• 한국의상디자인학회지
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• 제10권1호
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• pp.25-44
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• 2008

Geisha's gorgeous kimonos and grotesque make-up was the object of envy to Japanese women. There is a line in the movie like "Kimonos to the Geisha is the same as colors to the painter." Likewise, splendid patterns and colorful kimonos were an indispensible method or symbol for showing their artistic accomplishments. The purpose of this study is to investigate concept and origin of Geisha and their dress and decoration, analyze the dress of the people which appear in the movie, , arrange the expression of Geisha's dress as a movie costume, compare the difference of the dress by the career of Geisha and look back the disappearing aesthetic sense of Geisha. First, since Geisha appeared for the first time in Kyoto in 1751, it has become the world-wide representative of Japanese woman's images so that its existence oneself has become the tradition. Second, Geisha created fashion of various clothes, adornments, and hair styles as a creator of the popularity. Third, the strict regulation without exception is applied in Geisha's clothing, make-up, and motion tuned Samisen, Japanese traditional strings, and there is some difference in their hair style and dress by age of Maiko. Fourth, it is famous for unique make-up that Geisha makes up their faces, necks, and shoulders white, newly paints eyes, nose, lip line like drawing a picture in a pure white paper. Geishas put a little make-up as they have a higher position. Fifth, a heroin, Chiyo, shows clothing as a maid, an apprentice Geisha-Maiko- and a formal Geisha according to time flow. The length of kimono, textures, and hair decorations are longer, more splendid, and are more various as time goes. On the other hand, her make-up is lighter.

• The Journal of Korean Physical Therapy
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• 제11권1호
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• pp.1-21
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• 1999

Japanese welfare legislation for the disabled was enacted via Law 283 on December 26. 1956. The push for such legislation at the national level had gown concurrent with development of Japan's post-war economy Korean welfare law for disabled was made 22 years later and was again amended in 1989. The current legislation promotes and supports the legal welfare of the Koran disabled. The following are the results of a comparison between Korean and Japanese accessibility facilities and welfare law; 1) Japan's developement of disabled people's welfare law is inextricably linked to the development of disabled people's advocacy and the human rights movement. In addition, welfare policy has shifts its mandate from rehabilitation to independent living. It follows that local altitudes will play a pivotal role in further policy initiatives. Korean disabled people's welfare policy emerged hand in hand with economic recovery and development following the Korean War. By 1977 a special education law was enacted which-like it Japanese counterpart-promoted the education of disabled children. 2) Accessibility facilities were developed privately movement. The disabled faced constant and systematic disadvantages in public/private buildings and transportation systems. A general lack of cultural awareness and information relating ti these problems prevailed. These included-hut were by no means limited to sign language (for hearing the impaired) and braille(the language of blind). However, new attitudes and improvements have since emerged and new laws have resulted in the publication of Korean 'White Book' outlining the everyday problems faced by the disabled. In addition, mort convenient access facilities have been constructed in public and private buildings. In closing, legal support for the disabled, senior citizens and pregnant women continues to be improved by newer legislation enacted tin April 6, 1977.

• 복식
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• 제60권5호
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• pp.71-87
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• 2010

The purpose of the study is analyzing Japanese modern costume, through examining legislation process and the relics of Chickimkwan's and Juimkwan's court costume. The results of the study are as follows. First, the proposer of civil court costume, established in 1872, was Iwakura Mission dispatched to America and Europe. The Mission realized the importance of preparing western-style costume in civilization from experience wearing traditional clothing at ceremony of presenting credentials in America. Afterwards, the Mission proposed that the government accept western-style as civil court costume and became first wearers in Japanese in England. Second, the difference, between ordinance and actual clothes worn by Iwakura Mission, occurred in process of legislation in 1872. That might be considered as trial and error in introducing different culture. The coexistence of England and French styles was unified into French style by the revision of civil court costume in 1886. Third, the pattern of paulownia embroidered on civil court costume was utilized as symbol of Japan. While the costume of Chickimkwan was embroidered by the pattern of 7 and 5 leaves paulownia, that of Juimkwan was 5 and 3 leaves expressing their grades. Fourth, relics research showed how formed manufacturer information and enacted design were in embroidery. The relics seemed to be manufactured in Japan, because emblem of Mitsukosi tailor was embroidered on inner part of the back of collar of Chickimkwan in Nara Women's University, Japan and that of Yamasaki on left inner pocket of Juimkwan in the Independence Hall, Korea. The embroider techniques comprised forming by filler particles according to the design, filling up coiled gold threads and expressing stem with gold threads and spangles. As preemptive study, establishment process of Japanese civil court costume in this study will help understand form characteristics appeared in civil court costume act of Korean Empire.

