• 대한가정학회지
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• 제18권1호
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• pp.97-109
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• 1980

In Korea, the collapse of traditional Patriarchal family system has caused the weakening the patriarchal authority which represents the decrease of traditional attitude of respect for old age, influenced by the strong tendency of Materialism in ethics. The urgent problem is how to solve the conflicts of the alienation almost every old people has felt from the society and family which they belong to and how to harmonize the respect for old age who used to have had in the past. From 21st to 30th of July 1979, I explored the small village in Cheju Island with eight students which I selected on purpose that village had preserved the traditionalism. I collected the interview data form a sample of 221 persons of the village in Cheju Island. I studied this small village in Cheju Island for the intention of suggesting the ideal model of regional society which both traditional and non-formal, although the phenomena of nuclear family system and materialism and industrialism are overwhelming in ur present society. Generally people in Cheju Island are economically poor and major occupation is farming, since the industrialization proceeds very slowly and there still strongly remains the traditionalism. Alienation and dissatisfaction of old people from their family and society in Cheju island are less common in comparison to the main land. Old people in Cheju Island usually value the importance of labour. Divison of labour has been well observed in farming, and men and women in Cheju island are equally regarded in comparison to the main land. Old people are independent economically and spiritually from their offsprings and they organize the nuclear family system firmly. Also the old generation is ready to compromise with the new generation and they defy the authoritariansim.

• 대한가정학회지
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• 제43권10호
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• pp.1-23
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• 2005

This study proposes design factors for Korean style ecological apartment for application in Cheongju. Library and internal surveys were performed to summarize the concept of locality in housing and to determine the present condition of apartment estates which were introduced with design factors according to locality, traditionalism, or ecology, fold surveys were carried out at 10 apartment estates to investigate the present condition of management and residents's un. The interviewees were concierges and representative residents. The following design factors for Korean style ecological apartment to be applied in Cheongju were proposed; layout and building shape according to climate as natural environment, landscape factors according to cultural assets as human environment, adolescent spaces according to population as social environment, road plan according to 'Cheongju Garosu-Gil' civil environment.

• 비교문화연구
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• 제20권
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• pp.323-346
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• 2010

This study reviews critical literatures regarding Asian cinema, focusing on studies of Japanese cinema, to show that Western scholarship on non-Western national cinemas have been divided into two approaches: traditionalism and modernism. It argues that such a division is not merely a critical tendency but indicative of the fact that a national cinema is an internally divided construct. To support the point, this study examines Chinese film studies conducted by Chinese film critics and the history of South Korean cinema during the 1970s and 80s. Then, it proposes the hegemony model to theorize the inner structure of national cinema. It finally suggests the possibility of comparative film study that the national cinema thesis may activate.

• 조형예술학연구
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• 제7권
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• pp.128-149
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• 2005

주사총은 중국의 현대 미술문화를 형성하는 시기에 중요한 영향을 끼친 여성 화가이다. 그는 1939년에 태어나 1996년에 사망하였는데 중국 정치 사회의 격변기를 지나면서 그 영향을 받았다. 그의 실제적인 작품 활동 기간은 중국 '문화대혁명'이 끝나고 1978년부터 약 1990년까지 약 13년밖에 되지 않는 짧은 기간이다. 특히 1985년 이후 류마티스 관절염에 의해 그림을 그릴 수 없을 정도로 사지가 뒤틀리는 고통 속에서도 틈틈이 그림을 그리는 창작렬을 보였다. 주사총의 작품의 변환을 보면 크게 '리얼리즘의 표현시기', '<광공도>의 표현시기', '이족(彛族)의 표현시기', '연화(蓮花)의 표현시기'로 나누어 볼 수 있다. 그의 작품 가운데 <광공도>는 많은 사람들에게 충격을 주었으며, 중국의 현대인물화에 있어서 전환적인 영향을 끼쳤는데 중국의 전통적인 인물화 표현에서 벗어나 화면을 분할하고, 인물을 변형하거나 왜곡시켜 새로운 인물화를 보여 주었다. 주사총 작품세계의 특성은 '전통성', '리얼리즘', '역사성'의 표현으로 볼 수 있다. 주사총은 중국 전통 회화표현을 바탕으로 서양의 표현과 자신의 개성적 표현을 더했으며, '문화대혁명기' 때는 인물의 실사표현을 통한 리얼리즘을 보여 주었다. 그리고 '이족'을 나타낸 작품들에서는 그들 삶의 모습들을 생생하게 그려내었다. 일제 만행의 역사적인 기록을 바탕으로 <광공도>가 이루어진 것에서는 '역사'를 재해석하여 화면을 구성하는 창의성을 볼 수 있다.

