• Title/Summary/Keyword: three-dimensional color analysis

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Analysis on the effect of color dispersion compensating layer in the three-dimensional/two-dimensional convertible display based on parallax barrier

  • Cho, Seong-Woo;Park, Jae-Hyeung;Lee, Byoung-Ho
    • 한국정보디스플레이학회:학술대회논문집
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    • 2005.07b
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    • pp.1599-1602
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    • 2005
  • In a three-dimensional/two-dimensional convertible parallax barrier display, an additional layer compensating the color dispersion for three-dimensional display can distort displayed image in the two-dimensional mode. We analyze the effect of the color dispersion compensating layer on two-dimensional image by computer simulations.

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On Color Cluster Analysis with Three-dimensional Fuzzy Color Ball

  • Kim, Dae-Won
    • Journal of the Korean Institute of Intelligent Systems
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    • v.18 no.2
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    • pp.262-267
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    • 2008
  • The focus of this paper is on devising an efficient clustering task for arbitrary color data. In order to tackle this problem, the inherent uncertainty and vagueness of color are represented by a fuzzy color model. By taking a fuzzy approach to color representation, the proposed model makes a soft decision for the vague regions between neighboring colors. A definition on a three-dimensional fuzzy color ball is introduced, and the degree of membership of color is computed by employing a distance measure between a fuzzy color and color data. With the fuzzy color model, a novel fuzzy clustering algorithm for efficient partition of color data is developed.

Comparison of intraoral scanning and conventional impression techniques using 3-dimensional superimposition

  • Rhee, Ye-Kyu;Huh, Yoon-Hyuk;Cho, Lee-Ra;Park, Chan-Jin
    • The Journal of Advanced Prosthodontics
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    • v.7 no.6
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    • pp.460-467
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    • 2015
  • PURPOSE. The aim of this study is to evaluate the appropriate impression technique by analyzing the superimposition of 3D digital model for evaluating accuracy of conventional impression technique and digital impression. MATERIALS AND METHODS. Twenty-four patients who had no periodontitis or temporomandibular joint disease were selected for analysis. As a reference model, digital impressions with a digital impression system were performed. As a test models, for conventional impression dual-arch and full-arch, impression techniques utilizing addition type polyvinylsiloxane for fabrication of cast were applied. 3D laser scanner is used for scanning the cast. Each 3 pairs for 25 STL datasets were imported into the inspection software. The three-dimensional differences were illustrated in a color-coded map. For three-dimensional quantitative analysis, 4 specified contact locations(buccal and lingual cusps of second premolar and molar) were established. For two-dimensional quantitative analysis, the sectioning from buccal cusp to lingual cusp of second premolar and molar were acquired depending on the tooth axis. RESULTS. In color-coded map, the biggest difference between intraoral scanning and dual-arch impression was seen (P<.05). In three-dimensional analysis, the biggest difference was seen between intraoral scanning and dual-arch impression and the smallest difference was seen between dual-arch and full-arch impression. CONCLUSION. The two- and three-dimensional deviations between intraoral scanner and dual-arch impression was bigger than full-arch and dual-arch impression (P<.05). The second premolar showed significantly bigger three-dimensional deviations than the second molar in the three-dimensional deviations (P>.05).

Motion Recognition using Principal Component Analysis

  • Kwon, Yong-Man;Kim, Jong-Min
    • Journal of the Korean Data and Information Science Society
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    • v.15 no.4
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    • pp.817-823
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    • 2004
  • This paper describes a three dimensional motion recognition algorithm and a system which adopts the algorithm for non-contact human-computer interaction. From sequence of stereos images, five feature regions are extracted with simple color segmentation algorithm and then those are used for three dimensional locus calculation precess. However, the result is not so stable, noisy, that we introduce principal component analysis method to get more robust motion recognition results. This method can overcome the weakness of conventional algorithms since it directly uses three dimensional information motion recognition.

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Color Characteristics of the Costumes of the Beijing Opera (중국 경극 의상의 색채특성)

  • Kim, Ji-Eon
    • Journal of the Korean Society of Costume
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    • v.59 no.2
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    • pp.143-153
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    • 2009
  • The purpose of this study is to provide color information in order to planning and merchandising in china fashion through the color of Beijing opera. In objective study, we collect total 302 Beijing opera images. The collecting method of source data is to extract digital color data by color picker. We transform RGB color data to H V/C, CIE L*a*b and analyze the attributes of color and tone, three-dimensional analysis. The results of this study are as follows : 1. The color distrbution of Beijing opera is R(26.9%)>YR(18.2%)>PB(11.6%)>Y(9.6%). Traditional preference color, red is most popular color as 26.7%:, the practice of vivid tone red is numerous. 2. The tone distribution of Beijing opera costume is P(16%)>It(13.9%)>d(11%)>5(9.6%)>4kg (8.2%)>b(7.1%:). The value o# Beijing opera costume distribute medium and medium-high and the chroma of those distributes low. 3. High chroma yellow is restrictive color as the symbol of emperor in china but medium-low chroma yellow is very frequently used. 4. Blue is often used in china costume. Especially in Beijing opera costume blue is symbol of bravery, dignity, cruel character 5. White in Beijing opera costume is much used for symbol of righteous loyalist. Black is less used than white in Beijing opera costume and black is authority color for symbol of the prime minister.

