• Title/Summary/Keyword: the 18th Century

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Mulseon-Jinsang Related Document Analysis in First Half of the 18th Century (18세기 전반 물선진상 관련 자료 분석 - 『진상별단등록』을 중심으로 -)

  • Jeon, Sang-wuk
    • Korean Journal of Heritage: History & Science
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    • v.47 no.4
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    • pp.178-191
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    • 2014
  • Jin-Sang is a local specialty donation to the palace. A local specialty donation to the palace is classified Jehyang, Bangmul, Mulseon, Medicine according to characteristic, when, use. Among these, Mulseon Jin-Sang is Most foods. And King was reduced Mulseon Jin-Sang in order to obtain a good image of the king. King Suk-Jong was frequently reduced Mulseon. But frequently changes of goods did not reflect to document. So type of goods, quantity is not clear in early 18th century. In 1728, King Yeong-Jo was published a Jingsangbyeldandngrok to clear type of goods, quantity. This book is written area, timing, quantity of Mulseon. Among these, type of goods, quantity are important. This book was written 176 kinds of goods. These goods was most of the fishery. And raw materials are largely accounted. In addition to processing the various creatures become like dried, pickled. By analyzing the regional allocation features, there are many types order by Gyeongsang-do, Hamgyeong-do. Gangwon-do. This area is faced east sea, so many fisheries have become records. In Gyeongsang-do, Cholla-do, these area were occupied a large portion of the fruit. And Jeju Island was assigned oranges. Finally, it has been assigned dried, pickled foods than living thing in distant area.

Modern Characteristics of Victor Horta's Domestic Architecture (빅터 호르타의 주택설계에 나타난 근대적 특성에 관한 연구)

  • Hwangbo, A.B.
    • KIEAE Journal
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    • v.9 no.2
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    • pp.73-80
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    • 2009
  • In the early twentieth century, many architects still practised eclectic design elements. Emergence of new building materials such as steel, concrete and glass were not yet found fresh roles in architectural design. It was Brussels that the use of modern materials gave rise to their new forms and gave influence to not only building skins but also spatial organization. Art Nouveau architecture is often seen as revolutionary and pioneering modern architecture against eclectic classicism prevalent in the 18th and 19th centuries. Despite the fact that some scholars point out that Art Nouveau is more a transient phenomenon than modern architecture proper, no one would deny that Art Nouveau carries a good deal of modern characteristics. This paper intends to show rather ambivalent perspectives upon Art Nouveau architecture. Although it insinuates overly dynamic nature in architectural languages, it does not hamper us from reading Art Nouveau as a vital component of modern architecture. Through a careful analysis of the early domestic designs of Victor Horta, it becomes evident that his work can provide modern architecture a meaningful alibi for its growth. Victor Horta's house design is well known to the public, both for his classical tastes and for its changing implementation. Horta's modern quality is never adequately recognized, partly due to his eye catching modern iron properties and sinuous ornamentation. This paper tries to offer an insight into the complicated stage set of the fin-de-$si{\grave{e}}cle$ through the work of Victor Horta whose influence has been immense in the making of modern architecture.

Ji-Won Park's Geographical View on Qing Dynasty in the Late 18th Century(I) ('열하일기(熱河日記)'에 비친 연암 박지원의 지리관 일 고찰(I) -자연지리적 인식.문화지리적 인식.지역지리적 인식을 중심으로-)

  • Sohn, Yong-Taek
    • Journal of the Korean association of regional geographers
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    • v.10 no.3
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    • pp.497-510
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    • 2004
  • This study searched for comparison with geography of Qing China, origin of geographical name, people's feature and costume, description on regional geography, and perception on locality on view of a geographer, Ji-Won Park, a renowned Korean scholar of practical learning on the late 18th century. This study on the first three chapters of his Yorha Ilgi - "Crossing the Amnok(Yalu) River("渡河錄")," "Several Records on Senyang("監京雜識")," and "Writing Essays, Riding Horses("馹迅隨筆")," focusing on landscape of Qing China, inquiry on geographical name, feature and costume, and descriptions on locality, gives a glimpse on Park's geographical view on geography of Qing China. His writing style to compare landscapes between Korea and Qing China, full of his love for Korean landscape, is very delicate and clear, Although he sentimentalized when he passed through Bonghwang-castle(鳳凰城) in China, his subtle and beautiful writing explains that land and mountains in Han-yang(Seoul) are much more wonderful than those in China. His vivid depiction of landscape and weather on his way in Qing China is remarkable and explanation on geographical names like Parhae(渤海), Yoha(遼河), Taejaha(太子河), Senyang(瀋陽) etc. is enough to stimulate readers' curiosity on geography.

