• 한국지구과학회지
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• 제33권1호
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• pp.94-109
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• 2012

본 연구는 국내 주요 과학관 및 자연사 박물관의 지구과학 관련 전시 라벨 텍스트의 서술 특징을 분석하고자 하였다. 이를 위해, 국립 중앙 과학관과 서대문 자연사 박물관에서 자료를 수집하였고, 체계기능언어학을 일부 적용한 분석틀을 사용하였다. 연구 결과, 라벨들은 1) 대부분 평서형 문장, 2) 적절한 과학적 정보의 양, 3) '사실' 위주의 정보 제시, 4) 모두 논리적 설명 장르로 구성되어 있었다. 특히, 국립 중앙 과학관의 라벨들은 5) 전체 어휘 중 과학 용어의 비율이 높고 6) 주어의 절반 이상이 생략되거나 긴 명사화 형태였다. 결론적으로, 분석 대상 라벨들은 전시물과 관람객들 사이에서 과학 문화에 관한 양 방향적 의사소통을 이끌기보다 일 방향적인 의사소통을 일으킬 가능성이 높은 것으로 해석할 수 있었다. 이를 토대로, 과학 문화와 관람객의 일상 문화 사이의 열린 구조를 만들어 보다 교육적으로 유의미한 의사소통을 가능하게 하는 라벨 텍스트의 서술 특징들을 제안하였다.

• Journal of Information Display
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• 제12권3호
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• pp.159-165
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• 2011

This research entailed the production of stereoscopic 3D (S3D) contents using 2D-to-S3D conversion for exhibition at a museum and subjective evaluation. Hybrid production combining S3D images of existing live-action videos using the 2D-to-S3D conversion technology and computer graphic ones created via stereo rendering was conducted. Design and control of the chronological analysis of the parallactic angle was conducted on the produced contents, using binocular information as well as subjective evaluations, with the intent of conducting an investigation on the characteristics of such contents from the perspectives of the producers and viewers. An investigation was also conducted on the effects of the viewing position on the impressions of the S3D images.

• International Journal of Contents
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• 제7권3호
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• pp.38-47
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• 2011

The present research has created and evaluated contents capable of work appreciation visitors changing their viewpoints on their will by introducing mobile exhibition exposition devices (iPad) for large exhibition museum. Various exposition contents of usually invisible parts or those provided in accordance with user positions drew visitors' attentions and improved museum experience satisfaction. Utilization of digitalized exhibition information generated activeness in viewing and new communication between exhibition and a visitor instead of the conventional exhibition exposition.

• International Journal of Advanced Culture Technology
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• 제9권2호
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• pp.1-9
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• 2021

Focusing on China's profound historical/cultural heritage, as well as its favorable environment for the expansion of cultural and creative industries (CCIs), this paper considers the unique attributes of Chinese museum cultural and creative products (MCCPs) from the angle of cross-border development, and summarizes the main forms and effects of cross-border innovation in relation to Chinese MCCPs. It also examines the chief problems of Chinese MCCPs' cross-border growth at three levels - the national policy system, product development, and design and marketing - to explore countermeasures and suggestions for cross-border novelties and the advancement of products.

• 식물분류학회지
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• 제51권1호
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• pp.100-102
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• 2021

The chromosome number of myoga ginger (Zingiber mioga (Thunb.) Roscoe: Zingiberaceae) has been reported as 2n = 22 for Chinese plants and 2n = 55 for Japanese plants. We checked the chromosome number of Z. mioga in plants collected in Jeollabuk-do and Jeollanam-do, Korea, and counted 2n = 44, the first report of this number for the species. As the basic chromosome number of Z. mioga is thought to be x = 11, Z. mioga plants in China, Korea, and Japan appear to be diploids, tetraploids, and pentaploids, respectively. In finding the tetraploid race of Z. mioga in Korea, we can hypothesize that the pentaploid race in Japan is derived through the fertilization of reduced gametes of the diploid race and unreduced gametes of the tetraploid race.

• 한국정보통신학회논문지
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• 제17권11호
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• pp.2723-2728
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• 2013

스마트폰의 대중화로 인해 개인별 취향에 따른 생활의 변화와 개인의 맞춤형 서비스에 대한 관심이 증가하고 있다. 이러한 시대적인 변화에 맞춰 공공기관과 박물관 그리고 과학관에 이르기까지 개인별 맞춤형 서비스에 대해 관심이 증가되고 있으며 이를 충족시키기 위한 시스템의 변화가 나타나고 있다. 특히 박물관, 미술관, 과학관은 관람이라는 공통되어진 요소를 가지고 있으며, 단체 관람과 개인별 관람형태로 이루어지고 있다. 박물관과 과학관은 미술관과는 달리 역사와 과학교육이라는 대 국민적인 목적이 담겨져 있으며, 테마파크와는 달리 엔터테인먼트와 교육을 병행해야하는 공공기관으로서의 역할이 있다. 이러한 목적을 달성하기 위해서는 전시물에 대한 충분한 몰입도를 높여야 하며, 그와 병행하여 전시물에 대한 연령대별 설명이 부가되어야 한다. 따라서 본 연구에서는 효율적인 관람 서비스를 제공하기 위해 증강현실을 이용한 엔터테인먼트 기능과 교육을 함께 병행할 수 있는 효율적인 방안에 대하여 연구하고자 한다.

