• 수완나부미
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• 제14권1호
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• pp.31-52
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• 2022

Derived from the juxtapositional model of Comparative Literature, this article analyzes two movies, The Story of Pao (Chuyện của Pao, directed by Ngô Quang Hải) and Into the Wild (directed by Sean Penn), using eco-criticism and focusing on two specific aspects: looking for the relationship between "culture" and "nature" and questioning the ideology that puts people at the center of the natural world. Specifically, the article points out similar tones in discovering and praising the beauty of nature, and at the same time, focuses on explaining the "disagreement" and "harmony" in behaviors of different communities towards Mother Nature in these two films. Finally, The Story of Pao and Into the Wild are both read as discourses that participate in the repositioning of human beings in the natural world. The purpose of juxtaposition, therefore, is to seek a new existential dimension for the works, providing an opportunity to uncover and reveal hidden layers of meaning of each text.

• Child Studies in Asia-Pacific Contexts
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• 제6권1호
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• pp.31-46
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• 2016

This study explored types and characteristics of South Korean crossover picturebooks that are enjoyed across generations. Participants included three publishers, six critics, six illustrators and three picturebook researchers, and focused on 92 South Korean recommended picturebooks published from 1995 to 2014 as the research material for this study. The majority of Korean crossover picturebook type was story, followed by information and art. There were few wordless books. Common themes of the story picturebooks were contemplation, traditional culture, social changes (such as immigration and redevelopment), reminiscence, social relations, loss and death, family problems, and social incidents. Classic essays and novels were revised for picturebooks as were famous poems originally written for grown-ups. Informational books were about traditions in music, architecture, furniture and special occasions like wedding and ceremonies. The style of the drawings were precise and realistic. Some drawings were done by brush and Chinese ink on hanji (traditional Korean paper) or silk. Some books featured Korean calligraphy as well, enabling adult readers to also appreciate the beauty and delicacy of the books. Art books and wordless books were quite rare and exhibited a playful tone. Adults alone were not presumed to be the primary reading audience of the picture books. Implications were made for picturebook marketing in a society such as South Korea, where the elderly population is rapidly increasing. Various forms of art books and parodies were also welcome. One conclusion of the study was that more experimental and innovative works would be encouraging for the development of South Korean crossover picturebooks.

• 비교문화연구
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• 제30권
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• pp.7-29
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• 2013

A movie which brought its material from a historical character or incidents in the past was produced by a story suggestion through a historical fact. It is because Shakespeare created a story based on a mythical element related with his life in the plot which was written from the script of the play and was on the show in the cinemas of London. It is an obvious fact that the historical drama of this movie was intentionally modified and the fictional story was added to episodes in order to create a dramatic effect. However, reflecting historical backgrounds and cultural aspects accurately through a historical study would also be an important factor. Therefore, the backgrounds and aspects presented in this movie are a kind of storytelling which was reconstructed as if a historian added his opinion to historical facts like a discourse. A historical background in was a story about Shakespeare who worked at the theater in London as a writer in 1593 the period of England Reneissance. The movie included the working and playwriting of Shakespeare who is a main character. This indicated not only the environment of the theater and literature during the reign of Queen Elizabeth I but also historical aspect in the early modern industrial society in England. This movie, that is, described that time as a recreation such as a cultural acceptance and an achievement of an initial capitalism in Renaissance in the life of characters. In particular, the factor of theaters flourishing during the Renaissance was because a newly emerging class, bourgeoisie, who held the capital emerging from a policy for middle class led to a box office hit through founding theaters and drama company and selling tickets and performing plays by themselves. Like this, the movie depicted the time led by plays to a industrialization. Moreover, Social aspects in the late 1500s were revealed in this movie through a depiction of the cinemas and the city of London. The depiction of the city of London reflected a social situation of an initial capitalism rapidly developed in trade and commerce. The social aspects such as conflicts between social classes based on getting richer and poorer, mammonism, a corrupted love between the male and the female, a immortality with growing brothels, religious and political conflicts with the foundation of the church in England were closely linked with characters' daily routine at that time in London and were reflected in this work overall. The reason why we highlight characters' job and custom like this in the movie is that these are ideationally inherent in a critical mind from people at that moment. The historical background and reproduction of the image depicted in the movie were focused on characters' daily routine and indicated the problem mentally and independently exposed in the form of initial capitalism.

