• The Journal of the Convergence on Culture Technology
• /
• v.7 no.4
• /
• pp.449-460
• /
• 2021

The development process of cyber literature theory in the 1990s clearly shows the duality of the pursuit of symbolic power and desire through the formation and conflict of literary fields, collective intelligence. All desires are bound to be power-oriented, and cyber literature is meaningful in that network-space critics developed while advocating the humanities of coexistence. The failure of cyber literature theory is due to the conflicting desire of critical power between real and virtual spaces. Cyber literature theory in the 1990s was the first literary response to the birth of artificial nature, although the contradiction of desires revealed in symbolic power and the limitations of barking are clear. Literature discourse has always explored the relationship between the social conditions of the time (including technological progress) and art texts. Producing a new critical discourse encompassing the whole within the literary field of artificial nature is an important task in literature in the era of technology compilation, and humanities and technology must coexist. Through this paper, we examined the impact of the birth of artificial nature on humanities. This study is an important achievement of humanities engineering that understands, interprets, and leads technology.

• The Korean Publising Journal, Monthly
• /
• s.253
• /
• pp.13-13
• /
• 1999

90년대 번역문학의 가장 큰 수확은 다양한 언어권의 문학이 소개됐다는 점이다. 그동안 영미권에 편중됐던 것이 동구.남미는 물론 이란.터키 등 생소한 나라로까지 넓어졌다. 거대담론에서 미시담론으로 옮아온 사회적 분위기는 하루키 소설을 필두로 한 사소설 성향의 일본 현대문학의 인기로 이어졌고, 개인적이고 감각적인 책읽기는 법정.의료 추리소설과 최루성 멜로붐을 끌어냈다. 한편, 19세기 대문호들의 전집 출간 작업도 활발했다. 괴테.울프.헤세.카프카 등이 오랜 준비 끝에 전집의 결실을 맺거나 출간을 기획.시작했다.

• Journal of Korean Classical Literature and Education
• /
• no.37
• /
• pp.151-184
• /
• 2018

The purpose of therapeutic approach of humanities, including literary therapy, is ultimately encourage the growth and the development of human being rather than the development of therapeutic techniques for eradicating symptoms. This paper is noteworthy as to the fundamental work for using folktales at therapy sessions. It may be argued that therapy is the process of searching clients' own development history and accepting current challenges in relation to overall context of their own lives and this may lead to the growth clients. In this regard, this paper attempts to set up the selection criteria for folktales to be effectively applied in therapy sessions. The author of the paper argued in her previous paper that folktales may be effective in terms of self-understanding of clients. Folktales can assist clients regarding the objectification of their issues by projecting and exposing their problems. Therefore, this paper argues the method for selecting proper folktales to stimulate of clients" developmental challenges and ultimately to expose them. The first groundwork for this is understand contents of folktale as to general problems of life and view it as the development of one's entire life. The challenge of client is personal and unique but at the same time it is problems of general development process. The author examines the need for developmental approach of literary therapy and attempts to compose a classification framework for understanding folktales as to developmental process. This may use at literary therapy sessions to select proper folktales based on clients' complaining issues and their developmental age. The criteria also can be used as the basis of clients" reaction on folk-tales.

• Science of Emotion and Sensibility
• /
• v.26 no.4
• /
• pp.115-124
• /
• 2023

This study explores the intersection of literary studies and artificial intelligence (AI), focusing on the common theme of human emotions to foster complementary advancements in both fields. By adopting a comparative perspective, the paper investigates emotion as a shared focal point, analyzing various emotion-related concepts from both literary and AI perspectives. Despite the scarcity of research on the fusion of AI and literary studies, this study pioneers an interdisciplinary approach within the humanities, anticipating future developments in AI. It proposes that literary sensibility can contribute to AI by formalizing subjective literary emotions, thereby enhancing AI's understanding of complex human emotions. This paper's methodology involves the terminology-centered extraction of emotions, aiming to blend subjective imagination with objective technology. This fusion is expected to not only deepen AI's comprehension of human complexities but also broaden literary research by rapidly analyzing diverse human data. The study emphasizes the need for a collaborative dialogue between literature and engineering, recognizing each field's limitations while pursuing a convergent enhancement that transcends these boundaries.

• (The)Study of the Eastern Classic
• /
• no.66
• /
• pp.75-101
• /
• 2017

Cifu(辭賦) is a style that has been pointed out to many people because of Shin Heum Family's literary skills. I focused on this point and outlined Shin Heum Family's Cifu, and searched the literary through the works in which Guiqulai(歸去來) consciousness appeared. Shin Heum and his family members wrote many Cifu works, which were mainly in the form of Gufu(古賦). And many of them revealed personal emotions, such as melancholy. Especially they formed Guiqulai consciousness by taking personal suffering as their nourishments, and it was expressed in Cifu. The feature of Shin Heum Family's Cifu works is that the shape of Guiqulai consciousness is remarkable. There was a political ordeals on the base of such a consciousness. It was literally shaped through various methods.

