• 건축역사연구
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• 제30권6호
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• pp.81-92
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• 2021

It is generally believed that Seonjeong-jeon and Heejeong-dang respectively served as Pyeonjeon of Chang-deok Palace in the earlier and the later period of Joseon dynasty. However, such belief is based on the concept of Pyeonjeon that emerged after the time of King Soonjo's reign(1800~1834). The concept and functions of Pyeonjeon varied among times ranging from Koryo to late Joseon dynasty. In the earlier Koryo dynasty, the word Pyeonjeon signified both "Pyeonjeon in relation to Jeong-jeon" or "Pyeonjeon as a casual office for the king". The ambiguity of the word was resolved when Bopyung-cheong and Jogye-cheong were established in the earlier Joseon dynasty. These buildings in Chang-deok Palace (and only Bopyung-cheong in Gyeong-bok Palace) held rituals related to events in Jeong-jeon, as well as their exclusive political rituals. Thus, the meaning of the term "Pyeon-jeon" became restricted to its second meaning, namely a casual building for the king's everyday office work and small banquets. However, the ambiguity reemerged from around the time of King Seong-jong's reign(1469~1494). In this period, Pyeonjeon as in relation to Jeong-jeon was often referred to as "Jeong-jeon", or "Beop-jeon" from the mid-16th century. In the 19th century, Pyeonjeon as king's casual office took over the characteristics and functions of Beop-jeon. Thus, the popular notion of "Pyeon-jeon" was newly established and passed onto nowadays.

• 복식
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• 제61권5호
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• pp.123-138
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• 2011

This study examined how Chipogwan[緇布冠] with such a long history has been changed in China and Korea. With regard to the name, material, use and form of Chipogwan, the results of this study is summarized as follows. Chipogwan was mentioned continuously in ancient books of ceremonies and literature from the Tang dynasty [唐代], but from the Song dynasty [宋代] new name Chigwan [緇冠: a black hat] appeared besides Chipogwan. The two names were transmitted to Joseon dynasty [朝鮮] and used together until the mid Joseon dynasty, but from the 18th-19th centuries, Chipogwan was adopted according to ancient ceremonies and this name has been used continuously until today. The change of the name reflects the change of the material. Ancient Chipogwan was made of hemp [布] but when the term Chigwan appeared in the Song dynasty it was made of paper and Sa [紗: a 2-end simple gauze]. As other materials were added to hemp, po (布) was omitted from Chipogwan. As to the use of Chipogwan, it was a coronet used in purification ceremonies [齋冠] in ancient times. Then, it was used as Chogagwan [初加冠: a first hat putting on] in coming-of-age ceremonies [冠禮] from Zhou dynasty (周). During the Song and Joseon dynasty, Chipogwan was used in coming-of-age ceremonies as well as in daily life. As to the form, Chipogwan in ancient books of rites and the Song dynasty was a small coronet covering the topknot. In the Joseon dynasty, the form of Song dynasty was followed until the mid period, and then after the mid $18^{th}$ century, another form was proposed according ancient books of rites and an independent form of ceremonial coronet appeared that covered the entire head rather than covering only the topknot.

• 복식
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• 제57권7호
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• pp.84-97
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• 2007

Dancing with weapons existed spontaneously when war and hunting were common, and sword dancing, as a dance for banquets, developed and changed in various forms. In Korea, sword dancing was performed from the Three Dynasty Period, and in Joseon Dynasty, it was performed as court ceremony. The origin of the sword dancing, that has been performed from the Joseon Dynasty until now, and costumes for sword dancing isn't accurate. The purpose of this study is to analyze the sword dancing costume of China, Korea's neighboring country, and that of Korea in the same period, and to find out the process of wearing military uniform: Jun-mo, Jeo-go-ri, Chi-ma, Gwae-ja, and Jun-dae, being settled as the sword dancing costumes of Korea in late Joseon Dynasty. In China, sword dancing became famous in Han Dynasty, and in Tang Dynasty, it was the meridian of sword dancing with the most magnificent form. After the Song Dynasty, the sword dancing fades away. In Korea, the sword dancing started as a mask dancing of children that Hwa-rang(bravery youth) in Shilla Dynasty started. After the Unified Shiila Period, the sword dancing of Tang Dynasty spread to Korea, with active interchange between the two countries. After the Corea Dynasty, the mask dancing of children faded and the sword dancing of Tang Dynasty changes into Korean form. It was incorporated into the court ceremony after the mid-period of Joseon Dynasty, and the costumes were settled as the military uniform, which are Gwae-ja, and Jun-dae on top of Chi-ma, and Jeo-go-ri, and Jun-moon the head.

• 한국수학사학회지
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• 제30권4호
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• pp.203-219
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• 2017

As is well known, the most important development in the history of Chinese mathematics is materialized in Song-Yuan era through tianyuanshu up to siyuanshu for constructing equations and zengcheng kaifangfa for solving them. There are only two authors in the period, Li Ye and Zhu Shijie who left works dealing with them. They were almost forgotten until the late 18th century in China but Zhu's Suanxue Qimeng(1299) had been a main reference for the Joseon mathematics. Commentary by Luo Shilin on Zhu's Siyuan Yujian(1303) was brought into Joseon in the mid-19th century which induced a great attention to Joseon mathematicians with a thorough understanding of Zhu's tianyuanshu. We discuss the history that Joseon mathematicians succeeded to obtain the mathematical structures of Siyuan Yujian based on the Zhu's tianyuanshu.

