• 한국실내디자인학회논문집
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• 제24권5호
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• pp.21-30
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• 2015

The visual expression system of space realized in Baroque aesthetics is basically grounded on the philosophical view to the world of the time, that is to say the changes of the thinking system in the Renaissance and ontology based on it. Structural aesthetics in Baroque freed from Plato's system of harmony but grounded on Leibniz's process philosophy formed a crucial background to highlight the formal nature of the whole and build a structure based on the inclusive principle of formativity. Also, to solve problems to realize the order and consistency of forms from the whole, Baroque adopted the nonlinear and nonphysical formative system as the principle of building space in works of art. Combining the order system of nature in the Renaissance with manneristic dynamicity as well as formative principle taking shape geometrically, it did establish a variety of aesthetic concepts based on the results of infiniteness and exaggeration expressed from the two forces, the Renaissance and mannerism. This study has found that such Baroque aesthetics did overcome classical planeness and draw continuous mobility from the structures and forms based on that with the transborder concepts of structures, the components of space, as an ultimate system of formative expression. Moreover, this author has drawn and analyzed with the cases of the 17th-century art and architecture the transborder elements manifesting the nature of diverse formative visual elements produced in artistic expressions with that principle of aesthetics, that is the intangible concept of Baroque. Based on that, this researcher intends to come up with technical solutions to solve a lot of environmental and architectural problems we are severely facing nowadays in terms of environmental, physical, and emotional aspects with the theoretical clues and results acceptable to this contemporary era.

• 디자인학연구
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• 제17권1호
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• pp.15-24
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• 2004

20세기 말부터 활발히 진행된 정보기술, IT혁명은 오늘날 출판시장에 급격한 변화를 초래하여 치열한 생존경쟁의 국면으로 들어서게 만들었다. 이런 와중에 문화의 한 영역으로써 출판, 인쇄 산업에 핵심분야로 자리 매김하고 있는 잡지는 타 인쇄매체보다 자유분방한 테마로 새로운 입지 구축에 주력하고 있다. 그러므로 독자로 하여금 잡지를 기억하기 쉽도록 하는 아이덴티티 연구는 잡지의 브랜드화를 유도하여 문화산업으로써 새로운 발전방향을 제시할 수 있을 것이다. 본 연구는 잡지가 아이덴티티를 구축할 때 고유한 이미지를 형상화해 낼 수 있도록 하는 잡지디자인의 가능성을 밝히는 것을 중심으로 연구가 진행되었으며, 연구결과 분류된 각 유형의 잡지는 서로 공통적인 특성을 갖기도 하지만 동일한 유형이라 하더라도 그 형식이 일치하는 것은 아니고, 잡지의 전략에 따라 각 요소의 활용도에 유동성이 존재하였다. 이러한 결과는 디자인잡지라는 범위에만 적용되는 한계가 있지만 결론을 도출하기까지의 과정 연구를 통해 디지털시대에 매거진아이덴티티의 중요성과 효용성을 고찰하고 잡지디자인의 역할을 밝힘으로써, 향후 디자인잡지 뿐 아니라 잡지디자인 전반의 발전 방향을 제시할 수 있을 것으로 기대한다.

• 한국의사학회지
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• 제28권2호
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• pp.1-13
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• 2015

Purpose : Local medicinal herb festivals present the history of the Korean medicine and cultural resources in the regions to play an important role in attracting tourists, vitalizing local economy, and improving the local image. Therefore, it is important to understand the origin of the festival and grasp historical and cultural meaning of local medicinal herb festivals. Methods : I compared the books and articles presented in the reference list. Results & Conclusions : Local medicinal herb festivals originates from traditional yangnyeongsi. Since the $17^{th}$ century, yangnyeongsi has grown up as a special market. Implementation of the Daedong Act promoted commodity and monetary economy that helped commerce and industry develop and market grow up. It also made changes in the social status system and yangnyeongsi has been such a historical phenomenon appeared in this social background. The growth of yangnyeongsi contributed to the progress in the private medicine that triggered the gradual transfer of power in the medicine to the private sector which has long been held by the government. In yangnyeongsi, there were many cultural events to attract visitors. It's the same case in China that preserves stages that were used for cultural events in the medicine market to pass down the historic sites while those in Korea are disappearing as yangnyeongsis are being pulled out of the city areas to the suburban areas due to the redevelopment projects. For this reason, restoration of the place for traditional yangnyeongsi should be taken into account through local medicinal herb festivals.

