• International Journal of Contents
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• 제9권1호
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• pp.90-97
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• 2013

The L.A. riots, which happened during three days from April 29 to May 1, 1992, are viewed as the most deadly and destructive riots in American history. Depicted in blaring front-page headlines and violent pictures on television, this urban upheaval received epic exposure in many countries. In Korea, it was especially shocking due to the viewpoint that highlighted the conflict between Korean and African Americans. This paper aims to review the black-Korean conflict during the 1992 L.A. riots in a Korean movie, Western Avenue. It is a film that narrates the despair of Korean Americans in the context of the L.A. riots, while placing American ideologies on trial. It is the only feature-length film to portray the story of Korean Americans in the L.A. riots. This paper examines some of the factors that resulted from the 1992 L.A. riots before the discussion of Western Avenue. Then, the paper analyzes the story of the Korean American in the film, focusing on how this film deals with the black-Korean conflict during the 1992 L.A. riots.

• 대한교통학회지
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• 제26권4호
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• pp.173-184
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• 2008

교통사고자료를 기반으로 한 사고예측모형의 개발은 사고 발생 후의 처리 측면이 보다 강하며, 교통사고 이력자료(historical data)의 취득이 쉽지않고, 경찰에 보고된 교통사고 건수와 실제 발생한 교통사고 건수와는 불일치하는 경우가 빈번히 발생한다. 또한, 교통사고 이력자료는 운전자의 인적측면이나 현장상황을 보다 현실적으로 고려하기에 어려운 단점이 있다. 근본적인 교차로에서의 안전도 향상을 위해서는 사고발생 이전에 처리할 수 있는 방법의 개발이 필요하다. 교통상충 판단기법은 적은 시간과 한정된 공간에서 조사를 통해 자료를 취득하고 분석할 수 있다는 장점이 있다. 그러나 기존에 이루어지던 수동적인 분석방법은, 분석자의 주관이 반영되기 쉬운 측면이 존재하기 때문에 보다 정밀하고 정확한 교차로의 안전도를 판단하는 지표로 교통상충기법을 이용하기에는 한계가 있음을 확인하였다. 또한, 기존의 교통상충기법은 사고 및 상충이 가지는 심각도에 대한 고려가 부족한 측면이 중요한 단점으로 분석되었다. 이에 본 연구에서는 교통상충을 분석하는데 있어 각 유형별로 상충 심각도를 고려하여 상충을 판단할 수 있는 판단기준을 제시하고, 조사자의 주관이 개입됨으로써 발생할 수 있는 분석의 오류를 제거하기 위하여 영상처리기반의 개별차량 추적기법을 이용하였다. 영상처리기반의 개별차량 추적기법을 이용하여 신호교차로에서 신호위반시 주로 발생하는 대향좌회전 상충과 교차교통 상충에 대한 상충판단알고리즘을 개발하였다. 본 연구에서 개발한 교통상충 판단기준의 적용을 위하여 경기도 성남시의 2개 교차로와 파주시의 1개 교차로의 영상을 취득하여 각각 30분간 분석을 수행하였다. 분석결과, 3개 교차로에서 총 343건의 1단계 상충(신호위반) 상황이 검지되었으며, 이 중 총 25건이 3단계 상충(심각한 상충)으로 발전된 것을 확인하였다. 이를 통하여, 사고발생 이전에 발생하게 되는 상충상황의 분석을 통하여 사고다발지점 등 교차로의 안전도를 평가할 수 있는 대안으로 사용이 가능함을 확인하였다.

• 한국사회복지학
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• 제29권
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• pp.132-157
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• 1996

• 대한교통학회지
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• 제20권1호
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• pp.55-63
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• 2002

교통상충기법 Traffic Conflict Technique(TCT)은 사고자료가 부족한 경우나 단기간내에 교차로의 안전도를 진단해야 할 경우에 유용하게 사용되는 방법으로 알려져 있다. 상충기법에 사용되는 자료는 조사원에 의해 수집되기 때문에 조사원의 개인적 특성과 지식(Knowledge)정도에 따라 다르게 나타난다. 이와 같은 조사원의 개인적 오차는 그 양이 최소화되어 상충분석 계산과정에서 다루어져야 하지만. 이를 명백하게 최소화하는 방안에 대한 연구는 활발히 진행되고 있지 못한 실정이다. 이에 본 연구에서는 이러한 조사원 개인의 오차를 최소화하는 방안에 대해 연구를 진행하였다. 이를 위해 퍼지추론이론을 기존의 교통상충모형에 적용하여, 새로운 교통상충모형을 개발하였다. 퍼지추론은 사물에 대한 인간의 인식이 정확하지 않아 발생되는 불확실성을 근사추론구조를 적용함으로써 계산을 객관화할 수 있기 때문에 조사원 개인의 인지 오차량을 최소화 할 수 있는 방법으로 적합하다. 퍼지추론을 적용한 교통상충모형을 개발한 후, 사례연구를 실시한 결과 조사된 상충데이터가 합리적으로 정제되고 그 분산영역이 전체적으로 약 53% 정도 줄었음을 확인할 수 있었으며, 기존의 교통상충모형에 비하여 정도가 약 2배 정도 향상되었음을 전환계수의 비교를 통해 알 수 있었다. 본 연구에서 제시한 방법론은 도로 및 교차로의 안전도 평가, 교통사고 잦은 지점 개선사업 전·후의 효과분석 등에 유용하게 이용될 수 있다.

