• 제목/요약/키워드: the exhibition

검색결과 1,500건 처리시간 0.034초

박물관의 비정형 건축형태와 중심공간과의 상관성에 관한 연구 (A Study on Correlation between Atypical Architecture Classification and Main Public Space of the Museums)

  • 박상준
    • 한국콘텐츠학회논문지
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    • 제21권3호
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    • pp.88-102
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    • 2021
  • 본 연구는 박물관 건축의 작품 중 특별 전시의 기능을 제외한 상설전시가 주를 이루는 박물관을 중심으로 하였다. 사례연구를 통해 나타난 정형, 비정형, 세그먼트, 사선형의 형태를 기준으로 하여, 164건의 작품사례에 적용한 결과 건축형태를 비정형, 정형, 반정형, 세그먼트, 사선형, 선형으로 재분류 하고, 박물관 건축 형태와 중심 공간과의 상관성의 유무를 유추함으로써 비정형 건축형태와 중심공간과의 관계가 성립하는가를 도출하고자 다음과 같이 내용을 정리하였다. 전체적으로 대부분 비정형박물관건축형태와 일치하는 중심공간의 비정형 형태로서 92.7% 분포도를 나타났다. 결과적으로 전반적으로 박물관 비정형 건축형태가 다수 나타났으며 정형보다는 비정형 건축형태에 있어서 중심공간과의 상관성이 성립되는 것으로서 향후 박물관 건축형태는 비정형이 지속적으로 발전 할 것으로 추정되고 중심 공간 실내건축 설계는 건축형태와의 상관성을 고려하여 설계를 지향하는 기초적 근거자료로서 제시하고자 한다.

알토의 마이레아 저택 미술전시개념에 나타난 일본주택 도꼬노마의 영향에 관한 연구 (A Study on the Influence of Japanese Tokonoma on Aalto's Art Display Concept in Villa Mairea (1937-39))

  • 김현섭
    • 건축역사연구
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    • 제15권3호
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    • pp.43-57
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    • 2006
  • The Villa Mairea (1937-39) designed by Alvar Aalto (1898-1976) has been studied by many researchers from various viewpoints. However, few studies have devoted their attention to the major issue raised by Aalto at the Yale University lecture and "Mairea" article in arkitekten in 1939. The issue is to fuse art with life in the living room with mobile partition walls that can function both as art exhibition walls and as art storage cabinets at the same time. Through this device, he maintained, the client can change displayed pictures easily according to the situation and so "painting and everyday life can evolve in a more direct manner." This paper argues that Aalto's concept originated from Japanese 'tokonoma' in Tetsuro Yoshida's Das japanische Wohnhaus (1935), which he referred to during the project. Differently from other Japanese features in the house, this tokonoma idea is more than formal, but more decisive than passing in driving the plan. And, whether coincidently or not, his idea exactly corresponds to Japanese aesthetes' and critics' own interpretation of the tononoma as the symbolic centre of Japanese people's everyday life. More importantly, however, this art display concept discloses secret strata of modern architecture during the time when the petrified rationalism was still at its power Even through the tokonoma motif alone, we see diverse trails in modern architecture: fusion of the East and the West, fusion of the traditional and the modern, to say nothing of fusion of art with life.

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대학농구 선수들의 심판 판정 인식에 관한 연구 (A Study on the perceptions of university basketball players the referee decision)

  • 유인영
    • 디지털융복합연구
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    • 제13권12호
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    • pp.441-451
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    • 2015
  • 본 연구는 대학농구선수들이 느끼는 심판 판정 인식조사를 분석하여 선수들과 심판의 판정결과에 대한 신뢰를 회복시키고 공정하며 일관성 있는 심판판정을 통해 한국대학농구 발전을 위한 기초자료를 제공하는데 연구의 목적이 있다. 연구분석 결과 대학선수들은 성별에 따라 심판판정 인식 및 경기 영향력은 공정성, 신속성, 일관성, 신뢰성에서 p<.05수준으로 통계적으로 유의한 차이가 나타났다. 출전에 따라 심판판정 인식 및 경기 영향력은 신속성에서 p<.05수준으로 통계적으로 유의한 차이가 나타났다. 포지션에 따라 심판판정 인식 및 경기 영향력은 신속성에서 p<.05수준으로 통계적으로 유의한 차이가 나타났다. 심판판정 인식에 따른 경기 영향력은 공정성, 신속성, 신뢰성에서 p<.001 수준으로 통계적 유의한 차이가 나타났다. 심판배정 선입견에 따른 경기 영향력은 심리상태, 경기력에서 p<.001 수준으로 통계적 유의한 차이가 나타났다.

