• 한국음향학회지
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• 제26권7호
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• pp.334-342
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• 2007

MusicXML 파일로 표현되는 수직적으로 화음을 결정할 수 있는 충분한 정보가 있는 호모포니(homophony) 4부 합창 형식의 음악에서 화음 이름을 자동으로 판단하고 사용된 음계와 검출된 화음 이름을 이용하여 조성을 자동으로 검출하는 알고리듬을 기술한다. 화음 이름은 사용된 조에 관계없이 분석이 가능한 구성 화음의 절대적인 이름이나 환경에 따라 두 개 이상의 화음 이름으로 결정될 수 있는 여러 상황이 존재하게 되는데, 몇 가지 파라미터를 이용하여 상황에 가장 적절한 화음을 선택하는 알고리듬을 기술한다. 또한 사용된 음들을 이용하여 음계를 추정하고, 구해진 화음 이름과 추정된 음계를 이용하여 음악의 조성을 파악하는 알고리듬을 기술한다. 조성이 결정되었으면 다시 조성과 파악된 조성을 기반으로 화음을 표기하고 MusicXML 파일로 출력한다.

• 한국분말재료학회지
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• 제16권6호
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• pp.396-402
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• 2009

Tantalum nitrides ($Ta_3N_5$) have been developed to substitute the Cd based pigments for non-toxic red pigment. Various doping elements were doped to reduce the amount of high price Tantalum element used and preserve the red color tonality. Doping elements were added in the synthesizing process of precursor of amorphous tantalum oxides and then Tantalum nitrides doped with various elements were obtained by ammonolysis process. The average particle size of final nitrides with secondary phases was larger than the nitride without the secondary phases. Also secondary phases reduced the red color tonality of final products. On the other hand, final nitrides without secondary phase had orthorhombic crystal system and presented good red color. In other words, in the case of nitrides without secondary phases, doping elements made a solid solution of tantalum nitride. In this context, doping process controlled the ionic state of nitrides and the amount of oxygen/nitrogen in final nitrides affected the color tonality.

• 한국소음진동공학회논문집
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• 제22권6호
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• pp.509-523
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• 2012

The sound quality based on design optimization, throughout the development process of various electronic office equipments, needs to be considered in order to respond the increased needs for the emotional satisfaction of customers in terms of psycho-acoustics. This paper focuses on how to describe the characteristics of operating sound radiated from laser printers by using various sound attributes, and to model the sound quality index that can properly evaluate the subjective preference on modification conditions in the improvement study quantitatively. Especially, the proposed verification process, in the form of combining the correlation based method and the decision error based method, was applied to improve the generality and reliability of a group of participants in the jury evaluation. The modified Aures tonality model was also proposed to improve the correlation coefficient with the mean response of participants by optimizing some parameters. As a result, the loudness, articulation index, roughness, tonality, fluctuation strength were used to model the sound quality index for laser printers by using the multiple-linear regression method. Through the improvement study, it was confirmed that replacing the absorbing materials is effective to reduce the tonalness radiated from the side of a reference printer model. Based on above results, it can be concluded that the proposed model has enough usefulness as quantitative evaluation index to evaluate the difference between modification conditions in the improvement study.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2006년도 추계학술대회논문집
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• pp.69-74
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• 2006

It is known that the various noise sources which are engine, transmission, tire, intake system, etc exist at vehicle driving status. Specially noises which cannot be expected by a driver induce unpleasantness to all passengers. These noises are difficult to distinguish noise sources or specifications because of too many vehicle parts. Therefore in this paper, study on abnormal noise of bush on suspension system is performed by the measurement and analysis of the noises of bushings that are generated artificially. The measured noises are analyzed by two points-view of spectrum and sound quality. Finally, it is shown that the noise sources of bushings on the suspension system which are the pillow ball joint bush of a control arm and the rubber bush of a lower arm could be distinguished by the spectrum distribution and a index value based on tonality.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2006년도 춘계학술대회논문집
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• pp.1276-1279
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• 2006

