• The Journal of the Convergence on Culture Technology
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• v.6 no.1
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• pp.263-267
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• 2020

In the Japanese colonial period of Korean history, appropriate conclusion often overwhelmed the historical imagination, and also pointed out that it shows a similar pattern in spite of the history detective novel genre that emerged with pointing out the limitations of modern history. Historical facts showing in , the legitimacy of independence based on nationalism, and modern civilization are well known in the historical and cultural contents of the Japanese colonial period. It is the reason why applied in historical and cultural contents, as the history as is for current desire of the public to the imaginary community(nation), and as the history which current social conflicts are reflected. History, historical facts and fiction are intermingled in the contents of history, and it is creating a new 'historical imagination'. As a matter of fact, there is only one fact of the past, but the historical imagination of historical and cultural contents is diverse as there is not one historical fact made by historians. History has not yet gone to the imagination for the future, but writing history through historical and cultural contents will create a 'history of possibilities'.

• Journal of Elementary Mathematics Education in Korea
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• v.1 no.1
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• pp.53-65
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• 1997

There are many mistakes when we estimate probability of an event, for example, we often omit some likelihoods (of an event), sometimes give too large or too small possibility for a particular case, cannot relate current cases with which were concerned before, apply at another cases as soon as discuss about it insufficiently, etc. If we go into a history of probability and statistics, we shall ascertain that many scientists and mathmaticians made essentially same mistakes with us. In the paper, we will consider the theorization of probability and statistics as a process of modification of mistakes which were made during one's estimating possibility of an event. On that point of view, we shall look at historical background of probability and statistics.

• Korean journal of communication and information
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• v.51
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• pp.156-173
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• 2010

This study analysed the narrative of and , two history documentary broadcasted on KBS, in terms of story-telling and discourse. And it also examined whether TV as mass media could provide an alternative interpretation against the dominant historical awareness. As a result, both programmes showed limitations on representing subversive point of view to the dominant ideology. At the story-telling level, firstly, they represented in a way of male-hero narrative though they were describing the history of woman, and while representing woman as a public figure they eliminated her feminity and individuality. Secondly, before evaluating woman as a historic figure they previously appreciated her appearance in a male-point of view. Thirdly, although they were telling the story of woman in a political view, they focused on love triangle, therefore failed to make her as a public figure. The discourses of both programmes were anchoring the existing historical interpretation instead of offering an alternative historical imagination. The narrator who were telling history at the studio in a omniscient viewpoint took a role as a meaning definer, placed at the highest rank in the hierarchy of discourse structure. Especially in , the dramatized images to cover lack of visual data helped anchor the patriarchal narrative and reduced the possibility of subversive interpretation on historic figure.

• Journal of the Korean Geophysical Society
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• v.7 no.2
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• pp.77-87
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• 2004

• The Journal of the Korea Contents Association
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• v.21 no.8
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• pp.413-423
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• 2021

The purpose of this study is to explore the possibility of using game character Maengseung in game content and to present the method. At first we made a study on the Maengseung's history and cultural status of Korean folklore. Based on this, we reviewed the value and utilization of the character as a cultural prototype in the game content and proposed the basic components of character creation according to the folk cultural characteristics of the character.

• Korean Architects
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• no.5 s.361
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• pp.73-75
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• 1999

• 한국정보교육학회:학술대회논문집
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• 2004.08a
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• pp.121-127
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• 2004

오늘날과 같은 정보사회와 지식기반 사회에서는 웹기반교육(WBI:Web-Based Instruction)은 학교 교육에 좀 더 나은 학습효과, 신속 제공성, 시공을 초월한 편의성, 저비용 등의 가능성을 제공하고 있다. 따라서 텍스트 위주의 종례의 초등학교 역사 교육에서 탈피하여 역사 관련 정보 공유, 웹토론을 통한 의사교환 등을 초등학교 역사 교육에 적용 분석해 보고자 하였다. 이 논문에서는 웹기반교육의 개념과 유형, 특징을 살펴보고 웹의 장점을 최대한 살린 웹기반 역사 학습 시스템을 설계하고 구축해 보았다. 또한 시스템을 적용 분석하여 향후 웹기반 역사 교육 시스템 구성의 방향을 제시해 보았다.

• Journal of the Korean Society for Railway
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• v.10 no.6
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• pp.670-677
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• 2007

This study examines the change of Shinchon railway station in Kyungui Railway from 1920 up to now. Kyungui Railway was constructed in order to prepare the war against Russia by Japan in 1905. Shinchon station was constructed in 1920 for the sake of convenience of people who lived near Seoul. Recently the development of Shinchon staton was demended because of the possibilities of economic development and the location of Shinchon station. But at the same time there are many opinions against the development of Shinchon station because it has many great memories and it is a kind of symbol of modem life in Shinchon. Even though Shinchon station has developed for a shopping center, the location of the old station has been kept. But the shape had changed because of the new railway station. So the purpose of this paper is considering how to solve the conflicts between the development and the preservation of historic places in the cities which is one of the most serious pending issues.

• The Journal of the Korea Contents Association
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• v.15 no.7
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• pp.157-169
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• 2015

This study focuses on Korea films of historical communication. Narrative analysis was conducted on the films in 2000s including , and <26 Years> that mainly have dealt with the 'Gwangju Democratization Movement'. As a result of the syntagmatic analysis, these films try to stabilize 'social imbalances' in the aspect of individuals and conceals issues of social structure. In addition, the result of paradigmatic analysis reveals that textual factors of 'active involvement of female characters', 'continuity of history through the survivors' demonstrate its strategies to publicize the historical truth. Consequently these films show its limitations that weakens historical meaning by placing unsolved problems of social structure as well as the love story. But rather than describing it as a history of the past, these films act as a catalyst to bring thins specific historical issue to our present lives and publicize it as a current issue. Therefore, the historical film not only allows current generation to remind to history but also to provide an opportunity to publicize the important issues of social structure in the present society.

• The Journal of the Korea Contents Association
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• v.9 no.2
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• pp.193-202
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• 2009

This dissertation is considerably studied Faction Genre which is embossed as a new image content, and it is figured out practical used works' possibilities for Korea film production's varieties. Faction, a neologism, which is combined by Fiction and Fact, is a boundary as limits. If authentic history is closed to a truth, it is a record history description method. Also, if unauthorized history is closed to a fake, it is a fictitious history description method. In addition, macro history and micro history are respectively connected to social criticism's matter and personal action, and these can make various analyses, depend on a boundary's limits and personal analysis. On the other hand, history film could be remembered to audience merely history film itself without existed history's fact. However, there are Faction Genre's Genre possibility and film's attraction which indirectness experience of historic fact could be experienced through film. For Faction Genre’s developing solution, there are three cognitive switches; audience's interpretation ability about history film through watching perception, linking between the past and the present for audience through communication with history, audience's considerable decision about history first or fiction first as film writer's interpretation. Above all, hopefully filmic pressure can be shown with historical true to audience. Therefore, it would be Korea Faction Genre's attraction and hope.