• 헤리티지:역사와 과학
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• 제43권3호
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• pp.208-241
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• 2010

본 고는 조선시대 왕실의 태실에 유존하는 태실 석함(이하 태함)의 현황을 살펴보고, 제작연대를 바탕으로 형식을 분류하여 고고학적인 태함의 양식을 설정하고 그 편년을 시도한 것이다. 태함은 태실을 처음 조성할 때 매납하는 유물이지만 명문이 각자되지 않으므로 태함 자체만으로 연구하기에는 큰 어려움이 따른다. 하지만 태실 조성 시 함께 제작하는 태지석과 아기비의 명문을 찾아 살펴보고 문헌기록을 대조하여 그 제작시기를 밝힘으로 인해 태함의 제작시기도 밝혀 낼 수 있다. 먼저, 편년의 결정적 요소는 태함을 구성하는 함개와 함신 모두임을 알 수 있었으며, 또한 태함의 변화와 양식은 크게 4단계로 구분할 수 있었다. 조선 왕실의 태함의 변화는 조선 초기에는 고려시대의 양식을 이어받아 상자형으로 만들었으나, 15세기 중 후엽에 과도기를 거쳐 15세기 후엽에 반원형 함개 원통형 함신이 정착하게 된다. 그리고 16세기 후엽에는 앞 시기의 양식에서 발전하여 태함에 돌기가 부착되는 등 장식성이 가미되나, 이는 예술성보다는 기능성에 기인한 것으로 판단된다. 하지만 반원형 함개 원통형 함신이 다시 17세기 초에 재현되며, 17세기 중엽 후부터는 함개에만 돌기가 있거나 무보주의 원추형 함개 또는 절구형의 함신 등 다양하게 나타나는 과도기의 현상이 발생한다. 그러나 다시 보주가 부착된 원추형 함개라는 새로운 양식이 18세기 전엽~18세기 중엽 초에 출현하며, 이것이 다음 시기인 18세기 중엽까지 지속되나, 함신의 감실이 일단벽호형의 방형으로 바뀐다. 계속해서 18세기 중엽에는 함개는 앞 시기의 양식을 유지하나 함신은 감실이 다시 한 면이 ㄷ모양의 열쇠구멍형으로 변화한다. 하지만, 18세기 말에 와서 다시 가장 전형적인 양식인 반원형 함개 원통형 함신의 태함이 재출현하여 태함의 양식이 이 형태가 가장 정형성이 있음을 보여준다. 마지막으로 19세기 중엽에는 함개가 반원형에서 상부가 편평한 장방형의 새로운 양식이 출현하여 쇠퇴기를 맞는다. 그리고 이를 다시 양식상 크게 4단계로 구분할 수 있는데, 조선 초에는 태함이 아직 정형화되지 않아 고려시대의 양식을 이어받았으나(I단계; 1401~15C 중엽), 15세기 후엽부터는 자체적인 발전을 거듭하여 정형화되고(II단계; 1477~1641), 시기가 지나면서 다시 일부 돌기나 보주가 부착되는 등 장식성이 가미되나(III단계; 1660~1754), 결국 18세기 말에는 정형화된 양식이 재출현하다가 조선 말기인 19세기 중엽에는 간략화되어 쇠퇴과정을 겪게 되는 것(IV단계; 1790~1874)을 알 수 있었다. 그러므로 이러한 태함의 양식과 편년 결과는 문헌기록이 부족한 상태에서 앞으로 태실지에서 태함만 확인되더라도 그 조성시기와 주인공이 누구인지 밝혀내는 데 많은 도움이 되리라 생각된다.

• 복식
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• 제66권7호
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• pp.89-108
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• 2016

The purpose of this study is not only to trace the examples of 'Chesanja' from the texts and artifacts, but also to restore the terminology of the lost traditional Joseon embroidery technique. 'Chesanja' came on Mongolia and Yuan period affected embroidery techniques of the neighboring countries. Therefore, this study will focus on investigate the process of changing 'Chesanja' into Guya(Goya) through ${\ll}Barktonsa{\gg}$ the foreign language transcriptions of the Chosun dynasty, and examine the generation, fashion, and destruction of this technique with the social technical usage. Around the 16th century of the Joseon Dynasty, 'Chesanja' had been actively used as a decorative techniques to dairy products as well as a Buddhist memorial goods embroidered. Accor- dingly, in the "Beonnyeok-Baktongsa"(1515) appeared together written records with 'Chesanja' 'Gwiyeo[귀여]' the Eonhae(Korean annotation) only had emerged in the Joseon Dynasty. It was still a technique to decorate the edges of royal pillow in the mid-17th century. And we have checked from the text "Baktongsaeonhae"(1677) also. Despite this by the mid-18th century, the term in "Baktongsa-sinseok"(1765) and "Baktongsa-sinseok-eonhae"(1765) had disappeared. This phenomenon suggests the possibility that the production and utilization of 'Chesanja' required the sophisticated process for the ruling class had been declined with the custom of embroidery based on the gradation by colorful threads as the preferred technique. Therefore, 'Chesanja' and 'Gwiyeo'[귀여] disappeared from the records but they can be found in the artifacts of the royal family of 19th century. So Chesanja is calls Guya(Goya) and exists as unique technic only in the royal family.