• 사회복지연구
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• 제42권4호
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• pp.389-412
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• 2011

본 연구의 목적은 기혼 취업여성의 우울에 관한 인과적 관계를 규명하기 위한 것이다. 이를 위해 분석자료로는 제1차 서울시복지패널 조사자료를 이용하였으며, 서울시복지패널자료의 조사대상자 중 20~50대 기혼 취업여성 507명을 분석대상으로 선정하였고, 분석방법으로는 구조방정식 모형을 이용하였다. 분석결과, 기혼 취업여성의 성역할태도로부터 복리후생만족도와 결혼행복감을 거쳐서 우울에 완전매개효과 경로가 형성되었고, 복리후생만족도는 우울과 결혼행복감 간에 부분매개효과가 있음을 알 수 있었다. 본 연구의 결과를 바탕으로 기혼 취업여성의 우울을 해소하기 위한 방안을 제시해보면 우선, 기혼 취업여성의 우울은 우리 사회가 가사노동은 아직까지 여성의 역할로 간주하는 데에서 기인하는 바가 크므로 취업여성들이 일과 가족생활을 양립할 수 있도록 지원하고, 그러한 맥락에서 남성의 가사 및 육아참여를 유도할 수 있는 정책적 조치가 요구된다. 둘째, 기혼 취업여성이 전통주의 성역할 태도를 견지할수록 결혼행복감 및 복리후생만족도는 낮은 결과가 나타났음을 고려해 볼 때 우리 사회에 잔존하고 있는 전통주의적 성역할 가치관을 변화시킬 수 있는 복리후생제도 및 가족친화제도의 활성화 방안이 요구된다. 셋째, 기혼 취업여성의 우울에 큰 영향을 미치는 결혼행복감을 증진시키기 위해서는 부부 및 부모 교육을 포함한 가족서비스를 더욱 강화하는 방안을 모색하는 것이 필요하다.

• 한국실내디자인학회논문집
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• 제16호
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• pp.3-9
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• 1998

The purpose of this research is to empirically validate the IIPS (Interior Image Preference Scale) which is a newly developed visual instrument for evaluating the environmental disposition inherent to individuals especially one's interior image preferences. The questionnaire survey was used. The data were collected from Oct. 10th 1997 to Nov. 14th 1997. The subjects were 399 undergraduate students and 30 professor of Dep. of Interior Design. With respect to content validity and construct validity of IIPS discrimination and similarity structure of scales and characteristics of 12 prototype interior images were examined in comparison with the originals. 429 questionnaires were analyzed using frequency percentage mean and Multi-Dimensional Scales. The major results were as follows (1) All 80 items of IIPS were discriminated by 3 criteria such as Traditionalism·Modernity(TM) Masculinity·Femininty (MF) and Simplicity·Complexity (SC) as expected at the time of the instrument development stage.(2) 12 prototype interior images of the IIPS showed tendency to be accord with descriptors to express them in comparison with the originals (3) All 90 items of IIPS showed a cluster distribution according to the similarity structure of scales. Three subscales of IIPS(e . g. TM MF and SC) were structured pretty well by those 3 dimensions. This research revealed the IIPS to have content validity and construct validity for evaluating of preference of three properties of interior image in empirical research. The IIPS was found to be potential objective tool to measure the interior image preferences.

