• 한국지반공학회논문집
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• 제15권6호
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• pp.57-69
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• 1999

오염된 연약지반에 편재하중이 작용하는 경우에 있어서 지반의 소성화에 따른 지지력 결정을 위하여 기존의 이론적인 배경을 고찰하고, 이러한 오염된 연약지반에서 편재하중에 의한 지반의 지지력과 변형에 대한 거동을 연구하기 위하여 모형실험을 통한 실측치를 이용하여 서로 비교.분석하였다. 모형실험은 모형 재하장치인 토조와 재하틀 및 재하판을 제작하여 토조안에 함수비를 일정하게 유지한 상태에서 자연지반의 시료와 오염물질을 점진적으로 증가시킨 지반시료에 일정한 시간간격으로 편재하중을 증가시키면서 침하량과 측방변위량 및 융기량 등을 관찰하였다. 그 결과 한계하중은 실험값이 $Tschebotarioff(q_{cr}=3.0_{Cu)$의 제안값과 $Meyerhof(q_{cr}=(B/2H+\pi/2_{Cu})$의 제안값에 근접하여 $q_{cr}=2.78_{Cu$값을 나타냈고, 극한하중은 Prandtl의 제안값에 근접하여 $q_{ult}=4.84_{Cu}$의 값을 나타냈다

• 디자인학연구
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• 제19권3호
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• pp.207-218
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• 2006

21st century is called digital and information era. The visual communication becomes more important than any other centuries. Visual communication design has been represented in varied images from ancient society up until the present time. Especially graphic design, which has experienced artistic upheaval from modernism and postmodernism, has been enabled to deliver messages in a more developed and sensuous appearances. Deconstructionist design wasn't well received by modernism, an advocate of practicality and effectiveness; however, as the beginning of subsequent postmodernism, it started to earn a warm welcome from a number of designers. Postmodernism made it possible for deconstruction to be a new paradigm appreciating neutral respect for varied expressions and designers' idiosyncrasy. Corresponding to this new trend, Edward Fella published his artwork 'Letters on America', which introduced a variety of vernacular design works in America. It was the result of years of research, and included materials which were not something completely new to field of communication design but rather symbolic, deconstructive images available everywhere around us. Deconstruction broke away from the previous modernism's unity and standards, and sought to achieve a new tensional deliverance. As a consequence, images were created in destructive and incomplete forms. Graphic design also complied with this new code and its advent fascinated the artists in the fields of advertising, editorial and poster designs. This paper contends that contemporary graphic design still maintains a deconstructive representation, examines its locality in design works from an aesthetic viewpoint, and researches theoretical approaches to deconstructionist and case studies conducted domestically. There has been incessant critical contradiction in terms of the heritage of deconstruction. I would like to present you with a moment in which you can struggle to decide whether it is a result of an effort to get away from modernism or an offspring of postmodernism.

• 한국콘텐츠학회논문지
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• 제14권12호
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• pp.694-705
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• 2014

스마트 미디어의 등장은 미디어에 대한 정의와 범위 뿐 아니라 이용의 개념까지 새로운 격변에 몰아넣고 있다. 미디어 이용이 다중화 되는지 아니면 하나의 미디어로 수렴되고 있는지, 또는 이런 미디어 이용 변화가 일상생활에는 어떤 영향을 미치고 있는지 등에 대한 논의가 그것이다. 다중 미디어 이용 현상에 대한 기존 연구와는 달리, 이 연구는 '미디어 레퍼토리'를 이론적 근거로 삼는다. 하지만 많은 기존 연구들은 미디어 레퍼토리에 따른 이용 현실을 결코 완전하게 설명하지 못한다. 즉 레퍼토리 유형을 설정하고 유형별 이용 시간 등이 어떤 차이가 있는가에 대해 언급함으로써 끝을 맺는다. 이 이론의 현실 설명력을 높이기 위해서는 이용시간 등과 같은 정태적인 분석뿐만 아니라 미디어 레퍼토리 유형별로 일상생활이 어떻게 달리 구성되는지 등과 같은 동태적인 분석이 필요하다. 이 연구는 그 동안의 미디어 레퍼토리 관련 연구의 한계를 지적하고, 이에 근거해 미디어 레퍼토리와 일상생활 간의 관계를 검증함으로써 관련 연구의 지평을 넓히고 있다.