• 한국의상디자인학회지
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• 제21권1호
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• pp.163-180
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• 2019

A pattern is a symbolic mark of the psychological expression and ornamental desire of the human interior. In particular, plant patterns, from ancient times to modern times, express beauty across both the east and the west. The Joseon dynasty had a strong national will, and it was a time when the symbolism of Korea was established. Plant patterns were decorative and symbolic, filled with meaning in both the textile and craft sectors. This study looked at the frequency and figurative characteristics of the types of plant patterns in textiles, ceramics, woodworking, and metal craftsmanship of the Joseon dynasty. In addition, pattern designs were developed by extracting unit patterns to maintain the original shape, and by adding, magnifying, reducing, and superimposing flat steps and employing the four-fold sequence. The data collected was 826 examples in textiles and crafts, and 34 species of plants were analyzed as follows. In general, the flower patterns preferred soft flowers, flowers, apricot, and peony patterns, and fruit patterns emerged as decorative designs for pottery and woodwork from the 17th century, featuring pomegranates, grapes, fluorines, peaches, and walnut floss. Textiles and woodwork were arranged with many circular designs, while pottery and metal crafts were filled in many ways. Expressive types appeared to be the same as stylistic types for textiles and ceramics, and the construction types were the same in pottery and metal crafts. As such, it was found that even in the different areas of the sculpture, the same aesthetic values were reflected in the common figurative features today. Therefore, in this study, we developed a unique and competitive pattern design that accommodates the modern times and the Joseon dynasty. This development is expected to contribute not only to the development of cultural and tourism products in the future, but also to the tourism industry induced by the Korean wave.

• 한국수학사학회지
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• 제32권4호
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• pp.159-173
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• 2019

In this paper, we examine the brief history of the ring of four almonds regarding Mesopotamian mathematics, and present reasons why the Omar Khayyam's triangle, a special right triangle in a ring of four almonds, was essential for artisans due to its unique pattern. We presume that the ring of four almonds originated from a point symmetry figure given two concentric squares used in the proto-Sumerian Jemdet Nasr period (approximately 3000 B.C.) and a square halfway between two given concentric squares used during the time of the Old Akkadian period (2340-2200 B.C.) and the Old Babylonian age (2000-1600 B.C.). Artisans tried to create a new intricate pattern as almonds and 6-pointed stars by subdividing right triangles in the pattern of the popular altered Old Akkadian square band at the time. Therefore, artisans needed the Omar Khayyam's triangle, whose hypotenuse equals the sum of the short side and the perpendicular to the hypotenuse. We presume that artisans asked mathematicians how to construct the Omar Khayyam's triangle at a meeting between artisans and mathematicians in Isfahan. The construction of Omar Khayyam's triangle requires solving an irreducible cubic polynomial. Omar Khayyam was the first to classify equations of integer polynomials of degree up to three and then proceeded to solve all types of cubic equations by means of intersections of conic sections. Omar Khayyam's triangle gave practical meaning to the type of cubic equation $x^3+bx=cx^2+a$. The work of Omar Khayyam was completed by Descartes in the 17th century.

• Earthquakes and Structures
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• 제16권4호
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• pp.501-512
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• 2019

In this study, seismic vulnerability assessment and seismic isolation retrofit of Bayburt Yakutiye Mosque is investigated. Bayburt Yakutiye Mosque was built in the early 19th century at about 30-meter distance to Coruh river in the center of Bayburt in Turkey. The walls of historical masonry structure were built with regional white and yellow stones and the domes of the mosque was built with masonry bricks. This study is completed in four basic phases. In first phase, experimental determination of the regional white stone used in the historical structure are investigated to determine mechanical properties as modulus of elasticity, poison ratio and compression strengths etc. The required information of the other materials such as masonry brick and the regional yellow stone are obtained from literature studies. In the second phase, three dimensional finite element model (FEM) of the historical masonry structure is prepared with 4738 shell elements and 24789 solid elements in SAP2000 software. In third phase, the vulnerability assessment of the historical mosque is researched under seismic loading such as Erzincan (13 March 1992), Kocaeli (17 August 1999) and Van (23 November 2011) earthquakes. In this phase, the locations where damage can occur are determined. In the final phase, rubber base isolators for seismic isolation retrofit is used in the macro model of historical masonry mosque to prevent the damage risk. The results of all analyses are comparatively evaluated in details and presented in tables and graphs. The results show that the application of rubber base isolators can prevent to occur the destructive effect of earthquakes.

• 대한한방부인과학회지
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• 제34권2호
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• pp.82-107
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• 2021

Objectives: The Sa-am Acupuncture Method which is originated from 17^th century is one of Korean traditional acupuncture methods and most widely adopted techniques used by clinicians. This study aims to investigate research trend of Sa-am acupuncture on Korean Obstetrics and Gynecology. Methods: We searched for papers which had Sa-am acupuncture used in women's disease in Korean journals published from 1987 to March 2021. Results: 33 papers were found. 5 clinical studies and 28 case studies were categorized to women's disease groups described in Korean Obstetrics and Gynecology textbook. In most of the studies, Sa-am acupuncture was used with other treatments. In the case reports, each case was diagnosed individually and Sa-am acupuncture was used according to the diagnoses. The most frequently used Sa-am acupuncture method in women's diseases was Sojang jung-geuk. Conclusions: Sa-am acupuncture could be a good treatment for women's diseases. But evidence of relation between Sa-am acupuncture and the disease is insufficient, so more research will be needed.

