• 건축역사연구
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• 제1권1호
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• pp.228-239
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• 1992

I'm going to endow with any characters to the mixed history of Korean Contemporary Architecture, and rearrange the relations between motive of transfer and the ideology which is concluded in expression through considering the transitional period which is based on the modernity, tradition and additional area such as ideology, politics, technology, literature, sculpture and painting etc. This abstract explain only characters of revivalism in Korean Contemporary Architecture. Revivalism have some complexed nationalistic leanings. Our transitional succession returned to revivalism that is limitted by its form. Of course, that is dued to complexed operating such as the Ideal Nationalism against the severance of our culture which had been done by Japan, the Superior Nationalism which is developed by antagonism of our own ideology was dued to dividing into sections of our own country, and the Resistant Nationalism against foreign culture.

• 한국의류학회지
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• 제24권5호
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• pp.702-713
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• 2000

The purpose of this paper is to deeply understand the transitional concept of gender expressed in the later 20th century fashion through analyzing of various literature. Gender is constructed in the context of social and culture different than sex which is inherent difference between man and women. Thus the concept of gender can be changed according to change of social and culture. There are imposing changes in gender since 60's owing to various factors; namely, feminism, subculture, deconstruction, development of technology, market economy, changing sex roles, etc. Especially in the 60's to 70's, as radical changes were took place, gender became vague more and more. Finally these days there is no fixed gender. In terms of meaning, there may be a number of genders-since there are as many meanings of sex as there are people who have thought about it. That is, sex is, gender means. Sex exists in itself, and is sublimely indifferent to what humans think of it, However gender is all the meanings we assign to sex. In accordance with this phenomena, people don't mind their sexes with appearance. There is only different disposition and taste.

• 한국임상수의학회지
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• 제21권1호
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• pp.62-65
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• 2004

A 13-year-old, male Maltese was refered to Veterinary Teaching Hospital of Konkuk University with inappropriate urination and hematuria. CBC, serum chemistry profile, urinalysis and urine culture were performed. Malignant cells were found in the urine sediment. Thoracic and abdominal radiography, retrograde positive-contrast cystography, retrograde double-contrast cystography, excretory urography, ultrasonography were performed. On the retrograde positive-contrast cystography examination, irregular filling defects were present on the left side of the cranial part of the bladder. Partial cystectomy performed and then medical therapy was conducted. On histopathological examinations, the lesion was confirmed as a transitional cell carcinoma of the urinary bladder.

• 복식
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• 제67권4호
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• pp.131-152
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• 2017

The purpose of this study is to analyze modern fashion culture in the 20th century through changes in transmedia in order to better understand characteristics of fashion contents. The study also strived to identify the characteristics of remediation in modern fashion and media by exploring the cultural code, and use it to establish an integrated view. The subjects and the method of the study are as follows. First, the study analyzed the development of transmedia and fashion culture since the 20th century. Second, it identified the transitional characteristics of transmedia. Third, the study analyzed the characteristics of remediation in modern fashion culture by using the characteristics of mediation, which appeared with the transitional characteristics of transmedia. The study results are as follows. First, the types of remediation are 'borrowing,' 'Representation,' 'Expansion,' 'Refashion,' and 'Absorb.' In old and new media, each type can be aesthetically experienced in 'transparency,' opaqueness,' 'Hypermediacy,' and 'Immediacy.' Second, fashion culture can undergo a transformation from its original form to a second and a third iteration, and this process allows for possibility of an expansion of multiple plots and well-rounded character settings. This opens up the possibility for fashion consumer participation, and signifies a transition into an environment where expansion of time and space is possible. The third finding is the non-mediation of fashion objects. The mediating relationship between clothes and media is directly connected to the development of new media. The immersion of new media by fashion consumers has the characteristics of 'transparency'/'Non-mediation,' and the reinterpretation and reproduction of original fashion styles have the characteristics of 'opaqueness'/'Hyper-mediation.' Fourth, fashion culture has data variability. Through 'Borrowing,' 'Representation,' 'Expansion,' 'Remodeling,' and 'Absorption,' the cultural hierarchy of reproduced fashion forms a multi-layered integrated network. Mediation code, which repurposes fashion culture contents, also creates new media fashion through transmedia.