공공도서관 복합문화공간의 프로그램 구성체계 및 활성화 방안 연구 (A Study on the Program Structure and Activation Plan of the Complex Cultural Space in Public Library)

  • 신영지;노영희
    • 한국문헌정보학회지
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    • 제54권1호
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    • pp.89-114
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    • 2020
  • 본 연구는 공공도서관 내 복합문화공간의 현황 및 운영 중인 프로그램 현황을 파악하기 위한 기초연구로서, 복합문화공간을 구성한 공공도서관을 대상으로 공간유형 및 프로그램 현황을 파악하고, 이를 기반으로 향후 복합문화공간별 프로그램 활성화 방안을 모색하고자 하였다. 이에 복합문화공간을 도서관 내에 구성하고 있는 공공도서관 사서를 대상으로 설문조사를 실시하였으며 그 결과, 교육공간, 전시공간, 공연공간이 다수 있는 것으로 나타났으며, 이와 맥락을 같이하여 복합문화공간에서 운영하고 있는 프로그램 유형도 교육, 전시, 공연 유형의 프로그램이 다수 진행되고 있었다. 그러나 현재 전담인력 부족, 예산 부족, 프로그램 개발 어려움, 프로그램 참여 저조, 문화시설 및 자료 부족 등으로 복합문화공간 운영의 내실화는 아직 부족한 실정인 것으로 보인다. 이에 향후 공공도서관 내 복합문화공간 프로그램 활성화를 위해서는 해당 도서관의 복합문화공간에 대한 목표와 비전을 설정, 공간 확보, 복합문화공간을 위한 인력 및 예산 확보, 홍보 등이 이루어져야 할 것으로 보인다.

네덜란드 RE;USE 디자인의 창발성과 변증적 사유방식 (The Emergent Properties and Dialectic way of thinking of the Dutch RE;USE Design)

  • 박영태
    • 한국실내디자인학회논문집
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    • 제23권1호
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    • pp.23-33
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    • 2014
  • This is a study on the application of a dialectic way of thinking in terms of design methods, and has contents about the formation of new visual and the ways of process that are triggered by cognitive introspection. A ccordingly, the study has its purposes in interpretation and recommendation of new methodological systems around dialectic principles and ways of thinking on the works of the Dutch Architecture Exhibition carried out in Korea in 2013, with the theme of "Reuse" among the aspects expanding since the reflexive modernization. Firstly, the basic features of Dutch designs were connected to dialectic ways of thinking. After studying the basic concepts of dialectics from Greek philosophies to Kant, Hegel, Marx and Benjamin, the aspects of applying them onto creative works such as art, architecture and design were methodologically systematized. Through this process, it was confirmed that the existing concepts are newly rearranged rationally, logically and scientifically based on dialectic ways of thinking rather than subjectively or emotionally. From the study of the 12 art works, it was confirmed that the value of use and potential obstacles have been used as a design solution. Also, the process which is juxtaposed with the result by itself has been expressed and causes the alienation effect. Therefore, such dialectic ways of thinking was organized into a procedural flow of contradictory recognition on situations, drive due to negativity, mutual penetration, mutual transformation, abstraction, verbalizing and creation of new concepts, and it was confirmed that such finding was valid in securing creative possibilities as 'New Uses' rather than 'Re-uses'.