• 동아시아식생활학회지
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• 제24권2호
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• pp.155-165
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• 2014

The purpose of this study was to assess comsumer preferences and perception of Korean foods in Koreans and non-Koreans residing in Korea. Exactly 79 customers (28 Koreans, 51 non-Koreans) were surveyed with questionnaires in English and Korean. Data were analyzed using the SPSS statistical package (21.0) and ${\chi}^2$-test. Subjects were of various nationalities, including China (37.3%), Philippines (19.6%), Japan (17.7%), USA (11.8%), Uzbekistan (3.9%), Nepal (2.0%) and Nigeria (2.0%). The representative food was Kimchi and favorite Korean foods were Kimchi, Bulgogi, Bibimbap, Galbijjim etc. Koreans reported that the main advantages of Korean food were its 'home-made style', but non-Koreans reported 'health functionality'. In terms of disadvantages, non-Koreans consumers ranked 'unsanitary eating style without individual plates' as the biggest problem while Koreans ranked 'table setting at a time'. Factors 'complicated cooking method', 'spicy taste' and 'salty taste' were also reported disadvantages. Survey participants were asked what was the most important for the globalization of Korean food. Most non-Korean participants listed 'health functionality' and 'traditionalism' (p<0.05).

• 건축역사연구
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• 제26권1호
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• pp.45-59
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• 2017

The purpose of the present study is to figure out what the issues faced by architecture were at the time immediately before the transition to modern era centering of the works of Otto Wagner who acted in Vienna, Austria at the Fin de $si{\grave{e}}cle$. Therefore, the following points were examined in the present study; first, how were new spaces necessary to accommodate modern lives organized and how were the plans changed; second, how did the external expressions of architecture pursued by Otto Wagner appeared between arts and technologies, between historicism and modernity, and between decorations and functions. Through the study, it could be seen that Wagner began from historicism and traditionalism and tried to compromise them with modernity. Many modern characteristics appeared a priori in Wagner's works from the construction of 'Linke Wien Zeile housing block' in 1898, his works completely broke from the typical historicism styles to open the period of inventive 'Secession styles.' At that time, Wagner concentrated on so called 'flat decorations.' Thereafter, his residential architecture completed to modern styles with 'Neustiftgasse housing block' as the peak. The characteristics of modern housing as above became a cornerstone of the modern functionalism later.

• 복식
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• 제52권6호
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• pp.139-164
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• 2002

The objective of this Paper was to identify the internal and external symbols of Punks, and to assess the significance of punk style giving an inspiration to many high fashion designers. For this objective. comprehension on widely discussed idea of punk, furthermore grasping the internal and external form by inquiring historically punk look, and importantly looking into new ideas pursued by punk fashion by studying traits of punk image in 1980's and after are done. Punk in the latter half of the 70's was anti-fashion expressed for the young of working class to rebel against the established generation. At first some of the fashion was popularized by the young who imitated pop stars under the specific economy of Britain, and others with movement of hippie Punk is aesthetics extremism which neglects traditionalism in the past but pursues newness. It denied traditional way of expression and principles of aesthetics but created newness. Punk look was symbolized as poor look. grotesque, androgynous, black, graffiti, and bricolage. And the internal meanings of these symbols are ego-screaming, expression of nihilism, resistance, irony and ridicule, search for hedonism. The punk phenomenon continues today. Some teens still cling to the complete look. whether they have punks' idea and value or not. Diverse elements of punk style play a major role in the current trend of fashion and a source of the fresh inspiration for the high fashion designers. Punk style is truly the story of a fad that turned to fashion.

• 대한가정학회지
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• 제47권3호
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• pp.1-9
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• 2009

This study was conducted to examine how patchwork was expressed in fashion based on theoretical background on its brief history and expression styles and to show its possibility of creating ways for new expression in modern fashion. This study reviewed literatures on definition, history and styles of patchwork and investigated mainly works, which had been presented in collections home and abroad since 2000, to analyze its expressive characteristics shown in modern fashion. According to analysis on the expression of patchwork, it used various painting techniques such as patterns, colors and surface effect. It included patchwork having patterns provoking elusion of fairy tails; containing painting expression of reproducing works of artists; using colors boldly and contrasting strong primary colors directly to establish purity of painting and to pursuit characteristic expression; and using expression techniques of pure art such as gradation and cutting. Second, it used a compromise expression in materials, methods and substances. Patchwork which had used cloth without a pattern or printed fabric, utilized various materials like vinyl, paper, leather, metal and plastic and had a figurative value showing a solid expression as an objet itself with new techniques and changes of connecting methods. Thirdly, it used tradition patchwork techniques. Pieced patchwork, crazy patchwork and images of traditional odd ends of cloth covering a meal were applied to a whole area or a part of cloth to avoid monotony of design and to use it as a decoration.