• 동아시아경상학회지
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• 제6권3호
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• pp.16-23
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• 2018

Purpose - 2013 to 2014 was a transitional situation in which China's Smartphone industry was fluctuating. So in this paper, we will look at the strategies and achievements of Xiaomi, a company that has emerged in this situation and topped the market share. In particular, the purpose of this paper is to analyze why Xiaomi, which is considered a copycat, was able to succeed in the smartphone market four years after entering the market and analyze its strategy. Research design and methodology - Various secondary data are to be used for this study. Using various newspaper articles as well as corporate reports, the company analyzes the transitional situation from 2013 to 2014 and the competitors together. Through these analyses, Xiaomi's strengths are selected objectively and analyzed to identify the factors that made Xiaomi successful. Results - After China's transitional shift in 2014, Xiaomi brought about a 152.3 percent share change over the previous year. In addition, it surpassed Samsung Electronics, which has been the industry's No. 1 player, in 2014, and achieved the No. 1 ranking with a 16 percent share. Xiaomi Mi4's phone had a strong point of maintaining low price while being loaded with high performance. Conclusions - Xiaomi's success is because its price and performance was excellent. Xiaomi's Mi4's specifications were not far behind its competitors', but it was very cheap compared to its competitors' prices. They also valued software and used talent-oriented human resource strategies. Plus, it created the 'Mifan' culture successfully and benchmarked the strengths of its competitors smartly.

• 헤리티지:역사와 과학
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• 제42권1호
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• pp.100-121
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• 2009

본 연구는 1920년대 외암리 민속마을을 사례로 정원의 전환기적 양상에 대해 정원요소를 중심으로 다루었다. 이 시기에는 사회 경제 문화적 변화에 따른 종래의 전통적 정원양식과 다른 양식의 정원구성요소가 나타날 것이라는 가설하에 정원구성요소로 수경, 식물, 구조물, 포장 등의 변화를 중심으로 고찰하였다. 연구결과는 다음과 같이 요약될 수 있다. 전환기적 시기인 1920년대는 외부적으로는 외세의 영향과 안으로 실학사상, 개화사상과 더불어 신분제도상의 붕괴조짐이 정원설계요소 변화의 요인으로 작용하였다. 외세의 영향으로 외래양식의 도입과 외래수종의 사용이 증가하였으며, 내부적 신분제도상의 변화는 정원양식의 탈규범화를 촉진하여 상위지향적 형태 및 재료의 사용과 공간기능의 변용을 초래하였다. 전환기적 정원의 특성이 나타나는 정원 조영자는 신분제도상의 붕괴에 불구하고 경제력을 바탕으로 새로운 사회변화에 지배계급으로 위치를 공고히 한 상류계층에 국한되어 있으며, 식민치하의 사회 혼란상으로부터의 도피적 행태나 선진문물을 선구적으로 받아들이는 행위를 통하여 정원의 변화에 직 간접적으로 영향을 미치게 된다. 이의 결과로, 자연에 심산 유곡에 위치한 정원의 입지와 지형처리기술을 발달시켰으며, 외래의 양식을 차용하고 사랑마당 정원을 변모시키는 정원조성행태를 보이게 된다. 정원의 배치 및 공간구성에서 전환기적 양상이 두드러진 유형은 건물과 마당(내원)으로 공간구획의 유형이 가장 높은 빈도를 보이고 있는데, 이는 전환기적 정원설계요소의 출현이 빈번한 유형으로 수경관의 형태와 정원공간의 변화는 사랑 마당을 중심으로 변화하고 있으며, 외래적인 요소의 영향이 지대한 수경관과 수목, 점경물 등의 도입이 주요한 공간변화를 일으킨 요인으로 볼 수 있다. 전환기적 정원요소로 수경관에서는 계류를 중심으로 한 부정형지의 회유식 연못이 주를 이루며, 식물은 전통수종이 주를 이루는 가운데 외래수종과 토피아리형 수목인 상록침엽수, 관목류의 출현이 두드러지며 건조물은 외래형식이 가미되고 점경물은 형태와 배치기법 등에 변화가 나타나며 원로가 자주 사용되기도 한다. 전환기적 정원조성기법의 특징은 적극적인 지형처리기법과 정원소유를 위한 영역성의 증대, 정원재료 및 형태의 변화와 양식의 혼재, 정원의 장식미 추구, 정원 내 의식공간의 퇴조, 동선처리 기법의 변화, 차경에서 선경으로의 취경기법의 변화, 사랑마당 공간 변화, 정적인 정원감상기법에서 동적으로의 변화 및 은유에서 직유로 정원표현기법이 달라지고 있다. 또한 정원을 중심으로 한 내부지향적 시각구조로의 변화를 들 수 있다. 본 연구는 한국전통정원의 정체성을 찾고자 하는 일환으로 전통과 현대의 교량 역할을 하는 근대시기에 대해 접근해 본 것으로 시기적 양상은 전통정원에서 근대정원으로 전이되는 전환기적 양상을 중심으로 고찰한 것이다. 향후, 한국조경사의 한 부분으로 근대조경의 시기가 인식되기 위해서는 보다 많은 사례의 다각적인 접근을 통한 연구가 지속되어야 할 것이며, 이는 추후 과제로 삼는다.