현대 미술에 표현된 예술의상의 상징성 연구 (Symbolism of Fashion Art in Contemporary Art)

  • 허정선;금기숙
    • 복식
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    • 제55권7호
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    • pp.156-170
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    • 2005
  • As contemporary art tends to diverge from its fixed genres and intends to appeal to the public, fashion comes to contribute to the contemporary art area, by playing an important part in the creation of artistic value of art work. Nowadays, it is not unusual to see fashion work shown in an art exhibition parallel with art work, since some artists adopt costumes as the medium of their work in order to explore various means of expression. The occurrence of philosophical, sociological theories concerning human body parallelled with the prevalence of the post-structuralist ideas and occurrence of various styles of artistic expressions of body encouraged active research and attracted social attention to body. With such background, fashion art was formed by a means of the integration of body and fashion in order to create extreme artistic expression. 1 intend to investigate a variety of trends in fashion art from the viewpoint of body space. This study developed criteria for fashion image in contemporary art. Those criteria are based on the dichotomy that divides body into inner aspects and outer aspects. According to the criteria, Firstly, the extension type of body shape includes enlargement and reduction as its sub-types. Secondly, the opening-closure type includes opening type and closure type as its sub-types. Thirdly, the intensity type categorizes clothes into uniqueness and hybridity. Dynamism type classifies fashion art into fixation and moving. The various expressions of clothes type are interpreted as a means by which we can criticize many phenomena of modern society, such as loss of humanity, isolation of individuals, loss of identity, commercialism, and materialism. In the latter period of modern society, the integration of the double-faced nature of body and spirit was attempted and popular fashion was introduced into art in order to express desire, death, gender, identity, and sexual pleasure.

공업계 고등학교 토목과 학생의 진로에 대한 조사연구 (A study on the Career of the civil engineering student at Technical High School)

  • 권영환
    • 교육녹색환경연구
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    • 제8권1호
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    • pp.23-33
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    • 2009
  • The purpose of this study was to examine the basic academic achievement of technical high school students, their learning capability about major, their adaptability to school instruction and whether those factors of them was linked to their career in an effort to suggest workable reform measures. Technical high school seniors to grasp their basic learning capabilities and their opinions on the curricula. The findings of the study were as follows: First, the civil engineering students at technical high school weren't fully able to understand what they learned because of their poor basic achievement. They should take all the required courses to fix their academic deficiencies in the first year of high school, and client-centered additional education should be provided about particular subjects, such as mathematics, which they should learn to study their major. Second, many of the students chose technical high school through the advice of parents or since they weren't able to go onto academic high school. So they entered technical high school without knowing well about their major, and vocational education wasn't properly publicized. As students make a critical career decision in middle school, the government should build permanent pavilions for vocational-education exhibition where interested students can acquire information and explore their career without any restraints. Current fragrant vocational education that is based on experiential learning should be avoided. Third, the government substituted regular classroom teaching for field practice, and that resulted in providing just uniform instruction, destroying learning atmosphere and eventually holding teachers back from offering quality education. To remedy the situation, two different sorts of classes should be prepared. One type of classes are for college- bound students, and the others are for job-seeking students. College- bound students should receive education about humanities to improve their academic deficiencies, and job-seeking seniors should be allowed to take field-practice courses at authorized companies in the second semester. It's advisable personally and socially to help ensure their successful and immediate social adjustment.

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출토 금직물의 강화처리에 관한 연구 (Study of Consolidation of Excavated Fabric with Golden Thread)

  • 홍문경;배순화;이미식
    • 한국의류학회지
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    • 제33권8호
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    • pp.1315-1324
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    • 2009
  • This study is on the consolidation process of the conservation process of fabric with golden thread found in relics. Gold film was glued to pieces of Korean paper and satin using hide glue, which is a natural adhesive and resin Paraloid B-72, which is a liquid type adhesive. This study examines the types and concentration of the adhesives that are appropriate for consolidating gold film on fabric. The advantage of hide glue is that it is harmless to humans and has a high stability. This glue is also believed to be the closest to the adhesive that was used when the relic was originally made. Its weakness is that it is stiff and weaker than chemical glues, but after being washed with water the adhesion level increases. Therefore, hide glue is appropriate in the following instances: a) when washing after consolidation b) when the substrate of gold threads are significantly damaged, and c) when treating greater sized relics that take a longer time to work on. However, Paraloid B-72 has a better adhesion and flexibility than hide glue, but tends to spread out into a greater area, and the area where it is applied tends to absorb less water than before the application. In addition, it is noxious and can be harmful in long-term exposure. Therefore, Paraloid-72 is appropriate in the following instances: a) when consolidating the fabric after washing, and b) when working on smaller relics and consolidating smaller parts of a relic. The necessary concentration levels for consolidants for gold film are 30% for liquid type hide glue and at least 10% for Paraloid B-72 in order for the gold film to stay intact on the fabric during washing, consolidation, exhibition, and conservation.