• 만화애니메이션 연구
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• 통권40호
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• pp.315-336
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• 2015

그 시대의 대중에게 설득력을 갖기 위해서는 허구의 세계 역시 관객과 공유할 수 있는 가치관을 가져야하므로, 여러 번 영화화된 이야기의 주인공 캐릭터들은 당대 관객의 최대공감을 얻기 위해 시대에 따라 조금씩 변화를 거친다. 본 논문은 다양한 신데렐라 동화와 영화에 등장하는 주요 캐릭터들이 시대에 따라 어떻게 변천되어 왔는가를 살펴보았다. 20세기 중반까지 제작된 신데렐라 영화의 주인공은 페로 버전의 동화 원전이 그랬듯 유약하며 소극적이고 순종적 성격으로 묘사되다가 70년대가 넘어가면서 자신의 감정과 의도를 가지고 움직이는 신데렐라가 등장하기 시작한다. 1990년대 이후에는 자신에게 닥친 상황을 책임질 수 있도록 강인하게 자신의 능력을 키우는 주인공을 볼 수 있으며 최근에는 부족한대로의 자기 자신을 받아들이고 운명을 스스로 개척해나가는 주인공을 만나게 된다. 왕자 캐릭터 역시 비슷한 변천을 겪는다. 비교적 초기에 만들어진 신데렐라 버전들에서 왕자는 그저 왕자라는 이유로 모든 여성이 선망하고 있다는 것이 당연시 될 뿐 거의 실체가 없는 막연한 존재다. 70년대 이후 만들어진 영화들에서는 나름의 고민과 감정을 가진 왕자가 묘사되기 시작하며 최근에는 점차 철부지 도련님에서 자신의 의무와 책임을 아는 성인으로 성장해가는 모습이 영화에 담기고 있다. 현대 사회에 들어와 상대적으로 여성들에게 사회적 기회가 늘어나면서 더 이상 여성의 신분상승이 남성과의 관계에서만 얻어지지는 않는다. 그에 따라 신데렐라 이야기는 과거만큼의 인기를 누리고 있지는 않으며, 누군가가 신데렐라를 꿈꾼다고 하면 사회적 질타의 대상이 되기 쉬운 것이 사실이다. 그러나 성의 역할을 떠나 신데렐라는 현 상태에서 자신에게 성공의 가능성이 없다는 무력감을 느끼는 사람이 꿈꿀 수 있는 희망이고, 따라서 그러한 사회적 박탈감을 느끼는 사람들이 있는 한 신데렐라 이야기의 변주는 계속될 것이다.

• 한국가구학회지
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• 제19권2호
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• pp.141-150
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• 2008

Exploring on two major questions: 'Why do we feel more love for certain objects?' and 'How can design use this knowledge to realize design sustainability?', this article presents an alternative way of approaching the problem of design sustainability from the perspective that our relationships with design objects are of an extended mode of social relations. Recent discussions on design sustainability have transformed the notion of the problem by seeing it as a problem of our basic perception of design objects and our relationships with them. In this light, I propose that design sustainability could not be achieved solely by approaching from a mechanistic perspective, but by re-framing the way we see and relate things around us and by supporting our changes and actions to move forward a more sustainable notion of our relationships with the objects. As a way to realize design sustainability, I propose that design should involve story-making quality that supports our initiatives to build more affectional relations with objects by seeing the objects as entities of communication that tell stories of us, thus reflect our identities and meanings of our lives. Proceeding on the exploration of the subject, I present some of conceptual outlines in forms of an image diary, an interplay-able furniture unit, and a performance instruction that suggest a way for a special story-making process and thus a stronger emotional tie with the objects.

• 지능정보연구
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• 제19권4호
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• pp.39-53
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• 2013

