• 한국과학예술포럼
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• 제34권
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• pp.133-148
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• 2018

우리나라의 가구구조는 앞으로 1인 가구가 가장 보편적인 가구 유형이 될 것으로 예측되고 있다. 이에 본 연구는 급격히 늘어난 1인 가구 주거자의 삶을 총체적으로 고려한 1인 주거 공간을 디자인하기 위한 콘텐츠를 도출하기 위해, 1인 가구 주거를 형성하는 사회·경제·문화적 영향요인 등을 빅데이터 분석을 통해 객관적으로 도출하고, 콘텐츠 간의 상관관계를 소셜 네트워크 분석 방법론을 활용하여 다각적으로 분석하였다. 빅 데이터 분석 방법론을 적용해 1인 주거공간과 관련된 총 60개의 핵심 콘텐츠를 도출하였으며, 소셜네트워크 분석을 통해 가장 영향력이 큰 콘텐츠는 공간의 편집, 공간 구성 카테고리로 도출되었다. 이는 주거공간은 사용자의 삶의 변화에 따라 탄력적으로 대응할 수 있는 디자인 아이디어가 중요한 부분을 차지한다고 볼 수 있다. 앞으로 더욱 구체화된 1인 주거 공간의 컨셉 및 디자인방법론에 대한 연구를 진행하고자 한다.

• 한국실내디자인학회논문집
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• 제13권6호
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• pp.150-157
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• 2004

The Furniture Industry is, which is taking Charge of the large Portion of environmental Pollution as a nun Consumer of Resources, therefore, in a Furniture Design, active Argument of the Researches and the related Constituents to the Design and Material is very absolutely required recently The Furniture Design which Ecology was applied to can minimize the environmental Burden through the Resources and Energy Consumption Reduction and cyclic Utilization within the Earth Ecosystem, and proceed to the Presentation of the Possibility to solve the recent environmental Problems. This Study was written as part of the first Step in the Development of independent Eco-Label System and environmental Criteria for Furniture and national Furniture Industries. It contains the Definition of Furniture, ecological Design and ecological Furniture (Chapter2). and Chapter 3 Presents Characteristics of ecolo91cal Furniture. Chapter 4 Provides a Summary of the specific Criteria on a Materials used for Furniture Design with the relevant environmental Issues in the Life Cycle of Furniture, and also health 8t safety related Issues and performance Issues.

• 한국실내디자인학회논문집
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• 제28호
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• pp.109-116
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• 2001

The plastic furniture made of new materials has enriched and broadened our everyday life not only through development of manufacture but also through consumptions since 1960′s. In relation as well to the need of reducing energy consumption and contributing to environment, the weight of plastic materials has raised concerns in recently. It should be pointed out that development of design technology, which would be risky to develop these synthetic materials was the strategic foundation of Kartell of which principal know-how with plastic techniques. Our rapidly changing lifestyle demands a new design that meet recognition of inflection. In conclusion as we are preparing to enter into the 21st Century, we should go forward with hope and do so with dispatch-dazzling all of us with boldness, thinking imaginatively, transform indifference into action, moving things to the next level in furniture industries, asking the "historic background of designing in plastic seat furniture" questions, challenging the very examples of the past in Kartell, Italy. From this study we have found that it would be useful to understand that the development of technological plastic materials for seat furniture has enabled designers to create ore and more sophisticated design in our millennium life.

• 한국실내디자인학회논문집
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• 제37호
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• pp.95-102
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• 2003

It has been true that major investment among local business hotels were placed in furniture design character as there are increasing number of international events hosted by Korea. The study, under these circumstances, as a study In advance to see the design feature and trend of local business hotel's guest room furniture, has done interview with guest room manager, photographing of rooms, actual survey for analysing guest room plane surface, etc., researcher directly visiting 15 hotels that have special first grade businessmen only floor in Seoul. In addition, a survey has been done to know if each hotel room and furniture has particular image, from this survey the design feature of local business hotel's guest room has been analysed, and the result is as following. The result shows that similar pattern is applied in furniture placement of each guest room but for the furniture type and design concept, some try to re-design of wooden furniture available in Lee dynasty and others adopt European style like France and United Kingdom for the realization of semi-classic image. Typical material and color is red oak and maple.

• 한국실내디자인학회논문집
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• 제17권3호
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• pp.94-101
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• 2008

The purpose of this study was to analyze the preference of living room furniture and to suggest Korean brand furniture design guideline. Subjects consisted of 171 residents aged up 20 years old in Seoul and Kyung-ki. area. The data were analyzed using the SPSS statistical package. The results of descriptive statistics, factor analysis, t-test and $x^2$-test are presented. The result of this study showed as fallows; 1) Livingroom funiture design with considering family life behavior were needed. 2) Modernizing traditional elements(motives and pattern) were preferred to duplicating traditional elements. 3) In furniture materials, easy to maintaining and cleaning and environmentally-sound materials as solid wood were highly appraised. Also, functional and harmonious furniture design with interior or other furniture were needed. So, modular-system furniture for livingroom would fulfill user's needs which are function, harmony and conciseness. 4) Elegant, easy, unique, functional, and simple design for livingroom were highly appraised. Considering these results, it is necessary to develop more on the modernized traditional furniture based on the various needs of users. These results provide a practical guideline for the development of the Korean brand design for livingroom furniture design.