• 건축역사연구
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• 제25권5호
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• pp.27-40
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• 2016

The purpose of this study was to comprehend the procurement system of iron materials and the production process of ironwork in royal tombs constructions in the later Joseon period. For this purpose, sixteen Sanneung-uigwes were analyzed. The following conclusions have been reached through the study. First, it was procuring five types of iron materials in constructions of royal tombs. Sincheol had been supplied up to the mid-18th century. On the other hand, the amount of jeongcheol was increased rapidly. Because of the procurement system of initial tools was changed from bokjeong(a kind of tribute) to self-production in the Noyaso. Second, the government stockpiles were utilized as much as possible than bokjeong to manage the limited construction period and sudden construction start. Third, before moving the site of tombs, the melting furnace was installed in the Gungisi(armament factory). The amount of the melting furnace was increased from 5 to 8 since producing the initial tools in the Noyaso. Fourth, six kinds of master artisans were worked in the field of producing ironwork. Metal worker was assigned to one person per melting furnace. Fifth, the quality of final iron materials was controlled by use. Since the 19th century, it had been produced enhanced ironwork.

• 건축역사연구
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• 제25권6호
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• pp.27-34
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• 2016

There were lots of changes of the wooden structure in the middle of Joseon Dynasty. It was the time of replacement from Jusimpo (simple bracket system) to Ikgong (wing-like bracket system) and each bracket had shown mutual variation as well as itself. The aspects of change were discovered that the decorative elements of Ikgong and Dapo (multi-bracket system) had accepted from each other. It was clearly shown that not only the Ungung (carved cloud-shape) and Chotgaji (shape of the acuminate leaf) of Ikgong had affected to Dapo, but also Gaang (pseudo-pointing cantilever) of Dapo had affected to Ikgong. It was mostly found in the Buddhist architecture because there was the conservatization of ruling hierarchy as well as the active growth of Buddhist society.

• 건축역사연구
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• 제28권6호
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• pp.67-76
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• 2019

The purpose of this study is to identify the context of enactment and the application to the design of in 1916. The characteristics of the composition are as follows; First, One-third are general rules of common application, Second, regulations related to cold resistance are set up separately, last, each of the 21 articles was equally divided for schools, hospitals and prisons. The standard reflect the times of the mid-1910s. The Trend of using of the Western Building System in the 1910s, The need for building construction against cold weather, and Actual conditions of renovation, extension and new plans by facility. Furthermore, the fact that various regulations concerning standard design were enacted and used in various Japanese institutions around the 1910s may have influenced the establishment of the standard. Meanwhile, after checking the status of the reflection of the standard on the planning drawings of the government facilities around 1916, it was also found that the plan was carried out in compliance with the provisions of the standard, and that the items already applied before the enactment had been organized into architectural standards.

• 대한건축학회논문집:계획계
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• 제34권5호
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• pp.79-88
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• 2018

The purpose of this study is to analyze the plan type of excavation remains during the Mid to Late Joseon period around Jong-ro area in Seoul. 523 building remains were selected in accordance with plan type could identified through the excavation investigation report. Among these, 276 building remains were verified to the $15-16^{th}$, 145 and 102 building were verified to the 17-18th and the $19^{th}$ century. By classifying excavation remains, four dominant plan type of the each century came out. First, -shape was the most common plan type took nearly 50 percent. In a considerable proportion of cases, this plan type seems an annex of main building. However, -shape plan type also seemed to be used for main building in some cases. ㄱ and ㄷshape plan type took the second and the third. In most cases, these types seemed typical plan used for a main housing building. For the last, ㅁshape plan type identified the most unusual. This plan type merely took under five percent but, these cases are meaningful because it shows the plan alteration from ㄷshape to ㅁshape plan type. Existence proportion between each plan types of the $15-16^{th}$ century were continued to the $18-19^{th}$century without small changes between -and ㄱ types in $17-18^h$ century. By examining selected excavation remains, installing front Toi space on ㄱ, ㄷ and ㅁshape plan type stand out clearly compared with -shape plan type. From this tendency, it could be considered that plan type became a significant factor influenced installing Toi space. Similar to periodical tendency of plan type was not changed dramatically, the rate of installing Toi space in the $15-16^{th}$ century was not changed much until the $18-19^{th}$ century. It also shows the close relation between plan type and installing Toi space. In some excavation remains, floor type in the $15-16^{th}$ century also verified. There are some points of similarities on installing typical location of On-dol, Ma-ru and Bu-eok in these excavation remains with later period housing type such as Ut-Bang-Gguk-Oem-Jib and Ddeul-Jib.