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A Study on the Rule of Warranty in the English Law of Marine Insurance (영국 해상보험법상 담보(warranty)에 관한 연구)

  • Shin, Gun-Hoon
    • THE INTERNATIONAL COMMERCE & LAW REVIEW
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    • v.42
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    • pp.275-305
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    • 2009
  • Marine insurance contracts, which intended to provide indemnity against marine risks upon the payment of price, known as a premium, originated in Northern Italy in the late 12th and early 13th centuries. The law and practice were later introduced into England through the Continent. It is, therefore, quite exact that English and European marine insurance law have common roots. Nevertheless, significant divergences between English and European insurance systems occurred since the late 17th century, mainly due to different approaches adopted by English courts. The rule of warranty in English marine insurance was developed and clarified in the second part of the 18th century by Lord Mansfield, who laid the foundations of the modern English law of marine insurance, and developed different approaches, especially in the field of warranty in marine insurance law. Since the age of Lord Mansfield, English marine insurance law has a unique rule on warranty. This article is, therefore, designed to analyse the overall rule of the rule of warranty in English marine insurance law. The result of analysis are as following. First, warranties are incorporated to serve a very significant function in the law of insurance, that is, confining or determining the scope of the cover agreed by the insurer. From the insurer's point of view, such the function of warranties is crucial, because his liability, agreed on the contract of insurance, largely depend on in, and the warranties, incorporated in the contract play an essential role in assessing the risk. If the warranty is breached, the risk initially agreed is altered and that serves the reason why the insurer is allowed to discharge automatically further liability from the date of breach. Secondly, the term 'warranty' is used to describe a term of the contract in general and insurance contract law, but the breach of which affords different remedies between general contract law and insurance contract law. Thirdly, a express warranty may be in any form of words from which the intention to warrant is to be inferred. An express warranty must be included in, or written upon, the policy, or must be contained in some document incorporated by reference into the policy. It does not matter how this is done. Fourthly, a warranty is a condition precedent to the insurer's liability on the contract, and, therefore, once broken, the insurer automatically ceases to be liable. If the breach pre-dates the attachment of risk, the insurer will never put on risk, whereas if the breach occurs after inception of risk, the insurer remains liable for any losses within the scope of the policy, but has no liability for any subsequent losses. Finally, the requirements on the warranty must be determined in according to the rule of strict construction. As results, it is irrelevant: the reason that a certain warranty is introduced into the contract, whether the warranty is material to the insurer's decision to accept the contract, whether or not the warranty is irrelevant to the risk or a loss, the extent of compliance, that is, whether the requirements on the warranty is complied exactly or substantially, the unreasonableness or hardship of the rule of strict construction, and whether a breach of warranty has been remedied, and the warranty complied with, before loss.

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A Study on the Characteristic of the Folk Houses' Plans compared with Central Region's ones in Che-chun City (중부형민가와 비교를 통한 제천지역 민가의 평면특성에 관한 조사연구)

  • 최영식;김희규
    • Korean Institute of Interior Design Journal
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    • no.32
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    • pp.28-35
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    • 2002
  • After 18th century in Korea, a tendency of the traditional folk houses shows not only the typical types but also the cultural areas in terms of each regional part. The existing folk houses are selected in order to compare the characteristic of the plans with those of the central region in Korea. Moreover this region has been a collided zone of culture and military from the old period of the Three Kingdoms, because the district of Che-chun is located between the southern part and the central one. So its culture and housing plan showed as unique forms, so-called the Culture of Frontier and Composite. Consequently the purposes of this study are to grasp the characteristic of those plans and to compare the plan types with ones of the central region. For the attainment of the above goal, this investigated study is prosecuted by means of the existing 6-folk houses in Che-chun city.

A Study on the interrelationship between the Spatial Structure of Residential Space and the Structure of Music (주거공간의 공간구조와 음악 구조의 상관성에 관한 연구 - 16C~19C 주거공간을 중심으로 -)

  • 이홍규
    • Korean Institute of Interior Design Journal
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    • no.33
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    • pp.11-18
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    • 2002
  • There is an agreement that sociocultural forces affect on the types of arts. There have been a little attempts to draw analogy between architecture and music. There are many objective and subjective factors for this to be true. If, however, the two arts are out of much the same social conditions, they show a degree of conformity in design and general organization. Our study shows the interrelationship between the Residential Space and structure of music. In order to clarify the interrelationship between architecture and music, the study examines ten Residential Spaces suggested by Yi-Jinkyung. The Residential Spaces are analyzed by using theory of Space Syntax. The structure of music is analyzed by tonality, counterpoint and harmony. The comparison between the Residential Spaces and music follows : From Renaissance to the 19th century, they have the same tendency to 1) openness & closure to the outer space and 2) the netting diagram in the inner space & Counterpoint 3) the tree diagram in the space & Harmony