• 복식
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• 제56권9호
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• pp.14-23
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• 2006

The purpose of this study is to identify the esthetic features of femme fatale character fashions, which are shown in Movie . The feature of evil femineity is the attribute of evil which brings men to ruin by the dangerous, cunning, and cruel trick, and is expressed in black color, red color, and slash fashion. This fashion shows the dark reverse side of women's sexual desire in relation to anxiety, evil, and death. The feature of sensuality evokes physical pleasures or desires, and maximizes the exposure of sexual regions by tightening or loosening women's body. In the fashion expressing this feature, the forms are fit or loose silhouette. and the colors are black and red. and the materials are soft. This fashion seems to deconstruct the past concept of sex consciousness and emphasize the independent and autonomous femineity. The feature of positiveness combines feminine elements with masculine elements in relation to power elements. This feature is expressed in tailored suit and trousers, with few patterns and details, and in black color and gray color. This fashion reflects the aggressive, challenging, and independent femineity, and expresses the potential defense for the weakness and danger of female body. The feature of purity expresses the earnest and truthful mind, and is expressed in the soft and light one-piece dress, the elegant suit, and the pink color and black color fashion. This fashion shows angel-like and reliable womanly beauty, but at the same time shows women's attribute which changes their behavior and thinking every moment, so that this fashion shows women's double-sided attribute which combines women's weakness and violence, or tenacity and conflict.

• 한국지역지리학회지
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• 제23권2호
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• pp.311-324
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• 2017

본 연구는 초 국경평화공원의 세계적 확산에 선도적인 역할을 하고 있는 남부아프리카의 초 국경평화공원을 사례로 지정학적 관점에서 (초) 국경공원의 역할과 기능, 형태가 시대적 정치상황에 따라 어떻게 변화되어 왔고, 현재 초 국경평화공원의 문제점은 무엇인가에 대해 분석하였다. 남부아프리카의 국경공원은 식민지 시대와 아파르트헤이트 시기, 냉전 및 내전시기에 유럽열강의 충돌을 완화하고 광역 식민지를 분리 통치하고 공산주의와 흑인해방운동의 공간적 확산을 차단하기 위한 역할과 기능을 하였다. 그리고 냉전과 내전, 아파르트헤이트의 종식 이후 국경공원을 통합한 생태학적 초 국경평화공원은 국가 간, 지역 간, 인종 간 대립과 갈등을 해소하고 평화체제를 구축하기 위한 역할과 기능을 하고 있다. 그러나 남부아프리카의 생태학적 초 국경평화공원은 대립과 갈등의 해소와 평화체계의 구축에 효과적인 수단이라는 평가를 받고 있으나 국가 간 인적, 재정적, 기술적 자원의 불균형과 백인과 흑인 간의 경제적, 문화적 차이로 인해 남아프리카 공화국의 정치-경제적 지배와 인종집단 간 사회-공간적 갈등이 재생산될 수 있다는 비판도 받고 있다.

• 한국환경생태학회지
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• 제22권5호
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• pp.536-543
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• 2008

본 연구는 지리산국립공원 일원에 방사한 반달가슴곰(Ursus thibetanus ussuricus)이 유발한 피해에 대한 보상 만족도를 살펴보고, 지역주민과의 갈등관리 위한 기초 자료를 제공하기 위해 수행하였다. 이를 위해 2004년부터 2007년까지 반달가슴곰으로 인해 피해를 받고 보상을 받은 93명을 대상으로 2007년 6월${\sim}$12월에 설문조사를 실시하였다. 조사결과 현재의 피해보상프로그램에 대한 만족도는 5점 척도상 평균 $3.14{\pm}0.85$점으로 보통수준이었다. 보상만족도는 소득수준, 복원사업 찬성 여부, 보상금액, 보상절차 등의 요인과 유의한 상관관계가 있었다. 피해보상심의위원회를 통한 보상방안에는 비교적 긍정적(평균 $3.3{\pm}0.9$점)이었으나, 다른 야생동물과 동일한 기준인 피해액의 80% 수준에서 보상하는 방안에 대해서는 부정적(평균 $2.6{\pm}1.11$점)이었다.