• 만화애니메이션 연구
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• 통권10호
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• pp.33-53
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• 2006

본 논문에서는 한국 근대사회 대중문화의 신총아(新寵兒)로 자리매김 된 만화의 특징을 분석하고 그 사회적 의미를 밝혀 한국만화의 역사적 위상 정립을 위한 연구를 목적으로 하였다. 만화가 학문으로서 연구 영역을 확대하고, 한국 사회 속에서 독특한 대중문화장르로 자리매김하기 위해서는 태동기부터 한국만화가 갖는 역사적 위상을 고찰하고 정립해 나가는 것이 필요하다. 만화는 시각문화로 문맹률 높던 근대한국사회에서 커뮤니케이션 매체의 목적을 훌륭하게 실현한 장르였다. 이 시기 근대만화의 등장은 격변기(激變期) 대중을 계도(棨導)하며 주권회복운동을 펼쳐 나갔던 개화파 지식인들에게 중요한 선전 ${\cdot}$ 교육의 도구였으며, 역으로 친일의 수단이 되기도 하였다. 또 영리를 목적으로 매체를 운영하던 신문사(출판사)들에게는 중요한 독자 확보의 수단이었다. 이러한 측면에서 본 논문은 1900년대 초반부터 1945년 일제강점기에서 해방을 맞는 시기까지를 한국만화의 태동기로 보고 그 특징을 밝혀 보고자 한 것이다.

• The International Journal of Costume Culture
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• 제3권3호
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• pp.212-222
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• 2000

This study intends to observe how the essential elements of art have changed Human's sense of beauty extending over the whole lives as well as fashion through the investigation of Light and Rays which have played a important role in giving birthe to the new trend of art within the upheaval age of various cultures. The peculiarities of which Futurism of Italy and Rayonism of Russia including Impressionism have a great role in giving birth to a new trend of art by means of the development of science technology are like these. Impressionists looked for the origin of the subtle harmony in nature within changes of sun-rays. The special feature of Impressionism paintings was to express the line of vision diversely according to changes of light rather than to focus on the line of vision with clear outlines. Henceforth, Neo-Impressionism which developed Impressionism more systematically leaded changes of Light and Rays more systematically and scientifically and maintained Divisionnisme techniques which extends to lead towards color and light through dividing and juxtaposing color. In the early 20th century Futurists tried to express dynamism through the interpenetration of light and revive color and light through the division techniques of color and persist an artificial light like eletricity rather than a natural light. Rayonism of Russia which was ifluenced from Impressionism and Futurism maintained intersection of reflecting rays which emerges from an object of things more deeply. This pursuit of light and rays also light and rays also appears as it is in modern fashion. First, it is the fashion which applied sun-rays persisted by Impressionists and expressed colors which show differently according to direction of light. Second, it is the fashion design which re-analyzed what Futurists expressed artificial light and rays. Third, it is the design which expressed Divisionnisme theory persisted by Impressionists and Futurists into fashion as it is and was made of being divided the form of glittering light into small dots. Fourth, it is the fashion design which applied Rayonists'work which applied intersection of reflected rays. Like this, it is aproved that the pursuit of light and rays expresses as it is in modern fashion of the 21st.

• 대한토목학회논문집
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• 제4권2호
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• pp.89-99
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• 1984

본(本) 연구(硏究)는 1.5 shot system의 대형약액주입장치(大形藥液注入裝置)에 의하여 물유리계 약액(藥液)을 주입(注入)시켜 고결토(固結土)에 대한 공학적(工學的) 특성(特性)을 구명(究明)하고 물유리계의 부족(不足)한 강도증대(强度增大)를 목적(目的)으로 보통포틀란드 시멘트를 병용(倂用)하여 그 주입효과(注入効果)를 판정(判定)한 것이다. 약액주입효과(藥液注入効果)는 지하수(地下水)의 유속(流速), 온도(溫度), 시료토(試料土)의 입도분포(粒度分布), 밀도(密度), 주입재(注入材)의 농도(濃度), 점도(粘度), Gel time, 주입량(注入量), 주입압력(注入壓力) 및 주입방식(注入方式) 등(等)에 좌우됨을 알고 이들 요소간(要素間)의 상관관계(相關關係)를 비교분석(比較分析)하였다. 현장주입시험(現場注入試驗)을 통(通)하여 유수중(流水中)에서의 희석(稀釋), 유실(流失)을 막아 주입효과(注入効果)의 증대(增大), 지반국부전단파괴(地盤局部剪斷破壞) 또는 지반융기현상(地盤隆起現象)에 대하여 검토(檢討)하였다.

• 지질공학
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• 제15권4호
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• pp.475-486
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• 2005

지구조 운동에 의한 지질구조선의 생성과정을 추정한 결과 화강암체 융기 후 2회, 미고결퇴 적층 퇴적 후 2회 등 모두 4회의 침강작용으로 대규모 지질구조선이 생성되었으며 침강작용은 동북동-서 남서 방향의 인장응력 과 북북서-남남동 방향의 압축응력에 의해 일어났다. 함덕과 신흥지역의 응회암 및 미고결퇴 적층이 인접한 동서지역보다 $70\~140m$ 정도 더 깊이 분포하고 화강암도 $50\~500m$ 정도 더 깊이 분포하는 것은 함덕지역에서부터 신흥리를 포함한 표선지역까지 3회의 차별 침강작용에 의해 함덕-표선 지구대가 형성되었기 때문으로 해석된다.