• 복식
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• 제34권
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• pp.109-120
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• 1997

The conservation of collections in muse-ums is an important aspect for our her-itage. The control of museum environment is a vital factor in the preservation of cool-lections. Inappropriate or fluctuating envi-ronmental conditions can cause irreparable damage to works of arts. In this research we investigated the ac-tual conditions of museum environment for old testiles using questionnaire and mea-sured dye fasing of old textiles on exhibi-tion for 2 months in a university museum the major results are as follows: 1. The control of temperature and rela-tive humidity is a vital factors I the preservation of old textiles in museum generally acceptable temperature and rel-ative humidity standards for old textiles are 18-23$^{\circ}C$ and 50-65% R. H and light level for textiles on exhibition should be limited to 30-50 lux. 2, In university museums the limate control system in exhibition and storage area is in an early stage. Therefore to minimize the deterioration of old textiles the best method of controlling the envi-ronment is to have centralized climate control system in sorage area as well as in display area. 3. Conservator is needed to maintain collections scientifically. Only professional conservator by combining scientific tech-nical and artistic training has the exper-tise needed to maintain the physical in-tegrity of old textiles. In order to solve the inferior environment of museums the staff should recognize the importance of the condition of exhibition and storage. 4. Old textiles are susceptible to damage by light and associated heat. Dyed textiles which have been exhibited under the light without any UV filter were faded notice-ably within two months of exhibition. Light levels for textiles on exhibition should be limited to 30-50 lux. It is de-sirable to use special light source that can absorb UV. and UV filter is also recom-mended to reduce photodegradation of old textiles.

• 조명전기설비학회논문지
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• 제29권4호
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• pp.37-46
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• 2015

Lighting in a fashion shop has an effect on customers, highlights the products on the shelf, and has become more important. Even though lighting has a significant effect on customers, the studies on fashion shop lighting have primarily focused on how to create lighting which can influence customers' purchase behavior, and their awareness and expectation. On the contrary, it's been hard to find a study on a quantified fashion shop lighting plan considering customer confidence. In a current fashion shop lighting plan, display lighting is planned indiscreetly. Therefore, this study conducted an investigation of the light environment of the current fashion shop and museum exhibits lighting. Through such processes, the possibility of applying fashion store display lighting environments was investigated. Finally, for the assessment of museum exhibitions lighting applying fashion store display lighting environments, a subjective evaluation method using light simulation was proposed.

• 보존과학연구
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• 통권6호
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• pp.247-258
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• 1985

Conservation laboratory was attached to Keimyung University Museum inMarch 1980 and ever since it has been devoted mainly to the processing andconservation of metal objects. A number of objects have been processed inthis laboratory during the period, including those already in the collection ofthe Museum, those which were discovered during the three major excavationsof Kaya tombs conducted by the Museum, and those processed on commissionfrom other museums in the country,The activities of this laboratory include: (1) conserving the objects againstfurther erosion; (2) raising the archaeological value of the objects by revealingthe structure of such parts of the objects as concealed under rust; and (3)recovering the original shape of damaged objects.The methods adopted by the laboratory include: (1) removing from theobjects the ionized chlorine which usually are the major cause of erosion; (2)strengthening the objects by soaking them in acrylic resins; and (3) applyingresins to the surface of the objects to protect them from further erosion.Chemicals much employed by the laboratory includes the acrylic resin(Ruschot; developed jointly by the Cultural Property Research Institute ofKorea and Samwha Paint Company), the sodium sesquicarbonate, the sodiumhydroxide, the lithium hydroxide, and the benzotriazole.Major apparatus in the laboratory includes the vacuum immersion tank, theairbrasive, the ultrasonic cleaner, the pH-ion meter, the water bath, the zoomstereo microscope, the drying oven, and the drill.

• 박물관보존과학
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• 제7권
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• pp.11-24
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• 2006

판갑은 고대의 무기와 철제품 제작기술을 그대로 반영하는 중요한 문화재이다. 철제갑옷 중 횡장판갑의 출토사례는 매우 드물며 망이산성 출토 판갑처럼 그 형태가 완형인 유물은 그리 많지 않다. 이번 보고서에서는 응용 가능한 비파괴 방사선 조사에 의한 횡장판갑의 방사선사진 및 과학적 보존처리를 통하여 나타나는 고대 판갑제작기술을 검토해 보았다. 7단 구성의 망이산성 출토 판갑은 고리경첩으로 우전동이 개폐되는 형식이다. X-선 사진의 판독결과 판겹침과 천공간격으로 고대판의 철포복륜 및 우측협부의 혁포복륜이 확인되었으며, 착장시 어깨걸이를 연결한 것으로 보이는 투공도 관찰되었다. 특히 천공과 병뉴기법에 있어, 하나의 병이 세판 이상을 연접하는 것을 피하고 있음을 확인하였다. 이는 기술적인 한계를 극복하고 판갑의 기능을 살렸음을 보여주는 중요한 자료이다.