• 영미문화
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• 제14권1호
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• pp.287-310
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• 2014

While Janis Joplin is generally known as a hippie rock star of an untimely death to Korean audience, she is more strongly evoked in the image of blues mama in American context. Blues, definitely based on African-American vernacular tradition, is defined as a matrix, which is "a point of ceaseless input and output, a web of intersecting, crisscrossing impulses always in productive transit," to borrow Houston A. Baker's expression. This article explores how her life and music can be understood in blues tradition, especially in terms of personal and social transgression for which she was criticized, focusing on her blues performance. First of all, born and growing up in southern Texas between 1940s and 1960s, she expressed her innate suspicion against segregation and white supremacy, actively embracing rich black musical heritage of the area. Second, against the normative social and moral expectation of a middle class white woman to be a suburban housewife, she sought her own desire, whether it was professional ambition or sexual possibility. Third, beyond the selling image of a heterosexually lascivious blues mama, she dared to be a homosexual and bisexual, while it was not publically acknowledged. Along with her alcohol and drug dependence, such transgressions against normative social expectation were not made without her inner conflict, leaving a trace of trauma, hesitation, and the blues. While she was "buried alive in the blues," as a sacrifice at the altar of the 1960s, she still remains "alive" provoking "fire inside of everyone of us."

• International Journal of Costume and Fashion
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• 제11권1호
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• pp.15-33
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• 2011

The late $19^{th}$ and early $20^{th}$ centuries of Korea were the times when the Confucianism (牲理學) ideology was shaken heavily under the influences of modernism and capitalism by Western and Japanese military and political-economic forces. Under such circumstances, alteration of clothing was much influenced by ideologies than changes in social structure or technological advance. In this study, an ideology was defined as "the force which drives people into a particular social order". Ideologies were postulated as an ongoing process of socialization with dialectic features rather than being a static state. Comparative analyses on conflict structures and different clothing patterns symbolizing the ideologies of the Ruling (支配) and the Opposition (對抗) were conducted. Investigating dresses as representations of ideologies is to reconsider the notion of dichotomous confrontation between the conservatives (守舊派) and the progressives (開化派) and a recognition of Koreans' passively accepting modernity during the Japanese occupation. This may also have contributed to enlightening Koreans about modernization. Here are the results. First, the theoretical review found that ideologies were represented by not only symbols of discourse, but also dresses, and that dresses embodied both physical and conceptual systems presenting differences between ideologies and their natures, Second, during the late 19th century Korea, conflict between conservatives' Hanbok (韓服) and progressives' Western suits (洋服) was found. Moderate progressives showed their identity by "Colored Clothing" (深色衣), and radical progressives by black suits with short hair (黑衣斷髮) or by western suits (洋服). The ultimate goal of both parties was a "Modern Nation". With these efforts, pale jade green coats and traditional hats symbolizing the nobleman class was eliminated within 30 years from 1880 to 1910, and then simple robes and short hair emerged. However, the powerful Japanese army had taken over the hegemony of East Asia, and Korea was sharply divided into modernization and pro-Japanese camps. Third, during the time of Japanese colonial rule, the dress codes having set by the modernization policies during the time of enlightenment were abandoned and colonial uniforms for the colonial system was meticulously introduced. During this period, Western or Japanese-style uniforms were the symbol of the ruling ideology. In the mean time, Hanbok, particularly "White Clothing (白衣)", emerged as a representation of the opposition ideology. However, due to Japan's coercive power and strong zeal for "Great orient (大東亞)", white clothing remained as a mere symbol. Meanwhile, Reformists (實力養成論者) movement toward improving quality of life followed a similar path of the Japanese policies and was eventually incorporated into the ruling ideology. Fourth, dresses as representations of ruling ideologies were enforced by organizational powers, such as organizations and laws, and binding policies, and changes in such dresses were more significant when the ruling ideologies were stronger. Clothing of the opposition ideology was expressed as an aggregation of public consciousness. During the period, the subjects of ruling ideology and the objects who were granted modernization benefits were different although their drives for colored clothing with short hair (色衣斷髮) for modernization were similar.

• 한국가정과학회지
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• 제9권1호
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• pp.51-61
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• 2006

The purpose of this study is to examine the relation between the trend of art and fashion which predominate a certain time. In order to achieve this goal, this study intends to analyze how plasticity found in Mondrian's pictures are applied to modern fashion with its focus on formative elements. Mondrian was ahead of abstractionism, a major trend of contemporary art, and defined the theory of neo-plasticism. The theory of neo-plasticism defined by Mondrian is characterized by the limited expression of lines and shapes by using only vertical and horizontal straight lines, and right angles and four-sided figures weaved by the lines, and the use of achromatic color(black, white, and gray) in three primary colors(red, blue, and yellow). Based on his theory, he fully displayed the world of geometric abstraction. Mondrian's formative elements which have been applied in modern fashion can be divided into shape and color, For the element of shape, first, horizontal and vertical lines have been applied to patterns, trimmings, detail, and plane of textiles through simplification of design, representing proportion, balance, and stress in a silhouette, Second, plane and diamond shapes made of horizontal and vertical lines have been applied to textiles or patterns with uniqueness. For the element of color, first, three primary colors and achromatic colors are used to seek the aesthetics of balance and harmony that are produced in the strain of conflict through brightness, chroma, and complementary colors, Second, primary colors of high chroma and brightness which are much stronger than pictures are used to express a modern sense. Formative elements of neo-plasticism, which have been applied to modern fashion suggested by this study, are connected with the trend of art contemporary designers have borrowed, Accordingly, this study will become a very helpful material which provides designers with original ideas in developing materials and patterns which connect design with art.