• 대한원격탐사학회지
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• 제21권1호
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• pp.91-98
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• 2005

On board satellite magnetometer measures all possible magnetic components, such as the core and crustal components from the inner Earth, and magnetospheric, ionospheric and' its coupled components from the outer Earth. Due to its dipole and non-dipole features, separation of the respective component from the measurements is most difficult unless the comprehensive knowledge of each field characteristics and the consequent modeling methods are solidly constructed. Especially, regional long wavelength magnetic signals of the crust are strongly masked by the main field and dynamic external field and hence difficult to isolate in the satellite measurements. In particular, the un-modeled effects of the strong auroral external fields and the complicated behavior of the core field near the geomagnetic poles conspire to greatly reduce the crustal magnetic signal-to-noise ratio in the polar region relative to the rest of the Earth. We can, however, use spectral correlation theory to filter the static lithospheric and core field components from the dynamic external field effects that are closely related to the geomagnetic storms affecting ionospheric current disturbances. To help isolate regional lithospheric anomalies from core field components, the correlations between CHAMP magnetic anomalies and the pseudo-magnetic effects inferred from satellite gravity-derived crustal thickness variations can also be exploited, Isolation of long wavelengths resulted from the respective source is the key to understand and improve the models of the external magnetic components as well as of the lower crustal structures. We expect to model the external field variations that might also be affected by a sudden upheaval like tsunami by using our algorithm after isolating any internal field components.

• 한국어학
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• 제71권
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• pp.1-22
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• 2016

The early 20th century is a period of time when Korea confronted with the surging waves of modernization, and made a variety of internal reactions. The Korean language, not immune to the upheaval, also experienced new changes and gradually gained characteristics of today's Korean. Although scholars have not yet fully agreed upon the time division of Korean, Gabo reformation (1896) is usually considered to be the beginning of modern Korean. Thus, the early 20th century was also the beginning of modern Korean. Phonological, lexical, and grammatical characteristics of modern day Korean began to appear during this period of time. Phonologically, the 10 vowel system was established, glottal sounds and aspirated sounds increased, vowel harmony declined. Phenomena such as vowel raising, front-vowelization, monophthongization, and the word-initial rule appeared. Meanwhile, hangul-Chinese mix writing became common practice, and hangul-only writing also started to take place in narrative writing, and elements of spoken language began to reflect in written language. All those pointed to the unification of written and spoken language. Under the influence of modernization, a great amount of new words appeared. Especially, Japanese and other foreign words flooded in in great quantities. Grammatically, '-eos-(-엇-), -neun-(-는-), -ges-(-겟-)' trichotomy system of tenses was established, and hearer-oriented honorific system also formed a binary system of 'hasoseo(하소서), hasibsio(하십시오), hao(하오), hage(하게), haera(해라)' and 'hae (해), haeyo(해요)'. In word formation and sentence construction, the use of '-gi(-기)' became more frequent than '-eum(-음)', while '~geot(~것)' also significantly increased. In negative, causative and passive expressions, the use of long form, which has fewer restrictions than the short form, became more frequent. A tendency towards simplicity appeared. In the same vain, long and complex sentences with several clauses tend to be avoided. Instead, short simple sentences became more favorable. Korean linguistics scholars should pay closer attention to the modernization period, which includes the early 20th century. In order to fully understand today's Korean language, more thorough research on this immediately preceding period is necessary.

• 영미문화
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• 제14권2호
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• pp.207-232
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• 2014

Scholars have considered Chaucer's House of Fame mostly as an ars poetica, in which the poet explores new poetic principles and subject matters, while making few attempts to understand the poem in its historical and social contexts. Investigating the nature of the "tidings" that Chaucer suggests as the new source of his poetic inspiration, this paper argues that the house of Rumor was modeled after late fourteenth century English society that experienced increased appetite for news. The political upheaval during the period from the English Rising in 1381 to the reign of Henry IV in the early fifteenth century produced an unprecedented amount of written and oral propaganda. The proliferation of seditious rumors as well as protests and promulgations during this period indicates how seriously medieval society was engaged with the circulation of news. Particularly, the case of John Shirle in 1381 and the legend about the survival of Richard II demonstrate the subversive power of medieval rumor that often served as a political discourse with which people expressed their oppositions to government. Conspicuous in the activities of both the government and late medieval political protestors was the extensive use of writing. The posting of bills in public places continued until the fifteenth century, when such activities became so common and dangerous that the government had to issue proclamations forbidding the circulation of such seditious writings. The number of extant royal proclamations, written protests, and pamphlets demonstrates that already in the late fourteenth and fifteenth centuries the notion of a discursive public space began to emerge. Whether written or orally transmitted, news and rumor circulated in late medieval England, creating a social space in which people shared their political opinions before the introduction of the early modern print culture. In The House of Fame Chaucer calls attention to the subversiveness of rumor, its potential as a public discourse, and the power of written communication in creating truth in order to appropriate these characteristics for his English poems.