This article on environmental noise qualify is concerned with the relationships between the annoyance and perception and sound quality metrics according to exposition time for traffic noise. For invested the characteristics of noise quality, we conducted to the subjective experiments of the annoyance response using the absolute 100 scaling method for the traffic noise sources. The traffic noise sources are composed to varieties exposition time from 15sec to 1200sec. As the results, the first there are decreased the perception loud level for the increase of exposition time with logarithm scale, but increased the annoyance. Second, evaluation index of annoyance is correlated to the loudness(sones), tonality and logarithm scale time with R2=0.83. Also, the composition ratio of traffic noise according to exposition time has the change of range as the logarithm scale ($30{\sim}50%$), tonality($27{\sim}37%$) and loudness($34{\sim}20%$).

• 한국음향학회지
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• 제29권8호
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• pp.509-515
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• 2010

본 논문은 충분한 음원 너비 (Apparent Source Width)와 스테레오 이미지 품질 (Stereophonic Image Quality)을 확보하는 모노-스테레오 업믹스 기법을 제안한다. 모노 신호의 분석을 위해 높은 계수의 비음수 행렬 분해가 사용된다. 그 결과로\ 나온 분해된 음원들은 음조성 (Tonality)에 의하여 타악기 (Percussive)와 음조 (Tonal) 그룹으로 분류된다. 두 그룹 중 하나는 바로 스테레오 채널로 들어가는 반면 나머지 하나는 디코릴레이터를 통과하여 들어가게 된다. 청취 평가 결과 제안한 방법은 충분한 음원 너비와 스테레오 음상을 제공할 뿐만 아니라 기존의 방법에 비해 음색 변화도 감소하는 종합적으로 향상된 성능을 보여주었다.

• 대한음성학회:학술대회논문집
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• 대한음성학회 1997년도 7월 학술대회지
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• pp.228-229
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• 1997

1 Intonation is important. It cannot be ignored. To convince students of the importance of intonation, we can use sentences with two very different interpretations according to intonation. Example: "I thought it would rain" with a fallon "rain" means it did not rain, but with a fall on "thought" and a rise on "rain" it means that it did rain. 2 Although complex, intonation is structured. For both teacher and student, the big job of tackling intonation is made simpler by remembering that intonation can be analysed into systems and units. There are three main systems in English intonation: Tonality (division into phrases) Tonicity (selection of accented syllables) Tone (the choice of pitch movements) Examples: Tonality: My brother who lives in London is a doctor. Tonicity: Hello. How ARE you. Hello. How are YOU. Tone: Ways to say "Thank you" 3 In deciding what to teach, we must distinguish what is universal from what is specifically English. This is where contrastive studies of intonation are very valuable. Usually, for instance, division into phrases (tonality) works in broadly similar ways across languages. Some uses of pitch are also similar across languages - for example, very high pitch may signal excitement or urgency. 4 Although most people think that intonation is mainly about pitch (the tone system), actually accent placement (tonicity) is probably the single most important aspect of English intonation. This is because it is connected with information focus, and the effects on interpretation are very clear-cut. Example: They asked for coffee, so I made them coffee. (The second occurrence of "coffee" must not be accented). 5 Ear-training is the beginning of intonation training in the VeL approach. First, students learn to identify fall vs rise vs fall-rise. To begin with, single words are used, then phrases and sentences. When learning tones, the fIrst words used should have unstressed syllables after the stressed syllable (Saturday) to make the pitch movement clearer. 6 In production drills, the fIrst thing is to establish simple neutral patterns. There should be no drama or really special meanings. Simple drills can be used to teach important patterns: Example: A: Peter likes football B: Yes JOHN likes football TOO A: Mary rides a bike B: Yes JENny rides a bike TOO 7 The teacher must be systematic and let learners KNOW what they are learning. It is no good using new patterns and hoping that students will "pick them up" without noticing. 8 Visual feedback of fundamental frequency with a computer display can help students learn correct patterns. The teacher can use the display to demonstrate patterns, or students can practise by themselves, imitating recorded models.