인터넷의 발달과 SNS의 등장으로 정보흐름의 방식이 크게 바뀌었다. 이러한 변화에 따라 소셜 미디어가 급부상하고 있으며 소셜 미디어와 비디오 콘텐츠가 융합된 소셜 TV, 소셜 뉴스의 중요성이 강조되고 있다. 이러한 환경 속에서 사용자들은 단순히 콘텐츠를 탐색만 하는 것이 아니라 같은 콘텐츠를 이용하고 있는 친구들이나 지인들과 콘텐츠에 대한 정보나 경험들을 공유하고 더 나아가 새로운 콘텐츠를 만들어내기도 한다. 하지만 기존의 소셜 뉴스에서는 이러한 사용자들의 특성을 반영해 주지 못하고 있다. 특히 이용자들의 참여성만을 고려하고 있어서 서비스간의 차별화가 어렵고 뉴스 콘텐츠에 대한 정보나 경험 공유 시 컨텍스트 공유가 어렵다는 문제가 있다. 이를 해결하기 위해 본 논문에서는 뉴스를 내용별로 분할하고 분할된 뉴스에서 추출된 시간 종속적인 메타데이터를 제공하는 프레임워크를 제안한다. 제안하는 프레임워크에서는 스토리 분할 방법을 이용하여 뉴스 대본을 내용별로 분할한다. 또한 뉴스 전체내용을 대표하는 태그, 분할된 뉴스를 나타내는 서브 태그, 분할된 뉴스가 비디오에서 시작하는 위치 즉, 시간 종속적인 메타데이터를 제공한다. 소셜 뉴스 이용자들에게 시간 종속적인 메타데이터를 제공한다면 이용자들은 전체의 뉴스 내용 중에 자신이 원하는 부분만을 탐색 할 수 있으며 이 부분에 대한 견해를 남길 수 있다. 그리고 뉴스의 전달이나 의견 공유 시 메타데이터를 함께 전달함으로써 전달하고자 하는 내용에 바로 접근이 가능하며 프레임워크의 성능은 추출된 서브 태그가 뉴스의 실제 내용을 얼마나 잘 나타내 주느냐에 따라 결정된다. 그리고 서브 태그는 스토리 분할의 정확성과 서브 태그를 추출하는 방법에 따라 다르게 추출된다. 이 점을 고려하여 의미적 유사도 기반의 스토리 분할 방법을 프레임워크에 적용하였고 벤치마크 알고리즘과 성능 비교 실험을 수행하였으며 분할된 뉴스에서 추출된 서브 태그들과 실제 뉴스의 내용을 비교하여 서브 태그들의 정확도를 분석하였다. 결과적으로 의미적 유사도를 고려한 스토리 분할 방법이 더 우수한 성능을 보였으며 추출된 서브 태그들도 컨텍스트와 관련된 단어들이 추출 되었다.

• Asia pacific journal of information systems
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• 제23권4호
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• pp.1-28
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• 2013

Given that smartphone-based social network services (SNS), such as KakaoStory is now being widely used as a way for people to connect and communicate with each other, this study examines key factors leading to the continued use of SNS. People have been using PC-based SNS, such as Cyworld, for years are now using smartphone-based SNS, such as KakaoStory. KakaoStory developed by KakaoTalk has rapidly grown up as the largest smartphone-based SNS in Korea as smartphone penetration increases. It is more difficult for firms to maintain their current users over time in that alternative SNSs satisfying people's new needs are constantly emerging and evolving. In this sense, one of the most challenging issues for SNS firms is how to retain their current users in the long run. However, there are few empirical studies on this issue. Applying the IS continuance model proposed by Bhattacherjee [2001], this study explores key determinants of users' smartphone-based SNS continuance intention. The model suggests that perceived usefulness and user satisfaction are the key determinants of IS continuance intention. However, the model includes only the utilitarian value that users can obtain through the use of smartphone-based SNS, by considering perceived usefulness. Therefore, the study attempts to extend the IS continuance model by considering hedonic and social values simultaneously. More specifically, we consider subjective norms as social value that are proposed by the theory of reasoned action and the theory of planned behavior. We also consider perceived enjoyment as hedonic value that is emphasized as a key factor influencing users' behavior intention and actual behavior, particularly in the context of hedonic IS use. By considering the three values in our model simultaneously, we could offer a deeper understanding of smartphone-based SNS continuance. That is, this study could offer an explanation of how each value is associated with user satisfaction and SNS continuance intention. The customer value-satisfaction-loyalty model can strengthen the assertion that smartphone-based SNS continuance intention is determined by various different types of customer values, such as utilitarian, hedonic, and social ones. Moreover, the model provides a theoretical basis for the assertion that customer values lead to increased loyalty via customer satisfaction. In this regard, we theorize that SNS continuance intention is influenced by users' various values, namely perceived usefulness, perceived enjoyment, and subjective norms, via user satisfaction. To test the proposed research model and hypotheses, we conducted a partial least squares analysis using a total of 253 data collected on the users of smartphone-based SNS (i.e., KakaoStory). The key findings are as follows: First, it has been found that SNS continuance intention considerably depends on user satisfaction. Second, user satisfaction is determined by confirmation, perceived usefulness, and perceived enjoyment. Third, concerning the effects of the three values on SNS continuance intention, only perceived enjoyment regarded as hedonic value was statistically significant. That is, perceived usefulness considered as utilitarian value and subjective norms considered as social value had no effect on SNS continuance intention. Finally, our results indicate that confirmation increases perceived usefulness, perceived enjoyment, and user satisfaction. The results reconfirm the effectiveness of IS continuance model in predicting smartphone-based SNS continuance intention. Moreover, the results demonstrate that perceived enjoyment reflecting hedonic value is the most important predictor of SNS continuance intention. Therefore, it is imperative for firms to meet SNS users' hedonic value to retain them in the long run. Meanwhile, we could not find any empirical evidence to support the assertion that subjective norms are associated with user satisfaction and SNS continuance intention. The results lead us to conclude that when users have enough direct experience in SNS use, subjective norms have no effect on SNS continuance intention. Discussions and implications of the results are provided.