• 한국실내디자인학회논문집
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• 제13권4호
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• pp.164-171
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• 2004

Currently, the beauty of Korean traditional furniture has been changed irregularly and even the traditional character has been distorted. The purpose of the study is to examine the current situations of traditional bedroom-furnitures that are reproduced and sold at the markets in Korea. The eight companies were selected as a research sample. All those companies also participated at the "Living-design Fair 2003 and 2004" The traditional bedroom-furnitures were the limited products as a research target. As a method of the research, the content analysis such as names, dimensions and types was used. The results of research were as follows： 1) Using the confused names for a same item, 2) Changes of dimensions, 3) Diversification of the types, 4) Mixing with Japanese style furniture in the Korean traditional furniture market. On the basis of the results, selected eight companies were divided into three types： First, representation of traditions near to the prototype, second, reforming to be suitable to the contemporary life-style, and the last, mixing of Japanese style furniture. This research will make us be concerned about reproduced Korean traditional furniture and established the position to seek for Koreanity. This research expected to be a reference to develope Korean traditional furniture industry, opportunity of verification for reproduced Korean traditional furniture companies and find out the change of life-style through a comparison analysis of the original traditional furniture.furniture.

• 한국가구학회지
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• 제26권3호
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• pp.241-251
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• 2015

Milano Fair is the most authoritative event in the world and the most noticeable exhibition for expecting stream of furniture design and future. Companies and designers, who participate in this event, pioneer independent market through the creative and creative products based on their own identity. Their competitiveness in the market comes from the identity of the brands and it is possible when making continuous efforts to make competitiveness by differentiated designs and products. Upright design culture will be made when respecting the value of designers and designs, making the history and tradition and striving for new challenges and pioneerings.

• 한국가구학회지
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• 제26권4호
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• pp.334-345
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• 2015

The social design, which appeared at the end of the 19th century, is getting attention along with problems in modern society. The purpose of this paper is to analyze several cases of social furniture designs, and to present its necessity and future direction. It classifies the cases of furniture, lighting and design project regarding social design into three types. First is furniture design for social minority. Second is sustainable design, and third is social design that delivers social message. The expected effects of social design are cost-efficiency, sociality, and environment-friendliness. Also, social design requires certain direction which is first; the designer should recognize the minorities in the world. Second, the designer is obliged to accomplish social mission, and last, he or she should be aware that the design creates added values.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2018년도 춘계 종합학술대회 논문집
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• pp.263-264
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• 2018

1980년대 우리나라의 가장 대표적인 가구의 형태는 핵가족의 형태였으나 2010년을 기점으로 1,2인 가구가 핵가족의 비중을 넘어서 우리나라는 소형가구(Small-Households) 시대를 맞이하였다. 현재까지 확장적 개발 중심의 도시 개발로 인해 계속적으로 증가한 주거비용은 소형가구들의 주거생활에 어려움을 겪게 하는 요소로 작용 하고 있다. 따라서 앞으로 도시에서의 소형가구들을 위한 주거 공간이 나아가야 할 방향성을 제안한다. 본 연구는 국내, 외 선행 연구 사례와 지속 가능한 도시에 대한 이론적 고찰을 바탕으로 지속 가능성의 3요소를 소형가구의 라이프 스타일 그리고 주거 공간과 연관 지어 공간 디자인 방안을 모색한다.

• 디자인학연구
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• 제12권3호
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• pp.215-224
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• 1999

다변화된 세계정세와 글로벌 경쟁시대에서 <産>과 <學> 모두는 새로운 패러다임을 인식하고 이에 대처해야 할 입장에 있다. 특히 가구분야에 있어서 기업은 전략적 차원에서 디자인을 적극 수용하여 경쟁력을 강화해야할 것이며, 대학을 중심으로 한 교육기관에서는 우수한 디자이너들을 배출하여 가구산업발전에 이바지해야 할 것이다. 이를 위해서는 <産>과<學>이 서로의 인적.물적자원을 교류하고 지원협조하는 <산학협동>의 활성화가 절대 필요하다. 생산이 안된 디자인이나 디자인 없는 생산제품이란 존재할 수 없다는 관점에서 볼 때 더욱 절실한 문제이다. 교육은 대학이, 생산은 기업이 맡는다는 편협한 사고에서 벗어나 유기적인 협조체제를 구축하여 새로운 시대를 맞이하고자 하는 공동인식이 요구된다.