• 대한가정학회지
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• 제50권6호
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• pp.43-54
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• 2012

The purpose of this study was to identify the factor structure of self-efficacy, clothing behaviors, contents application of the unit 'preparing and managing clothes' and the effects of self-efficacy on clothing behavior and contents application of the unit 'preparing and managing clothes'. Questionnaires were administered to 201 girl students in middle school, living in the Daegu area. Frequency, descriptive statistics, factor analysis, reliability analysis, and multiple regression were used for data analysis. The findings are as follows. Self-efficacy was composed of five factors, namely interpersonal skills, task performance skills, anxiety, planned performance, and challenging action. Clothing behavior was composed of five factors, namely pleasure, coordinated clothes, uniform preference, learning behavior, and fashion oriented. Contents application of the unit 'preparing and managing clothes' was composed of two factors, namely usefulness of lectures in general, and usefulness of Hanbok lecture. The effects of clothing behavior and contents application of the unit 'preparing and managing clothes' on each of the self-efficacy variables, like interpersonal skills, task performance skills, anxiety, planned performance, and challenging action were explained by factors such as pleasure, coordinated clothes, uniform preference, learning behavior and fashion oriented, and usefulness of lectures in general and usefulness of Hanbok lecture.

• 한국의류산업학회지
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• 제22권5호
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• pp.561-569
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• 2020

In this study, the dyeing of Chrysanthemum indicum Linne alone and the combined dyeing of Chrysanthemum indicum Linne and onion shell were first performed to compare dyeing properties. A combination extract of Chrysanthemum indicum Linne and onion shell can be expected to improve coloration. A Hanbok design for children used a natural dyeing fashion dyeing method to make the Chrysanthemum pattern. Chrysanthemum indicum Linne is a type of wild chrysanthemum with various medicinal effects for headache and stress relief, skin diseases, insomnia and depression. Widely used onion shells have medicinal properties that help prevent and treat various adult diseases. The colors of silk dyed exclusively by Chrysanthemum indicum Linne, and the colors of silk dyed by Chrysanthemum indicum Linne and onion shell extract are yellow; in addition, silk dyed by Chrysanthemum indicum Linne and onion shell extracts were almost all unchanged. Four hanboks, which are comfortable for children to wear and use, were produced using Chrysanthemum indicum Linne and onion shell extracts. If children wear hanbok fashion products with auspicious patterns, they can provide a chance to simultaneously experience the traditional symbolism of Korean patterns and culture. In addition, it is expected to develop pride in traditional dress culture.

• 패션비즈니스
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• 제14권1호
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• pp.106-115
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• 2010

This study's purpose is to, first survey the traditional children clothing, clothing which doesn't get studied mostly. Second, to choose the factor that can modernize. Third, to design the present one-piece dress. Fourth, to gather an understanding about traditional children clothing and make a chance for children to wear the clothing that has a traditional factor. Traditional children clothes have a same shape with adults' clothes they use five primary color and use a pattern of a symbolic meaning which means healthy and long life. For ordinary wears there are Chimajogori and Bajijogori and for ceremonial dresses they wore Durumagi, Sagyusam which are Po and Dangui and headdress was added. The shape was considered by the children growth condition so the Gorum got longer. The dragon, cicadas, butterfly, phoenix and lots of flower pattern was used by the difference with the class. 5 one-piece design adapted Jogori, skirt, Dangui, Sagyusam, Magoja and used the traditional fabric by mixing the five primary color and the five secondary color was used to make traditional color. This study expects for a chance of children to wear traditional Hanbok or Hanbok-adapted clothes.

• 한국의류산업학회지
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• 제1권1호
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• pp.69-73
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• 1999

Korean and Japanese, both people have a lot of similarity and complexity in terms of physical constitution and culture. This study might be the first implementation that tries to figure out constitutional differences of both people in scientific way. In this study, subjects were from each country, had been exposed $5^{\circ}C$ environment wearing each country's traditional costume- so called Hanbok and Kimono- and all through this experiment we'd compared physiological responses and analyzed differences of cold response go with their own clothing culture. We've obtained following results: Korean had kept maintaining low mean skin temperature basically in cold circumstance, compared with Japanese, have stronger cold tolerance. However, there's no significant difference between Korean and Japanese. Owing to huge influence of wearing other country's traditional costume itself even makes differences of rectal temperature in a cold environment. In addition, in a period of time that wearing other country's traditional costume, thermal sensation would be different according to exposed surrounding temperature.

