studies in the Joseon Dynasty period, and the concept of its sculptures can be reflected in Korean traditional pavilion place, from the perspective of Nomadism as a western philosophy of this era. Nomadism literally refers to way of life of peoples who do not live continually in the same place but move cyclically searching for temporary centres whose stability depends on the availability of food and water supply or pastures for their livestock. In recent years, the term encompasses three general types: job nomads, digital nomads and ubi-nomads, which represent distinct features of modern society. Its concept implies looking for the new creative possibility through the liberation of desire and the breakaway to another thinking through continuous formation and transformation. Likewise, Korean traditional pavilion is the architecture to take a quick rest while walking in the mountains. This open place thus connects surroundings with people who are allowed to assimilate with nature as well as train their mind by following the law of nature, in order to finally reach the celestial state of mind. Knowing how to see, enjoy and appreciate the arts very close to nature, our ancestors were able to learn aesthetic activities. After recognizing Korean traditional pavilion as the potential place of unification of heaven and men which is Korean scholor's lifestyle and outlook on the world, this study accordingly will identify the value and meaning of Korean traditional architecture according to Nomadism in the occidental point of view.

• 한국실내디자인학회논문집
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• 제24권6호
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• pp.79-86
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• 2015

This study started from the concern for Bjrake Ingels, an emerging architect in the architecture circle, who is creative and popular. Recently, the architecture field provides architects with a foundation to express a process on a new form creation through various new expressive languages, design concepts, and methods. The global Danish group BIG(Bjarke Ingels Group) develops a story by their distinctive architectural language. The storytelling is being used in various fields and now the tool called 'story' is settling down as an important element in the life that human lives. Bjarke Ingels leading the group BIG aims for the form expression by the scientific analysis and adaptation after being affected by Danish regional background and OMA. It creates a form to share stories with local members by visually simplifying the region, culture, environment, social phenomenon, economy, and politics that are invisible and do not have the form in the modern society. The elements and expressive features of the space storytelling include locality, cultural, natural environment, and connectivity which are the content structure(story) that enables you to intervene in the story according to the main agent to imagine a new space. The expressive element includes the watching moving line story of the successive, hierarchical, and organic structures which are constructive elements creating various spaces through the mixture, transmutability, and relocation of the program and inducing users to the space. The space storytelling is composed of the symbolism, community, and eco-friendliness to appear diversely through BIG's case analysis. This study will have significance that it drew a method and feature looked at by many contemporary architects from the storytelling viewpoint in the form-creating process, classified the form-creating process through a new storytelling type, and showed a possibility on the development of various methodologies.

• 한국실내디자인학회논문집
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• 제21권2호
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• pp.123-132
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• 2012

In the trend of concentrating on the consumer driven experience market as a new marketing concept according to the improvement of life standard and the change of consummation pattern, SPA brand has applied experience marketing strategies to the market successfully to be grown constantly with consumer secure and production of business benefit through brand image and positive consumer attraction. Therefore, this study aims to research the experiential representation element and attribute in the competitive Global SPA brand space due to the sustainable growth from the recent domestic fashion market based on the strategy type of the experiential marketing. Thus, the experiential marketing strategy type was drawn based on the experiential marketing and the theoretical reflections of Global SPA brand, and the SPA brand space was classified depending on the attribute of the commercial space for making the framework of case analysis, so it was progressed as the method of analysis through the experiential representation attribute in the SPA brand space. The marketing strategy and representation for advertising the image of company and product message by the SPA brand should be planned, so successful application of the experiential marketing to the shop is connected to the corporate interests, and forming the meaning more than space by impressing on the consumers the brand and arousing the emotional experience of the consumers and meeting the consumers' a variety of needs had effects on forming a lasting relationship between the brand and consumers. Therefore, this study is expected to be an opportunity to vitalize the domestic SPA brand behind the competition with the Global SPA brand.

• 한국실내디자인학회논문집
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• 제17권6호
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• pp.111-119
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• 2008

This thesis is to make it clear that simulacre concept of is an important factor that provides the motive to make spaces and to make it clear that yard in Korean traditional architecture has more meaning of a container that contains the simulacres of life than formal aspects. Namely, focusing on the simulacres, among existing important factors that cause changes in architectural spaces such as structure, function, beauty, I shall make it clear that simulacre concept, which is a creation thinking of post-structuralism philosopher, Deleuze, is a logic that builds and changes spaces. Also, the purpose of this research is to investigate successive circularity of yard spaces with the mutual relationship between simulacre concept that has virtual multiplicity and yard in Korean traditional architecture, a space of infinite emptiness. When certain simulacres occur in the yard, the ambivalence of simulacres provides meanings to yard by affiliating numerous simulacre factors, then by combination among those meanings, yard get mutual dependence. This is an important core point that I have focused on the beginning of this research. This research has found out the successive circularity of yard based on the relationship between simulacres and the essence of yard. The meaning of this research is to have found out that yard has the meaning of "a bowl that contains the simulacres of life," going over the simple meaning as a space between door and fence. Also, the simulacre concept is thought to be discussed as a motive for creation of various spaces from now on.