소규모(小規模) 상업(商業) 건축물(建築物)에 나타난 대중적(大衆的) 전통표현(傳統表現) 특성(特性)에 관(關)한 연구(硏究) - 대구시(大邱市) 인근지역(隣近地域) 상업건축물(商業建築物)을 사례(事例)로 - (A Study on the Characteristics of Popular Traditional Expression in Small Commercial Buildings - Focus on a commercial buildings in a suburb of Taegu -)

  • 이동찬;장수석;김정재
    • 건축역사연구
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    • 제12권4호
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    • pp.63-79
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    • 2003
  • Considering the established research about the characteristics of traditional expression in a contemporary korean architecture, there are two critical problems. the one is that the extent of a case is limited to a public building and a large exhibition building. the other is that the angle of research focus on the viewpoint of specific a level. To settle these problems and supplement a established research, this study is to investigate and analyze the characteristics of popular traditional expression in small commercial buildings. In A viewpoint on the expansion of a case and a various angle, A small commercial buildings is selected as a case. because it is felt that the populace's taste vis-a-vis traditional expression. To investigate and analyze, A main analytic criterion is follows. 1) A expressional method on traditional architectural form 2) A expressional aspect by architectural element 3) A expressional aspect in architectural material 4) A expressional aspect in architectural structure. In consequence we can find out the following results in the process of analysis. 1) In expressional method on traditional architectural form, the traditional expression is represented as the imitation and transformation of a traditional folk house forms, and the embodiment of traditional image 2) In expressional aspect by architectural element, the traditional expression elements is mainly represented at a straw roof and a mud-plastered wall 3) the traditional expression material is mainly straw, timber, small wood boards and mud 4) In expressional aspect in architectural structure, the traditional expression is represented from the viewpoint of decorative expression.

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사용자 경험 증진을 위한 과학관 전시물의 사용성 평가 (A Usability Study On Museum Installations Emphasizing Interaction Design for User Experience)

  • 조명은;최한희;김미정
    • 한국실내디자인학회논문집
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    • 제22권5호
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    • pp.302-310
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    • 2013
  • Many museums have recently employed digital technologies in exhibition installations to provide visitors with interactive experiences with the installations, not just audiences. However, most of them have focused on the adoption of new prototypes or technologies, not considering user experiences of those systems carefully. This study developed an evaluation tool for usability of the tangible user interfaces and conducted a usability study on museum installations emphasizing user interaction and experience. The evaluation tool is composed of 5 features of tangible user interfaces such as tangible, interaction, convenience, representation, spatial interaction and social interaction, and 24 items. The museum we investigated is the Gwacheon National Science Museum, where 8 installations, classified 4 categories, were selected for the usability study. We recruited 6 undergraduate students, who were divided into 2 teams, each team having 3 students. Three students in a team manipulated and experience each installation together and reported their evaluation score through the questionnaire and interviews. The results showed that the score of the usability for the category 3, which requires students to move their bodies for the interaction, is the highest one because it features with spatial interaction. Students expressed much interest in the category 4, which utilizes users' other senses, however, the score of the usability is the lowest because the interaction is temporary and repetitive. Most installations are well designed in terms of control constraints, legibility, lower thresholds, participation encouragement, and open to the public, but pooly designed in terms of multiple access points, configurability, accurate movement, ambient media, and full-body interaction.