• 한국의상디자인학회지
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• 제16권4호
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• pp.189-203
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• 2014

In this study, Creative motifs using face composition of Jogakbo and Knot Symbol were developed, and applied to traditional Baeja of Joseon Dynasty to develop design contents of traditional clothes. As for study method, 7 motifs of new formative image that integrates traditional beauty and contemporary sense were developed by applying Knot Symbols and face compositions of Jogakbo with the use of Adobe Illustrator CS6 and Adobe Photoshop CS6 vector graphic software. The motifs were designed in contemporary image in face compositions like rectangle pattern, triangle pattern, dual rectangle pattern, vertical and horizontal pattern, pinwheel pattern, gojunmun pattern and free pattern by involving various changes like repetition, rotation, reduction, expansion and decomposition and using the colors used in the Jogakbo. It is desired that through this study, traditional Baeja may develop to bear traditional and contemporary image so that our traditional clothes design may become global. Also it is anticipated that this study will contribute to development of culture products of Hanbok like Jeogori, pants and skirt that require change of design in the global era while maintaining traditional beauty to appeal to the emotions of world citizens.

• 감성과학
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• 제21권2호
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• pp.61-72
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• 2018

최근 들어 한복에 대한 문화수용자들의 관심이 증가함에 따라 다양한 한복들이 시장에 등장하고 있다. 문화수용자들의 요구사항을 충분히 반영한 한복이 일상복으로까지 확산되려면 한복의 기능성 측면뿐만 아니라 한복을 착용하면서 느끼는 감성적인 만족까지 가져다주는 것이 중요하다. 하지만 한복을 경험하면서 표출되는 문화수용자의 감성에 대한 기존 연구가 부족한 실정이다. 본 연구에서는 선행연구를 통해 심리학, 언어학, 감성공학 등의 다양한 분야에서 기존의 연구결과와 참고문헌을 활용하여 수집한 182개의 감성어휘를 활용하여 델파이 기법과 적합성 평정을 위한 설문조사를 통하여 한복에서 표출되는 감성어휘 28개를 추출하였다. 본 연구를 통해 추출된 28개의 감성어휘는 한복에서 느끼는 문화수용자의 감성을 표현하기 위한 감성어휘라고 정의할 수 있다. 또한, 요인분석을 통해 최종 선택된 28개의 감성어휘들 간의 상관관계를 이용하여 어휘들을 그룹핑하였다. 결론적으로 요인분석을 통해 추출된 6개의 요인에 적재된 감성어휘들은 각 요인에 적재된 감성어휘들의 공통적 특성에 따라 '유쾌감', '심미감', '조화감', '신선감', '호감', '안정감' 등 6개 감성 카테고리로 구분할 수 있었다. 본 연구를 통해 추출된 6개의 감성 카테고리는 사용자들이 한복에서 느끼는 대표감성이라고 할 수 있다. 본 연구의 결과로 도출한 28개의 감성어휘와 6개의 대표감성은 한복에서 표출되는 문화수용자의 감성을 측정하는 데에 필요한 기초자료로 활용할 수 있을 것이라 기대된다. 향후 연구과제로는 본 연구에서 추출한 대표감성을 이용하여 한복에서 느끼는 문화수용자의 감성을 측정하기 위한 구체적인 평가스케일을 도출해보고자 한다.

• 복식
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• 제63권6호
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• pp.127-139
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• 2013

This research is designed to provide basic data to study the life and culture of multicultural families in Korea by taking a look at the clothing behaviors and attitudes toward traditional dresses. To this end, quantitative research was conducted on Korea-Vietnam multicultural families and Korean families. The surveys of the Korean families were completed by 250 married women in Seoul, and those of Korea-Vietnam multicultural families by 104 married Vietnamese women living in Seoul, Gyeonggi-do and Incheon. The data were analyzed using frequency analysis, factor analysis, t-test, crosstabs and ${\chi}^2$-test. The findings are as follows: First, the comparison of clothing behaviors of the Korean families and the Korea-Vietnam multicultural families found that they had statistically significant differences in values towards clothes, clothes shopping orientation and clothes purchasing behaviors. The Korean women were more involved in clothes and fashion-oriented than their Vietnamese counterparts. However, the Vietnamese women in their 20s were likely to rely more on social trends than their own needs when purchasing clothes compared to their Korean counterparts. Korean families preferred to shop in department stores, while the multicultural families relied more on discount stores and outlets. Second, the comparison of the Korean families and the Korea-Vietnam families in attitudes toward their own traditional dresses and how often to wear them showed statistically meaningful differences. The Korean group had more negative attitudes toward Hanbok, the Korean traditional dresses than the Vietnamese group. The Vietnamese women showed more interest in information on Hanbok than their Korean counterparts. They also were wearing the Korean traditional dresses more often than the Korean families. In addition, the Vietnamese women showed a stronger tendency than the Korean women that they took pride in their country's traditional dresses and believed that they were beautiful.