• (The)Study of the Eastern Classic
• /
• no.62
• /
• pp.67-85
• /
• 2016

This paper review literary trend in the late Yuan and the early Ming dynasty and the position of Song lian 宋濂's literature in that time. Analyzing his literary theory chronologically, this paper were able to reveal that Song lian had falled into ancient prose of the Chin and Han dynasty for a long time. He have been symply summarized as a confucian literary man, but he could not extricate himself from ancient prose during youth and his manhood. It was only after that he met his teacher Huang jin 黃? and withdrew into the six confucian classics and began to have a view of literature based in confusian. But he still wasn't able to rid himself of the temptation of ancient prose. At the age of fifty, assisting Zhu Yuanzhang 朱元璋 in founding Ming dynasty, he's built up his own view of literature based in the Six Confucian Classics 六經, confucian scholars during the Song dynasty, ancient prose of the Tang and Song dynasty like as Hanyu 韓愈 and Ouyang Xiu 歐陽脩's works. In short, undergoing a complete transformation individually and historically through a tumultuous period of the late Yuan and the early Ming, Song lian could establish his own view of literature based in confusian and present ideological coordinates and a new model of the Ming literature.

• Korean Association of Arts Management
• /
• no.58
• /
• pp.49-88
• /
• 2021

Contemporary literary writers engage in multiple jobs and activities in the changing industrial and institutional environments to manage careers and produce literary value. The notion of art entrepreneurship envisages writers as the actors pursuing optimal rewards at both literary and economic levels by applying creative knowledge and skills to the management of career. In contrast, the notion of creative labor argues that writers go through career insecurity as they pursue self-fulfillment through work. This paper critically reviews two notions and suggests the notion of cultural intermediaries to better understand their production of literary value within the variety of relational contexts where they are situated. This paper analyzes the structures and characteristics of a wide range of intermediary practices by literary writers. Based on the analysis, I argue that the autonomy of literary value the writers construct and their status of entrepreneur-labourer are contingent upon the relational contexts within which they practice the intermediary work. I also suggest that literary writers by utilizing a variety of tactics cope with the changes that shape the autonomy of literature and invent new roles and identities as cultural intermediaries. Furthermore, literary writers develop not only self-management skills to adapt to the changing environments but also the collective capacity to cope with the constraints derived from the structural change of literary production and circulation. Finally, I argue that the art management discipline can reflect upon and support the creative endeavors of literary writers by embracing the critical understanding of structural changes suggested by the disciplines of humanities and social sciences.

• The Korean Publising Journal, Monthly
• /
• s.233
• /
• pp.18-18
• /
• 1998

재일 한국인문학에 대해 막연히 지녀왔던 통념을 수정할 때가 됐다. '민족'이 있던 자리에 '문학'을 배치하고, 혼혈의 감성과 '타자'의 시선으로 삶의 심연을 이야기하는 유미리가 등장해, 재일 한국인문학에 대한 우리의 군살 박힌 통념의 허구성을 일깨워 주고 있다.

• Journal of Digital Convergence
• /
• v.11 no.12
• /
• pp.777-784
• /
• 2013

A novel is a conversation between self and the real world. They are not only sensitive act to the real world, but also a pattern of the real through the converse between self and the real world without making the real his own. This analysis on the works of Son and his essence shows that he tried to express his self-denial aesthetics and human-denial aesthetics as well as self-closing aesthetics.

• Proceedings of the Korea Contents Association Conference
• /
• 2003.11a
• /
• pp.91-95
• /
• 2003

한국전쟁기 북한 소설에 대한 북한의 문학사적 평가는 남한의 문학사와 비교할 경우 매우 큰 차이를 보여주고 있다. 남한에서 나온 대부분의 문학사에서는 한국전쟁기 남한 소설에 대해 대체로 부정적인 평가를 내리고 있으나, 북한에서 나온 문학사의 경우에는 한국전쟁기 북한 소설을 매우 긍정적으로 평가하고 있는 것이다. 물론 이러한 평가는 남북한 문학사의 문학에 대한 관점의 차이에서 비롯되었다고 할 수 있다. 그러나 북한에서 나온 북한문학사의 경우에는 정치적 목적에 따라 작품을 왜곡하여 평가하고 있는 경우가 많으므로 사실에 대한 면밀한 검토가 필요하다. 이태준, 김남천, 임화 등 남로당 계열 작가의 작품에 대한 북문학사의 평가는 특히 그러한데, 남한에서 이루어진 북한문학에 대한 논의들은 이러한 사실을 지적하면서 한국전쟁기 문학에 대한 실증적인 자료조사와 과학적 연구의 필요성을 제기 하고 있다.