• Asian Pacific Journal of Cancer Prevention
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• 제15권2호
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• pp.1023-1029
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• 2014

Background: The purpose of our study was to elucidate the joint effects of combined smoking and alcohol intake on esophageal cancer mortality in Japanese men through a large cohort study with a 20-year follow-up period. Materials and Methods: The Japan Collaborative Cohort Study for Evaluation of Cancer Risk (JACC Study) was established in the late 1980s, including 46,395 men and 64,190 women aged 40 years and older and younger than 80. Follow-up of these participants was conducted until 2009. We used the Cox proportional hazards model to analyze data for 42,408 people excluding female participants, 411 people with histories of malignant neoplasms, and 3,576 with unclear smoking and drinking data. Results: The joint effects of age at start of smoking and amount of alcohol consumed per day were compared with non-smokers and non-drinkers or those consuming less than one unit of alcohol per day. The mortality risk was 9.33 (95% confidence interval, 2.55-34.2) for those who started smoking between ages 10 and 19 years and drinking at least three units of alcohol per day. Regarding the joint effects of cumulative amount of smoking and alcohol intake, the risk was high when both smoking and alcohol intake were above a certain level. Conclusions: In this Japanese cohort study, increased cancer mortality risks were observed, especially for people who both started smoking early and drank alcohol. Quitting smoking or not starting to smoke at any age and reducing alcohol consumption are important for preventing esophageal cancer in Japan.

• 한국의류산업학회지
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• 제13권1호
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• pp.32-43
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• 2011

This study investigate the transition about Japanese national costume kimono. The prototype of the present kimono is a kosode. The origin of kosode dates back to the mid-Heian period, when this type of kimono served as the everyday wear of commoners and an undergarment for court nobles, both men and women. In the Muromachi period, particularly after the Onin war, the kosode began to be by people of all classes. In the Muromachi period, kosode consisted mainly of woven textiles. In the Momoyama period, kosode became very elaborate, employing such various techniques as tie-dyeing, embroidery, metallic leaf(surihaku) and free-hand painting. These were further combined resulting in such techniques as tsujigahana dyeing and nuihaku, which are now considered to epitomize Momoyama-period textile design. A category of kosode of the early Edo period, known as Keicho kosode, is fashioned mainly from black, white, or red figured satin(rinzu), or from figured satin segmented in these three colors. Books of kosode designs began to be published in the Kambun era, when the merchant class was becoming economically powerful, kosode began to reflect its taste. During its final stage of development in the late 17th and early 18th centuries, yuzen dyeing achieved wide acceptance. From the late 18th century toward the early 19th century, kosode worn by the merchant class underwent drastic changes, while those worn by the samurai class changed little. In the after the late 18th century, clear differences in design and decorative methods appeared between the kosode worn by rich merchants and those worn by middle and lower class merchants.