• 한국음향학회:학술대회논문집
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• 한국음향학회 1998년도 학술발표대회 논문집 제17권 1호
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• pp.283-286
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• 1998

monaural 신호는 귀의 특성과 인간의 청취 특성을 정확하게 반영하지 못하는 문제점이 있다. 귀 자체의 특성이 binaural인 것을 생각하면 monaural 신호를 이용한 방법은 정확한 결과가 나오기 어렵다. 따라서 이 논문에서는 monaural 신호를 이용한 음질 평가 시스템의 단점을 보완하고 귀의 binaural 특성을 살린 binaural 음질 평가 시스템을 구현하였다. 소리에 대한 심리음향학 인자로는 monaural 평가에서 사용했던 loudness, sharpness, roughness, fluctuation strength, annoyance, pleasantness를 binaural에 맞도록 수정하였으며, monaural 평가에서는 사용하지 않았던 tonality를 추가하여 pleasantness의 annoyance의 계산식을 수정하였다.

• 한국소음진동공학회논문집
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• 제17권3호
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• pp.241-248
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• 2007

A study has been conducted to investigate the subjective responses of loudness and annoyance according to the exposed time of urban traffic noise in controlled laboratory environment. To make a closer inspection into psychological response relevant to noise characteristics while varying the time of exposure to noise, the subjects were presented a set of noises with different exposed time and requested to judge spontaneously on a 100-unipolar scale. To be concrete, the subjects were exposed to noises being varied in time from 15 sec up to max. 1,200 sec for the controlled traffic noise sources. So far achieved from laborious tests, it has an importance being on the logarithmic relations of perceived loudness and exposed time, say, it is more increased the perceived loudness in the sorter exposed time than in the longer exposed time. However, the trend is said to be not effective for the case of annoyance. On the other hand, the subjective impressions on relative annoyance of noise is shown to be correlated with the noise characteristics such as loudness (sones), tonality and time with logarithmic scale, the product correlation moment being calculated as $R^{2}=0.99$. The variances to be explained for annoyance assessments through varying the time of exposure were ranged between 30 % and 50% for the exposed time, $27{\sim}37%$ for tonality, and $34{\sim}20%$ for loudness, respectively With these results, hopefully, it can be helpful for those who want to work out an experimental design for evaluating an environmental noise or to quantify any psychological dimensions found in annoyance assessments.

• 문화기술의 융합
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• 제7권4호
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• pp.299-304
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• 2021

본 연구의 연구목적은 유아교사가 새노래 지도에 사용하는 동요를 조사하고 상위빈도 동요의 악곡을 분석하는 것이다. 이를 위해 수도권 소재의 유아교육기관에 근무하는 유아교사 120명을 임의표집하여 연간 새노래 지도에 사용하는 동요를 조사했다. SPSS 25.0을 사용하여 상위빈도 20위의 동요를 추출했으며, 일반적 특성(장르, 주제) 및 음악적 특성(조성, 박자, 형식, 음역)을 분석했다. 연구결과를 살펴보면 첫째, 유아교사가 새노래 지도에 사용하는 동요를 조사한 결과 「가을길」이 가장 많이 나타났으며, 다음으로 「겨울바람」, 「허수아비 아저씨」, 「수박파티」, 「코스모스」 등의 순으로 나타났다. 둘째, 상위빈도 20위의 동요를 분석한 결과, 일반적 특성인 장르는 창작동요가 가장 많이 나타났고, 주제로는 계절이 가장 많이 나타났다. 음악적 특성을 살펴보면, 조성은 다장조, 박자는 4/4박자가 가장 많았으며, 형식으로는 세도막형식과 작은세도막형식, 음역으로는 c' - c"와 c' - d"가 가장 많이 나타났다.