• 복식
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• 제10권
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• pp.51-62
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• 1986

The purpose of this study was to investigate the relationships among Clothing Satisfaction, Social approval, Psychological dependence, and Social security-insecurity and to determine the difference of clothing behaviors by the demographic variables such as age, socioeconomics status, education, religion, and material status. Clothing Satisfaction was measured by Rim's Questionnaire(1974) moditide and supplemented for this study. For the measurement of Social approval and Psychological dependence, the Clothing Interest Inventory developed by Creekmore (1971) was adapted for this story. The measurement for the Social security-insecurity was adapted from Lapitsky's (1961) Social Security Inventory. Data were collected from 322 purposively selected elderly women over sixty dwelling in Seoul by means of interviews. For statistical analysis, frequency distribution, one-way analysis of variance, Pearson's correlation coefficients were used. The results were as follows: 1. There were significant relationships among Clothing satisfaction, Social approval, and Psychological dependence. Negative significant relaionships were found between Clothing satisfaction and Social approval and between Clothing satisfaction and Psychological dependence. 2. There was negative significant relationship between Social security-insecurity and Clothing satisfaction, while positive significant relationships were found between Social security-insecurity and Social approval, and between Social security- insecurity and Psychological dependence. 3. There was significant difference in Clothing satisfaction according to socioeconomic status and education. 4. There was significant difference in Social approval according to socioeconomic statusand education. 5. There was significant difference in Psychological dependence according to education and religion.

• 한국실내디자인학회논문집
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• 제24권6호
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• pp.79-86
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• 2015

This study started from the concern for Bjrake Ingels, an emerging architect in the architecture circle, who is creative and popular. Recently, the architecture field provides architects with a foundation to express a process on a new form creation through various new expressive languages, design concepts, and methods. The global Danish group BIG(Bjarke Ingels Group) develops a story by their distinctive architectural language. The storytelling is being used in various fields and now the tool called 'story' is settling down as an important element in the life that human lives. Bjarke Ingels leading the group BIG aims for the form expression by the scientific analysis and adaptation after being affected by Danish regional background and OMA. It creates a form to share stories with local members by visually simplifying the region, culture, environment, social phenomenon, economy, and politics that are invisible and do not have the form in the modern society. The elements and expressive features of the space storytelling include locality, cultural, natural environment, and connectivity which are the content structure(story) that enables you to intervene in the story according to the main agent to imagine a new space. The expressive element includes the watching moving line story of the successive, hierarchical, and organic structures which are constructive elements creating various spaces through the mixture, transmutability, and relocation of the program and inducing users to the space. The space storytelling is composed of the symbolism, community, and eco-friendliness to appear diversely through BIG's case analysis. This study will have significance that it drew a method and feature looked at by many contemporary architects from the storytelling viewpoint in the form-creating process, classified the form-creating process through a new storytelling type, and showed a possibility on the development of various methodologies.

• 한국컴퓨터정보학회논문지
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• 제14권11호
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• pp.169-178
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• 2009

동영상으로부터 원하는 정보를 검색하려는 다양한 연구들이 있어왔다. 하지만 기존의 연구들은 동영상의 스토리에 대한 고려 없이 특정한사물의 인식이나 사물간의 관계 정보만을 추출하여 검색에 이용하였다. 동영상에서 정확한 정보를 검색하기 위해서는 스토리의 주축이 되는 등장인물과 등장인물의 커뮤니티에 기반을 둔 연구가 반드시 필요하다. 따라서 본 논문은 등장인물에 기반을 둔 동영상 정보검색 방법을 기술한다. 등장인물들은 서로 대화를 통해 관계를 맺으며 스토리를 진행시킨다. 등장인물들 간의 관계는 배역의 비중을 분류하고 등장인물들이 이루는 커뮤니티를 구분하여 스토리에 형성되어 있는 관계를 분석할 수 있다. 이를 위해 본 논문에서 등장인물들의 관계를 묘사할 수 있는 Character-net을 제안하고 Character-net으로부터 등장인물들의 배역의 비중을 분류하고 등장인물들이 이루는 커뮤니티를 클러스터링 하는 방법에 대해 기술하고 실험을 통해 그 효용성을 입증한다.