• Human Ecology Research
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• 제52권5호
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• pp.509-518
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• 2014

This study strives to analyze the characteristics of and changes in breast shapes of women in their 30s, whose bodies start to age and whose breasts experience changes due to internal and external factors such as pregnancy, childbearing, and breast-feeding. The analysis of the indirect breast measurements for each age group (early, mid, and late 30s) demonstrates that the volume of the breasts increases proportionally with age, the breasts lose their firmness, and the nipples start to point downwards rather than to the sides. The breast shapes experience more significant changes vertically than horizontally as the breasts start to sag downwards. The composition factors of the breasts have been classified into five factors: the level of volume in the breasts and the surrounding area, the degree of sagging in the breasts, the position and vertical width of the breasts, the volume of the breasts, and the degree of width between the breasts. The breasts have been categorized into three different shapes. Breast Shape I (32.56%) appeared most frequently among women in their mid 30s, and this shape falls into the category of Sagging I, which is one of the six breast types that have been classified by the Japanese Wacoal Research Center, in addition to Korean size 80A. Breast Shape II (38.76%) appeared most frequently among women in their mid 30s, and this shape has been categorized as flat with its size being 70A. Breast Shape III (28.68%) appeared most frequently among women in their early 30s with a conical shape and size 75A.

• 복식문화연구
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• 제9권1호
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• pp.19-32
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• 2001

The purpose of this study is to determine aesthetical characteristics of the Korean traditional wedding dress for women by analyzing such dresses'aesthetical senses. For the purpose, the study showed four types of the dress, jukyee, whalot, weonsam and private weonsam and their photographed stimuli to subjects and then obtained data using the seven scale measures of meaning differentiation consisting of 25 pairs of adjective words. Results of the study are described as follows; Aesthetical senses shown in the Korean traditional dressing dress for women included six factors in total, among which attractiveness was found as the main factor, followed by chastity. For the four types of the dress, whalot adpated revelation as its main factor while the remaining three types, or jukyee, weonsam and private weonsam were found having dignity as their main factors. Adjective words which largely accounted for aesthetical senses included uncomfortable, warn, chaste, intellectual, bright, unique, regular, luxurious, classical, ornamental and beautiful suggesting that the Korean traditional wedding dress for women is somewhat unfunctional, but high in attractiveness and aesthetic beauty and has a better classical harmonization of dignity and revelation. Aesthetical senses were most different according to nationality(Korean and Japan) when they were analyzed in terms of nationality, gender and whether of specialization or non-specialization. Japanese people had unique and interesting senses while Korean people, chaste, calm and delicate aesthetical senses. According to gender, men revealed free senses and women, classical ones. According whether of specialization or non-specialization those who specialized in a related field had more unique, straight, regular, luxurious and interesting aesthetical senses that those who did not specialize.

• 한국인구학
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• 제33권1호
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• pp.133-160
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• 2010

본 연구의 목적은 국가 간 비교 관점에서 한국과 일본의 가족생활주기에 따른 결혼만족도 변화 패턴을 분석하고, 결혼만족도에 영향을 미치는 요인을 탐색하는 것이다. 이를 위해 2003년 한국과 2004년 일본에서 각각 조사한 전국가족조사 자료를 사용하였으며, 배우자와 동거하고 있는 5,308명의 한국인 성인남녀와 4,920명의 일본인 성인남녀를 대상으로 한 설문조사자료를 분석에 사용하였다. 결혼관계에서의 한국과 일본 간 문화적 차이와 유사성을 살펴보기 위해 교육수준과 결혼기간, 가구수입과 재혼 여부를 통제한 가운데 교육수준, 소득수준, 취업에 있어서 비전형적인 부부결합(marriage gradients), 가족스트레스, 부부 상호작용의 질이 한국과 일본 부부의 결혼 만족도에 미치는 영향을 위계적 회귀분석을 통해 살펴보았다. 그 결과, 한국과 일본 모두 가족생활주기에 따른 U자형 결혼만족도 변화패턴을 보였으며, 전 생애에 걸쳐 일관적으로 남편이 부인보다 결혼만족도가 높았다. 한국과 일본 부부의 결혼만족도에 영향을 미치는 가장 중요한 요인은 공통적으로 배우자에 대한 깊은 신뢰와 관심, 성생활 만족을 포함한 질 높은 부부 상호작용이었으며, 한국인 부부는 성생활 만족보다는 부부 상호작용의 질이 결혼만족도에 더 큰 영향을 미쳤던 반면 일본인 부부는 성생활 만족이 더 큰 영향을 미쳤다.