• 가족자원경영과 정책
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• 제20권2호
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• pp.75-98
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• 2016

This study examines the work-life balance designing of new employees using qualitative research. Eight new employees at foreign IT companies in Korea were interviewed in two groups composed of two male workers and two female workers. The research determined two main themes and seven sub-themes related to the participants work-life balance using theme analysis. The first main theme was 'working conditions' which had sub-themes, 'performance-based system in foreign IT companies', 'flexible working conditions', 'family-friendly company culture', and 'positive evaluation of the company'. The second main theme was 'work-life balance' which included the sub-themes, 'changing priority during transitional periods of life', 'work-family balance designing as a family unit', and 'difficulties balancing between work and family'. The results revealed that workers prospected that flexible working condition might solve the demands of the child-rearing period and that work-family balance was determined as a family unit. Additionally, there were gender differences in the relationships between working conditions and work-life balance.

• 한국실내디자인학회논문집
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• 제26권5호
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• pp.143-151
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• 2017

This study aims to analyze the design of public libraries which act as anchors in culture-led urban regeneration. They have been built as city's symbols as well as catalysts to revitalize city centers and urban spaces since the 1990s. This study finds that the public libraries play roles in the urban development as cultural icons, multi-functional spaces, and public domain. This study examines the five examples of the libraries and finds their important design qualities as follow. First, public libraries are planned to symbolize local culture and history as cultural icons. The shapes of public libraries are expressed with sculptured cultural icons, while their facades are designed to signify cities' identities and images. Second, public libraries in culture-led urban regeneration have multi-functional spaces which provide diverse activities and experiences to visitors. The libraries often have galleries and theaters for cultural life, cafes and shops for daily uses, educational facilities, as well as public services, parking, and transport systems that connect to urban infrastructure. Third, the public libraries become the anchors of surrounding public spaces and cultural buildings. The libraries have the sequences of approach from entry plazas, transitional zones, and entrances to lobbies. Especially the transitional zones between the libraries and the cities that are covered with giant cantilevers expand the libraries' space and establish attractive urban spaces. Forth, the libraries employ nature and cityscapes in their design. The surfaces and openings of the libraries are adjusted to allow many attractive views to visitors. Fifth, the libraries have big lobby spaces which are the centers of the buildings as well as the public domain. The lobby spaces are designed as in-door spaces like out-doors with vertical and horizontal openness that allow the natural flows of light from ceilings, glass walls and vertical voids.

• 한국의류학회지
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• 제42권3호
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• pp.544-559
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• 2018

Korea's traditional aesthetic criterion changed with a new makeup culture that followed the social change caused by modernization. Such transitional features are well seen in the cosmetic advertisements of the 1920's and 1930's. To investigate the cultural characteristics and aesthetic-criteria changes of makeup culture at this period, this thesis analyzes cosmetic advertisements carried in newspaper media of the 1920's and 1930's from an aesthetic perspective. This study found that after the late 1920's, more diverse tones were used for face-powder makeup, collapsing the visual, powder-focused makeup which had been considered criteria for beauty, in combination with smelling and tactile senses such as scent or touch. Domestic makeup had the highest value attached to basic skincare in terms of the aesthetic effect via powder makeup; however, Japanese makeup still stressed the importance of color. Besides, particular facts were found as to social significance of makeup acts such as powder users' age group, safety, superiority and rivals of products, and appeal for makeup popularization. This thesis demonstrates how traditional female beauty appears in powder advertisements in the modern period and how it is related to present-day female beauty.

• 가정과삶의질연구
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• 제21권5호
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• pp.155-170
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• 2003

This paper will provide a basic analysis of traditional wedding artifacts as they appear on museum websites and their value for scientific research. The results of this study are as follows: 1. There were a total of 115 wedding artifacts(72 written documents related to weddings, 43 marital items) on the website of a museum. Most of them were related to the latter half of Cho-sun Dynasty. From these artifacts, we may understand the culture surrounding wedding during the transitional period from the Cho-sun Dynasty to modem time. 2. By analyzing such wedding artifacts, we can supplement existing methods of study such as literature research and case histories. In this way, we may better understand the history and culture of weddings. 3. In order to gain a deeper understanding of the culture of weddings we need to adopt a more interdisciplinary approach of wedding artifacts.