An Analysis of the Color Palette using 3D Visual Presentation (3차원 프리젠테이션을 이용한 실내디자인 색채팔레트 분석)

  • 김은정;이현수
    • Proceeding of Spring/Autumn Annual Conference of KHA
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    • 2001.11a
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    • pp.51-55
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    • 2001
  • Usual1y, common color systems have been expressed with two dimensional method such as books. We think that the three dimensional presentation of color is very useful to know the characteristics of the color palette for interior design. And, it might be convenient far planning the colors of interior design. This paper deals with the method of 3D presentation. We used AutoCAD 2000 and 3dMax 4.0 in modeling the color system. By presenting which parts of the munsell color system used in the colors which have appeared in interior design three dimensionally, the guideline fur the interior designers can be suggested.

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Purpose, curriculum, and results of ${\ulcorner}$color and Materials${\lrcorner}$ course - chiefly focusing on basic course of color theory - (교과목 "실내 마감과 색채"의 목적, 과정, 결과물 - 색채이론의 기초과정을 중심으로 -)

  • Kim, Jin-Woo
    • Proceedings of the Korean Institute of Interior Design Conference
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    • 2005.05a
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    • pp.255-256
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    • 2005
  • For the students who specialize in interior design irrespective of their color susceptibility, it is prerequisite to precede a systematic curriculum in the first place on how to put the color theory to practical use. Therefore, this curriculum has its purpose to let the students study on how to put to practical use of their understanding of color as one of the finishing materials for interior design. The 16-weekschool days has been segmented into a theoretical study and practical training, This thesis has summed up the basic instance of the color theory, the first of the three basicpractical courses and presented its results to the students. In due course of this curriculum, the students were recommended to pick up one photo image of their selection out of which they could make out color palette based on their analysis of the photo image, so that they could study on how to apply their color palette to a three dimensional space. Firstly, through this course, they could experience the process for a color image that they had so far sensed subjectively and vaguely to become an objective inevitable result. Secondly, they studied on the process of how a two-dimensionalcolor image could be applied for a three-dimensional space. It is significant of this curriculum in the sense that the students become prepared through this study course with essential knowledge applicable to various interior designs in their future.

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The study on the dimensional stability of digitized dental stone replicas according to difference color of gypsum materials (치과용 모형재 색상에 따른 디지털 모형의 체적 안정성 연구)

  • Choi, Seog-Soon;Kim, Ki-Baek;Lee, Gyeong-Tak;Jeon, Jin-Hun;Kim, Jae-Hong
    • Journal of Technologic Dentistry
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    • v.34 no.4
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    • pp.369-377
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    • 2012
  • Purpose: The aim of study was to compare the dimensional stability of digitized dental stone replica using different color of gypsum materials using a white light scanner with three-dimensional software. Methods: A master model(500B-1, Nissin dental product, Japan) with the prepared lower full arch tooth was used. Several type IV stones(white, yellow, green) were used for 30 stone casts(10 casts each) duplicated a master model of mandible. The master model and the replicas were digitized with the non-contacting white light scanner to create 3-dimensional digital models. The linear distance between the reference points were measured and analyzed on the Delcam Copycad$^{(R)}$(Delcam plc, UK) 3D graphic software. One-way analysis of variance(ANOVA) combined with a Tukey multiple-range test were used to analysis the data(${\alpha}$=0.05). Results: There were considerable differences in mean values between gypsum materials within each color(white, yellow, green), and this difference was statistically significant, p=0.001. Conclusion: Digitization of dental materials on optical scanner was affected by color. Three different color of gypsum materials showed clinically acceptable accuracies of full arch digital model produced by them. Besides, these results will have to be confirmed in further clinical studies.

The Characteristics of Color on Korean Costume by Basic Culture (기층문화를 통한 한국복식의 색채 특성 연구)

  • Kim Ji-Young;Kim Young-In
    • Journal of the Korean Society of Costume
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    • v.56 no.5 s.104
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    • pp.29-43
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    • 2006
  • The purpose of this study is to examine a unique characteristic of the colors of the costumes in Korean basic culture in the aim of seeking the characteristics and the conceptual meanings of colors found in the majority’s culture. The scope of the basic culture was divided into folk belief, folk game and folk play. Within these limits, the colors of the dress, accessories, instruments were extracted by comparing with the naked eye in NCS Color System. For the analysis of hue and tone, the secondary dimensional analysis using NCS color system and the three-dimensional analysis using the software, COLOR 3D Version 2.0, were done. The result of this investigation is that the colors of the costume in the Korean basic culture are white, gray and black of achromatic color and yellow, yellowish red and purplish blue. This confirms that the colors based on Five-elements color are becoming the basis too basic culture. And Arche-pattern, which is a characteristic commonly found in the Korean traditional society, was shown as a characteristic of color. The colors of the costumes in Korean basic culture are uniquely adopted by the Korean civilians according to their religious and philosophical living standard. This study is meaningful in seeking a root for the formation of their unique color culture.

Colors of Costume in Korean Basic Culture

  • Kim, Ji-Young;Kim, Young-In
    • Proceedings of the Korea Society of Costume Conference
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    • 2003.10a
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    • pp.32-32
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    • 2003
  • This research has for its object to look carefully into the peculiarity of the color of the costume in the Korean culture by revealing the characteristic and the idea of the color being discovered in the Korean basic culture, which has the majority of the Korean people. The scope of the basic culture was divided into folk belief, folk game and folk play. Within these limits, the colors of the dress, accessories, instruments were extracted by comparing with the naked eye in NCS Color System. For the analysis of hue and tone the secondary dimensional analysis using NCS color system and the three-dimensional analysis using the software, COLOR 3D Version 2.0, were done.

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