• 한국언론정보학보
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• 제37권
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• pp.237-269
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• 2007

본 연구는 한 중 일 3국 신문의 2005년 8 15 60주년 보도를 비교함으로써 3국간 과거사 인식의 차이를 분석하였다. 신문별, 국가별 그리고 신문사의 이념적 성향별로 기사량, 기사 유형, 정보원, 강조하는 측면에서 차이를 보이는지에 초점을 맞추었다. 2005년 8월 한달간 한겨레신문, 조선일보, 아사히신문, 산케이신문, 인민일보의 기사를 분석한 결과, 보도량에 있어 한국과 중국에 비해 일본 신문의 기사량이 현저히 적었다. 기사 유형의 경우 한국과 중국 신문들은 스트레이트 기사가 많은 반면 일본 신문들은 의견 기사에 치중하였다. 정보원의 이용에 있어서 한국과 중국은 정부기관에, 일본은 일반인에 의존하였다. 이러한 결과는 한국과 중국이 보다 공식적인 입장에서 8 15를 바라보고 있고, 특히 중국은 적극적으로 일본과의 전쟁에서 승리했음을 부각하고 있는 것으로 분석된다. 반면 일본은 보도량을 줄여 8 15를 회피하면서, 정부 측의 공식입장을 전달하기보다는 민간인들의 이야기를 재구성하는 방식으로 국민의식에 영향을 미치고자 함을 알 수 있었다. 강조한 내용 역시 한국과 중국은 자국동향을 주로 보도하면서 8 15의 의의를 평가하는 반면, 일본은 과거를 회고하며 민간인의 입장에서 전쟁의 피해를 전달하는 내용이 주를 이루었다. 결과적으로 한 중 일 삼국 신문의 8 15에 대한 인식은 분명한 차이를 보였는데 이러한 차이는 신문사 자체의 정치적 성향보다는 국익에 바탕을 둔 것으로 분석된다.

• 동양고전연구
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• 제71호
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• pp.71-98
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• 2018

본 논문은 강원도와 만주 일대에서 활동한 여성독립운동가 윤희순이, 항일투쟁 과정에서 현실을 어떻게 인식했으며, 그에 따른 대응은 어떠했는지 살피는 데에 목적이 있다. 윤희순은 시아버지 유홍석과 남편 유제원, 그리고 아들 유돈상까지 3대가 독립운동에 앞장선 집안의 며느리이자 아내이자 어머니였다. 화서학파였던 고흥 유씨 일가는 '위정척사(衛正斥邪)' 사상을 바탕으로 독립운동에 투신했다. 이들은 새로운 세계의 건설보다는 아름다운 과거로의 복귀와 복원을 염원했고, 의병을 일으킨 것 또한 근대적 국민국가 건설을 위해서가 아니라 왕을 중심으로 구축된 기존의 질서를 회복하기 위해서였다. 친정과 시가 모두 화서학파였던 윤희순 역시 그들과 동일한 눈으로 현실을 바라보았고, 적극적으로 의병활동에 참여하게 된 동인 역시 충 효 열과 같은 중세적 가치였다. 특히 집안의 안사람이자 여성으로서의 명확한 자의식을 갖고 있었고, 그것을 바탕으로 현실의 문제에 대응했다. 그녀는 보다 효과적인 독립투쟁을 위해서는 안사람으로 대변되는 여성들의 인식을 변화시키는 것이 중요하다고 판단했다. 이러한 판단 하에 그녀는 '교육'을 통한 '계몽'을 자신의 과제로 인식했고, 이 과정에서 의병가와 포고문 등은 효과적인 수단으로 활용되었다.