• 한국토양환경학회지
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• 제2권3호
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• pp.81-88
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• 1997

본 조사의 목적은 적절한 조사방법이 미흡한 주유소에서의 오염현황 조사방법 및 그에 따른 주변지역으로의 오염물질이전 및 환경적 영향을 평가하는 것이다. Site assessment 방법에는 몇가지의 접근방법이 있는데, 본 OO 주유소 오염현황조사에서는 임의격자법/삼각매트릭스법을 사용하였다. 조사결과에 의하면, 주유소에서의 물질성상은 몇 가지의 형태로 분류할 수 있었다. 지층구조는 약 2.5M까지는 매립토(잡석 & 모래)로 충진하였으며, 2.5-4M 까지는 부드러운 모래와 미사토(Silty Sand)의 자연적인 토양층를 나타내고 있었다. 또한 4.0M 가까이에는 풍화토(C층)가 출현하였다(그림3. 지층구조측면도 참조).저장탱크지역의 지하수위는 약 2.0M이며 남쪽에 흐르고 있는 개천의 수위와 거의 일정하게 유 지되고 있음을 알 수 있었다. 결론적으로, 이 주유소에서의 오염현황조사에서는 실제 UST나 배관 주위에서의 누출에 의한 실제오염은 찾아낼 수 없었지만, 기름을 충진한 후 버려지는 슬러지들이 부분적인 오염의 원인이 될 수 있다는 것을 본 현황조사를 통하여 알아낼 수 있었다.

• 한국지리정보학회지
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• 제16권4호
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• pp.29-38
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• 2013

본 연구는 한반도 기온변화를 분석하여 기후대의 변화와 도시지역에서의 기온분포의 시 공간적 특성을 파악하고자 하였다. 분석에 사용된 자료는 1974년부터 2007년까지 34년간 남북 기상관측소에서 수집된 자료를 활용하였다. 기온은 고도와 선형관계를 갖기 때문에 고도별 월별 기온단열감율을 계산하여 역거리가중법으로 500m 해상도의 분포도를 작성하였다. 도시화 지역에서의 자료는 연도별 인구변화와 기온변화를 비교분석하였다. 온량지수로 구분한 기후대는 남부기후구가 90년대 이후 위도가 크게 상승하는 것으로 분석되었다. 도시지역의 평균기온상승은 80년대와 90년대에 $0.5{\sim}1.2^{\circ}C$ 상승한 것으로 분석되었다. 기온 상승은 서울과 광역시 그리고 시단위 지역에서 나타났는데 이들 지역은 80년대와 90년대에 인구증가와 더불어 도시화와 산업화의 속도가 빠르게 진행된 지역이다. 북한의 경우는 평양, 안주시, 개천시, 혜산시에서도 인구증가와 더불어 기온상승효과가 있는 것으로 나타났다.

• 한국실내디자인학회논문집
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• 제23권1호
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• pp.88-95
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• 2014

This study intended arousal of other viewpoints that deal with and understand spaces and shapes, by describing the concept of 'dimensions' into visual patterns. Above all, the core concept of spatial dimensions was defined as 'expandability'. Then, first, the 'golden ratio', 'Fibonacci sequence', and 'fractal theory' were defined as elements of each dimension by stage. Second, a 'unit cell' of one dimension as 'minimum unit particles' was set. Next, Fibonacci sequence was set as an extended concept into two dimensions. Expansion into three dimensions was applied to the concept of 'self-similarity repetition' of 'Fractal'. In 'fractal dimension', the concept of 'regularity of irregularity' was set as a core attribute. Plus, Platonic solids were applied as a background concept of the setting of the 'unit cell' from the viewpoint of 'minimum unit particles'. Third, while 'characteristic patterns' which are shown in the courses of 'expansion' of each dimension were embodied for the visual expression forms of dimensions, expansion forms of dimensions are based on the premise of volume, directional nature, and concept of axes. Expressed shapes of each dimension are shown into visually diverse patterns and unexpected formative aspects, along with the expression of relative blank spaces originated from dualism. On the basis of these results, the 'unit cell' that is set as a concept of theoretical factor can be defined as a minimum factor of a basic algorism caused by other purpose. In here, by applying diverse pattern types, the fact that meaning spaces, shapes, and dimensions can be extracted was suggested.