• International Journal of Costume and Fashion
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• 제11권1호
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• pp.15-33
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• 2011

The late $19^{th}$ and early $20^{th}$ centuries of Korea were the times when the Confucianism (牲理學) ideology was shaken heavily under the influences of modernism and capitalism by Western and Japanese military and political-economic forces. Under such circumstances, alteration of clothing was much influenced by ideologies than changes in social structure or technological advance. In this study, an ideology was defined as "the force which drives people into a particular social order". Ideologies were postulated as an ongoing process of socialization with dialectic features rather than being a static state. Comparative analyses on conflict structures and different clothing patterns symbolizing the ideologies of the Ruling (支配) and the Opposition (對抗) were conducted. Investigating dresses as representations of ideologies is to reconsider the notion of dichotomous confrontation between the conservatives (守舊派) and the progressives (開化派) and a recognition of Koreans' passively accepting modernity during the Japanese occupation. This may also have contributed to enlightening Koreans about modernization. Here are the results. First, the theoretical review found that ideologies were represented by not only symbols of discourse, but also dresses, and that dresses embodied both physical and conceptual systems presenting differences between ideologies and their natures, Second, during the late 19th century Korea, conflict between conservatives' Hanbok (韓服) and progressives' Western suits (洋服) was found. Moderate progressives showed their identity by "Colored Clothing" (深色衣), and radical progressives by black suits with short hair (黑衣斷髮) or by western suits (洋服). The ultimate goal of both parties was a "Modern Nation". With these efforts, pale jade green coats and traditional hats symbolizing the nobleman class was eliminated within 30 years from 1880 to 1910, and then simple robes and short hair emerged. However, the powerful Japanese army had taken over the hegemony of East Asia, and Korea was sharply divided into modernization and pro-Japanese camps. Third, during the time of Japanese colonial rule, the dress codes having set by the modernization policies during the time of enlightenment were abandoned and colonial uniforms for the colonial system was meticulously introduced. During this period, Western or Japanese-style uniforms were the symbol of the ruling ideology. In the mean time, Hanbok, particularly "White Clothing (白衣)", emerged as a representation of the opposition ideology. However, due to Japan's coercive power and strong zeal for "Great orient (大東亞)", white clothing remained as a mere symbol. Meanwhile, Reformists (實力養成論者) movement toward improving quality of life followed a similar path of the Japanese policies and was eventually incorporated into the ruling ideology. Fourth, dresses as representations of ruling ideologies were enforced by organizational powers, such as organizations and laws, and binding policies, and changes in such dresses were more significant when the ruling ideologies were stronger. Clothing of the opposition ideology was expressed as an aggregation of public consciousness. During the period, the subjects of ruling ideology and the objects who were granted modernization benefits were different although their drives for colored clothing with short hair (色衣斷髮) for modernization were similar.

• 한국가정과교육학회지
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• 제31권4호
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• pp.63-79
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• 2019

본 연구의 목적은 고등학교 교육 현장 실정에 맞춘 가정과 메이커 교육 프로그램을 개발하고 연구자가 구축한 의생활 메이커스페이스에서 실행해 가정과 메이커 교육의 효과를 평가하는데 있다. 연구 결과는 다음과 같다. 첫째, 고등학교 가정과 메이커 교육 모형을 설계하고 가정과 메이커 교육 프로그램을 개발하였다. 가정과 메이커 교육 프로그램은 메이커 교육 모형인 TMSI 모형과 Laster(1982, 2008)의 실천적 행동 수업 모형을 통합·수정하여 개발한 TPMS모형{팅커링(T: 4차시), 실천적 추론하기(P: 3차시), 함께 만들기(M: 4차시), 공유·확산하기(S: 1차시)}으로 총 12차시를 개발하였다. 개발한 가정과 메이커 프로그램의 주제는 '창의적인 전통 의생활 문화(한복)의 실천과 확산'이다. 둘째, 가정과 메이커 교육 프로그램의 효과를 알아보기 위해 온라인 설문조사를 실시한 결과, 학생들은 가정과 메이커 수업이 5점 만점에서 체험적(4.26), 인지적(4.22), 감성적(4.18), 사회적(4.18), 실천적(4.10) 순으로 긍정적 효과가 있다고 인식하였다. 본 연구가 1차 교육과정 시기부터 만들기 활동을 통해 다양한 교육적 목적을 꾀해온 가정 교과의 실습 교육에 기여가 되기를 기대한다.

• 한국의류산업학회지
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• 제14권5호
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• pp.730-738
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• 2012

This study proposes a process to design and analyze stage costumes by design elements for the costumes of the Korean traditional music cantata 'I Will Rise'. This study states fundamental references to make costumes of similar performances in the future and develop costume designs based on the format of a play. The findings are as follows. First, the costume production process of 'I Will Rise' is conducted in the order of directing intentions and script analysis, costume design, miniature production, costume production, costume modification, run, and post-production. Second, an overall Korean silhouette is expressed through the creation of costumes based on the construction of Korean traditional clothing (hanbok); however, from a detail perspective, a modernistic sensitivity is expressed through the use of modern elements (wing shoulders attached to shoulders, narrow ribbons made in a string form, and wristlets and belts) not found in hanboks. Third, tie-dying is applied to the costume colors of each character to highlight the traditional and unique feeling of dye and symbolic colors that effectively represent each role used to communicate the storyline and character emotions to the audience. Fourth, materials for costumes are cotton and linen (frequently used to create the texture of a Hanbok) as the costume of each character is emphasized to the use of additional and detailed materials such as artificial leather, hemp, and silk.