A Study on the Color Symbol on Costume in the Virgin Mary and an Infant Jesus Icons (성모자도상에 나타난 복색의 상징성)

  • 남윤숙
    • Journal of the Korean Society of Costume
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    • v.49
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    • pp.95-112
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    • 1999
  • The purpose of this study was to research of color symbol on white in the Virgin Mary and an Infant jesus icons. For this purpose icons were selected and analyzed from the medieval ages to the 18th century. The results were as follows. Icons on the subject of the Annnunciation and the Nativity should be expressive of nobility immaculacy and innocence of the Virgin Mary and an Infant Jesus. With this view white was used to be color of candle a waxing moon lily kettle dress bedspredad towel wall encircled garden and became symbolic color in the Icons. As a result the color symbol of white the meaning of immaculacy and innocence disseminated according to spread of the Christian religion. In these days though elimination of the religious meaning the white color is using continuosly as a symbolic color of immaculacy and innocence.

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A Case Study on the Using of Ryang, a Word of Wooden Structure in Joseon Dynasty (조선시대 목조가구 용어 량의 사용 사례 연구)

  • Lee, Yeon-Ro
    • Journal of architectural history
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    • v.25 no.4
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    • pp.7-18
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    • 2016
  • This thesis mainly deals with how 'count of Ryang' was used in Joseon dynasty. Count of Ryang means how many purlins were used in the building with longitudinal section. As a result, the notion of Ryang in Joseon dynasty does not differ from now one. But the usages of that are slightly different to the present day. In Joseon dynasty, count of Ryang mainly was appeared with another word, count of Kan. Count of Kan has two meanings. One is the length, and the other is the area of building. When they used the count of Ryang combined with Kan, count of Kan had the meaning of length. By doing that, count of Ryang indicates the size of flank, count of Kan indicates the length of front. In the 19th century, count of Ryang looks similar to the past, but count of Kan shows another aspect. It did not indicate the length but the area of building. Through this study, although the usages of Ryang were different to the present, the concepts of Ryang were similar in Joseon dynasty.

O Valor Documental dos Balangandãs: Uma Análise Simbólica e Formal

  • Carmo, Sura Souza;Borges, Luiz C.
    • Iberoamérica
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    • v.23 no.1
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    • pp.79-111
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    • 2021
  • The purpose of this article is to present the potential of balangandãs as a documentary source for intersectional studies of gender and slavery, from the analysis of formal and symbolic aspects of the museum objects in the Museu Nacional Nacional (MHN) and Museu Carlos Costa Pinto (MCCP). Balangandãs are a type of creole jewelry, made in gold or silver and used in Brazil since the 18th century by black women - women who worked, especially in the commercialization of foodstuffs in large urban centers. They are described in printed sources and engravings, and preserved in some museum institutions. In the study, the meanings attributed to the object over the centuries are observed: jewelry, amulet, peculium, document, travel memory and heritage. As a result, the article seeks to highlight the objects as a historical and documentary source, verifying similarities between the pieces musealized at the MHN and at the MCCP, also emphasizing the documental power of the pieces produced today.

A Study on the Interactive relationship of Object factors and Space (공간과 오브제 요소의 인터랙션에 관한 연구)

  • Lee Chan;Bae Yun-Joon
    • Korean Institute of Interior Design Journal
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    • v.14 no.6 s.53
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    • pp.103-111
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    • 2005
  • Since the Industrial Revolution in the 18th century, the production system adopted mechanization and mass production to popularize and standardize overall society. The architectural space removed basic desire of men on the decoration to neglect historical and regional continuity of the architecture and to make uniform designs, so that human sensibility and emotion were excluded. The architectural space had arbitrary and functionalism features in accordance with such a social change to display abstract space having no personality. The limitation expanded value of the space that was not lot possession and residence but for communication with men to express object factors. However, the object factors of the space were expressed in each factor consisting of either material factors or non-material factors. This study investigated interaction of the space by both expressive interaction and potential interaction to find out key words for making frames of the investigation and to examine cases comprehensively. The purpose of the study was to recover relations between the space and men in horizontal way and mutual communication and to present possibility integrating men and space.