• 대기
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• 제31권5호
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• pp.539-551
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• 2021

In this paper, the weather records in 'Nanjung Ilgi' were investigated and the weather characteristics of the southern coast of Korea (SC_Korea) was discussed. The Nanjung Ilgi is a personal diary written by admiral Yi Sun-sin from January 1592 to November 1598 during the 7-year war caused by the Japanese invasion. He is a respected great leader in the history of world naval warfare, winning all 23 battles against the Japanese. Of the 1593 days of diaries currently preserved, only 42 days have no weather records. Weather was recorded in detail, including sky conditions, precipitation, wind characteristics and others. Weather records were extracted from the diary, converted to the solar calendar, and compared with the meteorological data of Yeosu. The average annual precipitation day is about 90 days, which is similar to the current 95~100 days. As in the current climate, precipitation frequently occurs for about 30 days in summer, but less than 15 days in other seasons, and the rainy season starts from June 14 to 21 and ends from July 6 to 17. It seems that the abnormal cold and heat phenomena, which deviate significantly from the seasonal average climate, occurred on 6 and 21 days, respectively, over 7 years. This means that the weather records of Nanjung Ilgi can be used as valuable data on the climate of SC_Korea in the late 16th century. The fact that he recorded the weather even in such extreme battle conditions shows that he clearly recognized the importance of weather in warfare.

• 한국콘텐츠학회논문지
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• 제22권9호
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• pp.628-633
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• 2022

본 연구에서는 밀턴의 예수가 개리 팬터의 『낙원의 쏭이』의 쏭이로 재현되면서 나타나는 원전에 대한 전복성과 유사성을 논한다. 팬터는 영문학의 청교도 서사시인 『복낙원』을 현대 펑크 만화로 재현하면서, 밀턴의 예수를 '힐빌리', 즉 촌뜨기 쏭이로 그린다. 원작에서 '하나님의 아들'이자 '세상을 구한 영웅'으로 그려지는 예수가 펑크식 촌뜨기로 그려지고 있다는 사실은 그 자체로 원작에 대한 가장 적극적인 도전이자 해체라고 볼 수 있다. 그러나 사탄의 유혹에 굴복하지 않고, 자신의 신념을 지켜내는 방식에 있어서 쏭이는 원작의 예수와 비슷한 방식을 취한다. 즉 법률적 언어의 의미를 파괴하고 새로운 의미를 생성하는 상징의 언어를 취하면서 결국 '대화의 실패'로 귀결되는 방식을 통해 쏭이는 예수와 마찬가지로 사탄과의 전투에서 승리를 이끌어낸다. 본 연구에서는 이처럼 예수적 담론 대한 해체와 예수적 저항 방식의 수용이라는 이중적 특징을 보여주는 쏭이의 재현 방식을 분석한다.

• 한국지형학회지
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• 제27권4호
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• pp.53-70
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• 2020

Silgyeong sansuhwa (Realistic landscape paintings) are drawn in Korea since 17th century. It has characteristics of more realistic description of landscape than painting from previous periods. Kim Hong Do's 'Haedong Myeongsan docheop (The album of paintings of famous mountains in Korea)' has been recognized as fine example of realistic description of geomorphic landscapes. Kim Hong Do and Kim Eung hwan did official travel to Gwandong and Geumgangsan area by order of King Jeongjo in 1788. As a result of that travel they draw about 100 piece of landscape painting. About 60 pieces of the paintings are still remaining. These are open to public by Korea National Museum in 1996. 14 pieces of painting, Daegwanryeong and Gangneung, Gyeongpo-dae, Hohae-jeong, Gahak-jeong, Cheonggan-jeong, Mun-am, Mangyang-jeong, Wolsong-jeong, Neungpa-dae, Naksan-sa, Mureung-gye, Gyejo-gul, and Hyeonjong-am, are analysed in this study. Coastal depositional landforms, like lagoon, sand beach and spit or barriers, erosional forms, like sea stack, sea cliff and sea cave, depicted in the paintings are analysed. In addition, structural landforms, colluvial landform and bedrock incision form by the running water in mountain area were analysed and weathered forms of granite and excursion to karst cave also discussed. It is found that sea arch in the printing destroyed since 1788, though exact position and reason is still unknown. There are strong need for discovery and identification of geomorphic landscape resources, for applied geomorphological studies and for prepare educational materials for non-face-to-face education. It also be emphasized that it can be used of the course work materials for future education using augmented reality and virtual reality technology.